Latest news with #SofiaRichie
Daily Mail
3 days ago
- Entertainment
- Daily Mail
Sofia Richie and husband Elliot Grainge spotted on rare outing with daughter Eloise after marking milestone
Just days after sharing her daughter Eloise's first birthday with her social media followers, Sofia Richie was spotted out on a rare outing. The 26-year-old socialite was spotted in Brentwood on Sunday with her daughter and husband Elliot Grainge. Her husband Elliot - who she tied the knot with back in 2023 - was also spotted giving her daughter a kiss during the outing. Richie was spotted wearing a v-neck white t-shirt with her blonde hair tied back in a ponytail. She also donned black oversized sunglasses while carrying a beverage during the family outing. The sister of Nicole Richie completed her look with light blue jeans that were folded at the cuffs and brown sandals. Her husband Elliot - who she tied the knot with back in 2023 - was also spotted giving her daughter a kiss during the outing Her husband Grainge was seen wearing a brown shirt under a light white coat with white pants and brown loafers. The socialite recently celebrated her first Mother's Day, sharing a rare snap of her lifting Eloise in the air with her 11 million Instagram followers. She captioned the post — in which she wore jeans, a pale yellow shirt, and periwinkle ballet flats — 'My mini.' It has so far collected over 336,000 likes, including one from fellow new mom Hailey Bieber. Last month, Sofia threw a backyard party complete with little pink toddler-sized tents, a bounce house, a tiered cake and even an adult dressed as a baby. But when she posted updates from the festivities to Instagram, the standout image was a heart-melting snap of her and Elliot doting over Eloise on a pile of cushions. In her caption, Sofia wrote a touching message in which she reflected on the 'mix of emotion' she felt watching her daughter complete her first year in the world. 'A year ago today my little girl was born. I didn't realize her first birthday was going to be such a mix of emotion for me,' Sofia wrote. 'On one hand it's the most amazing beautiful milestone. On the other hand I look back and realize those tiny little moments are something I'll never get back.' 'On one hand it's the most amazing beautiful milestone. On the other hand I look back and realize those tiny little moments are something I'll never get back.' In spite of the bittersweet nature of the occasion, Sofia gushed: 'Watching her grow has been a gift. My greatest achievement will ALWAYS be her.' She added: 'She has given me purpose, and I am nothing without her. Elliot and I couldn't love anything in this life more. I don't know what I did to deserve my little buggie, but all I know is my heaven is right here on earth with her so beyond blessed'. Sofia and Elliot tied the knot in the South Of France in April 2023, in a glittering ceremony at the glamorous Hotel du Cap-Eden-Roc in Antibes. They began dating in 2021, but had apparently been acquainted with each other for several years before striking up their romantic relationship.
Metro
6 days ago
- Business
- Metro
Gap have teamed up Sofia Richie Grainge's fave Dôen has finally launched
Metro journalists select and curate the products that feature on our site. If you make a purchase via links on this page we will earn commission – learn more Dôen is a brand that has crept onto our fashion radar in recent years, which is in part down to Sofia Richie. The female founded Santa Barbara fashion house has grown from strength to strength since its launch in 2016, so much so it has collaborated with longstanding high street retailer Gap on, not one, but two collections. The Gap x Dôen second drop launched stateside on 2nd May, and a few weeks later the collection has landed in the UK, which you can shop now. While this may be the second collection, it is the first time Gap x Dôen has created a menswear line, as well as womenswear and childrenswear. More Trending The 38-piece collection combines Dôen's femininity with Gap's timeless and classic styles, as it features everything from vintage-inspired sweatshirts and hoodies, which feature Dôen's typeface, with summer dresses, matching co-ords, as well as denim jackets, plus much more. Speaking about the collection Mark Breitbard, President & CEO of Gap, said: 'Our first collection with DÔEN set a new bar for how a collaboration can infuse a fresh perspective into Gap essentials, creating covetable pieces that left our customers wanting more. Reuniting with DÔEN – an inspiring partner that shares our values – has allowed us to build on that momentum with a new summer ready collection.' While Margaret Kleveland, Co-Founder and CEO of DÔEN, added: 'We were overwhelmed by the excitement and success of our first collection with Gap. Our second collaboration blends the effortless femininity and timeless style of both brands, while celebrating the incredible community that has shaped DÔEN. The campaign features longtime muses and supporters – women we admire and who have been part of our journey from the beginning. This collection is a tribute to them and to the partnership that brought us here.' Prices range from £30 up to £180, but stock is selling out fast, so you have to shop quickly so not to miss out. Shop the full collection here. An LBD is a wardrobe