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Anime & Indian mythology: Why they're more similar than you think
Anime & Indian mythology: Why they're more similar than you think

Time of India

time21-05-2025

  • Entertainment
  • Time of India

Anime & Indian mythology: Why they're more similar than you think

Credit-Reddit Anime and Hindu mythology might seem worlds apart, but fans know they share deep common threads. Both traditions tell grand stories filled with gods, heroes, and lessons about life. Whether it's a Japanese shonen epic or an old Sanskrit epic, we find familiar symbols: karma, destiny, the tug-of-war between good and evil, and the warmth of family. From the cosmic dance of Shiva to the starry skies of Fullmetal Alchemist , ancient Indian thought and modern anime often tap the same well of imagination. This article explores how cosmic symbolism, moral choices, spiritual ideas and family bonds in anime echo the lessons of Indian myth and scriptures. Cosmic symbolism and moral duality Both anime and Hindu myths use the cosmos to tell their tales. Just as an image of a starry night sky hints at the universe's mysteries, stories invoke the Milky Way, serpents, and dance-like battles to suggest a grand design. In Hindu myth, Shiva and Parvati's cosmic dance creates and dissolves worlds; anime heroes often face destruction-and-rebirth cycles in their own journeys. Modern fantasies even blend Eastern magic with themes of reincarnation and cosmic law. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Trade Bitcoin & Ethereum – No Wallet Needed! IC Markets Start Now Undo In fact, some fantasy comics explicitly craft stories 'with destiny and duty reminiscent of the Mahabharata'. In this cosmic web, moral duality is key. Anime frequently uses the yin–yang idea: think of Bleach 's Soul Reapers balancing the Hollow souls of the dead, or Death Note 's Light Yagami wrestling with justice versus evil. This yin–yang of values — light versus dark, creation versus destruction — feels right at home with Indian ideas of dharma and adharma (right and wrong). As Bleach fans note, the Soul Society is like Yama's realm balancing souls, much as Hindu lore balances Devas and Asuras. In both worlds, villains and heroes are two sides of a cosmic coin, and every victory comes from understanding that balance. Fate, karma and inner conflict In both anime and myth, characters often find themselves tangled in fate and karma. Hindu epics teach that past actions echo through lifetimes, and anime plots often mirror this. For example, Fullmetal Alchemist revolves around Equivalent Exchange — no gain without loss — a clear nod to karmic law. Heroes frequently bear a curse or debt from the past. In Vinland Saga , Thorfinn's quest for vengeance only begets more violence, hinting that violent karma binds us to a cycle. Similarly, in Mahabharata, Karna's loyalty to a wrong king and his hidden destiny haunt him. Like Karna, many anime anti-heroes carry tragic pasts that shape their choices. They struggle with inner conflict — duty vs desire, honor vs revenge — echoing Arjuna's crisis on the battlefield. And sometimes, stories even reset time or reincarnate heroes, much as Hindu thought speaks of rebirth. One webtoon reviewer notes how a heroine sacrifices herself and 'resets' the world, 'echoing the idea of karma and reincarnation found in Indian thought'. In essence, both traditions remind us: your choices now shape the destiny you (or your next self) must confront. This loop of fate and free will runs through the Bhagavad Gita's teaching of duty just as it does through anime tales of next-generation heroes inheriting their elders' burdens. Upanishadic echoes in Anime Anime often carries a spiritual undercurrent that can feel strikingly Upanishadic. The Upanishads teach that a single underlying reality (Brahman) animates everything, and true knowledge is realizing our unity with it. We see this in anime when characters tap into a hidden power or oneness. For example, Fullmetal Alchemist has the concept of 'The Truth' behind reality, reminiscent of the Upanishadic search for ultimate knowledge. Anime heroes also grapple with the nature of the self and the universe. When Naruto (notably not our main examples) befriends powerful beings and speaks of inner peace, it echoes the Upanishad message of the soul's unity. More straightforwardly, many anime preach morality in ways that remind us of the Gita's lessons. Characters learn that true strength often means restraint or compassion — in line with 'dharma' (righteous duty). For instance, an anime warrior might hesitate to fight a villain who is also once a friend, recalling Arjuna's struggle until Krishna urges him to uphold dharma. Likewise, the South Asian webtoon Ramayan explicitly 'explores themes of dharma (duty), righteousness, and the triumph of good over evil', and we see similar threads in shows like Bleach and Vinland Saga , where duty to protect often clashes with personal desires. In short, many anime heroes are philosophers in disguise: they question life's purpose and learn that humility, karma, and right action guide them — lessons straight from Upanishads and Puranas. Family bonds and ancestral legacy Finally, both anime and Indian myths put family at the heart of the journey. In Hindu tales, loyalty and love within a family drive the drama: Shiva's bond with Parvati, or Prahlad's devoted faith overcoming the cruelty of his father. In anime too, bonds of blood and promise are sacred. Fullmetal Alchemist is fundamentally about two brothers saving each other; Bleach 's Ichigo fights to protect his friends and family; Vinland Saga shows fathers and sons (or substitutes) grappling over legacy. Even villains in anime often have tragic family stories, much like mythic characters. These emotional threads mirror how Indian epics honor ancestry and sacrifice. For example, the Pandavas fight for a kingdom their forefathers ruled, while an anime warrior might defend his village because of a vow passed down. Ultimately, heroism in both realms often means preserving something precious from the past. As the legend of Prahlad shows — 'the story of faith, devotion, good versus evil, [and] divine intervention' — love and sacrifice for family or ideals triumph over darkness. That universal message of hope and legacy resonates whether the hero wields a sword in a manga panel or bows to an idol in a temple. In the end, the line between anime fantasies and Hindu mythology is thinner than it seems. Both tell stories of light and shadow, duty and choice, that reach into our hearts. By weaving cosmic symbols with personal stakes, anime series and Indian epics both answer timeless questions: Who are we? Why do we fight? What is our destiny? These themes — gods and demons, fate and justice, family and honor — pulse at the core of each tale. For fans of either, recognizing the overlap can deepen the magic: it's comforting to see that even in modern Tokyo or ancient Ayodhya, heroes and legends share the same sky and soul. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .

