Latest news with #StudioGhibli
SoraNews24
5 hours ago
- Entertainment
- SoraNews24
Totoro Mini Pouches are enormously cute【Photos】
Big Mini and Medium Mini Ghibli pouches are like little functional plushies. In laymen conversations, the name 'Totoro' tends to get tossed around to refer to this guy. But as educated anime zoologists know, the gray forest spirit indicated by the arrow in the above image is just one of three distinct Totoros. Technically, he's the 'Big Totoro,' not to be confused with the blue 'Medium Totoro' or white 'Small Totoro.' So it is, arguably, just a bit confusing that Studio Ghibli specialty shop Donguri Kyowakoku is now offering a 'Big Totoro Mini Pouch,' but any extra effort our brains need to parse that description is more than offset by the joy the design gives our hearts. The zippered pouch is part of what Donguri Kyowakoku calls its wazakka line, with wazakka loosely translating to 'Japanese-style housewares and accessories.' The rustic, course-touch fabric is meant to evoke traditional Japanese textiles, and the designers say the pouch is especially well-suited to stuffing in the sleeve of your kimono to store important stuff as you head out to a summer festival, though with it looking this adorable, there's never really a bad time to use it. And don't worry, they made sure to include the Big Totoro's tail too. Of course, the Big Totoro Mini Pouch name implies the exitance of other-size Totoro Mini Pouches, and sure enough, there's one for the Medium Totoro too! Though the big gray guy is the most famous Totoro, you could argue that the Medium Totoro is the more appropriate muse for a pouch, since in the anime he's often depicted carrying around a sack of acorns, though that isn't part of the pouch's design. Despite their 'Big' and 'Medium' names, though, both Mini Pouches are identically sized, at 10 centimeters (3.9 inches) in height and 90 centimeters across. They're also priced the same, at 1,980 yen (US$13.65) and share the same style of leafy zipper pull. Both the Big and Medium Totoro Mini Pouches are available now thanks to a restock, but oddly enough there doesn't seem to be a Small Totoro Mini Pouch available. Maybe it's coming soon, but for the time being the Big Totoro pouch can be ordered through the Donguri Kyowakoku online shop here, and the Medium one here. Source: Donguri Kyowakoku Top image: Donguri Kyowakoku Insert images: Studio Ghibli (edited by SoraNews24), Donguri Kyowakoku (1, 2) ● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter!
Express Tribune
7 hours ago
- Entertainment
- Express Tribune
4 Studio Ghibli films to distract you from OpenAI's viral filter
If you're an artist or just someone who admires the effort that goes into drawing and animation, you must have strong feelings about the heaps of AI-generated art that's been plaguing social media for a long time now. The recent trend of AI-generated images that has beguiled netizens recreates the visual style of Studio Ghibli's signature 2D animation. And if there are any doubts as to where the studio's founder — Hayao Miyazaki — would stand, here are his views on machine-created art that resurfaced after OpenAI launched its update: "I strongly feel that this is an insult to life itself." In case you're not aware of what Studio Ghibli films are, I — first and foremost — express my deepest sympathies that you had to learn through this trend, but I am also happy to inform you that you've come to the right place. If your curiosity is pushing you to find out what life looks like through the Ghibli lens, you need not wait any longer. Here are four of the studio's films to introduce you to the painstakingly hand-drawn and remarkably emotive world of animation — or, if you're a fan, to trick you into a binge watch. 'Howl's Moving Castle' It has become culturally imperative to begin your Ghibli journey with this one. Howl's Moving Castle follows Sophie, a young woman cursed by a jealous witch to transform into an old lady due to the witch's affection for Howl, a vagabond wizard who crosses paths with Sophie in the beginning. As the curse makes our protagonist forget her identity, she accidentally moves in with Howl's motley crew and helps them out with domestic duties, oblivious to the fact that the solution to her problem is nearby. If the found-family trope is an easy way to your heart, this film will win you over no sweat while serving you an extra slice of tender romance. Although a stunningly serene film, it strikes a fine balance between wholesome moments and gut-wrenching reality that'll have you aching for more. 'Kiki's Delivery Service' If you like witchcraft in your media and are looking for more magic after Howl's Moving Castle, you'll find it all in Kiki's Delivery Service. This coming-of-age fantasy story follows Kiki, a young witch who heads out of home to fulfill her desire for self-exploration. Aside from flaunting the picturesque world of Studio Ghibli, this film is your reassurance that hardships are a necessary part of growing up on your own. From introducing animal companions to unexpected friends, it reminds you that every step out of your comfort zone is worth the anticipation. 