Latest news with #Swades
Time of India
23 minutes ago
- Entertainment
- Time of India
'Swades' star Gayatri Oberoi offers a sneak peek into her ultra-luxurious residence worth Rs 400 crore with husband Vikas Oberoi
Gayatri Oberoi, known for her role in Swades, has re-emerged, showcasing her design expertise in her family's real estate ventures. She offers a tour of her luxurious Mumbai residence, blending Indian materials with European design. Despite a tragic car accident in Italy last year, Gayatri's passion for design and family remains evident. Nearly two decades after she lit up the screen alongside Shah Rukh Khan in Swades, Gayatri Oberoi is back in the public eye—but in a very different role. The former actor, who stepped away from Bollywood after just one film, now leads a quiet yet influential life as a creative force behind her husband Vikas Oberoi's real estate empire. In a rare appearance, Gayatri gives viewers a personal tour of their Rs 400 crore residence in Mumbai's plush Three Sixty West tower, featured in a new video by YouTuber and real estate enthusiast Enes Yilmazer. Gayatri appears poised and passionate as she walks through the 45th-floor home—spanning 16,000 sq. ft with five bedrooms and seven bathrooms—sharing how design, detail, and emotion shape every corner. For Gayatri, design is storytelling. She reveals how Indian materials were blended with a contemporary European sensibility to craft a home that's both refined and deeply personal. While the price tag and setting are undeniably grand, Gayatri's warmth is what stands out most. She says she and Vikas are so invested in their work, it hardly feels like work at all. 'It's something we love,' she says simply. Though she chose to leave films behind after marrying the billionaire businessman, Gayatri's on-screen presence still lingers—elegant, understated, and compelling. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Consigue audifonos de alta calidad sin gastar ni un solo centavo Top Audifonos Undo The couple made headlines in 2023 after a tragic car crash in Italy that claimed the lives of two Swiss nationals—a sobering reminder of how unpredictable life can be, even amid immense success and privilege. Gayatri Joshi's recent appearance sparked a wave of nostalgia among Swades fans, where she memorably portrayed a strong-willed schoolteacher who helped steer Shah Rukh Khan's character back to his roots. Though Swades was her first and only film, her graceful performance left a lasting impact, earning her a place among Bollywood's most cherished one-film wonders. While she stepped away from the limelight to focus on her personal life, Gayatri's rare public moments still manage to captivate and charm audiences.
Hindustan Times
3 hours ago
- Entertainment
- Hindustan Times
Swades star Gayatri Oberoi returns in front of camera to flex her ₹400 crore property with husband Vikas Oberoi. Watch
Gayatri Joshi made a Bollywood debut for the ages in 2004 with Swades. She was Shah Rukh Khan's leading lady and was being directed by Ashutosh Gowariker. Everyone knew she was the next big thing and then something changed, her name. Gayatri Joshi married billionaire businessman Vikas Oberoi and became Gayatri Oberoi. She never starred in another movie again and started a beautiful family with Vikas, even becoming a creative partner in his realty business. Now, Gayatri Oberoi, director of Oberoi Realty, has starred front and centre in YouTuber and real estate enthusiast Enes Yilmazer's new video, shot at Oberoi's Realty's prime property, Three Sixty West in Worli, Mumbai. The YouTuber takes a tour of a special home on the 45th floor of the skyscraper as Gayatri doles out details on what inspires her design choices and more. The home is spread across 16,000 square feet of interior space, five bedrooms, and seven bathrooms. It was on the market for $50 million ( ₹400 crore). The unit comes with a spacious lobby area directly off the elevators. Speaking about the home, Gayatri says in the video that her and Vikas enjoy the 'work' too much to call it 'work'. Both of them take a passionate interest in any project they take up. Gayatri explains how the design incorporates Indian resources while maintaining a contemporary European/international look. The use of texture and variations of the same material is a key design principle. The feeling upon walking through the completed unit is that "you're home," with a focus on the flow of how a person would live there. The clip of Gayatri's bit from the video also made its way to Reddit. A person wrote, 'Bro her husband is the CEO of Oberoi realty he is estimated to be worth US$4.5 billion.' 'Bas 400 crore ke discount pe dedogi toh hum lelenge,' joked another. 'Anyone know how she ended up marrying a billionaire? Did they fall in love after her fame with Swades?,' commented a person. Gayatri and Vikas were in news in 2023 after their car crashed into another on a highway in Italy, leaving two Swiss nationals dead.