5 Anime's greatest villains returned from the dead—Only to be humiliated again
5 Anime's greatest villains returned from the dead—Only to be humiliated again

Time of India

time04-05-2025

  • Entertainment
  • Time of India

5 Anime's greatest villains returned from the dead—Only to be humiliated again

5 Anime's greatest villains returned from the dead—Only to be humiliated again (credit- Fandom) Anime is particularly good at creating these over-the-top evildoers—plotters, ravagers, puppeteers—who tend to make even more of an impact than the protagonists. What about when these fan-favorite villains come back, only for their big return trip to totally suck. In theory, bringing back a big bad A-list villain should up the stakes. It's an opportunity, if audiences can stomach it, to remind them why they were so scary in the first place. Most medium productions miss wildly—serving up bland, compressed arcs, clumsy prose or diminished characters that rob these figures of their past ferocity. Here are five iconic anime bad guys who returned…and unfortunately, deserved to stay dead. 1. Frieza in Dragon Ball Super from threat to comic relief Frieza (credit- Fandom) Frieza was formerly the top villain in Dragon Ball Z —a galactic tyrant who destroyed planets, forced Goku to achieve Super Saiyan form, and made every battle feel like the world's end. To have had his defeat by Future Trunks be a brief but satisfying full stop to his monstrous reign. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Ramallah: AI guru Andrew Ng recommends: Read These 5 Books And Turn Your Life Aroun... Blinkist: Andrew Ng's Reading List Undo So naturally when Dragon Ball Super brought him back to life in the 'Resurrection 'F'' arc, the hype could not have been higher. With his new form, Golden Frieza, he should've been more of a threat than ever before. Unfortunate artistry and lack of technical finesse made him a laughing stock. Beaten in short order, his threat level melted away. Not even in the Tournament of Power, where he did end up having some good moments, did Frieza feel like anything more than a utility player rather than a true villain. His return had no impact, no direction—more bang than boom. 2 Aizen's incredibly short role in Bleach: A Thousand-Year Blood War was disappointing. Aizen ( credit- Fandom) Very few anime villains were as clever or magnetic as Sosuke Aizen. He even played the Soul Society from within and almost destroyed it with unflappable efficiency. For all its flaws his original arc in Bleach developed him to a point where he was an unbeatable genius. So when he returned in the Thousand-Year Blood War, fans were anticipating a big deal. Instead, Aizen ended up filling the role of the aloof, almost passive mentor figure, issuing a couple of wizards' chess lines from his throne and providing little helpful guidance. For a villain of his scale, this 'return' was more like an extended cameo. He didn't influence the story in any substantial sense, and his addition felt more like a nostalgia grab than a game-changer. 3. Shou Tucker's return in FULLMETAL ALCHEMIST The Brotherhood was ethnic cleansing Shou Tucker (credit- Fandom) Get ready Fullmetal Alchemist antagonist revival, Shou Tucker resurrection Shou Tucker is infamous for perhaps the most disturbing moment in anime history—turning his daughter into a chimera. His first appearance was short-lived but indelible. So when he returned as an undead chimera later in Brotherhood, viewers prepared themselves for an apocalyptic battle. The exact opposite occurred. He had no big speech, no big fight scene, and just faded away without contributing anything of importance to the narrative. Instead of taking his return as an opportunity to dig into things like guilt, madness, or redemption, the show made him into a cruel punchline. 4. Naraku's End in Inuyasha. The finalact seemed rushed Naraku (credit- Fandom) Naraku was a true manipulator, the kind that stalks Inuyasha from beginning to end. He was responsible for immeasurable ruination, poisoned souls, and always kept a mile ahead. In The Final Act, his long-awaited defeat didn't pack the emotional punch fans were hoping for. The big finale was all chaos and no substance—big on action, little on payoff. After all the damage he caused, his death was not only too soon. It was without enough seeming consideration. Naraku deserved an ending that befit the depth of his evil. Instead, the series simply skipped ahead. 5. Madara Uchiha's exit in Naruto Shippuden was a complete deception. Madara Uchiha (credit- Fandom) Madara Uchiha, a character who didn't even have a name until Naruto reached the final arc, was advertised as the end-all-be-all boss for Naruto. His power was difficult to fathom—calling down meteors, 1v100ing armies, demolishing the strongest of the world with ease. At first, it truly seemed like he might exceed the expectations. The rug got pulled out from underneath him. He was suddenly betrayed, and replaced, by Kaguya—a villain with no partner emotional buildup, and no significant emotional investment by the audience or the cast. Madara's lack of a true final battle was even more tragic. He did not lose because he was out-witted or out-muscled by the protagonists. He simply… was written out. It seemed a crass flip that soured the entire experience that had come before it. Here's why great villains deserve better Whether the hero or villain, every time someone returns it needs to count. These nefarious characters further developed the scope of their respective story worlds, tested their heroes in memorable and groundbreaking ways, and solidified their statuses in anime annals. Throwing them away—or playing them off as little more than MacGuffins—devalues their legacy and, more importantly, lets down the fans. Not every villain deserves a comeback. If they do receive one, it should pay respect to the positive change they created—not whitewash over it.

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