Latest news with #ThePhantomMenace
Gizmodo
3 days ago
- Entertainment
- Gizmodo
‘Andor' Put So Many Easter Eggs in Luthen Rael's Shop
You knew about the 'Indiana Jones' one, but did you see the winks at 'Revenge of the Sith' and 'Phantom Menace'? One of the many, many things that makes Andor so great is that it's uninterested in fan service. There are no gratuitous cameos. No wild, broad connections. First and foremost, creator Tony Gilroy wanted to tell an emotional, impactful, and timely story of heroism and hope, which just so happened to be in the world of Star Wars. But that doesn't mean other members of his team didn't want to have a little fun, and the set and prop designers did just that. In the first season of Andor, fans instantly noticed that Luthen Rael's shop on Coruscant was filled with recognizable and clever winks and nods to Star Wars and Lucasfilm projects of the past. The most famous, of course, were the Sankara stones from Indiana Jones and the Temple of Doom, but Luthen also had Sith artifacts, Mandalorian armor, and more. All of which made sense. Luthen, after all, does deal in rare artifacts and antiquities, so he would be interested in acquiring and selling things of this nature. This season, that was taken up a notch, and the official Star Wars website has a post breaking it down. Like, for example, Luthen has a Sith Chalice on display, much like the one Palpatine had in his office in Revenge of the Sith. There's a Kalikori, a prized Twi'lek family heirloom, much like the one we've seen from the Syndullas in Star Wars Rebels. There's a Royal Naboo headdress that looks very similar to one Queen Amidala wore in The Phantom Menace (shouldn't Bail Organa have picked this one up to hold for his daughter?). Finally, there's even a Gungan skull. Which Gungan? We don't know, but I'm sure many of us have a few top choices. You can see images of those and more all over at The same article also reminds us of everything from Andor season one, including a Jedi Temple Guard mask, like the ones from Star Wars: The Clone Wars; a Gungan shield as seen in The Phantom Menace; and another Naboo headpiece, this one resembling one Padme wore in Attack of the Clones. Again, Bail, why didn't you buy these? The best part about all of this is it has nothing to do with the story. There's no impact on Luthen and Kleya's work in the shop. No smoking gun to solve a problem. It's just there to remind you this story is happening in a world where all of this other stuff happened too. Both seasons of Andor are streaming on Disney+. You can see the above artifacts most specifically in episodes five and 10 of season two, as well as four, five, and seven of season one.
Business Insider
14-05-2025
- Entertainment
- Business Insider
All 18 live-action 'Star Wars' shows and movies, ranked by critics
18. "The Rise of Skywalker" (2019) Rotten Tomatoes score: 51% Critics and fans agree that the most recent (for now) "Star Wars" film is also the worst in the decadeslong franchise. In attempting to wrap up a story that's been going since the '70s and please fans who hated the previous installment (more on that one later), the powers that be had an unenviable task. Unfortunately, they did not prove to be up to the challenge. "Rise of Skywalker," in the six years since its release, has become shorthand for a disappointing finale — just look at the first responses to the new "Mission: Impossible" movie. If you don't remember, "The Rise of Skywalker" made the questionable decision to make Rey the granddaughter of Emperor Palpatine, dragging this new trilogy back to an enemy fans thought they'd finally left in the past. It also killed off Kylo Ren/Ben Solo, failed to kill off Chewbacca in an insulting fake out, and added a bunch of new, useless characters instead of focusing on existing ones that audiences had grown fond of over the last two films. "J.J. Abrams's mechanical, nonsensical 'Star Wars: The Rise of Skywalker' contains so many resurrections it's a wonder Disney and Lucasfilm didn't push back the release date from Christmas to Easter," wrote Michael Sragow for Film Comment Magazine. 