Latest news with #Swarg
Time of India
2 days ago
- Entertainment
- Time of India
'Govinda se jealousy thi, when he was a top hero people tried to sabotage his career,' says Sunita Ahuja: 'Usko film release karne...'
Govinda was considered one of the top stars of the 90s and even today, most people believe that there is nobody like him. Be it his comic timing, dancing or expressions, Govinda is considered iconic by his fans. However, his wife Sunita Ahuja is not happy for the fact that he's not doing many movies. He stopped working and his career took a downfall. In a recent interview, Sunita has revealed that when he was at the top of his game, many people tried to ruin his career. She said in an interview with Instant Bollywood, "Govinda se jealousy bohot logon ko hai. When he was a top hero, people tried to sabotage his career. Usko film release karne platform nahi mila, ache director nahi mila. Toh woh bhaag gaya uss cheez se. (Many people were jealous of him when he was at the top of his game. People tried to sabotage his career. He didn't get a platform to release his movies, he stopped getting good directors. So, he just ran away from the industry to get away from all these things)." However, he's trying to make his own movies now, revealed Sunita. "He's trying to make his own movies now. But I don't want him to make movies of the 90s. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like US Homeowners: Stairs Becoming a Problem? Here's a Solution Gaining Popularity Fast! Clear Living Undo I want him to make movies that go with the current generation. I tell him to watch content on OTT to know what's working today and how times have changed, how film-making has evolved. He's not listening to me though. He wants to be around the same people who misguide him and be stuck in the old times. " Sunita also added that the only fights she has with Govinda is due to the fact that he's not working and doing enough movies. She said, "I tell him, tu legend actor hai, tere jaisa actor aaj tak hua nahi hai. You're wasting your life because of the four people you are sitting with. they are not teaching you good things. Sab faltu baat sikhaa rahe hai. Acche logon ke saath baitho. People around him won't tell him that. Unko paisa milta hai Govinda se. Toh uski chamchagiri karte hai (I tell him, he's a legendary actor. There is nobody like him and he's wasting his life because the four people around him are misguiding him. They get paid from him, so they just say sweet things to him)." When asked about her favourite movies of Govinda, she said, "Meri favourite film hai Kill Dil, 'Zulm Ki Hukumat', Swarg bhi acchi lagi. I liked him in negative roles."
Fashion Network
3 days ago
- Entertainment
- Fashion Network
Manish Malhotra: 'The fashion world is finally looking at India with the reverence it deserves'
, a prominent name in the Indian fashion industry, recently completed 35 years working as a costume designer, stylist and fashion designer. He founded his eponymous fashion label in 2005, which includes couture, bridal wear, and diffusion lines. Since then, the designer has diversified into various verticals, including jewellery, beauty and film production. spoke with the designer about the brand's growth strategy, luxury market outlook, sustainable fashion, partnership with Reliance Brands, and his ambitious new project in movie production. You recently completed 35 years in the fashion industry. From starting as a costume designer in movies to being India's most celebrated designer, how has the journey been so far? Manish Malhotra: My journey has been a long and fulfilling one, filled with passion, challenges, and immense growth. It all started with my childhood obsession with films. Growing up in Bombay, I was captivated by the magic of cinema; how every little detail, from the clothes to the sets, told a story. That curiosity led me to pursue fashion, starting with costume design in films. My first big break came when I designed for Juhi Chawla for the film "Swarg". It was a turning point that opened doors I never dreamed possible. Of course, the journey wasn't without its challenges, but I've always believed in moving forward with a positive mindset. I truly believe fashion is about evolving, just like life. Over the years, I've transitioned from costume design to couture, high jewellery, and now, filmmaking. Each phase of my career has been a learning experience, teaching me the importance of creativity, adaptability, and staying true to my vision. FNW: How has costume designing in movies changed over the years? And has the evolving consumer behaviour coupled with access to celebrity looks via social media led to a change in costume designing? MM: Costume designing in cinema has evolved in the most