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Suicide now the third leading cause of death in 15-29 age group: WHO
Suicide now the third leading cause of death in 15-29 age group: WHO

The Herald

time3 days ago

  • Health
  • The Herald

Suicide now the third leading cause of death in 15-29 age group: WHO

Suicide is now the third leading cause of death among young people aged 15-29 years globally, the World Health Organisation (WHO) has warned, releasing sobering statistics to mark International Youth Day. The organisation said that one in seven adolescents aged 10-19 experiences a mental disorder, contributing to 15% of the global burden of disease in this age group. WHO said depression, anxiety and behavioural disorders are among the leading causes of illness and disability among young people. 'One in six people are aged 10-19 years. Adolescence is a unique and formative time. Physical, emotional and social changes, including exposure to poverty, abuse or violence, can make adolescents vulnerable to mental health problems. Protecting adolescents from adversity, promoting socio-emotional learning and ensuring access to mental healthcare are critical for their health and wellbeing during adolescence and adulthood,' WHO said. The agency warned that adolescents with mental health conditions are particularly vulnerable to social exclusion, discrimination, stigma, educational difficulties, risk-taking behaviours, poor physical health and human rights violations. WHO noted that adolescence is a crucial period for developing healthy habits such as regular exercise, good sleep, problem-solving skills and emotional regulation and that supportive family, school and community environments are essential. In South Africa, the link between violence in schools and youth mental health is under the spotlight. Minister of basic education Siviwe Gwarube revealed in a parliamentary response that 548 cases of bullying have been reported in schools since January 2025. KwaZulu-Natal recorded 29 cases, Gauteng 23, and Limpopo a staggering 305. The Eastern Cape reported 68 cases, the Free State one, Mpumalanga 26, the Northern Cape seven, North West 78 and the Western Cape 11. Gwarube said the department had developed the National School Safety Framework (NSSF) as a guideline to address all forms of violent incidents including bullying. 'It is our responsibility to ensure that every school is a safe space for learning and development,' she said. WHO emphasised that multiple factors affect adolescent mental health, including media pressure, gender norms, the quality of home life, peer relationships, violence and socioeconomic challenges. WHO said depression, anxiety and behavioural disorders can disrupt school attendance, cause isolation, and increase the risk of suicide. Globally, 4.4% of 10-14-year-olds and 5.5% of 15-19-year-olds experience anxiety disorders. Depression affects 1.4% of adolescents aged 10-14, and 3.5% of those aged 15-19. The organisation revealed that eating disorders are more common in girls and that they emerge during adolescence and carry the highest mortality rate of any mental disorder. WHO highlighted that harmful substance use often begins in adolescence. In 2019, 22% of 15-19-year-olds consumed alcohol with high rates of tobacco and cannabis use also reported. The organisation warned that failing to address adolescent mental health conditions can impair physical and mental health into adulthood, limiting opportunities to lead fulfilling lives. 'Suicide is the third leading cause of death in older adolescents and young adults. Risk factors are multifaceted, including harmful alcohol use, abuse in childhood, stigma against help-seeking, and access to means of suicide,' WHO said. WHO recommended focusing on strengthening resilience, providing alternatives to risk-taking behaviours and building supportive environments. 'It is crucial to address the needs of adolescents with mental health conditions, avoid over-medicalisation and respect their rights in line with international human rights instruments,' said the organisation.

Rick Owens SS26 Is a Theatrical Retrospective
Rick Owens SS26 Is a Theatrical Retrospective

