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Ryan Reynolds Pitched an R-Rated STAR WARS Project to Disney
Ryan Reynolds Pitched an R-Rated STAR WARS Project to Disney

Yahoo

time4 days ago

  • Business
  • Yahoo

Ryan Reynolds Pitched an R-Rated STAR WARS Project to Disney

The recently wrapped Andor on Disney+ was the most adult Star Wars content we've ever seen in nearly fifty years. However, we wouldn't go so far as to say it's R-rated. It came close a few times with its adult themes, but did not cross the line into adults only. But if you ask Ryan Reynolds, he thinks it's time. We've learned (via The Hollywood Reporter) that while appearing on The Box Office podcast recently, Reynolds said he pitched Disney an R-rated Star Wars project. However, unlike his most famous R-rated project for Disney, Deadpool& Wolverine, he wouldn't actually star in it but would instead produce it. Here's what he had to say: I pitched to Disney, I said, 'Why don't we do an R-rated Star Wars property? It doesn't have to be overt, A+ characters. There's a wide range of characters you could use.' And I don't mean R-rated to be vulgar. R-rated as a Trojan horse for emotion. I always wonder why studios don't want to just gamble on something like that. I'm not saying I want to be in it. I'd want to produce and write or be a part of behind the scenes. Those kinds of IP subsist really well on scarcity and surprise. We don't get scarcity really with Star Wars because of Disney+, but you can certainly still surprise people. Because of Ryan Reynolds' success with Deadpool & Wolverine, one might imagine Disney and Lucasfilm would hand him the keys to the Death Star. But that doesn't seem to be the case. Star Wars has been a 'family brand' since its inception. And Lucasfilm might feel nervous dipping its toes into purely adult content. But then, no MCU film boasted an R-rating until Deadpool & Wolverine, and that made all the money in the world. Maybe Ryan Reynolds producing it could soften the blow. Surely, there must be a great Star Wars horror pitch out there just waiting to happen. Lucasfilm has teased zombie Stormtroopers in Clone Wars and Ahsoka, so maybe it's time to make something like that happen. If anyone could get away with it, it's Ryan Reynolds.

Ryan Reynolds is pushing for an R-rated ‘Star Wars' project
Ryan Reynolds is pushing for an R-rated ‘Star Wars' project

San Francisco Chronicle​

time4 days ago

  • Entertainment
  • San Francisco Chronicle​

Ryan Reynolds is pushing for an R-rated ‘Star Wars' project

Ryan Reynolds has a bold new vision for ' Star Wars ' that he believes can elevate the franchise: Going R-rated. 'I don't mean R-rated to be vulgar. R-rated as a Trojan horse for emotion,' The ' Deadpool & Wolverine ' actor explained during a recent appearance on ' The Box Office ' podcast. 'I always wonder why studios don't want to just gamble on something like that.' Reynolds revealed his aspirations for the sci-fi franchise, noting he already pitched the idea to Disney. 'I said, 'Why don't we do an R-rated 'Star Wars' property? It doesn't have to be overt, A-plus characters. There's a wide range of characters you could use,'' he shared on an episode of the podcast released Friday, May 23. He added that he wouldn't want to act in the hypothetical film or television project, as 'that would be a bad fit.' Instead, he'd want a behind-the-scenes role like producing or writing. 'Those kinds of IP subsist really well on scarcity and surprise,' he said. 'We don't get scarcity really with 'Star Wars' because of Disney+, but you can certainly still surprise people.' Disney+ currently has 14 'Star Wars' series, both animated and live-action, available for fans to stream, in addition to all 12 films. One of the franchise's newer projects, ' Andor,' just wrapped up its second and final season and has been praised for the way in which it handles mature themes such as the ethics of rebellion and corruption. The series is rated TV-14. The highest MPAA rating for a 'Star Wars' film has been PG-13, applied to all its movies since 2005's 'Star Wars: Episode III — Revenge of the Sith.' Prior to that, all of the franchise's films were PG. While Reynolds hasn't been involved in any 'Star Wars' universe projects in the past, he has been a comedic-relief staple of the Marvel Cinematic Universe since 2016's 'Deadpool.' In the latest installment of the anti-hero franchise, he used Green Day 's 1997 hit 'Good Riddance.' A longtime fan, Reynolds spoke at Green Day's Hollywood Walk of Fame ceremony about the East Bay punk trio's lasting impact. Green Day recently made its festival headlining debut at BottleRock Napa Valley over the Memorial Day weekend. 'These guys, they live at the intersection of both nostalgia and evolution,' he said. 'I don't think a band like this stays together this way and is this prolific for this long without integrity. I think it's like the bedrock of what they are.'

