Latest news with #Sudha
India.com
4 days ago
- Business
- India.com
Meet woman who travels in private jets, owns luxurious home, Rolls Royce, her husband's net worth is Rs 18370 crore, she is..
The grand finale of Miss World 2025 is on May 31 in Telangana. Philanthropist and business leader Sudha Reddy opened the doors of her palatial private residence, Mon Amour Palais for 108 contestants and the pageant CEO Julia Morley. For the unversed, Sudha Reddy is the wife of Hyderabad businessman P.V. Krishna Reddy. The 'Beauty With A Purpose Gala', themed 'Midnight Pearls', was thoughtfully planned as a stylish tribute to Telangana's rich culture, warm hospitality, and strong commitment to global humanitarian work. All the beauties arrived dressed to impress, but Sudha's style and fashion stood out distinctly. P.V. Krishna Reddy is the managing director of privately held Megha Engineering and Infrastructure. According to Forbes, P.V. Krishna Reddy's real-time net worth is $2.2 B (approximately Rs 18,370 crore). He stood at 1688 position in the Forbes World's Billionaires List-The Richest in 2025. She hails from a charming town in Andhra Pradesh. As a Director at the Megha Group of Industries (MEIL), Reddy took charge of overseeing Megha Engineering and Infrastructure Limited's (MEIL) CSR initiatives. Entrepreneur Sudha Reddy married PV Krishna Reddy at 19. She is the founder of the Sudha Reddy Foundation. 'Sudha Reddy stands as an influential force at the core of India's corporate and philanthropic circles, with her strategic leadership and commitment to social causes making a lasting impact on the community,' reads the official page of the Sudha Reddy Foundation. All the contestants appeared in glamorous gowns and fashionable outfits; however, it was Sudha's elegant look in a black gown that drew the most attention and truly captured the spotlight. According to the reports, Sudha stole the show in a black, body-hugging gown featuring full sleeves with gloves and a front slit, adding a bold touch to her overall appearance. The silver embellishments brought just the right amount of drama, turning a simple gown into an elegant and classy statement. Black and silver always make a great combo, but the way Sudha styled it gave it a unique and classy feel. The 3D design looked like a headpiece, which made her neckline stand out. The silver detail then flowed to one side and was attached to the gown. On the back, only the headpiece-style design was visible, decorated with sequin stars in a neat pattern, adding lots of sparkle to her look. Sudha added a shiny silver touch to her gown, and she followed the same pattern with her accessories too. Whether it was the three-layer diamond necklace around her neck or her sparkling ring, everything stood out. She also carried a silver heart-shaped clutch, which made her overall gown look even more attractive and eye-catching. Sudha Reddy's Instagram reflects her affinity for luxury, showcasing designer clothing, fine jewelry, and an impressive collection of luxury handbags. Among her elite vehicles is a custom black-and-gold Rolls Royce Ghost, a special gift from her husband. A quick scroll through her account reveals her lavish possessions, including private jets, a wardrobe full of international designer labels, exquisite jewelry and diamonds, luxury handbags, and much more.
Indian Express
7 days ago
- General
- Indian Express
‘Think in Kannada, write in English…most of us are like that': When Sudha Murty spoke about her writing style
In a candid and charming exchange, acclaimed author and philanthropist Sudha Murty once explained to Shashi Tharoor why she deliberately uses simple English in her books. 'I have only one complaint with what you said,' Shashi Tharoor began with a playful smile. 'You know that Saraswati is also the goddess of dictionaries. What have you got against dictionaries?' he quipped, in comparison with his famously rich and ornate vocabulary. Sudha went on to share her lived experience of interacting with readers across India. 'Actually, I realised one thing. In India, people do speak English, but out of 100 people, 10 to 20 percent—whatever you do—they don't understand English. I come across many people like that.' She acknowledged that a small section of the population, including intellectuals like Ramachandra Guha and Tharoor himself, command an exceptional level of English. 'About 10–20 percent people are extremely good in English, with their vocabulary, like you, Ram Guha, and many more people. If I have to read yours, I require a new dictionary,' she laughed. 'Because it's so beautiful—sentences, such good words!' But Sudha emphasised that the majority of Indian readers fall somewhere in the middle. 'Fifty, sixty percent of the people in India—they're like us. We speak colloquial languaged. We understand English, we will be able to read.' Her most powerful insight came in the simplest words: 'I am fine, you are fine here, everything is okay, okay—that kind of English. Think in Kannada, write in English. Most of us are like that.' For Murty, the goal isn't to impress with vocabulary, but to connect with readers. Her writing reflects how millions of Indians use English every day—not perfectly, but effectively, naturally, and with heart. In her hands, English becomes not a language of exclusion, but of inclusion.