essential, and this long black dress is one of our favourites. The slim fit design has been crafted from 100% cotton, that is light and breathable. The design boasts a square neckline, tank-like shoulder straps, is maxi length, and offers a slim yet relaxed fit. Though it can be cinched in at the waist with the tie belt. BUY NOW FOR £165 If you are looking for a mini version of the Eyelet Maxi Dress, this is the answer. The mini design falls midway down the thigh, and boasts the same square neck, thick tank straps, straight fit and eyelet detailing. BUY NOW FOR £120 Floral dresses are hugely popular come the spring and summer months, and this Floral Maxi Dress is a must. This creation calls on Dôen's iconic styles, as this slim fit maxi dress features ruffle detail on the thick shoulder straps, a milkmaid style bodice with an elasticated waist to hug the body, before the skirt flares out to the ankle. Crafted from 100% cotton, this dress is an easy breezy style you can dress up or down. BUY NOW FOR £120 Crafted from cotton and recycled cotton blend, this lightweight straight mini dress is perfect for the summer months. The crew neck, thick shoulder straps and relaxed fit deliver a sixties is beautifully versatile, as you can wear on its own with ballet pumps, layer over a T-shirt, a shirt with a Peter Pan collar or under a button front cardigan. BUY NOW FOR £80 One of the most expensive dresses in the collection, but one worth investing slim fit dress is maxi in length, features a scoop neck and short puff sleeves, as well as an under bust seam, which flows elegantly down the body. The gingham print runs in contrasting directions across the upper bodice and skirt. BUY NOW FOR £180 Follow Metro across our social channels, on Facebook, Twitter and Instagram Share your views in the comments below MORE: Aligne's new denim collection is here – and it's all about fit, style and everyday cool MORE: Get over £150 of beauty products for just £45 with this LOOKFANTASTIC summer edit MORE: Dunelm's big homeware sale is here – with up to 50% off bedding, furniture and more
Yahoo
23-05-2025
- Entertainment
- Yahoo
Is Cannes the last truly safe place for celebrities?
CANNES, France — The French Riviera is one of the most photogenic places on the planet. At the Cannes Film Festival, the already gorgeous art deco architecture and placid beaches were dotted with celebrities and common folk alike, dressed to the nines to attend the ritzy premieres. I expected to see a yachtload of influencers. Why couldn't I find any? I went on the hunt: My first stop after landing in Nice was Hotel du Cap-Eden-Roc, a luxury oceanfront hotel, in nearby Cap d'Antibes, where Sofia Richie had her wedding. I had lunch — a €105 buffet — with the most Instagrammable view imaginable, overlooking a pool packed with bright-white umbrellas that overlooked the expansive blue bay. I didn't see a single influencer, though. Just a lot of rich people. 'Are you going down to the festival today?' one wealthy businessman, the kind who says he 'dabbles in this and that' like Walton Goggins' character in The White Lotus, said to his friend, who was just in from Dubai. 'Why would you leave this place?' the friend replied. Their much younger companions debated if they wanted white wine or red, and whether they'd recommend staying in Monaco for three days or five. One of the women, who wore her hair in a tight bun and sported pink high heels, explained that her partner had a tough week because he 'had to fire a bunch of people.' These were just run-of-the-mill rich people I was overhearing, not influencers. Full of canapés and salted fish, I walked to the hotel's legendary walkway, where an iconic photo of Harrison Ford was taken in 1982. There wasn't a single fancy person in sight — just me. Days later, A-listers and Cannes stars Pedro Pascal and Paul Mescal would parody Ford's photo. Even in the most Instagram-friendly spaces, celebrities clearly outnumbered over influencers. Over the next few days, I went to noted influencer hot spots looking to find the social media savvy at places I surely thought they'd turn up: snapping selfies in glamorous hotels, showing off their outfits on idyllic beaches and scrolling through their timelines in exclusive restaurants. Expensive people were all around me, but none were eager to post. Dozens of fans lined up with cameras and pens outside the Marriott where I conducted interviews for The Phoenician Scheme, but they weren't there to spot social media stars. They wanted to see a celebrity. Any celebrity would do. Though I was surprised to find myself in influencer-free territory, the French film festival is apparently one of the last places where social media-first behavior is frowned upon. I couldn't even get a selfie on the red-carpeted steps to a premiere that I had a hard-fought ticket to attend without getting my phone swatted out of my hand by a security guard. They flanked every other step of the theater on both sides. That's by design. Sarah Schmidt, a celebrity and influencer brand expert, told Yahoo Entertainment that 'Cannes is one of the last major cultural events that hasn't gone fully digital-first.' 'That's what makes it iconic — but it's also what makes it incompatible with how most creators operate. There's no general admission, no creator integration and no built-in audience crossover. It runs on scarcity and tradition,' she explained. 