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The True Story Behind Netflix's Trainwreck: The Astroworld Tragedy
The True Story Behind Netflix's Trainwreck: The Astroworld Tragedy

Time​ Magazine

time10-06-2025

  • Entertainment
  • Time​ Magazine

The True Story Behind Netflix's Trainwreck: The Astroworld Tragedy

In November 2021, the third Astroworld music festival commenced in Houston, Tex., the hometown of rap superstar Travis Scott. Scott had a personal affinity for the Six Flags AstroWorld theme park in Houston that had closed its doors in 2005, naming his six-time platinum certified 2018 album after it and holding the inaugural festival near the site of the demolished amusement park. After canceling the 2020 edition because of the COVID-19 pandemic, Astroworld 2021 promised to be bigger than the two editions before, expanding the festival from one day to two, while uniting tens of thousands of young fans who had missed out on valuable concert-going experiences since the pandemic began. 'It's a carefree world' is how concertgoer Kaia Redus describes the festival in Netflix's Trainwreck: The Astroworld Tragedy, which details how the Houston celebration turned into a death trap with 10 fatalities, with the youngest victim only nine years old, as well as hundreds of injuries. 'It was a concert you didn't want to miss, and you knew it was going to be fun,' explains Sophia Santana, another survivor, with enthusiasm and certainty. The feature-length documentary, releasing June 10, is the first in a weekly series that digs into big event meltdowns that made headlines, created corporate scandals, and often cost lives. Directed by Yemi Bamiro, the film includes interviews with survivors and experts and uses footage shot on concertgoers' phones to explain how such a massive crowd crush happened during Travis Scott's headlining performance and what happened in the aftermath. What led to the deaths at Astroworld? Astroworld was organized by LiveNation, the biggest live event promoter in the U.S. bar none, and the company was eager to capitalize on Scott's 'rager' brand when Astroworld returned. As The Astroworld Tragedy shows, footage of fans breaking down fences to get into the 2019 Astroworld was used to promote the festival's return. Kirby Gladstein, a returning festival photographer, recalls her team was instructed to lean into the chaos of Scott's performances. Gladstein seemed anxious to share her perspective on the temperature of the festival and how the organizers lost control, as she believes the blame lies at LiveNation's feet. 'They hold so much of this industry in the palm of their hand,' says Gladstein. 'By talking about what happened at Astroworld, I know that I'm jeopardizing my career, ultimately.' (No representative of LiveNation is interviewed in the documentary, though their responses are included in text at the end of the film, and include pointing to the roles of SMG Global and the Houston Fire Department in setting sellable capacity for the venue, and stating all relevant parties were aware of event plans and safety codes. The company released their only statement on the tragedy the day after it occurred, in 2021.) The Astroworld Tragedy interviews crowd safety expert Scott Davidson, onsite paramedic Jose Villegas, and security guards Jackson and Samuel Bush (who were only hired hours before the festival began) to paint a picture of the poor planning that contributed to the festival's death tally. The mainstage was unoccupied all day, meaning that fans could camp out for Scott for hours in the hot Houston sun. It also meant that thousands of fans traveled to the headline set from the same direction at the exact same time, creating the perfect conditions for crowd crushing. On the left-hand side of the stage, fans funnelled directly into a pen that added more pressure to fans against barriers with no route of escape. Beginning at 9 p.m., Scott appeared on stage and the crushing quickly worsened; the most upsetting footage of The Astroworld Tragedy is taken from cell phone videos shot inside the pen, showing fans being asphyxiated and crushed in real time while Scott's performance blares unaffected behind them – while Scott would later say he was aware of some fainting and disturbance, he claimed to not realise the gravity of the situation. How did Astroworld organizers respond to the crisis? 'Stop the show! Stop the show! Stop the show!' shout fans as Scott introduces a guest onstage. Despite concertgoers screaming for help en masse, climbing up to restricted areas to demand help from officials, and calling the police, the concert didn't end until an hour after Scott began performing onstage. Davidson concluded (and the documentary team consulted an additional crowd safety expert to verify his findings) that a major fault with the festival was that only two individuals had been delegated authority to stop the concert when it became dangerous, but as Davidson explains, 'any key decision-maker [...] should have been able to very quickly initiate a show stop process, what should have been as simple as a figurative or literal button being pushed.' Meanwhile, crush victims were struggling to breathe and stand up straight. 'I just remember thinking, 'Don't fall down because you won't make it back up,'' recalls Santana. The countdown to 10 p.m. was hectic and lethal, and Davidson quotes the transcript of a LiveNation manager speaking to the audio engineer, one of the only people who could speak directly to Scott onstage: 'We have four active CPRs going on. Two are most likely dead. It is very, very bad. There are more crush victims than I've ever seen in my 25-year career.' Mark Lentini, a former commander for the Houston Police, places the responsibility for the Astroworld tragedy on the festival organizers rather than the police response. He points out how completely predictable the chaos of unauthorized entry and jumping fences would have been to a properly organized festival team. But others see it differently; as Davidson explains, as the crisis was worsening, the Houston Police and LiveNation agreed to continue the concert for Drake to appear onstage to avoid 'trigger crowd panic'. 'The idea of a performance continuing while even one CPR in progress is underway is insane, unprecedented, not to mention multiple,' stresses Davidson. What was the aftermath? Travis Scott's statements on the tragedy were received as insincere by many survivors and victims' loved ones, who tearfully recount the moments at hospitals and reunification centers when they were informed of deaths. Since Astroworld, Scott has made only a few comments on the tragedy, but the song 'My Eyes' on his 2023 album Utopia references his perspective of the event, with one lyric that goes, 'If they just knew what Scotty would do to jump off the stage and save him a child.' In addition to Utopia, Scott has released a companion film Circus Maximus, and is currently nearing the end of a global tour—but Astroworld has not been held since 2021. A grand jury decided not to hold any individual criminally responsible for the tragedy, and the families of victims received out of court settlements for lawsuits brought against Scott and LiveNation. Since Astroworld, LiveNation has faced a host of other legal issues, including a lawsuit from the Department of Justice for monopolization of the music industry, another from the families of an artist who was murdered backstage at a festival, and criticism of their hostile arbitration rules. Netflix's documentary gets to the heart of how something as traumatic and confounding as the Astroworld crowd crush happened, but the questions it ends on—Why didn't someone stop it? Will it happen again?—are left terrifyingly unanswered.

