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Did you know that Cooku with Comali fame Raj Ayyappa acted with Sibi Sathyaraj in Ten Hours?
Did you know that Cooku with Comali fame Raj Ayyappa acted with Sibi Sathyaraj in Ten Hours?

Time of India

time21-05-2025

  • Entertainment
  • Time of India

Did you know that Cooku with Comali fame Raj Ayyappa acted with Sibi Sathyaraj in Ten Hours?

Actor Raj Ayyappa , who has won hearts with his charming presence in the popular cooking reality show Cooku With Comali and the Tamil web series Uppu Puli Kaaram , has a cinematic past that many fans may not be aware of. While his television fame is undeniable, Raj's journey in the entertainment industry started long before his recent small-screen success. In a lesser-known but noteworthy appearance, Raj Ayyappa played a key supporting role in the recently released action thriller Ten Hours (2025), starring Sibi Sathyaraj . The film, which received acclaim for its gripping action sequences and emotionally charged narrative, featured Raj in an impactful performance. His role in Ten Hours not only highlighted his versatility but also marked a significant milestone as he shared screen space with a well-established actor like Sibi. Raj Ayyappa's filmography includes compelling roles in Tamil cinema . He first caught attention in 100 (2019), directed by Sam Anton , where he portrayed a character with negative shades, earning praise for his performance. His breakout moment came with Valimai (2022), where he played the younger brother of superstar Ajith Kumar , cementing his position as a promising talent in Kollywood. Transitioning smoothly between the big screen and television, Raj's appearance in Cooku With Comali Season 4 (2023) showcased a different side of him, fun-loving, witty, and endearing. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Switch to UnionBank Rewards Card UnionBank Credit Card Apply Now Undo More recently, he impressed audiences with a double role in Uppu Puli Kaaram, proving his dynamic range as an actor. With a career that bridges both cinema and television, Raj Ayyappa continues to captivate viewers with his dedication, charm, and ever-evolving talent. As he balances entertainment across formats, fans can expect even more surprising turns from this rising star.

1 hour 58 minutes crime thriller film begins with murder mystery, climax will leave you in shock , movie is..., lead actor is...
1 hour 58 minutes crime thriller film begins with murder mystery, climax will leave you in shock , movie is..., lead actor is...

India.com

time17-05-2025

  • Entertainment
  • India.com

1 hour 58 minutes crime thriller film begins with murder mystery, climax will leave you in shock , movie is..., lead actor is...

Crime‑thriller movies have always been a genre that has intrigued people deeply. Watching a crime thriller is as good as solving a puzzle. However, it only matters when the plot and climax of a film in this category hit the right spots for the audience. A storyline that puts a pit in the stomach of a viewer and takes the watching experience to a whole new level is considered the best crime‑thriller movie. Today, we will talk about an intense film filled with nail‑biting suspense and a climax that will make the hair stand on your neck. Yes, while many may think that the crime thriller is from Bollywood or Hollywood, let us tell you the movie is from the South Indian industry. This 1‑hour‑58‑minute Tamil action‑crime suspense thriller was released in 2025 and has been winning hearts. If you are wondering which movie we are talking about, then it is Ten Hours. Directed by Ilayaraja Kaliyaperumal, the movie features Sibi Sathyaraj in the lead role. The movie is a murder mystery, but let us tell you it is no usual murder story. Scroll down to read the plot. Ten Hours Plot The movie revolves around an honest police inspector named Castro. One evening, Castro receives a call that a girl has been missing, and after the news, the police start investigating the matter, uncovering new revelations. The next day, police receive a call from an unknown person who gives details about the girl and also about a bus where she was kept hostage. Following this, the movie unfolds in ways none could have ever imagined. With the audience thinking that the abducted girl would not survive, the plot of Ten Hours takes a turn and a murder happens. Whose murder was that, who was responsible, and what will happen next—these questions will keep a person hooked to their screens till the very last. Ten Hours has been released on OTT—Amazon Prime Video. Also, the film is dubbed in Hindi for its Hindi audience.

DOP Jai Karthik Interview: Ten Hours was more about what to hide than what to show
DOP Jai Karthik Interview: Ten Hours was more about what to hide than what to show

New Indian Express

time24-04-2025

  • Entertainment
  • New Indian Express

DOP Jai Karthik Interview: Ten Hours was more about what to hide than what to show

Actor Sibi Sathyaraj's recent whodunnit thriller Ten Hours is receiving Ayogya , where you will find several colours in the frame. I challenged myself not to be tempted to beautify any frame in Ten Hours ," he says, adding that the premise of the film helped him win over this temptation, "It's one thing that the film unfolds in one night, the majority of the film is either outside or inside a running bus on the road. On top of that, the protagonist too frequently keeps moving. The screenplay left us with no options to place a generator and get inventive with the lights. So, most of the film was shot in natural light." Jai goes on to elaborate on his process by giving examples of some scenes. "In the stadium fight scene, we did what we call 'the favour of light'. We shot the scene solely with the stadium lights and cut to close shots using the available light's favour," he adds. Jai Karthik says planning a shot in such a film involves deciding what not to show. "In films such as Ten Hours , what you hide is more crucial than what you reveal. What you leave in the dark is more important than what you throw light on. I guess most of those who have watched the film would not have noticed that we hid the bus' number plate till the climax. At the same time, it wouldn't have struck you as odd. Similarly, there would be a constant play of light and shadow in the interrogation scenes; we would have dimmed light on the suspects when the shot focuses on them," he explains. He also points to how shots involving Sibi's Castro stood out from those in a typical investigative thriller. "In a scene where you see Castro interrogating the bus driver and his helper, he would have suspected something inconsistent in their answers. There is another temptation here for a cinematographer. We usually cut to a focus on the lead actor's face to catch him reacting. I consciously avoided it. When Castro finds something suspicious, he looks at the suspects in the mirror while the shot covers every subject. We wanted Castro not to be the hero but a subconscious entity who observes everything. These shots are meant to show the kind of brainy cop Castro is," he says. He underscores the importance of mental preparation while working on such films. "We usually plan to shoot around 2 AM on the highway, as there would be less traffic during those hours. For completing things as planned, a DOP should be calm and composed. Too many discussions on the spot would attract the attention of the passengers, and it would delay the shoot. So every single discussion that needs to happen would have already happened, leaving the execution alone at the shooting spot," he says, adding that a cinematographer should only assess what a film requires and not what devices he could use to display his skill. "If the task is to buy vegetables, a bicycle is enough. It is pointless to demand a superbike," he concludes.

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