'And that's exactly why the [return on investment] for influencers is so low. You can spend ten grand to get there and still walk away with a few pretty photos and a tired caption about 'feeling honored.'' Schmidt said that influencers are 'accessories, not insiders.' If they're there, they've been invited by a luxury brand or a social media company. 'Cannes celebrates art-house cinema, global auteurs, and prestige storytelling. The event isn't built to drive viral content,' she said. 'The red carpet is stunning, yes, but the substance doesn't connect.' Cannes, as it turns out, is a 'cinematic sanctuary — a place intentionally out of sync with the algorithm-chasing energy of the creator economy,' Megan Balyk, vice president of Jive PR & Digital, told Yahoo Entertainment. 'It's not that influencers aren't cool enough for Cannes — it's that Cannes, with its velvet ropes and elite profile, remains deeply rooted in the talent and artistry of film,' she said. 'It's not built for [influencers], and honestly, that's the beauty of it. In a world where every event is trying to be everything to everyone, there's something quietly radical about a festival that knows exactly who it is and who it's for. It's not exclusion; it's intentionality.' In my quest to find influencers on the ground, I heard that TikTok had brought a few of its creators to the Croisette. The social media app was one of the festival's official partners, so creators got great access — some spoke to Denzel Washington on the red carpet, and some met Tom Cruise. 'The creators they're spotlighting are film-obsessed, not just content-obsessed — a subtle but important distinction,' Balyk said. I was kindly invited inside TikTok's creator lounge, where I saw plenty of familiar faces from FilmTok, a community of movie lovers on the platform, chitchatting with each other in an airy, luxurious space with a bar. I spoke with Zainab Jiwa, who said her goal was to make her audience, a cool 590,000 followers on TikTok, feel like they were at the festival with her. She wants to make the prestigious festival seem more accessible. 'It's crazy, isn't it? It hits me every few minutes that I'm here, because we all know Cannes is a film festival — high-caliber stuff. It's a big deal,' she said. 'You need certain things to be here. But you're also surrounded by so many creative people in the industry and you're inspired by everyone you meet. You talk to people, then you're like, 'I need to make something! Now!'' Jiwa's energy was infectious. She was thrilled to be on the Croisette — she was particularly excited about seeing early screenings and catching talks with directors on the beach — but even more thrilled to share with her audience how they could follow in her footsteps 'Be passionate and say yes to everything,' she advised. 'If you're not passionate, what's the point?' When I met Jiwa and her fellow creators at the lounge, they were all getting ready to go to a screening of Wait, Your Car?, a short film written and directed by TikTok creator Reece Feldman, also known as @GuyWithAMovieCamera. He made a name for himself sharing his experience working as a production assistant in the entertainment industry, and now he's using his platform to make movies of his own. 'As a movie lover, [being at Cannes] is like a dream. You're just surrounded by people that like movies, and everyone has opinions, and it's nice getting to speak this universal language with everyone regardless of their actual language,' Feldman told Yahoo Entertainment. 'It doesn't hurt that it's the prettiest place on the planet.' He said it was a massive honor to have his short screened on the Croisette — and people 'laughed where I wanted them to laugh.' 'The theater wasn't big enough to house everyone, which is upsetting to me, but also just in a roundabout way, like if I'm looking at a glass half full, that I'm like, wow, what a privilege that people want to watch something that I've made — the first thing I've made,' Feldman said. Feldman has mingled with celebrities on the red carpet at the Oscars and the Met Gala. When he goes to these exclusive places, he's always thinking, 'What's a cool, fun thing I can show from this perspective?' As a testament to the way he's always thinking about his audience, he asked if I wanted a movie recommendation when I told him I was feeling sick. He recommended two films from his favorite French filmmaker, Eric Rohmer — The Green Ray and A Summer's Tale — and Mr. Bean's Holiday, which is largely set in Cannes. While tastemakers in their own right, creators known for their film recommendations and access to industry events are different from what people might think of when the word 'influencer' is uttered aloud. Rebecca Whitlocke, a PR specialist based on the French Riviera, told Yahoo Entertainment that 'audiences that follow cinephile influencers are there for reviews and inside tips about production and the film industry in general; they are not as obsessed with the influencer being 'famous' or 'known.'' Evan Wray, who leads strategy at influencer marketing company Later, told Yahoo Entertainment that influencers typically aren't a part of the 'celebrity and cinephile … world unless they're crossing into film or entertainment journalism.' 