'The Secret World of Arrietty' If you grew up adoring Thumbelina or illustrated tales of a similar nature, it might be time to indulge your inner child with this heartwarming film. The Secret World of Arrietty follows its titular character in a miniature world as she 'borrows' from the world of the much-larger humans for a living. Everything seems to be working in her family's favour until they are discovered by the humans and must fend for themselves. Packing compelling visuals that every Ghibli film is decked with, this feature stands out for its immersive look into the world that exists around us, just much bigger. If you're in the mood of a story that champions hope and courage, you wouldn't want to miss this one. 'Spirited Away' Ever wondered what your most inexplicable dreams would look like onscreen? Spirited Away is your answer. It focuses on Chihiro, a ten-year-old girl who visits an amusement park with her family but soon realises that something is off, though her protests are dismissed by her parents. After a mysterious meal turns them into pigs, it is up to Chihiro to bring them back by stepping into the world of uncanny supernatural beings. Released at a time when animation was seen as a form of entertainment reserved only for children, Spirited Away would sooner be a kid's nightmare than a fond core memory to look back on. But for grownups who don't mind being unnerved, the film's appeal lies in its unsettling elements and melancholic storyline. Does hope prevail in the end? Find out for yourself. Have something to add to the story? Share it in the comments below.
The Wire
14 hours ago
- Entertainment
- The Wire
One City, Two Tales: Tokyo Through Studio Ghibli's Lens
Menu हिंदी తెలుగు اردو Home Politics Economy World Security Law Science Society Culture Editor's Pick Opinion Support independent journalism. Donate Now Top Stories One City, Two Tales: Tokyo Through Studio Ghibli's Lens Priya Singh 42 minutes ago The dual representation of Tokyo in 'Whisper of the Heart' (1995) and 'Only Yesterday' (1991) serves not only as a narrative choice but also as a reflection of the city's complex identity. Posters for 'Whisper of the Heart' (1995) and 'Only Yesterday' (1991). Real journalism holds power accountable Since 2015, The Wire has done just that. But we can continue only with your support. Contribute now From Metropolis (1927) to Taxi Driver (1976) and Salaam Bombay! (1988) to Gully Boy (2019), cities on screen have long fascinated us – mirroring, distorting and reimagining urban life. Scholars such as Raymond Williams and David B. Clarke have shown how literature and film shape our understanding of cities, often revealing the tension between community and alienation, modernity and nostalgia. Thinkers like Marcus Doel and Henri Lefebvre remind us that cities are not just concrete and commerce. They are lived, felt and socially constructed. Few cities have inspired this dual gaze in films more than Tokyo. In Studio Ghibli's Whisper of the Heart (1995) and Only Yesterday (1991), Tokyo becomes a character in its own right; it can be both grounding and disorienting, echoing George Simmel's vision of the urban space as a site of both creativity and quiet estrangement. Studio Ghibli, founded in 1985 by Hayao Miyazaki, Isao Takahata and Toshio Suzuki, has become synonymous with animation excellence. Their movies have critiqued Japan's rapid urban growth, showcasing the delicate harmony between human development and nature's grandure. In an era of AI-generated imitation, the Studio's artistry, once quietly revered, now stands at the centre of a broader conversation about what makes art truly human. Yoshifumi Kondō's Whisper of the Heart presents Tokyo as a place of inspiration and dreams. It follows 14-year-old Shizuku as she wanders through the bustling city with a sense of wonder, finding creative inspiration in its vibrant neighbourhoods and the people she meets. Her journey through Tokyo's suburban landscapes, antique shops and libraries highlights the city's potential to nurture creativity and personal growth. A still from 'Whisper of the Heart'. The film uses a warm and bright colour palette for the city – yellows, oranges, reds and greens – that reflects the characters' mood and emotions, along with the seasons and time of day. The detailed animation brings Tokyo's streets and homes to life. The film's music, including its use of 'Country Roads', is upbeat and melodic, reflecting Shizuku's youthful enthusiasm and the lively city atmosphere. The animation is detailed and realistic, with smooth movements, expressive faces and intricate backgrounds. Background characters are never still; they actively engage with