Latest news with #TheBirds
Business Insider
15 hours ago
- Entertainment
- Business Insider
The best movies coming to Netflix in June, from Hitchcock classics to a doc on the OceanGate disaster
Whether it's films from the Master of Suspense or must-watch documentaries, there are a lot of movies to stream on Netflix in June. Six Alfred Hitchcock classics (June 1) A half-dozen of Hitchcock's titles are available on the streamer. These include some of the works that would solidify him as the Master of Suspense, like "The Birds," "Rear Window," and "Vertigo." If you've never seen a Hitchcock movie or need a refresher on his mastery, this is a perfect way to start. Titles available: "The Birds" "Family Plot" "Frenzy" "The Man Who Knew Too Much" "Rear Window" "Vertigo" "Barbarian" (June 1) If Hitchcock movies don't deliver the chills you crave, check out Zach Cregger's acclaimed horror, which follows a young woman's twisted journey when she realizes the Airbnb she booked is nothing like what it seems. "The Blues Brothers" (June 1) This beloved musical comedy is based on the characters created by original "SNL" cast members Dan Aykroyd and John Belushi. Director John Landis crafts an entertaining road trip movie as brothers Elwood (Aykroyd) and Jake (Belushi) Blues sing the blues, break hearts, and con their way across the country to fulfill their mission from God. "Focus" (June 1) Will Smith and Margot Robbie headline this clever dramedy, in which Smith plays a career con artist who takes an aspiring crook (Robbie) under his wing. They get romantically involved, which complicates things years later when the two reconnect on a high-stakes job. "The Great Outdoors" (June 1) With summer around the corner, it's a perfect time to watch this hit 1980s comedy starring Dan Aykroyd and John Candy as two dads who try to give their families a great vacation in very different ways. "Now You See Me" (June 1) Jesse Eisenberg, Woody Harrelson, Isla Fisher, Dave Franco, and Morgan Freeman star in this heist movie as a team of illusionists who use their sleight-of-hand skills to commit elaborate robberies. The sequel is also available to stream now. "The Town" (June 1) If you're looking for a more grounded heist movie, check out Ben Affleck 's beloved crime thriller in which he and Jeremy Renner lead a Boston-based bank robbing crew who put together one final score: robbing Fenway Park. "Us" (June 1) Jordan Peele's twisted horror stars Lupita Nyong'o as a woman who learns that she and her family are being hunted by doppelgängers who want to take over their lives. "Piece by Piece" (June 7) Pharrell Williams gets the biopic treatment, but in typical outside-the-box fashion for the multi-hyphenate, his life and career are recounted in Lego animation. "Trainwreck: The Astroworld Tragedy" (June 10) On a November night in 2021, thousands watched Travis Scott perform at his own music festival, Astroworld. It ended horrifically with 10 dead and many wondering how an evening of joy could result in such terror. This documentary investigates the night, focusing on the survivors, paramedics, and security that were at the center of the crowd crush. "Titan: The OceanGate Disaster" (June 11) In 2023, a submersible known as Titan suddenly imploded while doing a deep-sea dive to the Titanic, killing all on board. Though at first many questioned how this could happen, over time, it was revealed just how unsafe the journey was. This documentary examines the bold vision of OceanGate founder Stockton Rush and why the trip was so dangerous.