'The real issue is ROI. What's the content opportunity? A red carpet photo? That's not driving engagement or sales,' Wray explained. 'For creators, time is currency. If it doesn't lead to more growth or better brand deals, it's just a flex.' Influencers yearning to post from the gorgeous beaches of the French Riviera need only wait a few weeks before it's their time to shine. Cannes Lions, an annual creativity festival, takes place in the same theaters and stages in mid-June, but it spotlights the creator economy rather than the entertainment industry. 'At Lions, creators are the stars. At the film festival, they're in the nosebleeds,' Wray said. Since the two Cannes experiences are so starkly divided, celebrities at the film festival are free from clout-chasers to bask in their fame, shaking hands with influencers who adore their craft. Cannes Film Festival might be one of the last truly safe places for celebrities to separate themselves from content creators, safe in their silos of traditional stardom. That is, for now.
Yahoo
22-05-2025
- Entertainment
- Yahoo
Is Cannes the last truly safe place for celebrities?
CANNES, France — The French Riviera is one of the most photogenic places on the planet. At the Cannes Film Festival, the already gorgeous art deco architecture and placid beaches were dotted with celebrities and common folk alike, dressed to the nines to attend the ritzy premieres. I expected to see a yachtload of influencers. Why couldn't I find any? I went on the hunt: My first stop after landing in Nice was Hotel du Cap-Eden-Roc, a luxury oceanfront hotel, in nearby Cap d'Antibes, where Sofia Richie had her wedding. I had lunch — a €105 buffet — with the most Instagrammable view imaginable, overlooking a pool packed with bright-white umbrellas that overlooked the expansive blue bay. I didn't see a single influencer, though. Just a lot of rich people. 'Are you going down to the festival today?' one wealthy businessman, the kind who says he 'dabbles in this and that' like Walton Goggins' character in The White Lotus, said to his friend, who was just in from Dubai. 'Why would you leave this place?' the friend replied. Their much younger companions debated if they wanted white wine or red, and whether they'd recommend staying in Monaco for three days or five. One of the women, who wore her hair in a tight bun and sported pink high heels, explained that her partner had a tough week because he 'had to fire a bunch of people.' These were just run-of-the-mill rich people I was overhearing, not influencers. Full of canapés and salted fish, I walked to the hotel's legendary walkway, where an iconic photo of Harrison Ford was taken in 1982. There wasn't a single fancy person in sight — just me. Days later, A-listers and Cannes stars Pedro Pascal and Paul Mescal would parody Ford's photo. Even in the most Instagram-friendly spaces, celebrities clearly outnumbered over influencers. Over the next few days, I went to noted influencer hot spots looking to find the social media savvy at places I surely thought they'd turn up: snapping selfies in glamorous hotels, showing off their outfits on idyllic beaches and scrolling through their timelines in exclusive restaurants. Expensive people were all around me, but none were eager to post. Dozens of fans lined up with cameras and pens outside the Marriott where I conducted interviews for The Phoenician Scheme, but they weren't there to spot social media stars. They wanted to see a celebrity. Any celebrity would do. Though I was surprised to find myself in influencer-free territory, the French film festival is apparently one of the last places where social media-first behavior is frowned upon. I couldn't even get a selfie on the red-carpeted steps to a premiere that I had a hard-fought ticket to attend without getting my phone swatted out of my hand by a security guard. They flanked every other step of the theater on both sides. That's by design. Sarah Schmidt, a celebrity and influencer brand expert, told Yahoo Entertainment that 'Cannes is one of the last major cultural events that hasn't gone fully digital-first.' 'That's what makes it iconic — but it's also what makes it incompatible with how most creators operate. There's no general admission, no creator integration and no built-in audience crossover. It runs on scarcity and tradition,' she explained. 'And that's exactly why the [return on investment] for influencers is so low. You can spend ten grand to get there and still walk away with a few pretty photos and a tired caption about 'feeling honored.'' Schmidt said that influencers are 'accessories, not insiders.' If they're there, they've been invited by a luxury brand or a social media company. 'Cannes celebrates art-house cinema, global auteurs, and prestige storytelling. The event isn't built to drive viral content,' she said. 'The red carpet is stunning, yes, but the substance doesn't connect.' Cannes, as it turns out, is a 'cinematic sanctuary — a place intentionally out of sync with the algorithm-chasing energy of the creator economy,' Megan Balyk, vice president of Jive PR & Digital, told Yahoo Entertainment. 'It's not that influencers aren't cool enough for Cannes — it's that Cannes, with its velvet ropes and elite profile, remains deeply rooted in the talent and artistry of film,' she said. 