Latest news with #Sumeet
India.com
26-05-2025
- Entertainment
- India.com
This actor has a special relationship with Dilip Kumar, his luck changed when he left acting, divorced his first wife, is Tabu's brother-in-law, his name is…
Many celebs come to Bollywood to try their luck. Some become famous overnight while others, despite doing many films, are unable to achieve the position they had hoped for. In the 90s, there was an actor who left the industry after doing 30 films. He did not get a lead role in any of these 30 films. He appeared in supporting roles in all of them. The actor we are talking about is none other than Sumeet Saigal. He is also related to Bollywood's legendary actor Dilip Kumar. Has a special relationship with Dilip Kumar Sumeet and Dilip Kumar have a special relationship. Dilip Kumar and Saira Banu did not have any children of their own. They have a niece, Shaheen Banu. Shaheen was married to actor Sumeet Saigal. In this way, Sumeet is Dilip Kumar's son-in-law. Sumeet and Shaheen have a daughter, Sayesha Saigal. Sayesha has also entered the industry, and she is one of the best actresses of South. Sumeet and Shaheen's marriage broke up, after which he married Farah Naaz, who is Tabu's sister. Left acting and became a producer Sumeet made his debut with the film Imaandar. His first film was released in the year 1987. After that, Sumeet worked in many films. He worked in more than 30 films in his career. He was last seen in the film Saajan Ki Baahon Mein. After that Sumeet stepped into production. As soon as Sumeet left acting and started a production house, his luck changed completely. He opened his production house named Sumeet Art. Which kept on progressing with time and he started getting a lot of work.
The Print
26-05-2025
- Entertainment
- The Print
Bollywood singer Sumeet Tappoo awarded Fiji's highest civilian honour for humanitarian work
Mumbai (Maharashtra) [India], May 26: Mumbai-based, Fiji-born singer and humanitarian Sumeet Tappoo has been conferred with the nation's highest civilian honour — the Companion of the Order of Fiji — in recognition of his outstanding service to his nation through his humanitarian work and his music. The honour, equivalent to India's Bharat Ratna, is the highest recognition conferred by the President of Fiji and stands as a testament to Sumeet's lifelong commitment to serving the nation he proudly represents across the world. At a grand investiture ceremony held at the State House in Suva, the President of Fiji, His Excellency Ratu Naiqama Lalabalavu, presented this prestigious award to three individuals — Sumeet Tappoo, Dr Krupali Tappoo, and Sri Madhusudan Sai — describing them as 'beacons of compassion and cultural pride for the people of Fiji'. While Sumeet Tappoo is globally recognised as a renowned Bollywood singer and international performing artist, his impact goes far beyond the stage. He serves as the Chairman of the Sri Sathya Sai Sanjeevani Children's Hospital — the South Pacific's first and only paediatric cardiac super-speciality hospital offering 100% free heart surgeries to children across Fiji and the Pacific Islands. In his heartfelt message of gratitude, Sumeet said, 'Never in my wildest dreams did I imagine that I would receive our beloved Fiji's highest honour. I am deeply humbled and profoundly grateful to accept this recognition from His Excellency, the President of Fiji. I have always believed that to whom much is given, much is expected, and I will strive harder to keep making a difference to humanity.' Describing the impact of the hospital, Sumeet called it 'a divine miracle and an enduring monument of love', noting how what once seemed an impossible dream is now a fully operational, world-class institution changing countless young lives. 'This is the power of love. This is the power of goodness. This is the power of humanity,' he said. Joining Sumeet in receiving the same esteemed honour was Dr Krupali Tappoo, Director of the hospital, who has played a critical role in the operational excellence and expansion of paediatric cardiac care in the region. Completing the trio of awardees was global humanitarian and spiritual leader Sri Madhusudan Sai — the founder of the 'One World, One Family Global Humanitarian Mission' and the founder of the Sri Sathya Sai Sanjeevani Children's Hospital in Fiji — awarded for his visionary leadership in establishing the hospital and for his wider global contributions to free healthcare, nutrition, and education. Sri Madhusudan Sai's recognition places him among an elite list of Indian dignitaries to receive Fiji's top honour — following only Indian Prime Minister Shri Narendra Modi and President Smt Droupadi Murmu. Since its inception, the hospital has performed 378 life-saving heart surgeries, more than 30,000 paediatric echocardiograms, and over 40,000 free general and specialist outpatient medical consultations — all completely free of charge. President Lalabalavu praised the trio's unwavering dedication and emphasised the hospital's role as one of the country's most successful public-private healthcare partnerships. Their collective recognition marks a defining moment not only in the lives of the recipients but also for the people of Fiji. It symbolises what can be achieved when service, compassion, and vision come together for the greater good. For Sumeet Tappoo, the honour is more than an award — it is a renewed call to service. His journey, rooted in love for his homeland, continues to uplift countless lives — through the healing power of music and the transformative power of humanitarian action. (ADVERTORIAL DISCLAIMER: The above press release has been provided by PNN. ANI will not be responsible in any way for the content of the same) This story is auto-generated from a syndicated feed. ThePrint holds no responsibility for its content.