Tom's Guide
18 hours ago
- Entertainment
- Tom's Guide
My favorite Alfred Hitchcock movie is still a terrifying watch — stream 'The Birds' now on Netflix
One of Netflix's major drawbacks for people like me who enjoy classic films is the streaming service's near-complete lack of any movie released more than a decade or two ago. This month, Netflix takes a tiny step toward broadening its cinematic horizons by adding several movies by master filmmaker Alfred Hitchcock. While it's an imperfect — and most likely temporary — remedy, it still gives Netflix viewers the chance to watch some of the greatest movies ever made, by one of the greatest directors of all time. That includes my personal favorite Hitchcock movie, "The Birds," which is still a masterpiece of filmmaking precision and a viscerally terrifying experience. It's one of Hitchcock's most overt horror movies, and he handles what could have been a simple 'creature feature' with finesse and sophistication, without holding back on the terror. As influential as 'The Birds' has been on dozens of later movies of wildly varying quality, it's still completely immersive from its first frame. That first frame is an almost abstract image of birds flapping wildly against a white background, alongside the opening titles. The story begins in the busy streets of San Francisco, but the background sound of birds lingers as Hitchcock follows wealthy socialite Melanie Daniels (Tippi Hedren) into a pet store, where she has a run-in with the somewhat smug lawyer Mitch Brenner (Rod Taylor). Their encounter has all the hallmarks of a rom-com meet-cute, as Mitch appears to mistake Melanie for a store employee, and she stumbles through her efforts to help him find a present for his sister's birthday. After watching her squirm, Mitch reveals that he knows exactly who she is, and he doesn't approve of her frivolous party-girl antics, which recently landed her in court. Even as this seemingly lighthearted courtship plays out, there's an undercurrent of menace. The title and opening-credits sequence hint at something sinister to come, and the sounds of nature are often uncomfortably present, amplified by the lack of any musical score. Melanie's single-minded obsession with getting back at Mitch — which involves purchasing the lovebirds he was seeking for his sister and traveling to his family home in the seaside town of Bodega Bay — comes off as slightly unhinged even while she's laughing it off as a prank. The initial instances of bird-based violence in 'The Birds' seem mild, starting with a seagull scratching Melanie as she's rowing her rented boat away from the Brenners' private dock. There's nearly as much tension between Melanie and the people she meets, especially Mitch's dour mother Lydia (Jessica Tandy), who immediately fixes Melanie with a withering gaze. Melanie's free-spirited (and possibly promiscuous) ways shake up the staid community of Bodega Bay, and the bird attacks could be read as a reflection of her disruption of community morals. They could also be read as an allegory for environmental destruction, as the natural world violently turns against humanity. As the horror becomes almost abstract in the eerie final act, the bird uprising could be interpreted as a metaphor for Melanie's own troubled psyche, the unresolved issues that pushed her to pursue this arrogant man all the way up the California coast for reasons she doesn't quite understand. Or they could just be freaky, blood-curdling set pieces designed to keep the audience on edge. Hitchcock is equally brilliant at creating pure entertainment and complex subtext, and both aspects of 'The Birds' are immensely satisfying. Hedren, Taylor, Tandy and Suzanne Pleshette as Mitch's schoolteacher ex Annie Hayworth all give layered performances, with outward charm that gives way to inner doubts and fears. As the movie progresses and the attacks become more intense, the characters' personal turmoil comes to the surface. Ultimately, 'The Birds' is best remembered for its haunting, indelible images, like the crows slowly and inexorably gathering on a playground jungle gym behind Melanie, or the jagged jump-cuts depicting a dead man with his eyes gouged out. While the special effects may look shaky at times to modern viewers, they're no less realistic than most contemporary CGI, and the actors make the danger feel imminent and genuine. 'I hardly think a few birds are going to bring about the end of the world,' scoffs a local busybody and self-described ornithologist in the Bodega Bay diner, but 'The Birds' makes it easy to believe that they could. You'll never hear the flapping of wings or the bellowing of birdsong the same way again. 'The Birds' is now streaming on Netflix.
Yahoo
3 days ago
- Entertainment
- Yahoo
I took 7 tweens to see 'Lilo & Stitch.' Tears were shed, blue snacks were eaten and fart jokes were enjoyed.