Vogue Singapore
26-05-2025
- Entertainment
- Vogue Singapore
Janhvi Kapoor on stepping into a powerful new role and bringing Homebound to Cannes
@vaishnavpraveen There are some films that urge us to stop and listen, at times, begging more questions than they answer. Homebound , which premiered at the 2025 Cannes Film Festival in the Un Certain Regard category, is one such title. Directed by Neeraj Ghaywan and produced by Martin Scorsese, the film received a nine-minute standing ovation at its premiere, moving the audience with its raw storytelling and unflinching moral gaze. Set against the backdrop of rural North India, the film follows the story of two childhood friends—Shoaib Ali (Ishaan Khatter) and Chandan Kumar (Vishal Jethwa)—as they work towards their goal of becoming police officers that promises them dignity and a better life. Delving into themes of class, caste and religion, the story reflects the challenges faced by marginalised communities in India. And at the heart of this slow burn rebellion is Sudha Bharti—an idealist whose strength lies in her moral clarity—brought to life with great conviction by Indian actress Janhvi Kapoor. Her character plays the romantic interest of Chandan (Vishal Jethwa), who she motivates to pursue his potential academic calling. Extremely politically aware and passionate about the Ambedkarite belief system, Sudha feels responsible to encourage awareness among others. In many ways, Sudha is the moral compass of the film; a catalyst in Chandan's journey. For Kapoor, whose journey has often been shaped by the expectations that come with her last name, Homebound stands as a career defining shift. Her decision to take on the role was an intention to pivot towards craft, rather than the glamour of it. Her most introspective role to date, Kapoor prepared for it by reading books like Annihilation of Caste and watching films like Rosetta and Three Colours: Blue , and doing her own research as well. 'It made me a more empathetic person, more sincere, diligent, curious, and socially responsible,' Kapoor on playing Sudha. 'I'm extremely grateful for the journey this role took me on.' At the film's premiere at Cannes Film Festival, the actress turned heads with her red carpet appearance wearing a Tarun Tahiliani ensemble that paid tribute to her late mother, the legendary Sridevi. In an interview with Vogue Singapore , Janhvi Kapoor opens up about playing a character like Sudha, collaborating with Ghaywan, and her experience at Cannes. @vaishnavpraveen Congratulations on the Cannes premiere of the film. How are you feeling about being there and showing the film to a global audience for the first time? It is an absolute honour to be part of such a prestigious film festival, surrounded by so many incredible artists, and to share this film with a global audience for the very first time. At the premiere of Homebound last week, I witnessed a community that truly values cinema. The way the audience received the film; the respect they showed for what we tried to create, their openness to it, and how deeply it moved them, really affirmed our belief in the importance of this story. It has a message that resonates globally. I keep pinching myself and counting my blessings that I was able to be part of a film and a story like this, and that, as a result, I also get to be part of a festival like this. Sudha Bharti feels like a departure from some of your earlier roles. How did you prepare for the role and what did this character allow you to explore that you hadn't before? It was very important for both the director and myself to be as aware and informed as possible about the politics of my character and her belief system. That meant a great deal to me, because in many ways, Sudha is the moral soul of the film; she's a catalyst. So, understanding where her political ideology came from was essential. It involved reading a lot of literature and really trying to empathise with her perspective. That process made me a more empathetic person, someone that's more sincere, diligent, curious, and socially responsible. I'm extremely grateful for the journey this role took me on. Courtesy of Festival de Cannes Homebound touches on themes of friendship, ambition, and the sacrifices one makes for a dream. Tell us more about the film and if any of the themes resonate more with you? The theme that resonates most with me is identity, specifically, the journey of accepting one's identity in order to challenge invisible systems that uphold social hierarchies. I believe everyone should be as conscious as possible of these systems and feel empowered to confront them. And I truly think that fight begins with embracing who you are. What was it like working with Neeraj Ghaywan? How did his direction influence your performance? Working with Neeraj sir has been one of the highlights of my career. It's truly one of the most cherished relationships