'It's not built for [influencers], and honestly, that's the beauty of it. In a world where every event is trying to be everything to everyone, there's something quietly radical about a festival that knows exactly who it is and who it's for. It's not exclusion; it's intentionality.' In my quest to find influencers on the ground, I heard that TikTok had brought a few of its creators to the Croisette. The social media app was one of the festival's official partners, so creators got great access — some spoke to Denzel Washington on the red carpet, and some met Tom Cruise. 'The creators they're spotlighting are film-obsessed, not just content-obsessed — a subtle but important distinction,' Balyk said. I was kindly invited inside TikTok's creator lounge, where I saw plenty of familiar faces from FilmTok, a community of movie lovers on the platform, chitchatting with each other in an airy, luxurious space with a bar. I spoke with Zainab Jiwa, who said her goal was to make her audience, a cool 590,000 followers on TikTok, feel like they were at the festival with her. She wants to make the prestigious festival seem more accessible. 'It's crazy, isn't it? It hits me every few minutes that I'm here, because we all know Cannes is a film festival — high-caliber stuff. It's a big deal,' she said. 'You need certain things to be here. But you're also surrounded by so many creative people in the industry and you're inspired by everyone you meet. You talk to people, then you're like, 'I need to make something! Now!'' Jiwa's energy was infectious. She was thrilled to be on the Croisette — she was particularly excited about seeing early screenings and catching talks with directors on the beach — but even more thrilled to share with her audience how they could follow in her footsteps 'Be passionate and say yes to everything,' she advised. 'If you're not passionate, what's the point?' When I met Jiwa and her fellow creators at the lounge, they were all getting ready to go to a screening of Wait, Your Car?, a short film written and directed by TikTok creator Reece Feldman, also known as @GuyWithAMovieCamera. He made a name for himself sharing his experience working as a production assistant in the entertainment industry, and now he's using his platform to make movies of his own. 'As a movie lover, [being at Cannes] is like a dream. You're just surrounded by people that like movies, and everyone has opinions, and it's nice getting to speak this universal language with everyone regardless of their actual language,' Feldman told Yahoo Entertainment. 'It doesn't hurt that it's the prettiest place on the planet.' He said it was a massive honor to have his short screened on the Croisette — and people 'laughed where I wanted them to laugh.' 'The theater wasn't big enough to house everyone, which is upsetting to me, but also just in a roundabout way, like if I'm looking at a glass half full, that I'm like, wow, what a privilege that people want to watch something that I've made — the first thing I've made,' Feldman said. Feldman has mingled with celebrities on the red carpet at the Oscars and the Met Gala. When he goes to these exclusive places, he's always thinking, 'What's a cool, fun thing I can show from this perspective?' As a testament to the way he's always thinking about his audience, he asked if I wanted a movie recommendation when I told him I was feeling sick. He recommended two films from his favorite French filmmaker, Eric Rohmer — The Green Ray and A Summer's Tale — and Mr. Bean's Holiday, which is largely set in Cannes. While tastemakers in their own right, creators known for their film recommendations and access to industry events are different from what people might think of when the word 'influencer' is uttered aloud. Rebecca Whitlocke, a PR specialist based on the French Riviera, told Yahoo Entertainment that 'audiences that follow cinephile influencers are there for reviews and inside tips about production and the film industry in general; they are not as obsessed with the influencer being 'famous' or 'known.'' Evan Wray, who leads strategy at influencer marketing company Later, told Yahoo Entertainment that influencers typically aren't a part of the 'celebrity and cinephile … world unless they're crossing into film or entertainment journalism.' 'The real issue is ROI. What's the content opportunity? A red carpet photo? That's not driving engagement or sales,' Wray explained. 'For creators, time is currency. If it doesn't lead to more growth or better brand deals, it's just a flex.' Influencers yearning to post from the gorgeous beaches of the French Riviera need only wait a few weeks before it's their time to shine. Cannes Lions, an annual creativity festival, takes place in the same theaters and stages in mid-June, but it spotlights the creator economy rather than the entertainment industry. 'At Lions, creators are the stars. At the film festival, they're in the nosebleeds,' Wray said. Since the two Cannes experiences are so starkly divided, celebrities at the film festival are free from clout-chasers to bask in their fame, shaking hands with influencers who adore their craft. Cannes Film Festival might be one of the last truly safe places for celebrities to separate themselves from content creators, safe in their silos of traditional stardom. That is, for now.