fascinating way. When I started out in the 90s, the focus was very much on glamour and creating iconic, aspirational looks that stayed with the audience long after the film ended. There was a kind of magic to it. Designing for the screen meant creating larger-than-life moments. Today, that landscape has shifted quite significantly. There's a much greater emphasis on realism and character-driven design. As a designer, that challenges you to dig deeper, to really understand the psychology behind a role before sketching a single silhouette. And of course, social media has transformed everything. Earlier, you'd watch a film and then maybe read about it in a magazine weeks later. Now, a look from the set, the airport, or a wedding goes viral in seconds. There's a constant appetite for style, on and off screen. This means that the line between costume and personal style has blurred. So yes, consumer behaviour has had a huge impact. Fashion is more immediate, more influential. FNW: You have been credited for introducing the concept of a showstopper or celebrity models at fashion weeks. However, the Indian fashion world remains divided on this with many believing it should stop as it completely shifts the show focus onto celebrities. What is your take on this? MM: When I first started doing shows, the whole idea of a 'showstopper' wasn't a marketing gimmick, it was something very personal. Urmila Matondkar, who is a dear, dear friend, was my first showstopper. We were all young, passionate, trying to do something new. So many of the early showstoppers, whether it was Kareena, Rani, Preity, Karisma, they were all friends, it was about celebrating relationships, storytelling, and merging the worlds of cinema and couture, which I have always deeply believed in. I understand the debate. There are designers who prefer not to use celebrities, and I respect that. When a star walks the runway, especially when it's done with intent and authenticity, it elevates the mood, brings visibility, and sometimes even democratizes the experience for the audience watching. But that doesn't mean I ever compromise on the craftsmanship. The clothes have to speak. The embroidery, the silhouette, the artistry. Whether it's a model or a showstopper, they wear the story I've created. I also believe models are the backbone of any fashion presentation. They bring their own magic, their talent, their walk, their aura. They are trained professionals who understand how to carry a garment with finesse, and that's an incredible art in itself. I've worked with some of the most phenomenal models who've brought my vision to life in ways that words can't describe. So, it's never about one versus the other. It's about harmony, when models, muses, and moments come together to create something unforgettable. FNW: As per reports, India's luxury market is among the fastest growing in the world. By 2030, this market could be worth $200 billion. Many luxury brands are entering the Indian market as they see huge potential for growth. Do you see this as an opportunity or challenge and what it means for your brand and the industry as a whole? MM: The unprecedented rise of India's luxury market is not just an economic phenomenon, it's a cultural awakening. As you said that by 2030, as we edge towards that projected $200 billion mark, what we're truly witnessing is the emergence of a new Indian narrative: one that is unapologetically global yet profoundly rooted in heritage. I believe luxury in India or anywhere is no longer about ostentation; it's about personal expression, craftsmanship, and legacy. In that sense, the entry of global luxury brands into India is not competition, it's context. It forces us to sharpen our voice, elevate our artistry, and stand not just besides, but distinct. The world is finally looking at India with the reverence it deserves, not as a market to be tapped, but as a cultural powerhouse to be celebrated. And for those of us who've long believed in the poetry of Indian craftsmanship, this is our renaissance. This is our time. FNW: Reliance Brands made significant investments in your label by acquiring 40 percent stake in 2021. How has the investment and partnership with Reliance helped the brand so far and what are the future plans? MM: There was truly no one else I could imagine partnering with other than Reliance. Their deep understanding of the Indian consumer, combined with a global mindset and an unwavering commitment to excellence, made them the perfect fit. It wasn't just a strategic decision, it was an emotional one. I've built this brand from the ground up, and I needed a partner who not only valued that journey but also shared the vision for where it could go next. With Reliance, there's trust, scale, and the