India Today
02-06-2025
- Entertainment
- India Today
Why Mahesh Babu's Khaleja is finally getting the love it missed 15 years ago
The final dialogue from the film 'Khaleja', 'Athbhutham jarige tappudu evvaru gurthinchaleru, jarigina tharuvatha evvaru gurthinchalsina avasaram ledu' which translates to, 'No one recognises a miracle while it's happening; and once it's done, there's no need to recognise it" - has come to reflect the film's own journey. What was once seen as a commercial failure in 2010 has now, fifteen years later, turned into a record-breaking success with its re-release. A miracle that went unnoticed at first, only to be celebrated long after it had quietly made a film's success is judged by its box office performance. But is that the only metric? This debate of success versus impact has existed for as long as cinema itself. Box office numbers depend on much more than just the quality of the film: timing, audience sensibilities, release competition, packaging, genre, the star's momentum. All of these played a part in the film's box office success. But, if success also means longevity, cultural relevance and emotional celebration, then a good film will always find its way into the hearts of audiences, even if it takes are countless examples in Indian cinema. From Guru Dutt's Kaagaz Ke Phool and Raj Kapoor's Mera Naam Joker to Shah Rukh Khan's Swades, films that failed at first found cult status later. Telugu cinema too has its share of such films, including Ram Charan's 'Orange', Rana's 'Leader', Ravi Teja's Neninthe, and among them, Mahesh Babu and Trivikram's Khaleja stands out as a film whose second life seems far more powerful than its Khaleja Failed to Impress in 2010advertisement Released on October 7, 2010, Khaleja arrived with high expectations. It marked the reunion of Mahesh Babu and Trivikram Srinivas after Athadu, a film that also gained widespread recognition after its satellite run. By then, Mahesh had already become a mass hero following Pokiri. However, his previous two films - Sainikudu and Athidi - were commercial disappointments, and Khaleja marked his comeback after a three-year the film's promotional interviews, when asked about his hiatus and the role in Khaleja, Mahesh Babu remarked, 'I felt a sense of monotony with the characters I was playing. I wanted to break out of that bubble, so I went all in with this one. Alluri Seetharama Raju in Khaleja is the most challenging and significant role of my career.' This shift in tone and the long gap between films contributed to heightened expectations among too, was riding high after Pawan Kalyan's Jalsa, and expectations were sky-high. But, upon its release, Khaleja received mostly negative responses. Critics pointed to its confusing themes, uneven screenplay and the lack of strong action moments. Despite Mahesh Babu's entertaining performance, fans were divided. The film also released around the same time as Rajinikanth and Shankar's Enthiran, which affected Khaleja's run in an interview with iDream, producer C Kalyan remarked, 'Before common audiences saw the merit in the film, Mahesh Babu's fans themselves killed the film. Their expectations were high, expecting a mass entertainer, but here he was, doing comedy which people didn't accept. They compared it to Robot (Endhiran) and dismissed it. But, I knew Khaleja would become a trendsetter.'What Makes Khaleja an Over-Time Classic?While Khaleja may not be a perfect film, several of its elements are undeniably striking. Mahesh Babu as Alluri Sitarama Raju, a taxi driver, is fresh, humorous, grounded and entirely believable. His reactions, one-liners and comedy timing add a layer of spontaneity. Even in high-stakes sequences, he never breaks the character of Seetharama Raju. His iconic use of "Bhayya!" became a pop culture comedy is another high point. It's woven into the fabric of the narrative, not added as filler but as organic, dialogue-heavy moments. The chase scene involving Govardhan in the second half is a great example. The intensity is contrasted by its quirky energy, making it both entertaining and Trivikram attempts to layer deeper philosophical ideas into the plot, about God, purpose and faith. At the film's success meet, the director, explaining the core of the film, said, 'After the Mahabharata, Lord Krishna ruled for many years. He died a normal man, his children were killed, thieves looted the kingdom. We don't talk about that because, to us, he is God when he speaks the Bhagavad Gita. Similarly, when an auto driver saves a man in an accident, he becomes God to that man, for that moment, for the outside world, he is an ordinary auto driver. Similarly, our hero.' It's a bold, layered idea. One that took time to be understood and Trivikram's signature dialogue writing elevated the film, intense lines like "Gaali velu chusthundi (the wind will lead the way) or 'Nela vollu virucukuntundi sidda (The earth will tear apart its skin, Sidda), or the famous monologue in the climax are now quoted with reverence, not just for their meaning, but for their literary time, social media discourse, decoding videos, and re-watches have also brought attention to the film's aesthetics, from Mani Sharma's music to the cinematography and production Khaleja a Perfect Film?Despite its cult following, many of the film's original criticisms still hold. The pacing is slow. While the chemistry between Mahesh Babu and Anushka works, her character Subhashini's role, too, feels underwritten. The villain, a corporate mining kingpin, comes across as a convenient caricature in an otherwise ambitious importantly, the film fails to invest enough time in its central theme. About 50 per cent of Khaleja is comedy, 40 per cent is set up, and barely 10 per cent is devoted to exploring the idea of godhood and existentialism. The one scene where Seetharama Raju has his realisation is brilliant, but there should have been more such moments to lend weight to the for all its flaws, Khaleja is a rare attempt. A film that blends philosophy, humour and commercial sensibilities in a way Telugu cinema hadn't seen before. It may not have worked in 2010, but fifteen years on, its resonance is louder than ever.
