Latest news with #StratfordUponAvon
Times
14 hours ago
- Entertainment
- Times
Juliet Stevenson: I need to speak about Gaza, otherwise I'd go mad
In my last year at school I bought David Bowie's Hunky Dory and Imagine by John Lennon. I was getting very politicised around the age of 16, and I was interested in music that was about the world, not just love songs. I've always sought to make work that speaks to the world we're living in now and I never thought those musical influences were part of that, but now I see they must have been. Seeing Richard II at the Royal Shakespeare Company when I was 16 changed my life. I saw it six times that year. I'd hitch up to Stratford-upon-Avon from Surrey, get a 50p ticket at the box office and stand. Teach Shakespeare in school, but for heaven's sake get those kids to say it out loud and feel the energy of the words. I grew up on military bases abroad because my father was an army officer, so reading was a big part of our entertainment. I adored The Famous Five, not least because I ardently identified with George. She's probably still one of my greatest role models. I was not a little girl who wanted to wear dresses and play with dolls, I was headstrong and outdoorsy. • The BBC's William the Conqueror: We've taken liberties with our 1066 drama Women in Love. I was about 15 and at boarding school in England. We all put lipstick on and snuck out and stood on our tiptoes at the box office to look older. It was life-changing — so sexy and hot and mad. I liked Glenda Jackson because she wasn't overly glamorous like other movie stars when I was growing up. She had this incredibly striking intellect. I've always been looking to get out of the traditional boxes that women in our industry are placed in. I didn't act because I saw glamorous women on TV, I acted because I wanted to communicate human experience. When I joined Rada I was 18 — I didn't wear make-up and had my hair all over my face. They'd say: 'Juliet, you've got to cut your hair, put make-up on.' I'd go: 'What's that got to do with anything?' • The best shows in London and the UK to book now I was undergoing a medical procedure that, let's just say, was of a very private nature. Partway through, the doctor said to me: 'By the way, my wife so enjoyed your Hedda Gabler.' Anonymity had never seemed sweeter. While I don't really get overwhelmed by fame, I do feel an obligation to use my platform to speak about Gaza. The narrative has been so outrageously distorted, and when I read reports about what's happening, I don't know what to do with myself. Activism is my way of processing that, otherwise I'd go mad. I was hanging on to the end of flower power in the late Seventies so I'd wear hot-pant dungarees that were very short shorts with a bib that I'd stitched flowers on to. One of my greatest joys now is swapping clothes with my daughter. • Read more TV reviews, guides about what to watch and interviews When I was 18 I volunteered in a home for disabled people in Hackney. One of the young women, Kim, was only 15 and she was crazy about Donny Osmond, so I took her to his concert at Earls Court. It was quite intimidating walking into that huge auditorium packed with screaming girls, especially with a teenage girl in a wheelchair also screaming. I have no idea when or how I saw it, but I just remember weeping and weeping at Whistle Down the Wind. It's an exquisite black-and-white film about the loss of innocence. I'd probably still cry if I watched the whole thing now. I still pinch myself. I never even thought I'd get into Rada. I was so odd. I'm frightened every time I perform, but I think when you lose fear, you probably get quite boring. The Land of the Living is at the National Theatre, London, Sep 9-Nov 1. King & Conqueror starts on BBC1 tonight at 9.10pm What are some of your formative cultural experiences? Let us know in the comments below
Daily Mail
10-08-2025
- Entertainment
- Daily Mail
Locals living in one of Britain's most famous tourist towns with two million visitors a year say its high street is in 'decline' as shops lay vacant for 15 years