their surroundings, making the city a living, breathing part of the story. The style is influenced by manga and the works of Miyazaki, who wrote the screenplay and oversaw the film's production. Around 70% of the film follows Shizuku's everyday life and adventures in Tokyo, allowing the city itself to take centre stage. In contrast, Isao Takahata's Only Yesterday takes a more introspective approach and explores themes of alienation and nostalgia. The film follows Taeko, a 27-year-old office worker, who reflects on her childhood in Tokyo and her current life, feeling disconnected from the city's relentless pace and modernity. The film juxtaposes her desire for a simpler, more rural life with her present-day experiences in Tokyo, highlighting the emotional and psychological distance she feels. The film's animation and realistic portrayal of Tokyo's urban environment bring out her sense of disconnection and longing for a simpler life. The film employs a cold, dark colour palette with shades of blue, grey, black and white to reflect the monotony and gloom of the city, as well as the nostalgia and regret of the protagonist. Taeko's daily commute and office scenes illustrate the repetitive rhythm and routine of adult life in Tokyo. The use of muted and earthy tones for the city captures Taeko's introspective and occasionally melancholic state of mind. The soundtrack is soft and reflective, enhancing the film's contemplative atmosphere and tracing Taeko's emotional journey. A still from 'Only Yesterday'. The animation style is simple and stylised, characterised by minimal, sometimes rough movements, understated facial expressions, and sketch-like backgrounds. This approach is influenced by the watercolour paintings of the original manga, as well as the works of Takahata, who directed and wrote the film. Unlike Whisper of the Heart, the city occupies a small portion of the film, about 15%, as the story alternates between Taeko's life in Tokyo and in Yamagata, the rural neighbourhood she moves to. The dual representation of Tokyo in these films serves not only as a narrative choice but also as a reflection of the city's complex identity. Like many global cities, Tokyo is a place of contrasts where tradition meets modernity and where dreams can be both realised and shattered. This duality is a common theme in urban studies, which regard cities as sites of both opportunity and alienation. Furthermore, the difference in the protagonists' ages influences their interactions with and perceptions of the city. While Shizuku's youthful perspective adds a sense of excitement and discovery to her experiences in Tokyo, Taeko's adult viewpoint is more reflective and critical. By examining these two films, we can gain insights into how Tokyo's multifaceted nature is portrayed through different lenses. Whisper of the Heart and Only Yesterday show us that cities are not monolithic; they are experienced differently by each individual. They are shaped by who we are, what we remember, and what we hope to become. These films help us think more deeply about what it means to live in a city, touching on themes of identity, belonging and the pace of urban change. Together, the two films offer two distinct yet complementary views of Tokyo: one full of possibility, the other tinged with longing. Through their contrasting tones and visual styles, they capture how the same city can feel radically different depending on who is looking and when. It is this quiet attention to emotional texture that makes Studio Ghibli's vision of urban life so resonant and so deeply human. Priya Singh is a researcher at the Indian Institute for Human Settlements, Bengaluru, working on higher education access, qualitative research ethics and cultural representation through both fieldwork and film. Make a contribution to Independent Journalism Related News Banu Mushtaq's Importance Goes Much Beyond the Booker The Politics of 'Heart Lamp' Is Profound, Urgent and Reflects the Lived Reality of Millions Why Banu Mushtaq and Deepa Bhasthi's International Booker Is a Seminal Moment Humour, Scepticism and the Realities of the Familial in Banu Mushtaq's 'Heart Lamp' Ngũgĩ wa Thiong'o: The Kenyan Icon Who Wrote For Freedom Till the Very End Most Indians Can't Even Afford Entry-Level Cars. 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Pink Villa
a day ago
- Entertainment
- Pink Villa
Lost in Starlight X Review: Kim Tae Ri-Hong Kyung captivate audiences, fans praise 'pain and love' in voice acting
