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Engadget
4 days ago
- Engadget
Fujifilm GFX100RF review: A powerful and fun camera that's far from perfect
After watching its fixed-lens X100 VI camera do stratospheric sales numbers, Fujifilm decided to build a bigger and badder version that could go up against Leica's full-frame Q3. The result is the $4,899 GFX100RF, the first-ever 100-megapixel medium format compact camera. The GFX100RF has some novel features, like a crop dial that lets you choose aspect ratios ranging from vertical 3:4 to a panoramic 65:24. It can digitally zoom via a dedicated toggle and offers all the social media-friendly benefits of the X100 VI, including film simulations. You can even shoot medium-format 4K video. However, the GFX100RF has some flaws. Where Leica's Q3 has a fast 28mm f/1.7 lens and optical stabilization, Fujifilm's 35mm lens (28mm equivalent) here is limited to f4 and lacks any shake reduction, hurting the camera in low light. I've used the camera for nearly two weeks now and enjoyed it, but given the high price and quirks, it's definitely not for everyone. The GFX100RF is the world's first 100MP medium format compact camera. It offers incredible image quality and flexibility but isn't great in low light, and the high price makes it a niche product. $4,899 at B&H Photo Video Though it's Fujifilm's smallest medium-format camera, the GFX100RF is still a hefty unit at 735 grams. That's more than many full-frame mirrorless cameras and around the same weight as the Q3. The control layout is similar to the X100 VI with control dials on the front and back, along with exposure compensation, shutter speed and ISO controls on top. What's new is the aspect ratio dial that offers modes for 4:3, 3:2, 16:9, 17:6, 3:4, 1:1, 7:6, 5:4 and 65:24 (the latter pays tribute to Fujifilm's TX-1 panoramic camera). The GFX100RF also has a toggle up front to select 28mm, 35mm, 50mm and 63mm (full-frame equivalent) zoom levels. Those gradually lose resolution due to cropping, from 100MP at 28mm down to 20MP at 63mm. Bokeh is also reduced as the sensor size shrinks. The rear 2.1-million-dot, 3.15-inch display only tilts up and down, but that's fine for the camera's primary street photo role. Though sharp and detailed, the 5.76-million-dot electronic viewfinder unfortunately lacks the X100 VI's signature hybrid display that lets you switch between optical and electronic views. However, it does offer three modes to support the aspect ratio dial and make composition easier. One only shows the selected crop, another shows the full scene with a box around the crop and the third displays everything outside the crop at 50 percent opacity. Fujifilm's GFX100RF includes an innovative aspect ratio dial at back (Steve Dent for Engadget) Battery life on the GFX100RF is outstanding with up to 820 shots on a charge or about 100 minutes of 4K 30 fps video shooting. For me, that amounted to nearly two days of use, which is better than nearly every other (non-DSLR) camera I've tested. The camera also includes dual UHS-II memory card slots plus mic, headphone, microHDMI and USB-C ports. The latter allows not only data transfers and charging, but also SSD video recording. The GFX100RF is essentially a GFX100S II squeezed into a compact body, so performance is similar with up to 6 fps burst shooting speeds. However, each RAW file is up to 150MB in size and JPEGs are 70MB, so even at those slower speeds, you can fill your memory cards very quickly. That said, this camera definitely isn't designed for sports or wildlife, so I didn't use burst shooting often. The autofocus is reliable when shooting single photos, but it's a little laggy for bursts. Using the face and eye detect AI modes helps nail eye focus reliably, but it's not as fast as Sony and Canon's systems. It also supports animal, bird and vehicle tracking, which helped me capture sharp photos of ducks floating on the Seine river in Paris. The GFX100RF has both mechanical and silent electronic shutter modes. Rolling shutter skew is a big issue with this sensor in silent mode with fast moving subjects, though. Luckily, the mechanical shutter eliminates that and is nearly inaudible. The built-in ND filter can reduce