More than two million visitors make a pilgrimage to Stratford-upon Avon every year as they pay homage to the birth place of the most celebrated playwright in history. The medieval market town is beautifully adorned with quaint gift shops and cobblestoned streets, and surrounded by the smell of freshly made fudge. Every summer, crowds of literature fans from across the world queue up outside William Shakespeare's Birthplace museum and the Royal Shakespeare Theatre is packed out as actors take to the stage. From looking at the busloads of international tourists queuing patiently to enjoy Stratford's 800-year history, this bustling town is the last place you would imagine to be in 'decline'. But there is a side of the town locals are less proud of. A host of high street names have shut down, while Turkish barbers and vape shops have popped up, rough sleepers have set up bases on vacant shopfronts, and gangs of yobs roam around wearing balaclavas. One woman, speaking anonymously to the Daily Mail, even opened up about how she was recently sexually assaulted by a man wearing a balaclava in the town centre, and now fears walking alone at night. Meanwhile, cafe workers worry business has fallen, as locals say hardly any shops are lasting. A large Debenhams has sat empty on the high street since 2020, while a derelict BHS has been closed and decaying for more than 15 years. Since the beginning of last year alone, Jack Wills, Fraser Hart, The Body Shop and independent shops such as Wilfred's Sweet Shop have permanently closed. Cafe Rouge, Bella Italia and Edward Moon are just a number of the restaurants that have also shut doors. Last month, the shutters were pulled down at the town's Poundland store. Just a week ago, the town's Pizza Express closed its doors. Mustafa Dogan, owner of the Fresh Baguette Bar, told the Daily Mail: 'The price of everything has gone up now, it's become a luxury for people to eat out. It's not like before, you can't go and get something to eat without worrying. 'The High Street, in my eyes, is struggling. Technology is not helping, it is damaging for us. 'You go to the shops and you buy mayonnaise, it's £1, you go online, it's 80p. What would you do? You buy online. 'That's the main hiccup. 'The rents are so high, and people are buying online. '100 per cent, businesses on the high street are struggling. It's in decline. 'Covid and technology are definitely playing a big part. It's a package of everything.' Explaining that area now feels unsafe, he said: 'It's a bad look to have homeless people outside shops on the main high street. 'It's not just that, it's become fashion for the youngsters to wear balaclavas. 'I don't know why they are doing it. They are wearing them and riding the electric scooters. 'I'm afraid respect is out of the window now. 'My brother-in-law has got two teenage daughters, and they don't go out. It's not safe. 'We are lucky to live here, compared to say Coventry or even Leamington. But even here is not safe. 'You have groups of teenagers taking stuff from shops and just walking away. People don't react because there is nothing they can do. 'I don't think it puts tourists off, this town is a town you visit for one or two days. So they come, see the town, and go. 'But for locals it's a different story.' Urging for more to be done to crack down on antisocial behaviour, he said: 'There is no respect anymore. They don't respect the police or anyone. 'We need to get more police on the street and give the police more powers. 'The High Street needs more policing. 'But it's not just here, it's the whole country, the system is not right. 'We have a friend who grew up here. When she was a teenager everyone used to know each other. Now she says you don't know your neighbours, and you don't feel safe at all. She doesn't walk through town alone at night. 'It's a very touristic place and they put a lot of money to put nice flowers etc. to make it look good. But yet you've got all these problems. 'For the people that live here it's like what about safety?' The cafe also blasted landlords for not allowing empty buildings to be used as community centres while they lay vacant. They said several community members had offered to use some premises to bring in tennis tables and the like to bring young people together until another occupier is found, but these proposals were rejected. Meanwhile, a local passing through the High Street told the Daily Mail about a recent harrowing experience in November last year. She said: 'In November, I was walking by the canal and I was sexually assaulted by a man with a balaclava. 'I reported it to the police but they never did anything. They said they could not identify him because he had a balaclava. 'Now I never walk down there. It is not safe at all. 'And even on my way to work during the day I make sure to walk a route where there are CCTV cameras around. 'It's a shame really. 'The police do have some patrol points around the centre and they say "feel free to come and talk". 