Ryan Reynolds reveals details on R-rated ‘Star Wars' movie pitch
Ryan Reynolds reveals details on R-rated ‘Star Wars' movie pitch

Yahoo

time4 days ago

  • Entertainment
  • Yahoo

Ryan Reynolds reveals details on R-rated ‘Star Wars' movie pitch

After spearheading Marvel's first R-rated superhero movie with last year's Deadpool & Wolverine, Ryan Reynolds says he has made a similar pitch to take the Star Wars universe in a different direction. 'I pitched to Disney, I said, 'Why don't we do an R-rated Star Wars property? It doesn't have to be overt, A+ characters. There's a wide range of characters you could use,'' he said in an interview with Scott Mendelson's The Box Office podcast. 'And I don't mean R-rated to be vulgar. R-rated as a Trojan horse for emotion. I always wonder why studios don't want to just gamble on something like that.' Star Wars has experimented with darker storylines, most recently in its two-season Rogue One spinoff Andor, but the franchise has firmly remained in the PG realm. Reynolds said he liked the idea of expanding the story as a way to 'surprise' Star Wars fans. But his story wasn't one that he was angling to star in. 'I'm not saying I want to be in it. That would be a bad fit,' he said. 'I'd want to produce and write or be a part of behind the scenes. Those kinds of IP subsist really well on scarcity and surprise. We don't get scarcity really with Star Wars because of Disney+, but you can certainly still surprise people.' Putting something darker onto streaming, which Disney has also tried with last year's Acolyte series is more likely, but Reynolds insisted to Mendelson that an R-rated big screen adventure would leave a more lasting impression. 'You're never going to get the same emotional investment from a streamer that you are from a theatrical movie, because they're getting in cars and paying for parking, and babysitters, and sitting down, and watching the movie, and then driving home. That's the emotional investment you can try to sell,' he said. 'On a streamer, my only note, always, is that, for God's sake, with everything you can, to grab them in that first shot, like that first thing that happens in the movie… Start with something, 'Holy s—!' and then, 'How did we get here?'' People sitting at home can quickly become disengaged in a way they can't when they're at the cinema. 'We have all these distracto-fat things clogging our arteries of attention, and it is so easy to tune out unless you have them right at the top,' he said. Before it was reimagined into The Book of Boba Fett TV series, James Mangold, who is slated to write and direct an upcoming Star Wars film, eyed his own take on the intergalactic bounty hunter that was 'borderline rated-R.' 'At the point I was doing it, I was probably scaring the s— out of everyone, but I was probably making much more of a borderline rated-R, single-planet, spaghetti western,' Mangold told the Happy Sad Confused podcast in a 2023 interview. 'The world would never be able to embrace Baby Yoda if I had made that, because he didn't really belong in the world I was kind of envisioning.' Mangold's new entry will focus on the dawn of the Jedi, but he said that writing his earlier Boba Fett movie was a 'beautiful period' in his life. 'I was just listening to Ennio Moricone all day, all night and typing away,' he said. 'But I'm not sure it ever would've happened. I'm not sure it was in anyone's plans what I was thinking about.' After Andor wrapped its second season earlier this month, the Star Wars universe will expand with a Mandalorian spinoff movie hitting theatres next May. Reynolds' Deadpool & Wolverine director Shawn Levy is also set to go into production on Star Wars: Starfighter with Ryan Gosling later this year. The plot is still under wraps, but Levy announced at Star Wars Celebration last month that the film will take place roughly five years after the events of 2019's Star Wars: Episode IX – The Rise of Skywalker. 'This is a standalone adventure that takes place a few years after the events of Episode IX,' the filmmaker teased. 'What could that mean? It could mean so many things … This is not a prequel. This is not a sequel. It's a new adventure.' Also on the horizon: a new trilogy from X-Men scribe Simon Kinberg, a Star Wars film directed by Taika Waititi, and the return of Daisy Ridley as Rey in a film helmed by Sharmeen Obaid-Chinoy. mdaniell@ Ryan Gosling and Shawn Levy's 'Star Wars: Starfighter' sets May 2027 release 'The Mandalorian and Grogu' teases new action-packed footage at Star Wars Celebration Writer reveals real reason Quentin Tarantino's 'Star Trek' film died