ability to dream without limits. As for the future plans, we are continuously evolving, pushing boundaries, and exploring new frontiers. FNW: After tapping a segment of the luxury market in India and catering to Indian diaspora abroad, will we see Manish Malhotra with the backing of Reliance move beyond its existing client base and enter the fashion capitals to take on the international brands across the globe? Will we see you tweak designs to cater to international clientele/consumer preferences or are Indian inspired ethnic wear designs ready to make global inroads? MM: Absolutely, the world is evolving, and so are we. While I cannot reveal too much just yet, I can say that the future is about expanding beyond our existing clientele. The beauty of fashion lies in its fluidity; it's never about just one market, one culture, or one style. It's about understanding the nuances of different tastes, while staying true to what we do best. As we continue to grow and evolve, you can certainly expect to see us tap into new territories and global markets. I think what makes us unique is our ability to merge Indian heritage with contemporary aesthetics, something that resonates across cultures. However, each journey takes time, and we will move forward with a lot of thought, vision, and respect for the heritage we represent. There's so much to look forward to. FNW: Many designers/luxury brands are turning to affordable collections to cater to a wider audience even though there is an untapped market for luxury wear. How do you see this trend, and will we see Manish Malhotra tweaking its strategy for future growth in India going from elite exclusivity to aspirational? MM: The beauty of fashion lies in its ability to evolve with the world around us. While luxury has always been the cornerstone of our brand, I've long believed in accessibility without compromising on elegance or craftsmanship. That's why we recently launched MM Ready to Wear, a thoughtful extension of our label that brings the signature Manish Malhotra aesthetic to a wider audience. It is for those who want to experience the magic of design every day, not just on momentous occasions. Indian weddings and celebrations are deeply emotional and personal, and every bride deserves to feel seen and celebrated. That is what we continue to honour, across price points. At the same time, exclusivity will always remain integral to our identity. Couture is about legacy, about a one-on-one connection between the garment and the wearer. So, while we are expanding our reach, the soul of the brand stays intact. FNW: With sustainability and eco-consciousness becoming a key concern for the fashion industry, how have you incorporated sustainability practices into your creations? As an industry veteran do you really feel fashion and sustainability can go together, your thoughts? MM: Sustainability, for me, is not a trend, it's a value system. As someone who has spent decades in fashion, I've always believed in the beauty of craftsmanship, the emotion behind a handwoven textile, and the stories that live within a garment. We work closely with artisans across the country, reviving age-old techniques and weaving them into contemporary design. Every piece is thoughtfully created not to be discarded after a season, but to be treasured, re-worn, and passed down. I've never been drawn to fast fashion. It may offer speed, but I've always stood for depth, clothes that make you feel something. Fashion and sustainability can absolutely co-exist, but I truly believe it demands intention. FNW: You have ventured into film production with Stage5. Usually, when someone enters the movie business from a particular field, they take that with them and make movies of similar genres due to their expertise. However, you've always said you want to tell stories that are different, does that mean fashion will be completely away from your movies. Tell us about your plans with Stage5? MM: While my foundation lies in fashion, and it's a world that continues to inspire me every day, my foray into film production with Stage5 comes from a place that goes far beyond couture. Films were my first love, long before I became a designer. So, when I say I want to tell stories that are different, I mean stories that surprise, move, and inspire. I don't want to be boxed into one genre or visual grammar simply because I come from a fashion background. Through Stage5, my vision is to collaborate with brilliant writers, directors, and technicians to explore a wide canvas of themes from dramas to layered social commentaries and stylised commercial entertainers. That said, my eye for detail and visual storytelling, honed over years of costume design and couture, will certainly find its way into the films.