Lost in Starlight isn't just a love story—it's a cosmic collision of emotion, memory, and the music that carries us through space and time. Netflix's first-ever Korean animated original film made its worldwide debut today, May 30. The film has already drawn rave reactions across the globe. Running 1 hour and 36 minutes, Lost in Starlight is set in the year 2050. The Netflix animated series follows the quiet, heart-tugging romance between Na Young (voiced by Kim Tae Ri) and Jay (voiced by Hong Kyung). Na Young, an astronaut on the brink of a Mars mission. Jay is gentle, analog-loving musician who restores vintage sound equipment. Their worlds collide when Na Young brings in her late mother's turntable for repair. The two meet and instaly ignite a slow-burning connection. This isn't your average space saga—this is soft sci-fi wrapped in pastel tones and emotional layers. Lost is Starlight's every frame is a painting and every note tells a story. From faded vinyls to rocket launches, the animation brims with atmospheric beauty that feels almost hand-spun. The vocals transition of the actors have gained alot of praise. Since its release earlier today, Lost in Starlight has lit up online forums and social media like a meteor shower. Viewers are swooning over the film's emotional depth, poignant pacing, and stunning visuals. 'It's like Studio Ghibli meets Your Name, but with that distinct Korean soul. I cried at least three times." Another shares, 'Jay's studio scenes were so calming, like ASMR for the heart." Another fan shares, 'I want to live in that soundtrack.' Netizens are highly impressed with the vocal performances of Kim Tae Ri and Hong Kyung. Many have also praised emotional chemistry between their characters. 'This is not just a romance. It's grief, love, space, sound—all wrapped in a soft animation style,' another fan comment. Voices That Hit Home: Kim Tae Ri and Hong Kyung Shine Kim Tae Ri voices Na Young with quiet strength. She captures the astronaut's determination, grief, and courage in every word. Her performance feels grounded and emotionally rich. Hong Kyung brings depth to Jay, the gentle musician lost in his own world. His voice is calm, warm, and full of unspoken feeling. Together, their chemistry is soft but powerful. Every conversation feels intimate. Every silence says something. It's the kind of vocal pairing that lingers long after the credits roll. Director's Vision Director Han Ji Won delivers a quiet, emotionally rich story that goes beyond sci-fi. It's about human connection across distance and time. Han worked closely with the cast—Kim Tae Ri shaped Na Young's emotional core, while Hong Kyung brought Jay to life through subtle silence. Han called Jay 'real—like someone truly out there.'
SoraNews24
2 days ago
- Entertainment
- SoraNews24
Studio Ghibli releases new Totoro neckties to brighten up your office wear
Anime ties and tie pins that'll start a conversation. Studio Ghibli characters have a way of brightening our spirits on even the most tiring days, so when you need a lift in the office, a Totoro necktie will definitely put a smile on your face. Now, there's not one but 12 silk neckties to choose from, and each one contains subtle nods to the film so they'll fit right in with your everyday office attire. ▼ The first design, called 'Rain Panel', is particularly timely for the June/July rainy season. From a distance, the tie looks like it's adorned with polka dots, but up close you can see it's actually raindrops and Soot Sprites making up the bulk of the design, with Totoro holding an umbrella at the bottom, as a nod to the rainy scene from the film. The tie is available in three colourways: ▼ Beige ▼ Navy ▼ Wine The next trio of ties is dubbed 'Leaf and Check', with a classic plaid design… ▼ …that features forest leaves with small Totoros. ▼ This style is available in Blue, Navy, and Wine. ▼ Next up, we have the cutely named 'Opening'. As the name suggests, this design features motifs seen in the opening credits of the film, with cobwebs and forest creatures pictured alongside the Catbus and Small Totoro. ▼ The colourways for this style are Navy… ▼ … Dark Green… ▼ … and Grey. ▼ Finally, we have the 'Leaf Hide-and-Seek' design. This design, with Totoro blowing into an ocarina and a small Totoro hiding amongst glistening leaves, will catch the light and start a conversation. ▼ The colourways here are Turquoise… ▼ … Navy… ▼ … and Wine. ▼ Each tie comes with a Studio Ghibli label on the back… ▼ … and is packaged in its own box, with the Studio Ghibli logo on the front. Coinciding with this new release is a restock of My Neighbour Totoro brass tie pins, in five designs. ▼ 'Corn' ▼ 'Notes' ▼ 'Long Umbrella' ▼'Twig' ▼ 'Leaf and Acorn' ▼ Each tie pin comes in its own box, ideal for gifting and storing. Whether you prefer a subtle hint to Totoro or a slightly more flashy design, these neckties and tie pins will have you covered for any type of formal occasion. The ties are priced at 9,350 yen (US$64.98) each, while the tie pins retail for 5,500 yen each, and they're all available to purchase now at the Donguri Kyowakoku store and online (links below), while stocks last. Source: Donguri Kyowakoku Top image: Donguri Kyowakoku Insert images: Donguri Kyowakoku (1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17) ● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter!