'I do have questions but what is the point. What are they going to say. I reported it and they did nothing.' When the Daily Mail visited the town on Tuesday, private neighbourhood police called 'My Local Bobby' were patrolling the area, and told of how they looking to crack down on any shoplifting and antisocial behaviour. They are said to be hired jointly by businesses across the centre. Later in the afternoon, they were seen having a word with a group who seemed to be causing trouble. Just down from the High Street, along the quaint Henley Street where Shakespeare's Birthplace Museum stands in its magnificent architecture, tourists are lined up waiting to get in. And while the thoroughfare has kept its old town character intact, right opposite the museum sits an empty restaurant. A few yards down to the left is an empty jewelers. And around the corner is a souvenir shop which advertises vapes. Greenhill Street, 300 yards away, sits in a derelict state, with boarded up shops and restaurants, and the only remaining shops two mini marts and a Turkish barbers. A Paperways store has been left decaying and unoccupied on the road for at least ten years. And at the other end of Henley Street, by the main junction that connects to the High Street, is Bridge Street. From afar, it is picture perfect with its floral arrangements hanging from shopfronts and planters along the road. But at a closer look, it is a street in disrepair. The old BHS remains empty, as does a Halifax, in front of which rough sleepers have stationed themselves. The Poundland sits closed and a man sits begging tourists outside the Sainsbury's next door. The town centre is adorned with historic buildings and beautiful floral arrangements but also has rows of empty stores One local, speaking outside the closed Paperways store said: 'I was born here. 'And I've seen it change a lot and not for the better, let's put it that way. 'This street, it's terrible. And then if you go down the high street, there's lots of empty shops just sitting there. 'There's only one bright part to this town left and it's the big jewelers. 'I don't know why it's gotten like this. 'There was the old Debenhams then it was going to be changed to a hotel but it's just been empty for some time. There were going to build flats but it's sitting there. 'It's an eyesore. 'The BHS was beautiful, but it's been empty for years too. 'This is not the Stratford I grew up in. 'Paperways here has been empty for years and years. 'If you go from here to Birmingham you go past a place called Digbeth. Up here on this road, it's a bit like Digbeth. 'Let's just say I wouldn't walk down here at night in the dark. 'I think police see a lot of sleeping in doorways, a lot of antisocial behaviour in the town. 'Stratford not like it used to be.' Barry the Butcher, on the High Street, is a family-run business that has been running for over 35 years and is one of the longest lasting stores on the street. Jake Field, 23, who has worked at the butchers since a teenager said: 'The High Street has definitely changed. Massively. 'For locals it's a lot quieter now, there's not many shops for them. 'It's only really tourist shops. 'I think this is probably the the longest running shop. 'All the ones that open up don't really last. New ones keep opening up and closing. 'The change has more or less been since Covid happened. People are coming out less, it's easier to just order online. 'We do high quality meats. You've got to do high end quality products to keep going in this climate otherwise people will just go to the supermarkets. 'I've been working here for 10 years now and the main difference I've seen is that because a lot of the locals were older, you see less faces that you know now. 'And then you've got more of the homelessness, the antisocial behaviour. 'There's definitely more of them now, outside empty premises. They used to hang around the Debenhams, there used to be quite a few around there, but I think they're blocked it off now. 'That's not what people expect or what they know Stratford for. 'You don't expect it to be that way. 'It's meant to be an affluent area but it's turning that sort of way.' Stratford-upon-Avon Town Council and Warwickshire County Council recognised the issues themselves and put forward a bid for Government funds to address it in June 2021. But at the beginning of 2023, the Government announced the bid was unsuccessful. Some locals the Daily Mail spoke to on Tuesday felt the local council should take more of a role in stopping oversaturation of the same types of stores and restaurants. They also pointed to the fact that an increasing amount of tourists and students visit the town as part of a tour and do not spend much money in the town itself. Roy and Sue McMaster, both 65, who live near Stratford said: 'We've lived here since late 70s so we've seen it change. We were here when the BHS was open and so on. 'It's become very much a tourist town now, it always was and continues to be. 'Every town has changed because of buying online etc, but the thing here is that it's all become coffee places and tea shops to attract tourists. 'They've opened up a Gail's too. 