Ryan Reynolds reveals details on R-rated ‘Star Wars' movie pitch
Ryan Reynolds reveals details on R-rated ‘Star Wars' movie pitch

Toronto Sun

time4 days ago

  • Entertainment
  • Toronto Sun

Ryan Reynolds reveals details on R-rated ‘Star Wars' movie pitch

Get the latest from Mark Daniell straight to your inbox Ryan Reynolds attends the world premiere of Deadpool and Wolverine. Photo by Getty Images After spearheading Marvel's first R-rated superhero movie with last year's Deadpool & Wolverine , Ryan Reynolds says he has made a similar pitch to take the Star Wars universe in a different direction. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account 'I pitched to Disney, I said, 'Why don't we do an R-rated Star Wars property? It doesn't have to be overt, A+ characters. There's a wide range of characters you could use,'' he said in an interview with Scott Mendelson's The Box Office podcast. 'And I don't mean R-rated to be vulgar. R-rated as a Trojan horse for emotion. I always wonder why studios don't want to just gamble on something like that.' Star Wars has experimented with darker storylines, most recently in its two-season Rogue One spinoff Andor , but the franchise has firmly remained in the PG realm. Reynolds said he liked the idea of expanding the story as a way to ' surprise' Star Wars fans. But his story wasn't one that he was angling to star in. 'I'm not saying I want to be in it. That would be a bad fit,' he said. 'I'd want to produce and write or be a part of behind the scenes. Those kinds of IP subsist really well on scarcity and surprise. We don't get scarcity really with Star Wars because of Disney+, but you can certainly still surprise people.' Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. Putting something darker onto streaming, which Disney has also tried with last year's Acolyte series is more likely, but Reynolds insisted to Mendelson that an R-rated big screen adventure would leave a more lasting impression. 'You're never going to get the same emotional investment from a streamer that you are from a theatrical movie, because they're getting in cars and paying for parking, and babysitters, and sitting down, and watching the movie, and then driving home. That's the emotional investment you can try to sell,' he said. 'On a streamer, my only note, always, is that, for God's sake, with everything you can, to grab them in that first shot, like that first thing that happens in the movie… Start with something, 'Holy s—!' and then, 'How did we get here?'' This advertisement has not loaded yet, but your article continues below. People sitting at home can quickly become disengaged in a way they can't when they're at the cinema. 'W e have all these distracto-fat things clogging our arteries of attention, and it is so easy to tune out unless you have them right at the top,' he said. Before it was reimagined into The Book of Boba Fett TV series, James Mangold, who is slated to write and direct an upcoming Star Wars film, eyed his own take on the intergalactic bounty hunter that was ' borderline rated-R.' 'At the point I was doing it, I was probably scaring the s— out of everyone, but I was probably making much more of a borderline rated-R, single-planet, spaghetti western,' Mangold told the Happy Sad Confused podcast in a 2023 interview. 'The world would never be able to embrace Baby Yoda if I had made that, because he didn't really belong in the world I was kind of envisioning.' This advertisement has not loaded yet, but your article continues below. Mangold's new entry will focus on the dawn of the Jedi, but he said that writing his earlier Boba Fett movie was a 'beautiful period' in his life. 'I was just listening to Ennio Moricone all day, all night and typing away,' he said. 'But I'm not sure it ever would've happened. I'm not sure it was in anyone's plans what I was thinking about.' After Andor wrapped its second season earlier this month, the Star Wars universe will expand with a Mandalorian spinoff movie hitting theatres next May. Reynolds' Deadpool & Wolverine director Shawn Levy is also set to go into production on Star Wars: Starfighter with Ryan Gosling later this year. The plot is still under wraps, but Levy announced at Star Wars Celebration last month that the film will take place roughly five years after the events of 2019's Star Wars: Episode IX – The Rise of Skywalker . This advertisement has not loaded yet, but your article continues below. 'This is a standalone adventure that takes place a few years after the events of Episode IX ,' the filmmaker teased. 'What could that mean? It could mean so many things … This is not a prequel. This is not a sequel. It's a new adventure.' Also on the horizon: a new trilogy from X-Men scribe Simon Kinberg, a Star Wars film directed by Taika Waititi, and the return of Daisy Ridley as Rey in a film helmed by Sharmeen Obaid-Chinoy. mdaniell@ Read More World Canada Music Olympics World