light up to four stops, letting you shoot on sunny days while retaining some bokeh. However, the main problem is when there's not enough light. The minimum f4 aperture is simply inadequate and the lack of stabilization exacerbates the issue as you risk blurry photos at slow shutter speeds. In dim light you may need to pack a tripod, which isn't ideal for a compact camera. The aspect ratio and zoom options on the GFX100RF are handy and fun. Some curmudgeons may prefer to shoot full sensor 100MP photos and then just crop later in post production. But the GFX100RF lets you have your cake and eat it, too. You can apply all the crops, zooms and film simulations you want and save them as JPEGs for easy sharing. Then, if you need to go back and change something, you also have the full 100MP RAW image as a backup (though obviously, shooting both will fill your memory card more quickly). Shot at 4:3 aspect ratio, ISO 1600, 1/200th, f/10 As with the GFX100S II, the GFX100RF is a top performer when it comes to detail and sharpness. Colors are pleasing and RAW files retain high amounts of dynamic range, allowing for easy adjustment in Lightroom. And of course, Fujifilm's film simulations give you colorful, nostalgic options — like Reala Ace or the dramatic black and white look of Acros — straight out of the camera. The GFX100RF also delivers beautiful bokeh, with the f4 aperture equivalent to around f3 for a full-frame camera in terms of depth of field (but not light gathering). Like other GFX models, the large sensor produces more dramatic images than full frame for portraits, landscapes or street shots. Like I mentioned, things fall apart when the light dims, though. With no option below f4 and no stabilization, I relied on high ISOs to boost exposure. The GFX100RF isn't bad in this area, with controllable noise up to about ISO 8000, but that's not high enough considering the other factors. For these reasons, the GFX100RF is less versatile than it could be. The GFX100RF can handle 4K and widescreen DCI 4K at up to 30 fps with fairly high bit rates, as long as you have a fast UHS-II SD card. It can even shoot ProRes with at much higher data speeds, but for those, you'll need to record directly to an SSD via the USB Type-C port. Autofocus for video is decent but not incredibly fast, so ideally your subjects don't move too much. The AI-powered face and eye detection helps nail focus when filming people, but again, can fail if subjects dart around. Video has a dreamy quality and bokeh that only a large sensor can offer. Like the GFX100S II, the GFX100RF captures video using the full width of the sensor in most modes, albeit with pixel binning that reduces quality. The sharpest video comes with a 1.32x crop, but that reduces the image quality benefits of a large sensor. Video on the GFX100RF has one thing going for it that the photo side lacks: digital stabilization. This smooths out shakiness for handheld shots, but the excessive rolling shutter limits your ability to move the camera quickly. Colors are pleasing and easy to adjust, particularly when using Fujifilim's F-Log or F-Log2 10-bit modes to boost dynamic range. And of course, Reala Ace, Acros and other film simulations are available in video modes to create great looks straight out of the camera. Fujifilm's $4,899 GFX100RF is a powerful camera with incredible image quality that's hampered by a lack of low-light performance. It's also a niche and expensive product that, unlike Fujifilm's popular X100 VI, only appeals to a small group of photographers. Its primary rival in this space is Leica's Q3, which has a smaller 60MP full-frame sensor and higher $6,735 price tag. However, the Q3 has a much faster 28mm f/1.7 lens, less rolling shutter, a single SD UHS-II card slot and up to 8K video. It also has the Leica brand cachet, which does mean something to people spending this kind of money. The GFX100RF is fun to use, though, and introduces several innovations like the aspect ratio dial. Though it may never have a huge market, I think products like this push the industry in new directions and create conversations that draw new people into photography. So even though I'd never buy one, I'm glad the GFX100RF exists for those reasons.