'Yesterday there were dozens of young students getting tour guides from different countries, many from Asian countries, but don't actually spend money here. 'They come here by coach, do all the tourist things, visit the museum and theatre, but don't spend. 'There's a lot of empty shops now. There's so many of the same things, it dilutes their profit and they can't survive. 'And there's the Turkish barbers. They say they're fronts for something else, but you don't know. In our small town nearby there's six or seven, but they're never busy.' They continued: 'I guess the one benefit here is that its Shakespeare's birthplace and you've got the theatre. 'If we were any other town we would be really struggling. 'A lot of people hold the town council responsible for planning permissions being given out to every store that wants to open. 'They just need to think carefully and ask, "do we need a sixth pizza place and another hotel?" 'This hotel has been shut for a long time. Debenhams they were going to build a hotel there but you don't need a hotel there. It fell through anyway.' Some businesses though have remained standing and say the town is still faring far better than other regions. Richard Bunn-Major, 56, manager at Music Matters, has been running his store for 27 years. While he acknowledged some shops have been left vacant for years, he thinks they are being replaced by high-end brands. He said: 'The Mercure has sat empty but was bought about two to three years ago and now work has begun. 'It's the chains that are closing down, Cafe Rouge, Pizza Express. Perhaps they are too big and realise they need to scale back. 'We've got two pizza places privately owned, so I guess it's tough competition. 'Gail's has opened recently where Jack Wills was. It seems like there are more high-end brands moving in. 'Jewellery brand Pragnells have bought up empty properties around the town to minimise the demise of the town so they can sell it to higher end brands.' Asked about the BHS that has stood empty for years, he said: 'There's been a lot of interest in it for years but never came to anything. 'The place is rotting it's falling to pieces it's an eyesore. 'I guess the business people are from out of town, probably London, and don't care.' However, he says their store has remained popular for 27 years and feels the area is 'so safe' that they don't have to worry about leaving their store door open. He said: 'Yes, you've got the general drug and drink people. 'But these kind of places of always attract that because of the tourism. 'You're always going to have that. 'I don't worry about them causing any issues though, occasionally you spot them trying to nick something but you can spot them a mile off. 'But we keep the door open. In about 20 years, we've not worried about anything. 'Generally speaking, I've lived here a long time and would say its one of the nicest places to live. 'The only problem is that the local council don't see what potential is outside of the obvious. It's not all about Shakespeare. The river is beautiful. The market is not a local market, and most of us would agree it's terrible, and local stores are having to close for it.' Gill Darby, who lives nearby and has visited the town for decades said: 'It's nice compared with most other high streets, but I've seen it change over the years. 'Quite a few shops have gone. 'Most of the big stores and food places are put away from town in retail parks so now people just drive to them. 'BHS has just sat there for 16 years. I wish they could open, but they can't can they? 'It's all food now isn't it? It's all restaurants.' Matt Castle, 50, moved to Stratford in 2009 and works at the theatre. He said: 'A lot of shops have closed down, I think a lot more eating places have opened up similar to other places. 'There's not really a great variety of stores. And because rent is so expensive, the turnover of shops is very noticeable. 'I've suffered crime here myself. I had a bike stolen, it was locked up outside the theatre and somebody came with chain clippers and just took it. 'It happened about three years ago near Christmas time. 'So there is a bit of that. But I do feel it's safe here and I'm thinking of my kids who are becoming older teenagers and they can go out on their own and I feel fine. 'I have heard Stratford being referred to as a Shakespeare theme park.' For visitors however, they had a different experience of the town. Robert Beatty, 61, from Chester, said he visited Stratford-upon-Avon last month and loved it so much he has returned with his wife just four weeks later. He said: 'It's very nice, the only issue is the parking. 'We're lucky we're on the hotel down there so we can walk up. 'I came here about four weeks ago, and liked it so much we came straight back again. 