Hello there, Yahoo Entertainment readers. My name is Suzy Byrne, and I've been covering entertainment in this space for over a decade — and longer elsewhere, but … details! While I work with many A+ cinephiles here, I'm the first to tell you I'm not one of them. My dad tried hard by getting me to watch Hitchcock movies as a child, but — blame my seeing The Birds at age 5 — I've grown into the moviegoer who only goes to the big, buzzy films (bonus points for comedy) mostly, so I'm not left out of the group chat. Since I had a child, though, I've made it a point to see as many kid-friendly movies as possible. Maybe it's because I'm a big kid ✔ and I like a cheerful resolution ✔. But also, as a busy working parent, is there greater joy than getting two hours to turn off your phone, put up your feet and eat whatever you want — while your child is fully entertained?! So that's what this is — one entertainment reporter + her 10-year-old child + usually a group of friends (two words: silent playdate!) seeing family-friendly fare on the big screen, indulging in film-themed treats and replying all, to you, about the experience. Welcome to kids' movie club. An adult just walked into the theater wearing a full-on Stitch costume. I must be in the right place. On the day that megahit Lilo & Stitch opened, I gathered my ohana — or chosen family — to see Disney's live-action adaptation about an orphaned girl, Lilo (Maia Kealoha), raised in Hawaii by her under-resourced big sister, Nani (Sydney Agudong), after the death of their parents. Lilo, who's lonely and struggling with her new reality, befriends a house-destroying but adorable genetically engineered alien fugitive, Stitch (voiced by Chris Sanders, as in the original), who teaches them the meaning of family. This was one of those movies where everyone I invited said yes — thanks to that cute and fluffy little blue guy who's a sweeter and less demonic version of the Gremlins of my youth. We were a plus-size viewing party of 11 — seven tweens (ages 9-10) and four adults (my husband and two mom friends) — at a Look Cinema dine-in theater. The big humans were hopeful it would be good. We all knew the broad strokes of the story, based on the 2002 original animated film, and that director Dean Fleischer Camp (Marcel the Shell With Shoes On) knows how to tug at the heartstrings. Even the one Disney employee in our group was excited for the movie, not exhausted by internal company hype. The little humans expected it to be a masterpiece — well, based on the merch they rolled into the theater with. There were big-eared Stitch plushies all around for the kids and Pez dispensers featuring Stitch or his girlfriend, Angel. One girl in our crew wore a sweatshirt with Scrump, Lilo's rag doll. Upping our swag, a mom — who did not join for the movie — sewed all the kids custom Lilo & Stitch pouches that Etsy buyers, and probably the adult wearing the Stitch costume, would go cuckoo for. One of the girls made the others bracelets. We fit right in with our surroundings. The girl sitting next to me, who wasn't part of our group, had on a Stitch T-shirt and carried the same live-action plush as our crew. There was also a baby one row in front of us and mostly asleep (thankfully) during the movie in a Lilo & Stitch top. With the food dye ban coming, I greenlit as a last hurrah a Galactic Popcorn (regular popcorn with blue M&Ms) and an Aloha Blue Breeze (a mix of lemonade, Sprite and nonalcoholic blue curaçao). The popcorn was as expected, but the drink was surprisingly good. The one negative was the light-up ice cubes, which were unexpectedly bright, so the entire theater had a blue glow going. Though they were not bright enough to illuminate the QR on my tray table when I needed to reorder food in the dark, halfway through the movie. (Why is scanning those things so annoying?) My editor alerted me that the movie would be emotional — and it was. The kids expected the dead parents — the norm for, like, every Disney movie, am I right? — having seen the original movie and the TV series. There was a suspenseful near-drowning scene, but we knew the House of Mouse wasn't going to kill off a title character. The ending — which has been somewhat controversial — was a tearjerker, however. (What I'll say is: Thank goodness for portal guns and teleportation. And: Isn't higher education something to celebrate?) Throughout the film there's a looming social services caseworker (Tia Carrere, who played Nani in the original) reminding that Lilo could be taken from Nani at any minute. That came more into focus at the end — amid a pile of medical bills — so did the prospect of Lilo and Stitch potentially being