Engadget
24-05-2025
- Engadget
Engadget review recap: DJI Mavic 4 Pro, Sony WH-1000XM6, ASUS ROG Flow Z13 and more
The biggest tech events in May and June may be software focused, but there's plenty of hardware going through the wringer here at Engadget. Over the last two weeks alone, we've put a drone, gaming display, headphones and a gaming tablet through their paces. If you missed any of that, or our latest game analysis and EV test drive, keeping scrolling to catch up on our latest reviews. DJI's Mavic 4 Pro is the most technologically advanced consumer drone I've seen, with improvements in video quality, obstacle detection, tracking, battery life and range. However, it's not yet on sale in the US. $2,360 at DJI Reporter Steve Dent reviews a lot of drones at Engadget. So when he uses descriptors like "a new standard," "the most technologically advanced drone I've seen" and "the best video quality," everyone needs to take note. After his tests, Steve argued that the Mavic 4 Pro is further proof of how DJI continues to outpace its rivals. "It's an improvement over the Mavic 3 Pro in nearly every area, and as mentioned, it doesn't really have any competition in the consumer space," he said. "The closest alternative in price and capability is Autel's Evo II Pro 6K, but that drone has a single-camera system with a smaller sensor, less endurance and shorter range." The crown is safe once again. Sony has managed to overhaul its flagship headphones in all the right ways that keep the 1000X line atop our best headphones list. $448 at Amazon Explore More Buying Options $450 at Best Buy$450 at Sony Electronics Sony's latest flagship headphones were hardly a secret by the time they officially arrived last week, but thankfully, the three-year wait for the upgrade was well worth it. The company managed to improve its already great over-ear headphones yet again, with updates to sound quality, noise cancellation and overall comfort. "The only real downside is the price continues to go up: the M6 is $50 more than the M5 was at launch," I wrote. "When you combine their performance with Sony's ever-growing list of features, the 1000XM6 are the best headphones you can buy right now." The ROG Flow Z13 fills the gap between traditional gaming laptops and portable workstations, but its keyboard and price are hard to love. $2,300 at Best Buy If you're looking for a gaming tablet to replace your laptop, there are some perks to the ROG Flow Z13. However, there are also some drawbacks, mainly the flimsy keyboard that makes typing on anything other than a table or desk quite cumbersome. "It's got a funky build and unapologetically aggressive styling," senior reviews reporter Sam Rutherford explained. "But unless you have a very particular set of requirements, it doesn't fit neatly into most people's lives as an equivalent laptop." The 27 UltraGear is a phenomenal OLED gaming monitor, and it proves that 480Hz screens aren't all just hype. $800 at Amazon Explore More Buying Options $870 at Macy's$800 at Best Buy It may have taken writing a review to get senior reviews reporter Devindra Hardwar to understand the hype around 480Hz gaming displays, but I'd argue the sacrifice was well worth it. The LG 27 UltraGear is a powerhouse, right down to the future-proof DisplayPort 2.1 connection. It's expensive though, and besides the OLED panel, it's not much of a looker. But that performance, it'll make you forget where you are. "The real world melted away — I was fully inside Rocket League's absurd soccer arena," he described. "When the match ended, it took me a few minutes to reacclimatize to reality." Contributor Tim Stevens spent some time behind the wheel of Hyundai's three-row Ioniq 9 EV SUV. Pricing for the more premium trims ventures into Rivian territory, but Tim argues the Ioniq 9 is the more practical choice for the rigors of daily life over the R1S. "The Ioniq 9 has a stance more like a Volvo station wagon than a gigantic family hauler, but make no mistake, it's the latter," he said. "That's immediately evident as soon as you climb into the third row." Senior gaming editor Jessica Conditt took Remedy's co-op shooter FBC: Firebreak for a spin. While the game enticed her to keep playing after almost three hours with two strangers, it could still use some polish before next month's launch. "All of the issues I have with Firebreak can be fine-tuned before the game launches this summer, and I have faith in Remedy to do so," she observed. " Firebreak is poised to be a thoughtful and focused entry in the co-op shooter genre, and it's already an inviting extension of Remedy's darkest and silliest sensibilities.