Hypebeast

time27-06-2025

  • Entertainment
  • Hypebeast

Rick Owens SS26 Is a Theatrical Retrospective

Summary Rick Owens, fashion's undisputed high priest of brutalist elegance, delivered aSpring/Summer 2026show during Paris Fashion Week that was far more than a mere presentation; it was a visceral, theatrical prelude to his highly anticipated retrospective exhibit, aptly titled 'Temple of Love.' Staged at his iconic haunt, the Palais de Tokyo, the show transformed the space into a dynamic, interactive testament to his enduring vision. Breaking from conventional runway setups, Owens orchestrated an all-standing affair, with guests gathered intimately around the colossal fountain at the heart of the Palais. This unorthodox arrangement immediately set a tone of collective anticipation. As the show began, models emerged onto an elevated structure, forming a catwalk suspended above the tranquil waters. Their procession across this dramatic stage was a testament to Owens' mastery of tension and movement. The true spectacle, however, unfolded as the models began to descend directly into the fountain itself. Some paused, taking a deliberate dip in the cool water, allowing their garments to momentarily cling to their forms before they emerged, dripping, to continue their walk. This audacious act of baptism by water was not just a visual flourish; it served as a powerful metaphor. It suggested a cleansing, a rebirth, and a defiant embrace of vulnerability – themes deeply embedded in Owens' work. The water-soaked fabric clinging to the models highlighted the raw, almost sculptural quality of his designs, emphasizing the interplay between garment and body in a primal way. This daring display acted as a direct, living preview of the 'Temple of Love' retrospective. It underscored Owens' consistent ability to merge performance art with fashion, using his shows as profound statements that explore themes of rebirth, resilience, and an almost sacred embrace of the human form in all its glorious imperfection. Embracing themes of finality, Owens' designs embody a 'European aesthetic sophistication through an American bluntness,' showcased by exposed flesh in black leather gaps. Studded straps, recalling neoclassical nymphs, adorn pieces alongside heavyweight Tuscan leathers that are slashed and fringed. Voluminous flight jackets and parkas, crafted from sustainable Italian nylon or silk taffeta, pair with 'Burrito Sneaks.' Collaborations include jackets inspired by New York punk band Suicide and reissued knits from 2002 by Terry-Ann Frencken, marking a deeply personal and powerful collection. Rick Owens' retrospective is now open at the Musée Palais Galliera.

It's okay to not be okay!
It's okay to not be okay!

Gulf Weekly

time22-05-2025

  • Entertainment
  • Gulf Weekly

It's okay to not be okay!

Former Bahrain resident and publisher Robin Barratt's new book focusing on mental health is set to hit the shelves next month, following Mental Health Awareness Month in May, and features entries from 32 countries including the kingdom. Anxiety and Depression is the seventh in a series of books he has compiled and published on the subject. The others include Suicide – volumes one and two, Addiction and Mental Health – volumes one, two and three. The latest 250-page book anthologises a collection of interviews, personal stories, poetry and short prose from around the world. 'I am still currently in the process of compiling it and have received almost 100 submissions. It is due for release mid-June, but with a submission deadline of May 31,' the 62-year-old Briton told GulfWeekly. 'It will be available as a paperback and in Kindle format on Amazon worldwide or directly from me in the UK,' the former security industry specialist, who currently lives in Norwich, added. Being on the autistic spectrum, Robin has had many mental health challenges throughout his life, which is why the theme of the book holds importance to him. 'I have been promoting positive mental health and mental health awareness for much of my life, and have taken a number of courses with organisations including the Red Cross. In 2020, I formed Poetry for Mental Health ( which is now the biggest organisation of its kind, supporting thousands of people around the world through words and poetry,' the former Hoora resident said. Visual artist and poet Anju Kapoor from Manama, who has been living in the kingdom with her family for the last 30 years, has shared her verses for the book, bringing alive a personal emotional journey. 'Excavating the Wound emerged at a time of deep personal introspection when a gamut of my feelings, grief and resilience met, as a result of which I found it necessary to process a silent grief,' the 54-year-old creative talent, who resorts to writing as a 'coping mechanism' to process her feelings, said. An excerpt from her poem reads: I want the solace of unclenched fists, the freedom of a sky unchained, unbound I want to find myself in the wreckage of old bruises Robin too finds books, words and poetry to be 'therapeutic and cathartic' in difficult times, and he tries to help others cope by motivating and inspiring them to write, and then publishing their words and work. The founder of the Bahrain Writers' Circle (BWC), who has released more than 60 titles so far, said, 'The BWC proved crucial in my writing, as prior to this I was just writing within the true crime genre, but after forming the Circle, and compiling My Beautiful Bahrain (2012), I moved away from true crime into compiling and publishing anthologies,' he added. The author is hopeful of moving back to live in Bahrain and believes there is a lot that the kingdom can do to develop awareness about mental health. 'Not many companies offer mental health awareness and support programmes to their employees and I am not aware of any corporate mental health awareness training on the island. 'So, my goal for 2025 is to somehow find a way of introducing this aspect of wellness and self-care to the kingdom,' he revealed. To submit your entry or for more information, follow @RobinBarratt1 on Instagram.