separated, despite the 'family means nobody gets left behind' mantra. The end led to a household milestone when my daughter — who reached out to hold my hand, in front of friends, but spared of embarrassment by darkness — shed a tear for the first time watching a movie. That was nothing compared to my sweet adult friend, who was still crying after the credits (which are worth staying for) rolled and we walked to the lobby. She said it was a good cry though, a cathartic release. During the movie I had to accompany a child to the bathroom. During a slow handwashing, she informed me that she didn't need to rush because she was going to see the movie again that weekend. The interlude led to me missing the Angel cameo, among the many fun easter eggs. If I learned anything from this day, it's that the kids really like Stitch's little pink girlfriend and would have liked more of her. What got the most laughs from the kids was — no surprise — anything fart, burp or diarrhea related. I saw one of the kids we took to the movie four days later and the first thing she did was recite the Lilo line, 'The only superpower that I have is that sometimes when I run too fast, I fart.' The kids also loved mischievous Stitch's quest for cake and thirst for lava lamp juice, seeing the 'Ice Cream Man,' all animal sightings (goat, frogs), multi-eyed Jumba (Zach Galifianakis) being called a 'hairy potato' and one-eyed alien Pleakley (Billy Magnussen) becoming part of the family. This adult loved the music — Elvis, Elvis, Elvis. The soundtrack features almost all of the songs from the original movie. I learned that the young love of 'Uptown Funk' still runs deep in elementary schools, 10 years after its release. I was also a superfan of the use of the original voice actors, which shows the attention to detail and nod to nostalgia while still moving the franchise forward. Also, seeing Hawaii on the big screen was like a mini mental vacation. As one adult told me, every beach scene swept them a million miles away — if only temporarily, being snapped back to reality with near-drowning scenes and underwater goodbyes. Though another said: It also showed that it's not necessarily easy to live in paradise. My husband pointed out that this is the first film he's seen in which jumper cables saved a life — well, alien 626's life — and neither of us remembered breath spray being in a movie since the '90s. The folks who make Binaca must be delighted. While the kids couldn't stop laughing at the fart joke, my favorite line was more sentimental about how 'sometimes family isn't perfect' and that it's OK. I mean — that's pretty much the motto at our house. On the ride home, I tried to listen in on the kid convo in the back. They burst into laughter talking about all the dead moms in Disney movies ('I'm starting to think that all the people who made those movies were too lazy to add moms,' said one girl) and how so many of the early Disney princesses look alike. ('There are so many blonde ladies who wear pink, blue or purple,' said another.) My daughter talked about crying in the movie, comparing Lilo saying goodbye to Stitch recently losing a family pet. A friend supportively replied, 'I didn't shed a tear, but I was about to.' Another said, 'It's OK — we all cry from time to time.' Spoken like a kid in touch with their feelings — probably from seeing Inside Out 2. Both the big and small members of our group seemed most excited by the Zootopia 2 and Bad Guys 2 trailers. Makes sense — everyone in our group had seen the originals. Zootopia originally came out in 2016, so the anticipation for a sequel has been building. Bad Guys is also such a popular book series that the kids want more. No. 3 was Elio, about the boy who wants to be abducted by aliens because he feels like he doesn't fit in on Earth, which is relatable for all ages. There wasn't as big of a reaction to Superman (maybe if there were more boys?) or Karate Kid: Legends from the kids. Mom here was a different story about the latter, as Ralph Macchio's face covered the walls of my childhood bedroom. It's next on my viewing schedule. The theater didn't show the How to Train Your Dragon live-action trailer, unless I missed it while ordering seven popcorns, pretzel bites, mini pizzas and those blinding drinks my eyes are still adjusting from, but the kids talked about it nonstop on the ride there. Dragon love remains strong among tweens, so Universal must know: If they build it — in this case, the land of Berk — the kids will come. These ones will, for sure.
Yahoo
3 days ago
- Entertainment
- Yahoo
I took 7 tweens to see 'Lilo & Stitch.' Tears were shed, blue snacks were eaten and fart jokes were enjoyed.