I've built as an actor. He's such a special human being, the most sensitive, considerate, and wise presence, both on- and off-set. It's been a real privilege to spend time with him and learn under his guidance. He's taught me so much about myself and about the kind of person I want to be. His direction not only shaped my performance but also helped me become a more responsible citizen. Through his exercises in empathy, I've grown into a more open and self-aware artist. You and Ishaan Khatter first shared the screen in Dhadak , and now reunite in Homebound . How has your dynamic evolved over the years, and what have you learned from working with him across these two very different films? Because we spent so much time together during Dhadak, we had already built a strong sense of familiarity and trust, which really helped, especially on a set like this, where you're required to be vulnerable around each other. Even though our characters didn't share a lot of screen time in Homebound, Ishaan was around on set quite a bit. One of the most vulnerable scenes in the film, which unfortunately didn't make it into the final cut shown at the festival, required us to be completely comfortable around each other. Courtesy of Festival de Cannes Were there any particularly memorable days from working on set? There's a scene in the film where Vishal's character, Chandan, and I are at the beach. It was a very tender and interesting moment, I really enjoyed performing it. There was something about the location, and also the comfort that came from spending a good amount of time with Vishal beforehand. It felt like we had found our rhythm, and shooting that scene was a genuinely fulfilling experience. Cannes is a big moment. What does it mean for you to take Indian cinema to the world stage? I'm just grateful to be part of a film as meaningful as this one. It's incredibly moving to see how much it has resonated with people and knowing that Neeraj sir created it from such a sincere and genuine place makes it all the more personal for all of us involved. I knew from the beginning that I wanted to be part of this story, and the biggest honour has been simply being considered for the role and going on this journey with the team. To now witness how this work of art has touched lives and connected with so many people at the screening, it's incredibly fulfilling. I'm just glad the film is being showcased on a platform as global as Cannes, because that's what it truly deserves. It's a deeply universal film. Martin Scorsese backed the film. Is he someone that inspires you? How did that add a new kind of layer to the film? Martin Scorsese coming on board as an executive producer is something I still haven't fully processed. I've grown up watching his films, and for any film buff, his work represents the pinnacle of cinema. He's a complete stalwart of the craft, and honestly, it feels surreal that someone like him has seen a film I've been part of. The fact that he's been so involved, not just during the script stage, but also throughout the editing process, really shows what a true champion he is for world cinema. It's incredibly humbling and a huge honour to know that he believed in the story enough to be part of this journey with us. From Dhadak to Homebound , how would you say you've evolved as an actor? I think I've definitely become more confident and open as an actor. I'm no longer confused about the value I bring to a film with my skill set. The experiences I've had over the years have made me more malleable and adventurous on set, more willing to explore places that feel emotionally or even physically uncomfortable. I've also started to understand that I don't need to take myself so seriously. A big part of the process is allowing yourself to grow, to explore, and to indulge the child in you, that sense of curiosity and play. I'm happy to be able to tap into that and let it guide me every time I step onto a movie set. I work with more confidence now, with both greater abandon and discipline. After spending a few more years in the industry, I've gained more experience, and with that comes a deeper sense of clarity and assurance in my craft. On a lighter note, your fashion choices have always been stunning. For your Cannes debut, what was the vision behind your red carpet look? The vision honestly came from my sister, Rhea Kapoor. When we spoke briefly about the film and the fact that we were representing this story on a global stage, we decided very early on that we didn't want it to be a hyper-glamorous moment in terms of the sartorial choices. We wanted it to feel dignified and to be a true reflection of my Indian culture and heritage, never in a way that felt gimmicky or forced, but something that was organic to me. We also knew we wanted the look to be dreamy and ethereal, yet subtle, never loud or demanding attention. And I think that's exactly what we achieved.