Engadget
13-05-2025
- Business
- Engadget
DJI Mavic 4 Pro review: A new standard for consumer drones
DJI's much-awaited Mavic 4 Pro drone has launched, but there's bad news. Due to Trump's tariffs and other market uncertainties (like a potential DJI ban), it's not yet on sale in America and there's no word on when it will be, or for what price. That will disappoint US buyers, because the Mavic 4 Pro is the most technologically advanced consumer drone ever. With a triple-camera system housed in a wild-looking round gimbal, it can shoot up to 6K at 60 fps with 16 stops of dynamic range, beating any drone and even most cameras. DJI also boosted top speed, battery life and range, while improving obstacle avoidance in low light via a new LiDAR system. Plus, the company introduced an all-new RC Pro 2 controller with a useful new foldable design. I've had the Mavic 4 Pro for a couple of weeks now and it performs even better than the specs would suggest. Though a bit expensive, this drone is so polished and capable that nothing else remotely compares to it. DJI's Mavic 4 Pro is the most technologically advanced consumer drone I've seen, with improvements in video quality, obstacle detection, tracking, battery life and range. However, it's not yet on sale in the US. $2,360 at DJI The trademark feature, as we've seen from leaks and a teaser last week, is the big round triple-camera 'Infinity Gimbal' module at the front. The idea is to allow the gimbal to rotate freely for improved stabilization and interesting camera angles. It boosts the tilt-up angle from 60 to 70 degrees and lets the gimbal rotate at any angle, allowing off-kilter 'Dutch' camera angles for more interesting shots. And of course, it can rotate 90 degrees to deliver full-resolution vertical video for social media. With that new housing and slightly larger batteries, the 2.3 pound Mavic 4 Pro is 0.2 pounds heavier than the Mavic 3 Pro. The propeller arms have been updated so they can be folded and unfolded in any order, unlike the previous model. The body is also more aerodynamic to boost efficiency and speed. To view this content, you'll need to update your privacy settings. Please click here and view the "Content and social-media partners" setting to do so. Tucked in the left propeller arm is a forward-facing LiDAR sensor that greatly aids nighttime obstacle detection. The drone also has six omnidirectional fisheye sensors that work in as little as 0.1 lux, which is equivalent to a night sky lit by a full moon. Where the Mavic 3 Pro had just 8GB of internal memory, the standard Mavic 4 Pro is equipped with 64GB of storage (42GB usable), and the Creator Combo version comes with a generous 512GB of high-speed storage (460GB usable). Both models have a microSD card slot as well. DJI's new RC2 Pro screen controller folds up and flips sideways. (Steve Dent for Engadget) The Mavic 4 Pro ships with the RC2 screen controller first seen with the Air 3 in the basic and Fly More kits. However, DJI also introduced the RC2 Pro, a controller unlike any I've seen before. The bright 7-inch HDR display folds up to provide a multi-angle view and the joysticks now collapse into the body. It has a full complement of controls for flying and camera operations, including a button that flips the camera 90 degrees. The RC2 Pro also has an HDMI and a USB-C port, along with Wi-Fi 6 support for high-speed data transfers. The new 95Wh batteries are rated to offer up to 51 minutes of flight time, or around 40-45 minutes in typical use. That's a significant boost from the 30-35 minute real-world battery life on the Mavic 3 Pro. Better still, they charge faster than ever at 51 minutes for one battery (via USB-C) or 90 minutes for three with the Fly More kit charger. The Mavic 4 Pro can now hit 56 mph (90 km/h) in sport mode without obstacle detection, up from 47 mph before, which will be a big help for filming motor vehicles. Top speed in normal mode with tracking and obstacle detection is also faster at 40 mph. It's still a big SUV of a drone, though, so it lacks the agility of DJI's Mini 4 Pro. And with no prop guards, it's not advisable to maneuver around people or in tight spaces like the Avata 2. Noise from the Mavic 4 Pro is unchanged from the Mavic 3 Pro at 83 dB. However, the frequency is lower and less bothersome, especially when it's flying close to people — so, er, props to DJI for that improvement. With the new O4+ transmission system, the Mavic 4 Pro now offers up to 18.6 miles (30 km) of video transmission range, double that of the Mavic 3 Pro. Though most pilots won't venture that far away, I found the Mavic 4 Pro less susceptible to interference and dropouts than before. It also supports bright 10-bit HDR 1080p live video transmission for a higher-quality backup capture and better visibility in sunlight. Subject tracking is available via the ActiveTrack 360 function (first seen on the Mini 4 Pro), which allows you to manually control the camera position