Hello there, Yahoo Entertainment readers. My name is Suzy Byrne, and I've been covering entertainment in this space for over a decade — and longer elsewhere, but … details! While I work with many A+ cinephiles here, I'm the first to tell you I'm not one of them. My dad tried hard by getting me to watch Hitchcock movies as a child, but — blame my seeing The Birds at age 5 — I've grown into the moviegoer who only goes to the big, buzzy films (bonus points for comedy) mostly, so I'm not left out of the group chat. Since I had a child, though, I've made it a point to see as many kid-friendly movies as possible. Maybe it's because I'm a big kid ✔ and I like a cheerful resolution ✔. But also, as a busy working parent, is there greater joy than getting two hours to turn off your phone, put up your feet and eat whatever you want — while your child is fully entertained?! So that's what this is — one entertainment reporter + her 10-year-old child + usually a group of friends (two words: silent playdate!) seeing family-friendly fare on the big screen, indulging in film-themed treats and replying all, to you, about the experience. Welcome to kids' movie club. An adult just walked into the theater wearing a full-on Stitch costume. I must be in the right place. On the day that megahit Lilo & Stitch opened, I gathered my ohana — or chosen family — to see Disney's live-action adaptation about an orphaned girl, Lilo (Maia Kealoha), raised in Hawaii by her under-resourced big sister, Nani (Sydney Agudong), after the death of their parents. Lilo, who's lonely and struggling with her new reality, befriends a house-destroying but adorable genetically engineered alien fugitive, Stitch (voiced by Chris Sanders, as in the original), who teaches them the meaning of family. This was one of those movies where everyone I invited said yes — thanks to that cute and fluffy little blue guy who's a sweeter and less demonic version of the Gremlins of my youth. We were a plus-size viewing party of 11 — seven tweens (ages 9-10) and four adults (my husband and two mom friends) — at a Look Cinema dine-in theater. The big humans were hopeful it would be good. We all knew the broad strokes of the story, based on the 2002 original animated film, and that director Dean Fleischer Camp (Marcel the Shell With Shoes On) knows how to tug at the heartstrings. Even the one Disney employee in our group was excited for the movie, not exhausted by internal company hype. The little humans expected it to be a masterpiece — well, based on the merch they rolled into the theater with. There were big-eared Stitch plushies all around for the kids and Pez dispensers featuring Stitch or his girlfriend, Angel. One girl in our crew wore a sweatshirt with Scrump, Lilo's rag doll. Upping our swag, a mom — who did not join for the movie — sewed all the kids custom Lilo & Stitch pouches that Etsy buyers, and probably the adult wearing the Stitch costume, would go cuckoo for. One of the girls made the others bracelets. We fit right in with our surroundings. The girl sitting next to me, who wasn't part of our group, had on a Stitch T-shirt and carried the same live-action plush as our crew. There was also a baby one row in front of us and mostly asleep (thankfully) during the movie in a Lilo & Stitch top. With the food dye ban coming, I greenlit as a last hurrah a Galactic Popcorn (regular popcorn with blue M&Ms) and an Aloha Blue Breeze (a mix of lemonade, Sprite and nonalcoholic blue curaçao). The popcorn was as expected, but the drink was surprisingly good. The one negative was the light-up ice cubes, which were unexpectedly bright, so the entire theater had a blue glow going. Though they were not bright enough to illuminate the QR on my tray table when I needed to reorder food in the dark, halfway through the movie. (Why is scanning those things so annoying?) My editor alerted me that the movie would be emotional — and it was. The kids expected the dead parents — the norm for, like, every Disney movie, am I right? — having seen the original movie and the TV series. There was a suspenseful near-drowning scene, but we knew the House of Mouse wasn't going to kill off a title character. The ending — which has been somewhat controversial — was a tearjerker, however. (What I'll say is: Thank goodness for portal guns and teleportation. And: Isn't higher education something to celebrate?) Throughout the film there's a looming social services caseworker (Tia Carrere, who played Nani in the original) reminding that Lilo could be taken from Nani at any minute. That came more into focus at the end — amid a pile of