Fashion Network
3 days ago
- Entertainment
- Fashion Network
The fashion world is finally looking at India with the reverence it deserves, says Manish Malhotra
, a prominent name in the Indian fashion industry, recently completed 35 years working as a costume designer, stylist and fashion designer. He founded his eponymous fashion label in 2005, which includes couture, bridal wear, and diffusion lines. Since then, the designer has diversified into various verticals, including jewellery, beauty and film production. spoke with the designer about its growth strategy, luxury market outlook, sustainable fashion, partnership with Reliance Brands Ltd and his ambitious new project in movie production. You recently completed 35 years in the fashion industry. From starting as a costume designer in movies to being India's most celebrated designer, how has the journey been so far? Manish Malhotra: My journey has been a long and fulfilling one, filled with passion, challenges, and immense growth. It all started with my childhood obsession with films. Growing up in Bombay, I was captivated by the magic of cinema; how every little detail, from the clothes to the sets, told a story. That curiosity led me to pursue fashion, starting with costume design in films. My first big break came when I designed for Juhi Chawla for the film Swarg. It was a turning point that opened doors I never dreamed possible. Of course, the journey wasn't without its challenges, but I've always believed in moving forward with a positive mindset. I truly believe fashion is about evolving, just like life. Over the years, I've transitioned from costume design to couture, high jewellery, and now, filmmaking. Each phase of my career has been a learning experience, teaching me the importance of creativity, adaptability, and staying true to my vision. FNW: How has costume designing in movies changed over the years? And has the evolving consumer behaviour coupled with access to celebrity looks via social media led to a change in costume designing? MM: Costume designing in cinema has evolved in the most fascinating way. When I started out in the 90s, the focus was very much on glamour and creating iconic, aspirational looks that stayed with the audience long after the film ended. There was a kind of magic to it. Designing for the screen meant creating larger-than-life moments. Today, that landscape has shifted quite significantly. There's a much greater emphasis on realism and character-driven design. As a designer, that challenges you to dig deeper, to really understand the psychology behind a role before sketching a single silhouette. And of course, social media has transformed everything. Earlier, you'd watch a film and then maybe read about it in a magazine weeks later. Now, a look from the set, the airport, or a wedding goes viral in seconds. There's a constant appetite for style, on and off screen. This means that the line between costume and personal style has blurred. So yes, consumer behaviour has had a huge impact. Fashion is more immediate, more influential. FNW: You have been credited for introducing the concept of celebrity showstoppers at Fashion Weeks, however the fashion world remains divided on this with many believing celebrity showstoppers should stop as it completely shifts the focus, with they becoming talk of the town for good/bad reasons. What is your take on this? Do you feel it is time to put the focus back on the designs and models rather than celebrities? MM: When I first started doing shows, the whole idea of a showstopper wasn't a marketing gimmick, it was something very personal. Urmila Matondkar, who is a dear, dear friend, was my first showstopper. We were all young, passionate, trying to do something new. So many of the early showstoppers, whether it was Kareena, Rani, Preity, Karisma, they were all friends, it was about celebrating relationships, storytelling, and merging the worlds of cinema and couture, which I have always deeply believed in. I understand the debate. There are designers who prefer not to use celebrities, and I respect that. When a star walks the ramp, especially when it's done with intent and authenticity, it elevates the mood, brings visibility, and sometimes even democratizes the experience for the audience watching. But that doesn't mean I ever compromise on the craftsmanship. The clothes have to speak. The embroidery, the silhouette, the artistry. Whether it's a model or a showstopper, they wear the story I've created. I also believe models are the backbone of any fashion presentation. They bring their own magic, their talent, their walk, their aura. They are trained professionals who understand how to carry a garment with finesse, and that's an incredible art in itself. I've worked with some of the most phenomenal models who've brought my vision to life in ways that words can't describe. So, it's never about one versus the other. It's about harmony, when models, muses, and moments come together to create something unforgettable. FNW: As per reports, India's luxury market is among the fastest growing in the world. By 2030, this market could be worth $200 billion. Many luxury brands are entering the Indian market as they see huge potential for growth. Do you see this as an opportunity or challenge and what it means for your brand and the industry as a whole? MM: The unprecedented rise of India's luxury market is not just an economic phenomenon, it's a cultural awakening. As you said that by 2030, as we edge towards that projected $200 billion mark, what we're truly witnessing is the emergence of a new Indian narrative: one that is unapologetically global yet profoundly rooted in heritage. I believe luxury in India or anywhere is no longer about ostentation; it's about personal expression, craftsmanship, and legacy. In that sense, the entry of global luxury brands into India