while keeping your subject in frame. It's also designed to keep subjects in focus even if they're partially obscured. I tested it with a car, mountain bike and while walking to see how it worked at various speeds. The Mavic 4 Pro stayed locked on a car driving at up to 30 mph with full obstacle avoidance. When filming the bike rider, the Mavic 4 Pro chose interesting and random routes around trees that often yielded cinematic greatness. That behavior also caused a crash into a small tree branch, but luckily, it caused no visible or functional damage. The drone also worked well as a vlogging tool, following me on a preset ActiveTrack 360 path. Later, I took the Mavic 4 Pro out at night to test the LiDAR and low-light sensors, flying it up around trees and next to buildings. That would have been risky with past models, but it successfully detected and avoided all obstacles in my testing. The low-light capability will also help you bring the drone home safely at night, as long as you remember that the LiDAR only works in the forward direction. Return-to-home now functions without GPS in sufficient light, as the Mavic 4 Pro can memorize flight paths. With its new camera system, the Mavic 4 Pro has the best video quality I've seen on any consumer drone. The main Hasselblad-branded 28mm wide camera has a 100-megapixel , dual ISO 4/3 sensor that supports 6K 60 fps or 4K 120 fps capture along with DJI's professional D-Log and D-LogM modes to max out dynamic range. It also delivers up to 100MP photos. The Mavic 4 Pro is one of few drones with a variable aperture (f/2.0 to f/11) for better depth of field control and more usability in sunlight. The Infinity Gimbal also houses a 70mm medium telephoto lens with a 1/1.3-inch sensor like the one on the Mini 4 Pro. Plus, there's a longer 168mm camera with a 1/1.5-inch sensor that should be ideal for things like wildlife tracking. Both feature an f/2.8 aperture, 4K 60p video and D-Log/D-LogM and HDR, along with subject-tracking AF and dual native ISO. 6K and 4K video quality on the Hasselblad camera is incredibly sharp and color-accurate, while providing good dynamic range, particularly with sky and cloud details. Switching over to D-Log mode further boosts dynamic range, but makes color correction a bit trickier. I liked using D-LogM to get a good balance between ease of adjustment and dynamic range. The base Mavic 4 Pro captures H.265 video up to 180 Mbps, but the Creator Combo version — with its faster internal storage — also supports 1,200 Mbps H.264 All-I for easier editing. However, DJI dropped the ProRes 4:2:2 HQ option that was available on the Cine version of the Mavic 3 Pro. Where the Mavic 4 Pro really beats other drones is in low light, thanks to the native dual ISO capability. When shooting a cityscape at dusk at ISO 6400 and up, grain was easy to tamp down with a bit of noise reduction. And if shooting at dawn or dusk, the D-Log mode provides enough dynamic range to balance light sky and dark ground areas. Photo quality is also outstanding in the 100MP mode with so much detail that I could zoom in and clearly see tiny objects. For low-light shooting, though, it's best to stick with 25MP to reduce noise. DJI's RAW DNG capture makes it easy to fine-tune photos shot in contrasty lighting conditions. The 70mm (3x) 1/1.3-inch telephoto camera is great for taking portraits or getting in tighter when shooting landscapes. With support for 4K at up to 120 fps and D-Log or D-LogM, it can easily be mixed and matched with footage from the main camera, though detail and low-light capability isn't as good. The 168mm 1/1.5-inch camera produces mediocre video quality, but it's great for capturing wildlife. The Mavic 4 Pro is a great example of how DJI stays far ahead of rivals by consistently updating and perfecting its products. It's an improvement over the Mavic 3 Pro in nearly every area, and as mentioned, it doesn't really have any competition in the consumer space. The closest alternative in price and capability is Autel's Evo II Pro 6K, but that drone has a single-camera system with a smaller sensor, less endurance and shorter range. The lack of US availability is a major issue that's bound to cause a furor with drone enthusiasts in the States. And there's still a great risk that sales of DJI drones will be completely banned in America by the end of the year. The company insists that its drones pose no national security risk and says it welcomes any scrutiny. The Mavic 4 Pro is now on sale in most regions except the United States starting at €2,099 or £1,879 (about $2,360) with the RC2 controller. You can also get it in the Fly More kit with the RC2 controller, a bag, three batteries and a charger for £2,459 and €2,699 ($3,040). The Creator Combo, which includes everything in the Fly More kit plus the RC2 Pro controller, 512GB of storage and All-I video capture, is €3,539 (£3,209) or about $3,980. The RC2 Pro controller by itself is €999 and €879 (about $1,125).