New Indian Express
23-05-2025
- Health
- New Indian Express
Pageant for tribal women gives Idukki's Sudhalakshmi the wings to dream again
IDUKKI: The Muthuvan tribal community has for generations been dominated by males, with its women even discouraged from entering the public sphere. In many settlements, women continue to stay in seclusion huts (valaymapura) during menstruation and dash off into the jungle on a chance meeting with strangers. However, in the remote tribal settlement of Kulachivayal, in Idukki's Kanthalloor panchayat, there is a woman who flies in the face of deep-rooted traditions: Sudhalakshmi. The 29-year-old is the only candidate from the tribal community in Idukki to participate in the 'Miss Kerala Forest Goddess' fashion and fitness competition, being organised by the Kochi-based Aurora Film Company. Being born into a tradition-bound patriarchal tribal community, where women appearing in public places is considered taboo, it was through strenuous effort and hardship that Sudhalakshmi got selected to the event. 'Other tribal women from Muthuvan and Hill Pulaya communities settled in the Kanthalloor and Marayur areas had information of the event. But being unable to beak free of community rules, none of them applied,' Sudhalakshmi tells TNIE. Most women in her community are educated up to class 10. 'Pursuing further studies is a real struggle because of the stigma attached to it, which is compounded by unequal gender norms,' says Sudhalakshmi. Her parents however, supported her dream of a higher education. After the auxiliary nursing midwifery (ANM) course from a private college in Adimali, Sudhalakshmi went on to complete her diploma in medical laboratory technology (DMLT) from Tamil Nadu. Job offers followed, but from distant locations. Sudha couldn't bear to move away from her parents, who suffer from lifestyle diseases, and took a job with a private hospital in nearby Marayur, which paid her Rs 2,000 a month. But, following an accident, six months into the new job, she called it quits.
Time of India
23-05-2025
- Time of India
Locals allege police inaction despite raising suspicions in fake call centre scam case
Visakhapatnam: A five-storey building in Bhogapuram's Atchutapuram area had been raising suspicions among locals for two years. The building's perpetually closed gates and lack of essential services had sparked curiosity, with residents noticing occupants with Chinese features. However, it wasn't until the police stormed the building at midnight that the true nature of the operation was revealed. The police apprehended several youths who attempted to escape by scaling walls, and it was discovered that the building was being used as a fake call centre. Local residents had previously reported suspicious activities to the police, but it seemed that no action was taken. The building, which consisted of 40 flats, had been leased by the builder on behalf of the owners. Numerous occupants appeared to be of Chinese origin, and the building stood isolated, with only two three-storey houses situated 30 metres away. Residents shared their observations, stating that young people, including women, were seen smoking inside the building. The cellar, which was initially accessible, was later converted into rooms and sealed. A recent construction of a 40-seat canteen in the cellar had also been noticed. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like [Click Here] - 2025 Top Trending Search - Local network access Esseps Learn More Undo Locals alleged that the organisers had likely bribed officials, allowing the operation to go unchecked for two years. "Over 200 youth worked there without police investigation, despite local reports," alleged Bhogapuram residents. The families of the detained youths are now seeking answers. Sudha, the mother of 23-year-old Arihant alias Aryan from Rajasthan's Churu area, rushed to Bhogapuram after witnessing a uniformed officer during her son's video call. She claimed that her son was involved in what locals identified as a fraudulent operation. Monica from Gujarat's Gandhinagar told TOI about her husband Vishal's ordeal, stating that he was detained despite having no connection to the centre. "We were here on holiday when my husband's friend offered accommodation in the employees' residential complex. Police detained him and seized my phone. I'm stranded here, unable to communicate in the local language." The police are now investigating the matter, and the true extent of the operation is being uncovered. Investigation reveals structured hierarchy The police investigation revealed a structured hierarchy within the fraudulent call centre operation. The organisation comprised various roles including dialers, bankers, closures, managers, and administrative staff, with monthly salaries ranging from Rs 20,000 to Rs 70,000. The operation began with dialers, predominantly from northeastern states, making VOIP calls to American citizens. Using their American-style English accent, they posed as e-commerce fraud alert staff, warning victims about suspicious parcels in their name that could lead to legal complications. Following a prepared script, they would then transfer concerned victims to bankers. These bankers, pretending to be US bank or FTC officials, collected sensitive personal and financial details from victims. After evaluating the victim's state of mind, the banker would forward the call to closures. The closures, armed with gathered information, would persuade victims about their predicament and convince them to purchase gift cards and share the redemption codes. These closure agents handled multiple victims daily, generating monthly fraudulent earnings in crores. The managers handled the final stage, converting gift cards into money through online platforms, cryptocurrency, and dark web exchanges. The operation's HR team recruited staff primarily from Assam, Nagaland, Meghalaya, and Gujarat, providing two weeks of training in call scripts and impersonation methods. The monthly salary structure allocated Rs 20,000 for dialers, Rs 35,000 to Rs 40,000 for bankers, Rs 50,000 for closures, and Rs 75,000 for managers.