medical bills — so did the prospect of Lilo and Stitch potentially being separated, despite the 'family means nobody gets left behind' mantra. The end led to a household milestone when my daughter — who reached out to hold my hand, in front of friends, but spared of embarrassment by darkness — shed a tear for the first time watching a movie. That was nothing compared to my sweet adult friend, who was still crying after the credits (which are worth staying for) rolled and we walked to the lobby. She said it was a good cry though, a cathartic release. During the movie I had to accompany a child to the bathroom. During a slow handwashing, she informed me that she didn't need to rush because she was going to see the movie again that weekend. The interlude led to me missing the Angel cameo, among the many fun easter eggs. If I learned anything from this day, it's that the kids really like Stitch's little pink girlfriend and would have liked more of her. What got the most laughs from the kids was — no surprise — anything fart, burp or diarrhea related. I saw one of the kids we took to the movie four days later and the first thing she did was recite the Lilo line, 'The only superpower that I have is that sometimes when I run too fast, I fart.' The kids also loved mischievous Stitch's quest for cake and thirst for lava lamp juice, seeing the 'Ice Cream Man,' all animal sightings (goat, frogs), multi-eyed Jumba (Zach Galifianakis) being called a 'hairy potato' and one-eyed alien Pleakley (Billy Magnussen) becoming part of the family. This adult loved the music — Elvis, Elvis, Elvis. The soundtrack features almost all of the songs from the original movie. I learned that the young love of 'Uptown Funk' still runs deep in elementary schools, 10 years after its release. I was also a superfan of the use of the original voice actors, which shows the attention to detail and nod to nostalgia while still moving the franchise forward. Also, seeing Hawaii on the big screen was like a mini mental vacation. As one adult told me, every beach scene swept them a million miles away — if only temporarily, being snapped back to reality with near-drowning scenes and underwater goodbyes. Though another said: It also showed that it's not necessarily easy to live in paradise. My husband pointed out that this is the first film he's seen in which jumper cables saved a life — well, alien 626's life — and neither of us remembered breath spray being in a movie since the '90s. The folks who make Binaca must be delighted. While the kids couldn't stop laughing at the fart joke, my favorite line was more sentimental about how 'sometimes family isn't perfect' and that it's OK. I mean — that's pretty much the motto at our house. On the ride home, I tried to listen in on the kid convo in the back. They burst into laughter talking about all the dead moms in Disney movies ('I'm starting to think that all the people who made those movies were too lazy to add moms,' said one girl) and how so many of the early Disney princesses look alike. ('There are so many blonde ladies who wear pink, blue or purple,' said another.) My daughter talked about crying in the movie, comparing Lilo saying goodbye to Stitch recently losing a family pet. A friend supportively replied, 'I didn't shed a tear, but I was about to.' Another said, 'It's OK — we all cry from time to time.' Spoken like a kid in touch with their feelings — probably from seeing Inside Out 2. Both the big and small members of our group seemed most excited by the Zootopia 2 and Bad Guys 2 trailers. Makes sense — everyone in our group had seen the originals. Zootopia originally came out in 2016, so the anticipation for a sequel has been building. Bad Guys is also such a popular book series that the kids want more. No. 3 was Elio, about the boy who wants to be abducted by aliens because he feels like he doesn't fit in on Earth, which is relatable for all ages. There wasn't as big of a reaction to Superman (maybe if there were more boys?) or Karate Kid: Legends from the kids. Mom here was a different story about the latter, as Ralph Macchio's face covered the walls of my childhood bedroom. It's next on my viewing schedule. The theater didn't show the How to Train Your Dragon live-action trailer, unless I missed it while ordering seven popcorns, pretzel bites, mini pizzas and those blinding drinks my eyes are still adjusting from, but the kids talked about it nonstop on the ride there. Dragon love remains strong among tweens, so Universal must know: If they build it — in this case, the land of Berk — the kids will come. These ones will, for sure.