Indian Express
18-05-2025
- Entertainment
- Indian Express
Aamir Khan fired a struggling Daya Shankar Pandey from Akele Hum Akele Tum as he was overqualified: ‘I thought of him as a villain'
Actor Daya Shankar Pandey, known for his work in iconic films and TV shows like Lagaan, Gangaajal, and Swades, recently recalled his experience of working with Aamir Khan. Daya, who collaborated with Aamir on films such as Lagaan and Ghulam, shared an anecdote from their early days. He revealed that Aamir once removed him from the film Akele Hum Akele Tum, believing he was overqualified for the role. At the time, the decision left Daya distressed, especially as he was going through a financial crisis. Speaking on the YouTube channel Friday Talkies, Daya recalled, 'I didn't have work. I was facing financial crisis. My family had refused to support me and I also thought I would earn my own money. I had asked the assistant director (AD) of the film Akele Hum Akele Tum to give me any role possible and so he got me 12 day work in that film and I was getting Rs 2000 per day.' Daya Shankar Pandey shared that Aamir Khan knew him from earlier as they had worked together in the 1995 film Baazi, and he also knew that Aamir regarded him as a good actor. However, Aamir's positive opinion of Daya ended up costing him the role in Akele Hum Akele Tum. He explained. 'I would try and avoid Aamir sir so that he doesn't see me but one day he saw me and called me and asked what I am doing there. When I told that I am playing a junior artist's role, he told Mansoor Khan and the AD, 'He is a very good actor. Don't waste him.' I didn't want to hear this appreciation because I wanted to earn my per day and leave. I thought of Aamir Khan as a villain at that time. They did my pack-up.' Though Aamir didn't allow Daya to continue playing the junior artist's role in Akele Hum Akele Tum, he later made up for it by casting him in Lagaan and also recommending him for a pivotal role in Ghulam. The actor further recalled how Aamir personally called him to meet director Mahesh Bhatt and Ghulam's writer Anjum Rajabali. However, even with the superstar's backing, Daya still faced rejection. Sharing the experience, he said, 'Anjum and Mahesh kept rejecting me for roles in the film, saying that I am too thin and all. I got very insecure because Aamir Khan is recommending me but the writer is rejecting. What kind of bad luck is this.' However, Days revealed that eventually Aamir managed to convince them, and he was cast in the role.
News18
18-05-2025
- Entertainment
- News18
SRK Was Thrown Off Bike On Swades Set, Co-Star Thought His Career Was Over
Last Updated: Swades is a critically acclaimed 2004 film directed by Ashutosh Gowariker, starring Shah Rukh Khan as an NRI scientist who returns to India in search of his roots. Back in December 2001, Shah Rukh Khan hurt his back badly while filming an action scene for Shakti: The Power. He was diagnosed with a slipped disc and, after trying many treatments, had to undergo surgery where a small disc was placed in his spine. Around this time, he was also shooting for Ashutosh Gowariker's Swades. In a recent chat with Friday Talkies, Daya Shankar Pandey, who played Mela Ram in Swades, shared a scary moment from the set that left him shaken — and it involved Shah Rukh himself. He even thought it could end his career. 'There is a scene where I ride the bike in the film with Shah Rukh Khan sitting on the back. The reality is that I am not a great rider, but Ashutosh wanted me to ride the bike. Because I didn't know how to, I suggested that I could sit in the back and SRK could ride it. Ashutosh refused and demanded that I ride it. He said, 'SRK in the film is a US return, he won't know the village, so you have to show it to him.' Ashutosh, on set, is like Hitler. I then finally told him that I haven't ridden a bike for a very long time, and he said, 'No, I know you will manage it. You have no option.'" Under pressure, Daya Shankar began practising around the village, still unsure about his ability to pull it off. But things didn't go as planned. The moment he tried to take off, panic set in. He recalled, 'You won't believe it, the bike actually went up in the air and threw SRK on the ground. I had left the bike and I was shivering in fear. I was convinced that this was end of my career. The whole environment on set changed." Making matters worse, SRK was already struggling with a serious back problem and had a physiotherapist with him at all times on set. 'This was the same time when Shah Rukh Khan was suffering from severe back pain. So much that he had a physio on set. I am looking at him but I was so scared that I couldn't even give him a hand to stand up. He then stood up, walked up to me and kept his hand on my shoulder. He quietly said, 'I knew you didn't know how to ride a bike.' He quickly turned towards Ashutosh and said, 'Ashu, lets take the shot'. Ashutosh gave me a death stare when Shah Rukh stopped him, and said, 'What are you looking at? It was my fault. I disbalanced it.'" Swades is a critically acclaimed 2004 film directed by Ashutosh Gowariker, starring Shah Rukh Khan as an NRI scientist who returns to India in search of his roots. First Published:
