Latest news with #TAK
Yahoo
29-07-2025
- Entertainment
- Yahoo
Podcast Canon: Thirst Aid Kit went deep on female desire
With Podcast Canon, Benjamin Cannon analyzes the history of podcasts and interrogates how we talk about the art form. This month, we're celebrating summertime at Podcast Canon by shaking things up and breaking one of our cardinal rules. For the first time, we're focusing on a show that could technically be considered a chatcast. It is, however, one of the most interesting and, dare I say, important to ever do it. What's more, it's a damn delight. The perfect blend of frothy fun, beach-read vibes with a serious heart and a cogent message to deliver. And, if you pay extra close attention, it'll become apparent just how focused, produced, well-edited, and artfully crafted it all is. The show in question is Thirst Aid Kit, a singular work of pop cultural anthropology from hosts and producers Bim Adewunmi and Nichole Perkins, focused entirely on the complex and ever-shifting notions of female desire in the most gleefully unapologetic manner. Running for 90-plus episodes from 2017 to 2020, it was something unique in podcasting—a sort of audio reinterpretation of the mid-aughts' angst and lust-filled Tumblr fandoms. Every week, the hosts selected one or more men, usually actors, musicians, or adjacent creatives, and went deep on what made them a particularly worthy object of their attention. In a moment when discussions of the female gaze are once again stoking debates on social media, one need only dive back into the TAK archives for a masterclass in its demystification, deconstruction, and ultimate celebration. Initially a production of BuzzFeed's vaunted PodSquad (Another Round, Internet Explorer, See Something Say Something, etc.), the show was unfortunately dropped in early 2019 when the media company chose to 'pivot to video,' laying off its entire audio unit. Thankfully, some months later, Thirst Aid Kit was rescued by Slate Podcasts, where it ran for another year before Adewunmi and Perkins closed the door on that chapter of its existence, swearing it was not the end of the road for good. The pair continued making audio, albeit separately, with Adewunmi working at This American Life, while Perkins hosted This Is Good For You. Thus far, apart from a one-off feature on Refinery 29, the pair has yet to release any new episodes. Despite my earlier classification, and all outward appearances to the contrary, this is no ordinary chat show. There is a kind of brilliant simplicity to its construction. In an era when many of the biggest podcasts seem allergic to editing, Thirst Aid Kit was a subtle marvel at it. Episodes typically ranged from 40 to 60 minutes, maintaining a light and focused tone without sacrificing any depth or joy. There was a clear progression of segments, opening with a cheekily redacted bit of harmless fan fiction, before spending the bulk of the episode enumerating the manifold handsome qualities of that week's 'thirst object,' the person whose person was lustily being pored over. In closing, the hosts would read original works of fanfic written about that week's subject in an attempt to see who could craft a more beautifully written and thrilling scenario. While the conversation feels free-flowing and organic, there's a fluid organization to the way it unspools, with minimal tangents or discursiveness. That focus, rather than stymying the vibe, makes for an incredibly enjoyable show. Adewunmi and Perkins, apart from being academically versed in thirst, are also extremely charming and funny. What all these words fail to capture is the rich sensorial experience that accompanies both the show's recording and its listening. This is a house built with impishly knowing laughter, mouths filling idly with saliva, air sucked hard through clenched teeth, and the word 'bitch' harshly whispered out of passionate desperation. To be a 'Thirst Bucket,' as their fans are so lovingly known, is to be right there in the moment with the pair. Where other podcasts can be a passive hang, something about the conversations on TAK make you sit up and take notice. It's a quality that I credit to the audio-first nature of the show's production. Were it a video, the hosts would not need to work as hard to communicate the nuances of their obsession. Instead, a show about physical beauty bereft of any trace of the visual becomes reliant on its intermediaries to translate the strength and spirit of their feelings into words, phrases, and primal guttural exclamations. Adewunmi and Perkins prove more than adequate to the task, and their shared passions for the lingual arts (playwriting and poetry, respectively) help elevate the experience to that of the sublime. There has scarcely been a more kaleidoscopic compendium of the ways the male form can be appreciated, expending several thesauruses' worth of adjectives along the way. Among the myriad details which might cause these exquisite wordsmiths to fall headlong for someone, we find a few recurring motifs—hair, eyes, voice, kindness, etc. But it is in their appreciation of a thirst object's more deliciously idiosyncratic qualities that the pair truly come alive, whether it's waxing eloquently about noble noses, strong bird chests, stop-motion Christmas puppet energy, the raw sexual energy of a henley, and the messy appetites of the fully adult bear Winnie-The-Pooh. Importantly, for a show predicated on desire, it largely avoids being about sex. The pair, keenly aware that these are real people—and they might one day end up interviewing their subjects on the show or in some other capacity—use their personas as avatars to explore their own relationship with pleasure. And indeed, they did end up interviewing a good number of them as well, ranging from Chris Evans to Blair Underwood, Charlie Cox to Jacob Anderson, and Jake Johnson to Jason Mantzoukas. The crowning achievement of the program, though, is its ending segment, Fanfic Wars. In each episode, Adewunmi and Perkins are challenged to write a short and steamy alternate universe scenario involving that thirst object. The aim at the time was to have listeners vote on Twitter to see whose drabble, as such short works are known in the community, had managed to make their hearts beat faster. As a result, the pair brings their absolute A-game to constructing fantasy scenarios that play up their economy of words for maximum impact. Nothing explicit is ever said, but listeners feel the effects all the same. Their stories are chiefly interested in the oblique spaces immediately adjacent to the act, keeping things steamy without toppling over into sticky. Often their fantasizing focused on the early moments of an infatuation, the heady times just after its consummation, or simply enjoying the studied ease that comes from years of romantic partnership. And that's precisely what makes the series' evocations so stirring. They are these uniquely vulnerable glimpses into the hosts' most intimate dreams and romantic wishes, as well as a chance to revel in the Hemingway-esque prose, words surgically chosen to evoke maximum longing and elevated heart rates. 'What is fanfic,' Adewunmi muses in the show's third season, 'if not a way for us to meet our own selves at the point of our need.' The culture bears that out as well. We're living in a time when fanfiction has come out from the shadows in a big way. It's not new to say, but it bears repeating. Books and movies like the 50 Shades series and The Idea Of You, or the recent reveal that Daisy Ridley's husband, Tom Bateman, will star in an adaptation of a novel that evolved out of a Kylo Ren/Rey fanfic. As well, the fan fiction website Archive Of Our Own, or AO3 to its devotees, was honored in 2019 with a Hugo award for its contributions to genre fiction. The works by Adewunmi and Perkins stand toe to toe with some of the medium's best, and it's somewhat bewildering that all these years later, they haven't been collected into a printed anthology of their own. One of the aspects most responsible for the show's indelibility is the degree of incisive cultural criticism and commentary the hosts bring to its otherwise effervescent discussion. As two Black women from rather different backgrounds—Adewunmi is Nigerian-British, and Perkins hails from Tennessee—they bring a bounty of lived experiences to the table. This is particularly instructive when confronting the ways pop culture has and has not made them feel seen and represented. This intersectional perspective helps ground the show, challenging the prevailing (read: white) orthodoxy surrounding beauty standards and sexiness in North America, as well as the way these ideas are reinforced by systems of power or the choices of projects these stars make. All of the humor and celebration serve as something of a Trojan horse for deeper, rewarding conversations. An aside to say that, listening from a historical remove, I expected to find more episodes where the pair espoused their feelings for a celebrity who has sailed rougher waters in the time since. Thankfully, Adewunmi and Perkins' emotional compasses were pointing true north more often than not, as nearly every one of their thirst objects has remained unsullied over the intervening years. During the tumultuous times in which the show was originally released, there was a cultural reckoning with men in general. Debuting less than one month after The New York Times' bombshell reporting on Harvey Weinstein, the pair are quick to point out that they enjoy men in spite of themselves. Thirst is not an immutable property, and its rights and privileges can be revoked at a moment's notice. In the end, beyond all of the how of the show, it's perhaps more important to focus on the what it accomplished as well. Giving voice to these feelings helped to legitimize for many listeners their own wants and desires, as well as broadening their palate and offering new ways to express what they fancy in others. It reclaimed and reframed the idea of want, empowering listeners to put their interests first and live their truth out loud. It opened a dialogue that went deeper than the show's remit might suggest, and one which continues to resonate to this day. And so, as a sweltering summer beats on into August, there's no better companion than Thirst Aid Kit to help listeners get better in touch with their truest self and most authentic desires. Throughout its run, the show was produced and written by Adewunmi and Perkins, but it also had help from a vast roster of creatives, whose contributions we honor as well. They included Agerenesh Ashagre Palmer, Meg Cramer, Megan Detrie, Keisha 'TK' Dutes, Julia Furlan, Eleanor Kagan, Alex Sujong Laughlin, Neena Pathak, Camila Salazar, and Cher Vincent. More from A.V. Club Podcast Canon: Thirst Aid Kit went deep on female desire What's on TV this week—Chief Of War and Eyes Of Wakanda Trump's Epstein flop sweat finally does Jon Stewart's job for him Solve the daily Crossword


Broadcast Pro
28-06-2025
- Business
- Broadcast Pro
AST SpaceMobile demos first tactical NTN connectivity on mobile phones
AST SpaceMobile is working with Fairwinds Technologies for program integration and military tactical network support for defense uses. AST SpaceMobile has announced the demonstration of the worlds first Non-Terrestrial Network (NTN) tactical satellite communications delivering high-throughput data, voice, and video using unmodified mobile devices in collaboration with Fairwinds Technologies (a privately held company). The field test showcased key defence-related use cases, including real-time connectivity to the Tactical Assault Kit (TAK) over a VPN, multimedia streaming via TAK, and secure multi-party video calls, all executed on standard, unmodified smartphones. This milestone demonstration was conducted near AST SpaceMobiles gateway facility on Oahu, Hawaii, with active participation from US Indo-Pacific Command (USINDOPACOM), including representation from the US Navy, Marine Corps, Army, US Space Command, and the Office of the Under Secretary of Defence for Research and Engineering (OUSD R&E) FutureG team. AST SpaceMobile collaborated with Fairwinds Technologies on this demonstration. Fairwinds is a trusted partner providing programme integration and military tactical network support as AST SpaceMobile explores direct-to-device satellite communications for US government and defence applications. This effort follows the recent award by the Defense Innovation Unit (DIU) to the Fairwinds/AST SpaceMobile team under the Hybrid Space Architecture 2 initiative within DIUs Space Portfolio. The project is jointly supported by DIUs Cyber & Telecom Portfolio and aims to evaluate the viability of space-based direct-to-device communications for resilient, secure tactical networks in denied or austere environments. Chris Ivory, Chief Commercial and Government Business Officer at AST SpaceMobile, said: 'This demonstration represents a significant leap forward in advancing resilient, secure communications capabilities for the U.S. defense community. We are proud to help enable a new layer of mobile connectivitydirectly from space to standard smartphones, with no need for specialized equipment, in support of national security objectives.' Timothy Hillner, Chief Technology Officer and Co-Founder of Fairwinds Technologies, added: 'This is just the beginning. Were honored to collaborate with AST SpaceMobile and the Defense Innovation Unit to deliver next-generation communications at the tactical edge – precisely where and when theyre needed most. Together, were enabling the future of command and control.' This was the first in a series of planned prototype demonstrations to evaluate space-based mobile broadband for defense applications, with additional testing, including over open ocean environments, planned in the coming months as the team continues to push the boundaries of multi-domain, space-based tactical communications.


Business Wire
26-06-2025
- Business
- Business Wire
AST SpaceMobile & Fairwinds Technologies Demonstrate World's First Tactical NTN Connectivity Over Standard Mobile Devices
MIDLAND, Texas--(BUSINESS WIRE)--AST SpaceMobile, Inc. ('AST SpaceMobile') (NASDAQ: ASTS) the company building the first and only space-based cellular broadband network accessible directly by everyday smartphones, designed for both commercial and government applications, today announced the successful demonstration of the world's first Non-Terrestrial Network (NTN) tactical satellite communications delivering high-throughput data, voice, and video using unmodified mobile devices in collaboration with Fairwinds Technologies (a privately held company). The field test showcased key defense-related use cases, including real-time connectivity to the Tactical Assault Kit (TAK) over a VPN, multimedia streaming via TAK, and secure multi-party video calls, all executed on standard, unmodified smartphones. This milestone demonstration was conducted near AST SpaceMobile's gateway facility on Oahu, Hawaii, with active participation from U.S. Indo-Pacific Command (USINDOPACOM), including representation from the U.S. Navy, Marine Corps, Army, U.S. Space Command, and the Office of the Under Secretary of Defense for Research and Engineering (OUSD R&E) FutureG team. AST SpaceMobile collaborated with Fairwinds Technologies on this demonstration. Fairwinds is a trusted partner providing program integration and military tactical network support as AST SpaceMobile explores direct-to-device satellite communications for U.S. government and defense applications. This effort follows the recent award by the Defense Innovation Unit (DIU) to the Fairwinds/AST SpaceMobile team under the Hybrid Space Architecture 2 initiative within DIU's Space Portfolio. The project is jointly supported by DIU's Cyber & Telecom Portfolio and aims to evaluate the viability of space-based direct-to-device communications for resilient, secure tactical networks in denied or austere environments. 'This demonstration represents a significant leap forward in advancing resilient, secure communications capabilities for the U.S. defense community,' said Chris Ivory, Chief Commercial and Government Business Officer at AST SpaceMobile. 'We are proud to help enable a new layer of mobile connectivity—directly from space to standard smartphones, with no need for specialized equipment, in support of national security objectives.' 'This is just the beginning,' said Timothy Hillner, Chief Technology Officer and Co-Founder of Fairwinds Technologies. 'We're honored to collaborate with AST SpaceMobile and the Defense Innovation Unit to deliver next-generation communications at the tactical edge - precisely where and when they're needed most. Together, we're enabling the future of command and control.' This was the first in a series of planned prototype demonstrations to evaluate space-based mobile broadband for defense applications, with additional testing, including over open ocean environments, planned in the coming months as the team continues to push the boundaries of multi-domain, space-based tactical communications. About AST SpaceMobile AST SpaceMobile is building the first and only global cellular broadband network in space to operate directly with standard, unmodified mobile devices based on our extensive IP and patent portfolio, and designed for both commercial and government applications. Our engineers and space scientists are on a mission to eliminate the connectivity gaps faced by today's five billion mobile subscribers and finally bring broadband to the billions who remain unconnected. For more information, follow AST SpaceMobile on YouTube, X (Formerly Twitter), LinkedIn and Facebook. Watch this video for an overview of the SpaceMobile mission. About Fairwinds Technologies Fairwinds designs and integrates communications, networking and IT solutions to serve defense and civilian agencies around the world. Fairwinds strives to meet critical needs, by combining innovative products with specialized services, no matter the mission. Fairwinds is a small business, founded in 2016. For more information, please visit our website at Forward-Looking Statements This communication contains 'forward-looking statements' that are not historical facts, and involve risks and uncertainties that could cause actual results of AST SpaceMobile to differ materially from those expected and projected. These forward-looking statements can be identified by the use of forward-looking terminology, including the words 'believes,' 'estimates,' 'anticipates,' 'expects,' 'intends,' 'plans,' 'may,' 'will,' 'would,' 'potential,' 'projects,' 'predicts,' 'continue,' or 'should,' or, in each case, their negative or other variations or comparable terminology. These forward-looking statements involve significant risks and uncertainties that could cause the actual results to differ materially from the expected results. Most of these factors are outside AST SpaceMobile's control and are difficult to predict. Factors that could cause such differences include, but are not limited to: (i) expectations regarding AST SpaceMobile's strategies and future financial performance, including AST's future business plans or objectives, expected functionality of the SpaceMobile Service, anticipated timing of the launch of the Block 2 BlueBird satellites, anticipated demand and acceptance of mobile satellite services, prospective performance and commercial opportunities and competitors, the timing of obtaining regulatory approvals, ability to finance its research and development activities, commercial partnership acquisition and retention, products and services, pricing, marketing plans, operating expenses, market trends, revenues, liquidity, cash flows and uses of cash, capital expenditures, and AST SpaceMobile's ability to invest in growth initiatives; (ii) the negotiation of definitive agreements with mobile network operators relating to the SpaceMobile Service that would supersede preliminary agreements and memoranda of understanding and the ability to enter into commercial agreements with other parties or government entities; (iii) the ability of AST SpaceMobile to grow and manage growth profitably and retain its key employees and AST SpaceMobile's responses to actions of its competitors and its ability to effectively compete; (iv) changes in applicable laws or regulations; (v) the possibility that AST SpaceMobile may be adversely affected by other economic, business, and/or competitive factors; (vi) the outcome of any legal proceedings that may be instituted against AST SpaceMobile; and (vii) other risks and uncertainties indicated in the Company's filings with the Securities and Exchange Commission (SEC), including those in the Risk Factors section of AST SpaceMobile's Form 10-K filed with the SEC on March 3, 2025. AST SpaceMobile cautions that the foregoing list of factors is not exclusive. AST SpaceMobile cautions readers not to place undue reliance upon any forward-looking statements, which speak only as of the date made. For information identifying important factors that could cause actual results to differ materially from those anticipated in the forward-looking statements, please refer to the Risk Factors in AST SpaceMobile's Form 10-K filed with the SEC on March 3, 2025. AST SpaceMobile's securities filings can be accessed on the EDGAR section of the SEC's website at Except as expressly required by applicable securities law, AST SpaceMobile disclaims any intention or obligation to update or revise any forward-looking statements whether as a result of new information, future events or otherwise.


Business Upturn
10-06-2025
- Business
- Business Upturn
Executive Order 'Unleashing American Drone Dominance' -– Draganfly Selected by Southern Border Cochise County Sheriff's Department for Drone Pilot Program.
By GlobeNewswire Published on June 10, 2025, 16:15 IST Tampa, FL, June 10, 2025 (GLOBE NEWSWIRE) — Draganfly Inc. (NASDAQ: DPRO) (CSE: DPRO) (FSE: 3U8) ('Draganfly' or the 'Company'), an award-winning, industry-leading drone solutions and systems developer, is pleased to announce its selection by the Cochise County Sheriff's Department to support a new drone pilot program aimed at enhancing surveillance and operations along the southern border. This initiative aligns with President Donald J. Trump's executive order, 'Unleashing American Drone Dominance,' which seeks to reassert America's leadership in unmanned aerial systems for security and defense. The Cochise County Sheriff's Department, recognized nationally for its innovative use of technology in law enforcement, has previously implemented high-resolution camera networks, sensor-integrated mobile units, and ground surveillance radar systems. These efforts have garnered commendations and visits from President Trump and Vice President JD Vance, highlighting the department's leadership in border enforcement and technological integration. 'The southern border is one of America's most critical national security frontiers,' said Captain Tim Williams of Cochise County Sheriff's Department. 'Our department has always been committed to leveraging the best tools available. With Draganfly as our drone partner, we're entering the next phase of smart border enforcement. Their systems will enhance our ability to protect communities, manage humanitarian concerns, and respond rapidly to evolving threats.' Under this new pilot program, the department will deploy the Draganfly family of drones for extended border surveillance, quick-response missions and nighttime operations. Draganfly's drones are known for their adaptability and multi-mission capabilities, providing law enforcement and public safety operators the ability to execute a variety of operating tactics and capabilities from a single vehicle, with a variety of configurations available to support various payload and range demands. Draganfly products are capable of integrating with a variety of incumbent hardware and software solutions, including TAK(Team Awareness Kit) network compatibility, enabling a seamless integration with existing capabilities. 'We are honored to be working with the Cochise County Sheriff's Department on this historic program,' said Cameron Chell, CEO of Draganfly. 'Their team represents some of the best of American law enforcement—innovation-focused, community-minded, and mission-ready. This project embodies the spirit of President Trump's executive order and sets a gold standard for how drone technology should be used to secure national borders.' This initiative not only reinforces the department's legacy of operational excellence but also positions Cochise County as a national model for technology-enabled border enforcement. About Draganfly Draganfly Inc. (NASDAQ: DPRO; CSE: DPRO; FSE: 3U8) is the creator of quality, cutting-edge drone solutions, software, and AI systems that revolutionize how organizations can do business and serve their stakeholders. Recognized as being at the forefront of technology for over 25 years, Draganfly is an award-winning industry leader serving the public safety, agriculture, industrial inspections, security, mapping, and surveying markets. Draganfly is a company driven by passion, ingenuity, and the need to provide efficient solutions and first-class services to its customers around the world with the goal of saving time, money, and lives. NASDAQ (DPRO) CSE (DPRO) FSE (3U8) Media Contact:Erika Racicot Email: [email protected] Company Contact: Email: [email protected] Forward-Looking Statements This release contains certain 'forward looking statements' and certain 'forward-looking information' as defined under applicable securities laws. Forward-looking statements and information can generally be identified by the use of forward-looking terminology such as 'may', 'will', 'expect', 'intend', 'estimate', 'anticipate', 'believe', 'continue', 'plans' or similar terminology. Forward-looking statements and information are based on forecasts of future results, estimates of amounts not yet determinable and assumptions that, while believed by management to be reasonable, are inherently subject to significant business, economic and competitive uncertainties and contingencies. Forward-looking statements include, but are not limited to, statements with respect to Draganfly's drones being known for their adaptability and multi-mission capabilities, providing law enforcement and public safety operators the ability to execute a variety of operating tactics and capabilities from a single vehicle, with a variety of configurations available to support various payload and range demands, as well as their capable of integrating with a variety of incumbent hardware and software solutions, including TAK network compatibility, enabling a seamless integration with existing capabilities. Forward-looking statements and information are subject to various known and unknown risks and uncertainties, many of which are beyond the ability of the Company to control or predict, that may cause the Company's actual results, performance or achievements to be materially different from those expressed or implied thereby, and are developed based on assumptions about such risks, uncertainties and other factors set out here in, including but not limited to: the potential impact of epidemics, pandemics or other public health crises, including the COVID-19 pandemic, on the Company's business, operations and financial condition; the successful integration of technology; the inherent risks involved in the general securities markets; uncertainties relating to the availability and costs of financing needed in the future; the inherent uncertainty of cost estimates; the potential for unexpected costs and expenses, currency fluctuations; regulatory restrictions; and liability, competition, loss of key employees and other related risks and uncertainties disclosed under the heading 'Risk Factors' in the Company's most recent filings filed with securities regulators in Canada on the SEDAR website at and with the United States Securities and Exchange Commission (the 'SEC') on EDGAR through the SEC's website at . The Company undertakes no obligation to update forward-looking information except as required by applicable law. Such forward-looking information represents managements' best judgment based on information currently available. No forward-looking statement can be guaranteed, and actual future results may vary materially. Accordingly, readers are advised not to place undue reliance on forward-looking statements or information. Disclaimer: The above press release comes to you under an arrangement with GlobeNewswire. Business Upturn takes no editorial responsibility for the same. GlobeNewswire provides press release distribution services globally, with substantial operations in North America and Europe.


Metro
09-06-2025
- Metro
Children are clinging to moving trams for a popular TikTok trend - here's why
A TikTok trend that encourages children to surf on moving trams has become widespread in Nottingham. Nottingham Express Transit (NET) has seen a surge in youngsters gripping onto tram carriages after seeing influencers do the same. In one clip, a pair of school-aged boys are surfing the tram, clinging to its windscreen wiper. A boy can be heard saying: 'What's going on in Nottingham? The boys are on the back of the tram!' Another clip, filmed by a passing motorist and shared by NottinghamshireLive, shows a child holding onto the back of a tram travelling past Hyson Green Market on June 5. After the driver calls the teen a 'doughnut' and urges him to get off, the teen responds with a 'hang loose' hand gesture. Sarah Turner, NET's managing director, told the BBC: 'All of the footage and videos we've received of such incidents have been shared with the police who are now handling it as a criminal matter'. Turner said staff at the tram network would go into schools whose pupils have been caught engaging in the trend to explain how hazardous it was. She warned: 'These people are not only putting their lives at risk, but also the wider public and our team of tram drivers. 'Behaviour like this won't be tolerated and we are collaborating with the police to identify those involved.' Professor Sonia Livingstone, who heads the Digital Futures for Children Centre, told Metro that there's a simple reason thrill-seeking teens do what they do – 'attention'. She added: 'The responsibility must surely lie with TikTok to take down such content immediately. Ideally, the trend is identified by the platform itself, to prevent harm to children.' Neuroscientist Dr Huriye Atilgan, who works with child safety index TAK, said young people often turn to social media to fit in with their peers. She told Metro: 'TikTok's algorithm can amplify extreme behaviours, making dangerous challenges seem more common and tempting to try. More Trending 'The thrill-seeking nature of adolescence combined with the desire for social approval can override their sense of caution. 'This kind of reckless behaviour can have serious consequences, from physical injury to legal trouble. It's encouraging to see the tram network stepping in to educate students directly. 'Clear, relatable messaging that explains real dangers can help young people make safer choices, especially when it comes from trusted local sources they respect.' Nottinghamshire Police have been approached for comment. Get in touch with our news team by emailing us at webnews@ For more stories like this, check our news page.