Latest news with #Suhagraat
News18
5 days ago
- Entertainment
- News18
This Suhagraat Song Was Shot Outdoors By Mistake, But The Film Became A Blockbuster Anyway
The film 'Jeet', released on August 23, 1996, performed exceptionally well at the box office. Alok Nath, Karisma Kapoor, Salman Khan, Sunny Deol, and Amrish Puri played the lead roles. Raj Kanwar wrote and directed the story, with Sajid Nadiadwala as the producer. Nadeem-Shravan composed the music, and Sameer Anjaan penned the lyrics. This film drew inspiration from the 1977 Pakistani movie 'Pahli Nazar' and the Bollywood movie 'Muqaddar Ka Sikandar'. With a budget of Rs 6 crore, the film earned over Rs 30 crore. The film featured a total of eight songs, whose melodious tunes resonated everywhere, from paan shops to street corners. One particular song was written for 'Suhagraat' and was meant to be filmed inside a room. However, director Raj Kanwar mistakenly filmed it in open valleys and mountains. Surprisingly, no one noticed this blunder. All the songs of 'Jeet' have stood the test of time. Nadeem-Shravan's music leaves a distinctive mark on them, and the evergreen songs continue to evoke romantic feelings even today. Popular tracks from the film include 'Yara O Yara, Ye Milna Hamara, Jaane Kya Rang Laayega', 'Tu Dharti Pe Chahe Jahan Bhi Rahi, Tujhe Teri Khushboo Se Pehchan Loonga', 'Sanson Ka Chalna, Dil Ka Machalna, Kiski Shararat Hai' and 'Abhi Saans Lene Ki Fursat Nahi Hai...'. The story behind 'Abhi Saans Lene Ki Fursat Nahi Hai...' is quite intriguing. Recently, lyricist Sameer revealed in an interview that this song was written for 'Suhagraat', but the director filmed it in open valleys. Only one scene was shot indoors. Sameer had a lengthy discussion with Raj Kanwar about this mistake. In his interview, Sameer shared, "I had written a very romantic song for the 'Suhagraat' situation. The director made a significant error. When I met Raj Kanwar, I scolded him a lot. I said, 'You are an amazing man. How did you shoot the song?' The film was being shot in Switzerland, and at that time, they did not have any song. So, this song, which was supposed to be filmed in a closed room with a fire, was shot poorly. The heroine stands on a mountain, the hero stands on another, and then the hero sings 'Abhi Saans Lene Ki Fursat Nahi Hai Ki Tum Meri Baahon Mein Ho'. I told Raj Kanwar that he had messed up a lot." While narrating the story, Sameer continued, "I told Raj Kanwar that the intensity of my song, its depth, the feeling of two hearts coming closer, was lost. They meet, then separate, and meet again. This is one of my favourite songs. In the film, it is evident that apart from looking at the heroine, the hero is admiring everything else, whereas the lyrics tell a different story. The hero looks at the mountains, flowers, and waterfalls. We said that you have done a great job, but these things happen. We lyricists cannot do anything about it. That song should have been with Salman Khan, the situation was right, but it should have been filmed inside a room. In the film, it is clear that the hero gets married, and then the song moves straight to the outdoors. The entire song was meant to be in the bedroom."
News18
6 days ago
- General
- News18
A Bed Of Flowers, A Glass Of Milk, And A Shy Bride: 'Suhagraat' Beyond Filmy Symbols
The term ' Suhagraat ' is derived from two words: ' Suhag ' and ' Raat '. Suhag stems from the Sanskrit word ' Saubhagya ' or ' Subhagya ', denoting a woman's marital good fortune, her husband's long life, and happiness. Raat simply means night, referring specifically to the first night after marriage. Therefore, Suhagraat literally translates to 'the night of marital good fortune', marking the moment when husband and wife grow intimately close for the first time. Historical Origins: During the medieval period, especially among the Mughal and Rajput royal households, Suhagraat evolved into a ceremonial event that accompanied the grandeur of marriage. Traditions included preparing a rose-adorned bed, applying fragrant perfumes, and guiding the nervous bride to sit beside the groom. With the advent of British rule, Victorian ideals merged with Indian customs, imbuing Suhagraat with a more emotional and sacred dimension. Over time, it grew from a mere night of union into a full-fledged ritual. Regional Variations Across India: India's vast cultural diversity brings with it various names and traditions, though the sentiment behind Suhagraat remains largely the same: the first night shared by the newlyweds. In Bengal, it is called Phoolshayya, bed of flowers. In Tamil Nadu, it is known as Iravu Thiruma whereas in Maharashtra, it goes by Pahili Raat, meaning first night. In Rajasthan and Punjab, the term Suhagraat is common, with slight regional variations. Despite linguistic differences, the essence remains consistent: the symbolic beginning of the couple's marital journey. Depiction in Films and Literature: In the 20th century, Indian cinema redefined the popular image of Suhagraat. Films often portrayed flower-laden beds, glasses of milk, bashful brides, the soft jingle of bangles, and veils concealing shy smiles. This cinematic representation fused sensuality with tradition, embedding a romantic and ritualistic narrative into public imagination. What was once a private ritual became a cultural motif. Modern-Day Perceptions: In contemporary society, particularly in urban areas, Suhagraat is increasingly viewed as a personal experience rather than a rigid tradition. For many modern couples, who may already share emotional or physical intimacy before marriage, Suhagraat has become more of a symbolic gesture. For others, especially in rural or traditional settings, it remains a deeply significant and often mysterious event, filled with expectation and emotion. To the younger generation, it may represent not just a night of romance, but the emotional beginning of a shared life. Traditional Symbols and Their Meanings: The bed of flowers, often central to the Suhagraat setting, symbolises beauty, purity, and sensuality. The fragrant petals not only enhance the romantic atmosphere but also represent the blossoming of a new relationship. The glass of milk, traditionally offered to the couple, signifies love, strength, and vitality. It is seen as a nourishing gesture, both literal and symbolic, meant to energise and bless the couple as they embark on their life together. The veil, typically worn by the bride, denotes modesty, grace, and adherence to tradition. It creates a sense of mystery and shyness, reinforcing the emotional vulnerability and respectful boundaries that mark the beginning of a marriage. These elements are not just ornamental or ritualistic, they each represent an emotional and psychological transition. Suhagraat, in its many forms, is more than just a night of intimacy. It stands as a reflection of evolving customs, deeply rooted emotions, and the timeless nature of human connection.