Deadpool and Wolverine could have seen the end of Wade Wilson, Ryan Reynolds reveals
Deadpool and Wolverine could have seen the end of Wade Wilson, Ryan Reynolds reveals

Perth Now

time4 days ago

  • Entertainment
  • Perth Now

Deadpool and Wolverine could have seen the end of Wade Wilson, Ryan Reynolds reveals

Ryan Reynolds has revealed 'Deadpool and Wolverine' could have ended with the death of Wade Wilson. The 48-year-old actor starred opposite Hugh Jackman, 56, in the 2024 Marvel Cinematic Universe (MCU) blockbuster as the Merc with a Mouth, and has now revealed he and the studio seriously considered killing off the character for good in the movie. During an appearance on 'The Box Office' podcast, Reynolds said: 'There's always the thought of killing Deadpool in the last one. 'Again, it's like listening to the movie. Me, [editors] Shane Reid, Dean Zimmerman, and [director] Shawn Levy must have reworked that third act for 45 days straight.' However, once the fight scene choreographed to Madonna's 'Like a Prayer' entered the scene, the conversation around Deadpool's end was dropped. Reynolds said: 'Finally figuring it out - I am such a needle-drop person, but I'm really working hard to embrace score. It was Rob Simonsen who really helped us get there by blending score, needle drop, and all these things that gave you that feeling we were working for.' Marvel was happy with the change to Wade Wilson's story, and expressed interest in keeping the character around for future MCU projects. Reynolds added: 'Studios are like, of course, it'd be fun to play around with this guy in the future, because he's a cheat code. 'He can say things that everyone might be thinking, and it gets you out of trouble.' Reflecting on 'Deadpool and Wolverine', Reynolds said he was happy with the movie, and described it as an 'emotionally resonant' send-off to 20th Century Fox's Marvel universe - which concluded in 2019 with the X-Men film 'Dark Phoenix'. He explained: 'I liked the misdirect for audiences, thinking [Deadpool] was entering the MCU, who are we going to see? We got Jon Favreau! And then nope, nope, nobody else. We looked back instead of forward. 'For us, it was emotionally resonant to have a send-off, an acknowledgement of what got us to here. Warts and all, the movies that didn't work, the movies that worked.' It has also recently been revealed Deadpool's story may not be over with 'Deadpool and Wolverine', with Reynolds now said to be in the early stages of exploring a team-up movie featuring the anti-hero and the X-Men. According to The Hollywood Reporter, the 'Free Guy' actor is working on a Marvel film that would see Deadpool take more of a supporting role alongside three or four X-Men characters. Reynolds had previously said he was unsure of Deadpool's future following 'Deadpool and Wolverine', though was open to the idea of playing the character again in an ensemble film. Speaking to Andrew Garfield for Variety's 'Actors on Actors', he said: 'Honestly, my feeling is that the character works very well in two ways. One is scarcity and surprise. 'I don't know what the future of Deadpool will be, but I do know that we made the movie to be a complete experience instead of a commercial for another one. 'Deadpool's a supporting character much more than he is the centre. We centre him sometimes because that's what they want but you can't centre him unless you take everything away from him. 'You have to create a situation where he's so much the underdog. I don't think I can do that again. If he comes back, it's gonna be in someone else's movie.'

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