New on Netflix June 7-13: our TV expert picks 6 new movies and shows to stream this week
New on Netflix June 7-13: our TV expert picks 6 new movies and shows to stream this week

Yahoo

time07-06-2025

  • Entertainment
  • Yahoo

New on Netflix June 7-13: our TV expert picks 6 new movies and shows to stream this week

When you buy through links on our articles, Future and its syndication partners may earn a commission. It's documentary week over at Netflix — unofficially, I might add, but with the start of a two-month season of documentary films and several other high-profile non-fiction releases, it's a great time to catch up on events in the real world. I'm What to Watch's streaming editor and every week, I look through the list of what's new on Netflix to create a curated list of the new Netflix Originals you should be watching. I only include ones that would be worthy of our lists of the best Netflix shows and best Netflix movies, bringing you only the top picks. This week my list covers new uploads arriving between Saturday, June 7 and Friday, June 13, inclusive. If you like the sound of something, add it to your watchlist, but even if it's not out yet Netflix hosts landing pages to near releases which you can use to set a reminder for when it releases. The docu-craze isn't exclusive to Netflix with most other streaming services focusing on non-fiction. The reason is that, during the summer months, there's often a lull in fiction and drama releases, however I've also included a romantic sci-fi movie and an action series if you want something that's fictional. So let's find you something to watch on Netflix this week... Netflix begins a season of one-per-week documentary movies about headline events with The Astroworld Tragedy, about a well-reported tragedy from 2021. TAT tells the tale of the 2021 crowd crush at the Astroworld music festival which ended in the deaths of 10 people. It examines what happened from the perspective of survivors and first responders featuring plenty of interviews along the way. Releases on Tuesday, June 10 Next up we've got a 90-minute movie from Mexico that Netflix is billing as a sci-fi-rom-com. Our Times is about two married physicists in 1966 who are a bit too good at their job, and accidentally end up travelling to 2025. One loves the modern day yet the other wants to return to the past, and they have to question whether their marriage is worth more than living in the time they feel comfortable. Releases on Wednesday, June 11 Our next documentary of the week is a French docuseries about a worldwide topic. Ahead of release there's no word on how many episodes. Cocaine Air: Smugglers at 30,000ft is about four French people who were arrested at Punta Ana airport in 2013 after they were discovered smuggling 700kg of cocaine. While none of them fit the bill of a drug smuggling heavyweight and they all pleaded innocence as to the owner of the coke, it prompted officials to dig deeper into what was happening. Releases on Wednesday, June 11 Here's a new documentary which likely needs no introduction: Titan: The OceanGate Disaster is Netflix's long-awaited movie about the infamous OceanGate submersible implosion from 2023. Titan will tell the story of the OceanGate company as its figurehead Stockton Rush tried to pioneer the industry of deep-sea tourism. This culminates in the Titan sub's disappearance which the documentary will also explore in detail. Releases on Wednesday, June 11 For a hot minute in 2023, Netflix crowned Arnold Schwarzenegger its "Chief Action Officer" as the Governator seemed poised to renew his career on the streamer. In practice this only really resulted in his TV show Fubar which gets a second season this week. In Fubar, Schwarzenegger plays a retired CIA operative who comes in from the cold and is forced to team up with his estranged daughter and her team of strange characters. In season 2 he's forced to save the world from a past lover with a bone to pick, but this nemesis is just as interested in ruining his relationships as the world. Releases on Thursday, June 12 The latest international version of Netflix's Too Hot To Handle is here, and it features a cast of 10 Spaniards looking for romance... or something else. As always, Too Hot to Handle tasks unwitting contestants of a romance reality show with abstaining from physical affection. A grand sum is on the line but the amount will drop every time the contestants break the rules, and the series is no stranger to having every penny drained from the pot. Releases on Friday, June 13