Time of India
21-05-2025
- Entertainment
- Time of India
Best stories come from a place of risk: Sumeet Vyas
Despite being one of the earliest poster boys of OTT and having transitioned to Bollywood, Sumeet Vyas says he always finds his way back to where it all began: theatre . The actor-director, who was in Bengaluru for his play Saanp Seedhi, shares his love for acting, his creative process, and the OTT boom. Excerpts: 'THEATRE IS WHERE YOU GET TO DIVE DEEP, AS AN ACTOR' Sumeet started theatre in the early 2000s and has remained actively involved. 'Theatre is the only space that truly belongs to an actor. It is where you get to indulge in your craft. If you like acting as a profession, then the stage is where you return, because that's where you get to dive deep,' he says. 'CRAFT LASTS, NOT FAME' Sumeet believes in hard work rather than viral fame. He explains, 'I don't take labels like 'web hero' or 'Bollywood actor' too seriously. They're fleeting. One year you're in the spotlight, the next you're not. Fame comes and goes. What truly lasts is one's craft and the commitment towards it.' 'GENRE DOESN'T MATTER, THE STORY DOES' From comedy to drama to action, Sumeet has worked across all formats. He tells us, 'Genre is very incidental to me. If I find the story compelling and I feel the urge to be a part of telling that story, then I say yes in a heartbeat.' 'I ALWAYS KNEW I WANTED TO DIRECT' Sumeet recently directed an OTT series called Raat Jawaan Hai , which he considers to be a significant step in his career. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Giao dịch vàng CFDs với mức chênh lệch giá thấp nhất IC Markets Đăng ký Undo Before this, Sumeet had also been directing plays. For him, the urge to direct was natural. 'I started writing for films, and every time I wrote something, I had a certain vision. I always felt the need to direct because that vision never left me,' he says. 'IN OTT, EVERYONE WANTS THE SAME FORMULA OF A STORY' Amidst the overwhelming number of OTT shows, Sumeet believes that to stand out, one needs to take a leap of faith. 'Today, everyone is looking for a formula to replicate, to gain success. Shows that truly made an impact were never following a formula. They succeeded because they broke the mould instead of fitting into one. The best stories come from a place of risk, from a willingness to leap into the unknown,' he says.