is not competition, it's context. It forces us to sharpen our voice, elevate our artistry, and stand not just besides, but distinct. The world is finally looking at India with the reverence it deserves, not as a market to be tapped, but as a cultural powerhouse to be celebrated. And for those of us who've long believed in the poetry of Indian craftsmanship, this is our renaissance. This is our time. FNW: Reliance Brands Ltd made significant investments in your label by acquiring 40 percent stake in 2021. How has the investment and partnership with Reliance helped the brand so far and what are the future plans? MM: There was truly no one else I could imagine partnering with other than Reliance. Their deep understanding of the Indian consumer, combined with a global mindset and an unwavering commitment to excellence, made them the perfect fit. It wasn't just a strategic decision, it was an emotional one. I've built this brand from the ground up, and I needed a partner who not only valued that journey but also shared the vision for where it could go next. With Reliance, there's trust, scale, and the ability to dream without limits. As for the future plans, we are continuously evolving, pushing boundaries, and exploring new frontiers. FNW: After tapping a segment of luxury market in India and catering to Indian diaspora abroad, will we see Manish Malhotra with the backing of Reliance move beyond its existing client base and enter the fashion capitals to take on the international brands across the globe. Will we see you tweak designs to cater to international clientele/consumer preferences or are Indian inspired ethnic wear designs ready to make global inroads? MM: Absolutely, the world is evolving, and so are we. While I cannot reveal too much just yet, I can say that the future is about expanding beyond our existing clientele. The beauty of fashion lies in its fluidity; it's never about just one market, one culture, or one style. It's about understanding the nuances of different tastes, while staying true to what we do best. As we continue to grow and evolve, you can certainly expect to see us tap into new territories and global markets. I think what makes us unique is our ability to merge Indian heritage with contemporary aesthetics, something that resonates across cultures. However, each journey takes time, and we will move forward with a lot of thought, vision, and respect for the heritage we represent. There's so much to look forward to. FNW: Many designers/luxury brands are turning to affordable collections to cater to a wider audience even though there is an untapped market for luxury wear. How do you see this trend, and will we see Manish Malhotra tweaking its strategy for future growth in India going from elite exclusivity to aspirational? MM: The beauty of fashion lies in its ability to evolve with the world around us. While luxury has always been the cornerstone of our brand, I've long believed in accessibility without compromising on elegance or craftsmanship. That's why we recently launched MM Ready to Wear, a thoughtful extension of our label that brings the signature Manish Malhotra aesthetic to a wider audience. It is for those who want to experience the magic of design every day, not just on momentous occasions. Indian weddings and celebrations are deeply emotional and personal, and every bride deserves to feel seen and celebrated. That is what we continue to honour, across price points. At the same time, exclusivity will always remain integral to our identity. Couture is about legacy, about a one-on-one connection between the garment and the wearer. So, while we are expanding our reach, the soul of the brand stays intact. FNW: With Sustainability and eco-consciousness becoming a key concern for the fashion industry, how have you incorporated sustainability practices into your creations? As an industry veteran do you really feel fashion and sustainability can go together, your thoughts? MM: Sustainability, for me, is not a trend, it's a value system. As someone who has spent decades in fashion, I've always believed in the beauty of craftsmanship, the emotion behind a handwoven textile, and the stories that live within a garment. We work closely with artisans across the country, reviving age-old techniques and weaving them into contemporary design. Every piece is thoughtfully created not to be discarded after a season, but to be treasured, re-worn, and passed down. I've never been drawn to fast fashion. It may offer speed, but I've always stood for depth, clothes that make you feel something. Fashion and sustainability can absolutely co-exist, but I truly believe it demands intention. FNW: You have ventured into film production with Stage5. Usually, when someone enters the movie business from a particular field, they take that with them and make movies of similar genres due to their expertise However, you've always said you want to tell stories that are different, does that mean fashion will be completely away from your movies. Tell us about your plans with Stage5? MM: While my foundation lies in fashion, and it's a world that continues to inspire me every day, my foray into film production with Stage5 comes from a place that goes far beyond couture. Films were my first love, long before I became a designer. So, when I say I want to tell stories that are different, I mean stories that surprise, move, and inspire. I don't want to be boxed into one genre or visual grammar simply because I come from a fashion background. Through Stage5, my vision is to collaborate with brilliant writers, directors, and technicians to explore a wide canvas of themes from dramas to layered social commentaries and stylised commercial entertainers. That said, my eye for detail and visual storytelling, honed over years of costume design and couture, will certainly find its way into the films.