'The high street itself is very very nice. We were in Wrexham last week, it was so run down, so looking at this it's completely different. 'Elsewhere you've got lots of retail parks coming up everywhere and shops just boarded up. 'This is completely different to where we live about five miles out of Chester. 'It's obviously more for visitors, but it's 100 per cent better than other high streets 'It's definitely good for the tourists. For the tourists it's absolutely lovely.' A Stratford-on-Avon District Council spokesperson, said: 'Stratford-on-Avon District Council remains committed to supporting the vitality of Stratford town centre amid broader retail market challenges. 'While factors such as national business rates and property ownership lie beyond the District Council's control, proactive steps are being taken through initiatives like the vacant high streets programme and support for diversified town centre uses. 'The District Council has worked with the applicants at both Debenhams and BHS to bring forward alternative uses for these large format stores and we continue to work with the owners to find new and suitable viable uses. Although some units remain empty, many are expected to be reoccupied as part of normal market cycles.' The council also addressed concerns about crime and antisocial behaviour, adding: 'A partnership approach is key to the town's success. The District Council collaborates with stakeholders, including the BID, which plays a vital role in promoting the town and supporting businesses - most recently through the introduction of "My Local Bobby". 'Community safety is a priority. The Council's 24/7 CCTV control room works in real-time with Warwickshire Police and local businesses to tackle crime and anti-social behaviour. In May, a Public Space Protection Order was introduced to address alcohol-related ASB, empowering police to intervene where necessary. 'In line with national trends, the District has seen an increase in rough sleeping. Stratford-on-Avon benefits from robust partnership working in relation to preventing and tackling rough sleeping. 'The District Council also works with partners to address rough sleeping, offering support and taking enforcement action where individuals cause harm or nuisance. It's important to note that not all individuals seen begging in the town centre are rough sleepers and do have their own accommodation.' Stratford-upon-Avon BID said: 'New businesses are opening up and vacancy rates are lower than the national average. Crime figures are lower than average. 'The town is home to many independent businesses and holds a number of vibrant events which has recently included the Motor Festival attracting 25K footfall and 150 Kate Bushes in the park last weekend. 'There's something for everyone in our town that has more to offer than some cities.'
South China Morning Post
28-06-2025
- Entertainment
- South China Morning Post
Meet Callie Cooke, who plays Jodie in F1: The Movie – the actress appears alongside Brad Pitt and Damson Idris, and rose to fame in her native UK on Cheaters and Doctor Who with Ncuti Gatwa
Actress Callie Cooke, 31, has come a long way since making her on-screen debut nearly a decade ago in a 2016 episode of BBC's long-running medical show, Doctors. Callie Cooke at the European premiere of F1, in London on June 23. Photo: Reuters In 2022, Cooke snagged a leading role in the BBC sitcom Cheaters, and last year she appeared in an episode of the beloved sci-fi series Doctor Who alongside the first Black actor in the role, Ncuti Gatwa Advertisement Cooke's most recent project, F1, starring Brad Pitt and Damson Idris, is her most high-profile to date. Here's everything to know about Callie Cooke. She always wanted to become an actress Callie Cooke, seen here repping Miu Miu, always wanted to be an actress. Photo: @callie_cooke/Instagram Raised in Stratford-upon-Avon in England, Cooke revealed in an interview with 1883 magazine that her first introduction to acting came through TV soap operas. 'I was always watching TV and I was blown away by these soap actors that you thought were real people,' she said. 'It's such a comfort thing. Both my parents worked a lot, and it was the one thing that would get us all together on an evening.' Stratford-upon-Avon is famously the birthplace of William Shakespeare, and Cooke's fascination with acting was also fuelled by growing up near the home of the Royal Shakespeare Company (RSC). 'I saw the most unbelievable actors [there], and I always thought it's what I would work in,' she told 1883. Her first role earned her an award nomination
New York Times
25-06-2025
- Entertainment
- New York Times
A Play About a Breakdown Was a 2000 Hit. What Do Audiences Say Today?