Newsweek
23-05-2025
- Entertainment
- Newsweek
Everything New on Netflix in June 2025
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Entertainment gossip and news from Newsweek's network of contributors Netflix has some fresh new titles heading the platform in June, and the first to be served are Alfred Hitchcock fans as the streaming service prepares to add six of his classics on June 1, including Vertigo, Rear Window, and The Birds. Some other June 1 highlights include Now You See Me and Now You See Me 2, the perfect time to catch up ahead of Now You See Me: Now You Don't releasing later this year. There's also The Theory of Everything, Bee Movie, The Blues Brothers, The Legend of Zorro, Us, and David Lynch's Dune coming on June 1. Squid Game Season 3. Squid Game Season 3. Netflix READ: Everything New on Max in June 2025 If you're looking for some fresh Netflix Originals, June's line-up has you covered as Squid Game season three arrives on June 27, with other hit shows returning earlier in the month, including Ginny & Georgia and FUBAR. To discover everything new on Netflix in June 2025, read on below. What's New on Netflix in June 2025? June 1 Barbarian (2022) Bee Movie (2007) Dune (1984) Family Plot (1976) Focus (2015) Frenzy (1972) Hitchcock (2012) Hop (2011) MacGruber (2010) Neighbors (2014) Now You See Me (2013) Now You See Me 2 (2016) Pokémon The Series: XY Pokémon The Series: XY: XY: Kalos Quest Pokémon The Series: XY: XYZ Rear Window (1954) The American (2010) The Birds (1963) The Blues Brothers (1980) The Devil's Own (1997) The Great Outdoors (1988) The Legend of Zorro (2005) The Man Who Knew Too Much (1956) The Night Before (2015) The Theory of Everything (2014) The Town (2010) U-571 (2000) Us (2019) Vertigo (1958) June 3 Sara: Woman in the Shadows (Season 1) June 4 Criminal Code (Season 2) Eva Lasting (Season 3) Power Moves with Shaquille O'Neal (Season 1) June 5 Barracuda Queens (Season 2) Ginny & Georgia (Season 3) Tires (Season 2) Uninvited (2024) June 6 Golden SixTONES (Season 1 – New Episodes Weekly) K.O. (2025) Mercy for None (Limited Series) STRAW (2025) The Survivors (Season 1) June 7 Boys on the Side (1995) Piece by Piece (2024) June 9 Get Hard (2015) Mashel: Magic and Muscles (Season 2) The Creature Cases (Chapter 5) June 10 Families Like Ours (Limited Series) Trainwreck: The Astroworld Tragedy (Volume 1 – Episode 1) June 11 Aniela (Season 1) Cheers to Life (2025) Cocaine Air: Smugglers at 30,000FT (Limited Series) Our Times (2025) Titan: The OceanGate Disaster (2025) June 12 Cells at Work! (Season 1) FUBAR (Season 2) Plane (2023) The Fairly OddParents: A New Wish (Season 2) June 13 Kings of Jo'Burg (Season 3) Too Hot to Handle: Spain (Season 1) June 14 Grey's Anatomy (Season 21) June 16 The Last Witch Hunter (2015) June 17 Justin Willman: Magic Lover (2025) Kaulitz & Kaulitz (Season 2) Scandal (Seasons 1-7) Trainwreck: Mayor of Mayhem (Volume 1 – Episode 2) June 18 AMERICA'S SWEETHEARTS: Dallas Cowboys Cheerleaders (Season 2) Rosario Tijeras (Mexico) (Season 4) Somebody Feed Phil (Season 8) YOLANTHE (Season 1) June 19 The Waterfront (Season 1) June 20 KPop Demon Hunters (2025) Olympo (Season 1) Semi-Soeter (Season 1) June 22 The Intern (2015) June 24 Steph Tolev: Filth Queen (2025) Trainwreck: Poop Cruise (Volume 1 – Episode 3) June 25 The Ultimatum: Queer Love (Season 2) June 27 Pokémon Horizons: Season 2—The Search for Laqua (Part 3) Squid Game (Season 3) Note: Titles in bold are Netflix Originals.