‘Trainwreck: Mayor of Mayhem': Netflix releasing new Rob Ford documentary soon — Here's when you can watch it
‘Trainwreck: Mayor of Mayhem': Netflix releasing new Rob Ford documentary soon — Here's when you can watch it

Hamilton Spectator

time09-05-2025

  • Entertainment
  • Hamilton Spectator

‘Trainwreck: Mayor of Mayhem': Netflix releasing new Rob Ford documentary soon — Here's when you can watch it

A controversial Canadian political figure is about to get the Netflix treatment in a new documentary. 'Trainwreck: Mayor of Mayhem,' directed by Shianne Brown, will showcase the publicly scrutinized Rob Ford and his series of scandals that unfolded during his term as mayor of Toronto, and is set to hit the popular streaming platform on June 17. So, I'm in a new ⁦ @netflix ⁩ documentary about Rob Ford- coming out on June 17th. Lots to learn from that tumultuous experience during this time of Trump. 'Mayor of Mayhem' will be the second installation of an anthology series entitled 'Trainwreck' that explores controversial events that made headlines over the past decade. A Netflix synopsis on the upcoming documentary reads, 'In the 2010 Toronto mayoral election, firebrand city councillor Rob Ford unexpectedly throws his hat into the ring. Widely dismissed as a joke by other politicians and the media, he defies critics with a shocking victory. But his administration soon becomes a slow-motion disaster, as an avalanche of scandals and allegations of hard drug use lead to an international media frenzy.' According to the Netflix app, the running time for this documentary is 49 minutes. Also included in the 'Trainwreck' anthology are stories titled 'The Astroworld Tragedy,' 'The Cult of American Apparel,' 'The Real Project X,' and 'Poop Cruise,' among others. Rob Ford, who served a term in the limelight as mayor of Toronto between 2010 and 2014, repeatedly made headlines worldwide for controversial decisions stemming around drugs, alcohol consumption and domestic disputes. While he rose to popularity during his term due to his infectious charisma, Ford also faced public condemnation for the questionable decisions he made in office and in his personal life. Careless mistakes and irresponsible public behaviour were exposed in the media throughout his time as mayor, however, he attempted to run for a second term in 2014. In September 2014, Ford developed severe abdominal pains and was admitted to Humber River Regional Hospital in North York, where a biopsy would reveal a tumour. Ultimately, he pulled out of the mayoral race due to his illness. After a two-year battle with cancer, the former mayor passed away at the age of 46 on March 22, 2016. A trailer for 'Mayor of Mayhem' has yet to be released, but Netflix users can expect the highly anticipated episode to hit the streaming platform on Tuesday, June 17.

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