When the British playwright Sarah Kane died by suicide in 1999, at age 28, she left behind the manuscript for an unperformed work. 'Just remember, writing it killed me,' Kane wrote in an accompanying note, according to Mel Kenyon, the playwright's long-term agent. Just over a year later, when the Royal Court Theater in London premiered the piece — a one-act play called '4:48 Psychosis' that puts the audience inside the mind of somebody having a breakdown — it received rave reviews. Writing in The New York Times, the critic Matt Wolf said it was 'arguably Kane's best play' and compared it to the work of Samuel Beckett. Yet despite the praise, a question hung over the production: Was it possible to honestly critique a play about depression so soon after Kane's tragic death? The headline on an article by the Guardian theater critic Michael Billington suggested a challenge: 'How Do You Judge a 75-Minute Suicide Note?' Now, 25 years later, theatergoers are getting a chance to look at the original production of '4:48 Psychosis' afresh, and see if passing time brings a change in perspective. The show's cast and creative team is reviving the production at the Royal Court, where it runs through July 5, before transferring to the Royal Shakespeare Company's Other Place Theater in Stratford-upon-Avon, England, where it will run from July 10-27. This time around, critical reception has been mixed. Dominic Cavendish, writing in The Daily Telegraph, praised the production and said the play 'still feels raw,' but Clive Davis, in The Times of London, argued that ''4:48 Psychosis' isn't a play at all, rather the random agonized reflections of a mind that has passed beyond breaking point.' Want all of The Times? Subscribe.
The Guardian
19-06-2025
- Entertainment
- The Guardian
4.48 Psychosis review – bared anguish and delicate detail in Sarah Kane's final play
What must it have felt like to watch Sarah Kane's final play, whose depressed protagonist plots imminent suicide, knowing that the playwright killed herself the previous year? First staged in 2000, under the shadow of Kane's death in 1999, it is back now with the original creative team, including director James Macdonald and its fine three-strong cast of Daniel Evans, Jo McInnes and Madeleine Potter. They play a divided self, it seems, reflecting on illness, shame, self-loathing, love, betrayal, medication culture and – importantly – the prospect of ending it all at exactly 4.48am. Co-produced by the Royal Shakespeare Company, the play is again staged in the upstairs theatre at the Royal Court (after which it will travel to Stratford-upon-Avon). It is variously abstruse and lucid in its arguments on life, death and suicide, and still original in form. But this production feels like the reconstruction of a seminal performance rather than a seminal performance for today. Maybe this is because Kane's position has changed in the intervening decades: she sits firmly in the canon. So this replica-like revival has the strange effect of a museum piece in this 'new writing' space, posthumous and reverential. Jeremy Herbert's set is a white square with functional table, chairs and an overhanging mirror that reflects the audience and the protagonist's selves which acquire more fractured counterparts in shadow. Light alters in this room, glowing sharp or soporific, like the setting and rising of the sun (beautifully designed lighting by Nigel Edwards). There are bursts of disturbance within, reminiscent of the grey fuzz of an old TV set, which becomes an inspired visual analogy for the dismal brain fog of depression. The protagonist variously lies prone, circles the stage or sits in antagonistic conversation with a psychiatrist (another inner voice). There are deep, startlingly lyrical passages ('the cold black pond of myself') alongside bathos and grim humour; the script is an exemplar of Kane's perceptive and emotionally unswerving gifts as a writer. But dramatically it is sedate. You wish for something messier, louder, angrier. There are flickers of this – a stunning moment when the protagonist (McInnes) shouts as she lies on the table, enraged at life – yet it then returns to blankness. Maybe this non-mood is the point – a depression that leaves meaningful emotion quashed – but it evokes a kind of vacancy in the air nonetheless. There is still value in its staging and poignancy, too. It is beautifully performed with moments of bared anguish and delicate detail. The opening of the stage windows, a countervailing gesture to the reflection of a closed window on stage, is a haunting, yet exhilarating, final image. At the Royal Court theatre, London, until 5 July. Then at the Other Place, Stratford-upon-Avon, 10-27 July. In the UK and Ireland, Samaritans can be contacted on freephone 116 123, or email jo@ or jo@ In the US, you can call or text the National Suicide Prevention Lifeline on 988, chat on or text HOME to 741741 to connect with a crisis counselor. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at