Daily Mail
21-05-2025
- Entertainment
- Daily Mail
Sofia Richie posts rare family photo as she and Elliot Grainge celebrate daughter Eloise's big milestone
Sofia Richie posted a rare family photo with her husband Elliot Grainge and their daughter Eloise as they celebrated a major milestone for their little girl. The 26-year-old daughter of Lionel Richie married Elliot - the son of the eminent music mogul Sir Lucian Grainge - in 2023. Last year, they joyously revealed they had welcomed their firstborn child into the world, and this Tuesday they rang in her first birthday. To mark the occasion, Sofia threw a backyard party complete with little pink toddler-sized tents, a bounce house, a tiered cake and even an adult dressed as a baby. But when she posted updates from the festivities to Instagram, the standout image was a heart-melting snap of her and Elliot doting over Eloise on a pile of cushions. In her caption, Sofia wrote a touching message in which she reflected on the 'mix of emotion' she felt watching her daughter complete her first year in the world. 'A year ago today my little girl was born. I didn't realize her first birthday was going to be such a mix of emotion for me,' Sofia wrote. 'On one hand it's the most amazing beautiful milestone. On the other hand I look back and realize those tiny little moments are something I'll never get back.' In spite of the bittersweet nature of the occasion, Sofia gushed: 'Watching her grow has been a gift. My greatest achievement will ALWAYS be her.' She added: 'She has given me purpose, and I am nothing without her. Elliot and I couldn't love anything in this life more. I don't know what I did to deserve my little buggie, but all I know is my heaven is right here on earth with her so beyond blessed'. Eloise's middle name is Samantha, in a tribute to Elliot's late mother Samantha Berg, Sir Lucian's first wife who died tragically in 2007. In the process of giving birth to Elliot in 1993, Samantha had an amniotic fluid embolism, resulting in a coma that she remained in for 14 years until her death, according to a profile of Sir Lucian in the Financial Times. Sofia and Elliot tied the knot in the South Of France in April 2023, in a glittering ceremony at the glamorous Hotel du Cap-Eden-Roc in Antibes. They began dating in 2021, but had apparently been acquainted with each other for several years before striking up their romantic relationship. When Sofia hit the red carpet for at the Met Gala earlier this month, she reflected on how becoming a mother had changed her view of the event. 'I know my husband and my daughter are at home watching me on TV and that warms my heart,' she told E! News, joking: 'Even though she's one years old I like to think she knows what's happening.' For this year's Met Gala, which had the theme Superfine: Tailoring Black Style, Sofia rocked a sleek off-white Tommy Hilfiger with a massive retro bow over her derriere. Two months earlier, she explained that she has finally managed to revert to her pre-pregnancy dress sense, which had changed when she was expecting. ''I feel like I'm back to where I was [style wise] before I was pregnant. 'I'm not very stylish in my house, but when it comes to dressing to go out for the day I have returned to my normal "uniform,"' she informed Elle UK. 'When I was pregnant my style changed completely so that was an adjustment and something that I had to get creative with. It's hard to dress a changing body.'