India.com
13-05-2025
- Entertainment
- India.com
This film of Govinda was made in just six months, the film hit jackpot in a budget of 2 crores, lead actress is…, the film is...
Govinda is one of the veteran actors of Bollywood. He has won the hearts of the audience with his acting in many films. Govinda has given many hit films in his career. There was a time when there used to be long queues outside the cinema halls for tickets to watch his films. Today we are going to tell you about one such film of Govinda, which is not only liked even today, but this film also made bumper earnings at the box office. The name of this film of Govinda is 'Swarg'. This film was released in theatres in the year 1990. Many big actors like Govinda, Rajesh Khanna, Juhi Chawla, Satish Kaushik, Madhavi, Paresh Rawal, and Neena Gupta were in the lead roles in this film. Swarg was a family drama, which was directed by David Dhawan. According to media reports, two crore rupees were spent on making this film, and this film of Govinda earned Rs 14 crore at the box office. The surprising thing is that Swarg was completed in just 6 months and was ready for release in December 1989. Due to the release of 6 other films starring Govinda in early 1990, it was postponed till May 1990. Talking about the story of the film Swarg, Kumar (Rajesh Khanna) lives in a palatial house with his wife Janaki (Madhavi), two brothers and youngest sister Jyoti (Juhi Chawla). Krishna (Govind) is the servant of the house who considers Kumar no less than God and calls him Sahebji. Dhanraj (Paresh Rawal), Kumar's business rival, destroys his factory, Kumar's brothers separate from him and Jyoti's marriage breaks up as Kumar is left with nothing. Krishna is his only support, who decides to stay with him till the end. But he is framed for robbery and thrown out of the house. Apart from this, Janaki dies and Kumar starts living in a hut with Jyoti. Krishna goes to Bombay and becomes a big star. On returning, he comes to know what happened to Kumar and decides to destroy Dhanraj and Kumar's brothers.
Time of India
07-05-2025
- Entertainment
- Time of India
Anees Bazmee marks 35 years of 'Swarg': "My journey began with this film"
Director-writer , who recently helmed ' Bhool Bhulaiyaa 3 ', is celebrating 35 years of his film ' Swarg '. On Wednesday, he took to his Instagram, and shared the poster of 'Swarg' which marked his debut in Hindi cinema. Tired of too many ads? go ad free now Anees penned the script of the film, which starred and Govinda. He also penned a note in the caption, as he wrote, "On the 35th anniversary of Swarg, I'm overwhelmed with gratitude! As a writer, the very first film marked a turning point in my career. The love and appreciation I received from everyone meant the world to me. When they said 'the writer had arrived', Since then, I've been fortunate to write for many talented filmmakers #35yearsofswarg". Meanwhile, 'Bhool Bhulaiyaa 3' turned out to be one of the biggest hits of 2024 with clinching the IIFA trophy for Best Actor (Male) for his work in the superhit horror-comedy franchise. During his heartfelt acceptance speech at IIFA, this year, the actor referenced his role in 'Chandu Champion', said, "I don't have words right now. I am not Chandu, I am the champion. I know this is not an award for that film, but I have the same feeling". Kartik was cast in 'Bhool Bhulaiyaa 2' replacing Bollywood superstar , the casting made huge noise and riled up the loyal fans of Akshay Kumar. However, Kartik cranked it up a notch as the film franchise with him the in lead has collectively earned close to Rs 600 crore. Despite these hurdles, Kartik expressed immense gratitude to his fans for their unwavering support. He also credited director Anees Bazmee for shaping his character of Rooh Baba , as he said, "A big thank you to Anees Bazmee sir for creating such a huge character, Rooh Baba, which has truly become a legacy across generations".