The Hindu
06-05-2025
- Entertainment
- The Hindu
‘Saanp Seedhi' play preview: Sumeet Vyas and Kumud Mishra star in this remake of ‘Sleuth'
Aadyam Theatre's latest offering, Saanp Seedhi, promises Bengaluru audiences an edge-of-the-seat experience. Adapted from Anthony Shaffer's Tony Award-winning psychological thriller Sleuth, the Hindi play is directed by Shubhrajyoti Barat and stars Kumud Mishra and Sumeet Vyas. After a successful run in Delhi, it is set to play at Ranga Shankara on May 9 and 10. At its heart, Saanp Seedhi is a lethal game of manipulation and deception between two men: a flamboyant film producer, Anil Wadhwa (played by Kumud), and his wife's lover, Mayank Tiwari (Sumeet). Set against the backdrop of Anil's sprawling, slightly surreal home in Goa, what starts as a seemingly civil confrontation soon spirals into a dangerous psychological battle where nothing is quite what it seems. For director Shubhrajyoti, Sleuth was a play that had lived rent-free in his mind for years. 'As a director or anyone involved in theatre, there are always plays you keep returning to,' he says. 'When Aadyam gave me the platform, it felt like the perfect time to bring it to life, especially with actors like Kumud and Sumeet on board.' But Shubhrajyoti was clear from the start that he did not want a mere translation; he wanted an adaptation that felt rooted in Indian soil. Collaborating with playwright Akarsh Khurana, the team reimagined Shaffer's aristocratic British world into something more recognisably Indian. 'Instead of the original's mystery novelist, Anil is now a B-grade film producer who has climbed up the ladder. This adds complexity to his character, a self-made man whose ego and insecurities play out in fascinating ways,' he explains. Visually, too, Saanp Seedhi tries to experiment. The set, Shubhrajyoti says, is designed with a backdrop of the sky and intentionally unfinished walls and ceiling, creating a liminal space that mirrors the characters' unraveling psyches. 'It's like the house could meet infinity or fall apart at any moment,' he says. 'We also use a puppet as a silent observer, adding an extra layer of tension.' For Sumeet, stepping into the shoes of Mayank Tiwari was a long-awaited moment. 'I had read Sleuth years ago and was supposed to perform it back then, but it didn't happen,' he says. 'So, when this opportunity came along, I felt both excited and relieved.' His character, Mayank, is more than just the 'other man.' 'He appears earnest and straightforward, but there's another side to him — a deep-seated reaction to bullying that makes him unpredictable. He's not just a victim; he takes action, and that makes him interesting to play.' Despite a busy career across web series and film, Sumeet says returning to theatre was both thrilling and nerve-racking. 'I haven't opened a new play in almost a decade, so I was really excited to get back to rehearsals, make mistakes, and rediscover that process. It's the good kind of nervousness,' he admits. Both Sumeet and Shubhrajyoti highlight the strong bond between the cast, especially the dynamic between Sumeet and Kumud. Having worked together before, their friendship adds a layer of trust and freedom on stage. Shubhrajyoti, who has known both actors personally for years, says directing close friends brought its own set of challenges. 'It can be awkward shifting from friend to director, but with actors of this calibre, you don't have to micromanage. It's more about guiding the characters' arcs while trusting their instincts,' he says. Shubhrajyoti feels the thriller is an underexplored genre on the Indian stage made it especially appealing. 'Thrillers are rarely done in theatre, and that scarcity was part of the attraction. A well-written script like this almost directs itself. You just need to represent it honestly, and it does the rest,' he says. The 90-minute Hindi play is for ages 15 and above. Catch it on May 9 and 10 at 7.30pm at Ranga Shankara. Tickets on BookMyShow.
Time of India
22-04-2025
- Entertainment
- Time of India
Exclusive: Sumeet Raghavan on Earth Day, says ‘I received a lot of flak for supporting Mumbai car-shed but there should be a complete ban on cutting trees'
As the world marks Earth Day on April 22nd — a global initiative dedicated to promoting environmental awareness and action — actor Sumeet Raghavan has voiced his deep concern over the alarming trend of deforestation in urban spaces . Known for his role in Wagle Ki Duniya, Sumeet reflected on recent incidents in Aarey, Mumbai, and Hyderabad, where large-scale tree cutting sparked public outrage. Speaking exclusively to Times of India TV, he said, 'Whatever has happened in Hyderabad is really unfortunate. Though the Supreme Court intervened and stopped further felling, the damage was already done. I don't know what it is — maybe we've grown so disconnected from nature. We're more interested in IT parks and commercial establishments than preserving our green cover.' He addressed the backlash he received for supporting the controversial Mumbai Metro car-shed project in Aarey, clarifying his stance. 'Yes, I supported the Metro car shed because it was in the larger interest of commuters. Mumbai has no more space for roads. Public transport, like the Metro, is the only practical solution now. That's why I opposed the coastal road project too — it was made for private vehicles. I myself use the Metro for shoots, so I understand its importance. ' However, his perspective has since evolved. 'I received a lot of flak from environmentalists and activists, and now I hear that 84 more trees will be cut. That I cannot support. There should be a complete ban on tree cutting — be it for roads, buildings, or IT parks. I love trees, and moving forward, there must be stricter laws to protect them. No more cutting trees, no matter the project.' Sumeet's thoughts highlight the need to strike a balance between development and sustainability, especially on a day as significant as Earth Day.