‘Be a Voice' special airs on NBC4
‘Be a Voice' special airs on NBC4

Yahoo

time08-05-2025

  • Health
  • Yahoo

‘Be a Voice' special airs on NBC4

This article discusses suicide. If you or someone you know is experiencing a mental health crisis, call or text 988 to reach the 988 Suicide and Crisis Lifeline available 24/7. To reach the 24/7 Crisis Text Helpline, text 4HOPE to 741741. COLUMBUS, Ohio (WCMH) — While many people might not appear to be struggling with thoughts of self-harm, the truth is suicidal ideation does not always have a face and the pain they are feeling does not always have a voice. On Wednesday, May 7, at 7:30 p.m., NBC4 will air the half-hour program, 'Be A Voice: Ohio Suicide Prevention Special.' The broadcast will reveal the silent pain many individuals might feel and offer inspiring, real stories of hope. It will discuss life-saving resources, share important information on local and state initiatives, and offer advice to help viewers make a difference in someone else's life. Join NBC4 for this powerful and urgent look at suicide prevention in Ohio, Wednesday, May 7, at 7:30 p.m., on NBC4. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed. For the latest news, weather, sports, and streaming video, head to NBC4 WCMH-TV.

Chris Imler: The Internet Will Break My Heart review
Chris Imler: The Internet Will Break My Heart review

The Guardian

time21-02-2025

  • Entertainment
  • The Guardian

Chris Imler: The Internet Will Break My Heart review

'I hug strangers, I lose my friends … I listen to 100,000 songs,' deadpans Chris Imler on the title track of The Internet Will Break My Heart. The dark underbelly of the internet is the theme behind this record; across its nine tracks, the Berlin-based songwriter and producer flits between topics as varied as porn, cute animals, war and weed with the hasty indifference of someone flicking between apps. It's a suitably macabre topic for Imler, whose sound is characterised by a strange, nocturnal quality, all chugging instrumentals and monotone chanting. The record draws on Imler's trusty seedy palette, skulking somewhere in the depths between Krautrock and industrial dance music. But where new interpretations of these genres can often veer towards pastiche, Imler's approach feels both refreshing and as raw as the real deal, thanks in part to his frequent co-producer, Benedikt Frey. Un Solo Corpo brings to mind Suicide, with its smoky, skippy melody, gruff vocals and swirls of feedback, but it would also go down well in a club. Agoraphobie, another standout, features fellow underground experimentalist Naomie Klaus' sultry vocals lurking around western-style guitars and synths that whir and wail like a theremin. There are moments that could be mistaken for indie landfill in the wrong context (Let's Not Talk About the War), but any naffness is saved by Imler's knowing humour. Me Porn, You Porn, for example, captures the absurdity of a Tonetta track if he swapped his acoustic guitar for a synthesiser, while Liturgy of Litter sounds like a nursery rhyme gone wrong. It's these wonky, downtempo excursions that make the record so good, as seductive and disorientating as a late-night internet rabbit hole. Adrian Sherwood's name that can be found across the liner notes of all sorts of post-punk, dub and dance records. In Obscured by Version (On-U Sound), the producer returns to his own Dub Syndicate project, reinventing rhythms from the 80s and 90s into a collection of spacious, uplifting and, at times, joyfully familiar new tracks. Despite sitting under 30 minutes, the excellent new mini album by French producer Fantastic Twins is huge in scope and ambition: originally written as a contemporary dance score, Suite of Rooms (House of Slessor) brings together cinematic soundscapes and icy 80s electronica to create a haunting odyssey. In Ghost/Spirit (Thrill Jockey), the latest album by Berlin-based artist Jules Reidy, the cosy bedroom pop formula is given a sleek, supernatural finish, with plucky guitars and dreamy yearning warped by AutoTune and scattershot electronics. The tracks are mostly short and ephemeral, but an uncanny feeling lingers on.

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