17. "The Phantom Menace" (1999) Rotten Tomatoes score: 54% "The Phantom Menace" came to theaters in 1999, 16 years after we had last spent time in a galaxy far, far away. Needless to say, expectations were extremely high. This movie, which certainly has its defenders, is, to put it plainly, boring. Even if its plot about a trade war has new significance today, that doesn't mean we wanted a "Star Wars" movie to focus on the economy of the galaxy. It was also an unfortunate choice to introduce Anakin Skywalker, the future Darth Vader, as a 10-year-old kid, especially when his future wife, Padmé, was played by 18-year-old Natalie Portman. "Sure, there's a great NASCAR-like pod race and a cool, horn-studded professional wrestler type... But the only person who gets body-slammed here is the viewer looking for a trace of the magic that carried us away in the original trilogy," wrote Rick Holter for the Dallas Morning News. 16. "Attack of the Clones" (2002) Rotten Tomatoes score: 61% Ruled a slight improvement upon its predecessor, "Attack of the Clones" continues the story of Anakin Skywalker, now played by a 21-year-old Hayden Christensen. It follows him as he falls in love with Padmé (a big no-no for a Jedi), while the rest of the Jedi try to uncover a conspiracy regarding a secret army and the return of their ancient enemies, the Sith. "'Attack of the Clones' wasn't as outrightly horrid as 'Phantom Menace,' but it offended in a different way: it was boring," wrote Collider's Allison Keene. 15. "The Book of Boba Fett" (2021) Rotten Tomatoes score: 66% Boba Fett, as a character, was one of the coolest and most mysterious people in the Star Wars universe. He was introduced as a faceless assassin with a sick jetpack in "The Empire Strikes Back," and he captivated fans for decades after. It's a tough ask to create a story worthy of someone that cool — and " Book of Boba Fett" proved that we probably should know less about Boba, not more. It follows the assassin after his escape from the Sarlacc Pit in "Return of the Jedi," when he became part of the Tusken Raiders, through to his takeover of Tatooine's underworld. If none of that meant anything to you, it's best you skip this one. The most damning thing about "Boba Fett" though, is that the best episode of the season was the one that was more like a bridge between the second and third seasons of " The Mandalorian." "'The Book of Boba Fett' was a series of compounding mistakes. Its best feature was to deliver a 'Mandalorian' sequel that could have been a self-contained film," wrote Craig Mathieson for The Age. 14. "Solo" (2018) Rotten Tomatoes: 69% It was never going to be easy to fill the gargantuan shoes of Harrison Ford as Han Solo, perhaps the coolest and most beloved character in movie history? (There's a case to be made.) So, we can't really lay the blame on Alden Ehrenreich for the failure of this movie, an origin story for pre-"A New Hope" Han. It was just never going to work. There's also the nonsensical plot, unimportant fan service — did we really need to know how Han got his dice or his last name? — and a lackluster villain. "'Solo' is at its best when it's uncoupled from all that heavy lifting, just crammed in a cockpit with its likeable cast and shooting for the stars," wrote Time Out's Philip de Semlyen. 13. "The Acolyte" (2024) Rotten Tomatoes score: 78% There's a lot to love about " The Acolyte," chief among them: Manny Jacinto's performance as The Stranger, one of the creepiest villains a "Star Wars" property has ever given us. This show, which took place in a heretofore unexplored era of the "Star Wars" universe (roughly 100 years before "The Phantom Menace"), also had an interesting question at its center: Are the Jedi actually good? Alas, we'll never know what happens to twins Ash and Mae, and the Stranger, because Disney canceled the show after one season. "Set hundreds of years before the events of the Star Wars saga we know best, this show gets to tell its own story — making it better than most of the series Disney+ has pumped out," wrote Dylan Roth for Observer. 12. "Revenge of the Sith" (2005) Rotten Tomatoes score: 79% Don't underestimate the power of the prequels, even if, on average, they have the lowest scores of the three film trilogies. When " Revenge of the Sith" returned to theaters for a weeklong stint to celebrate its 20th anniversary this year, it was the No. 2 movie at the box office, only behind " Sinners." " Revenge of the Sith" is easily the best prequel film. It has the very real stakes of Anakin slowly descending into evil and becoming the most iconic movie villain of all time, Darth Vader. It also depicts the Jedi finally realizing that they've been blind to the hatred and fascism festering right under their noses, and Obi-Wan's decision to dedicate his life to protecting his best friend-turned-enemy's son, Luke. It puts all the pieces into place for anyone who chooses to watch the "Star Wars" films in chronological order without missing a beat. "The saddest and sincerest of all the 'Star Wars' epics, the mad work of a man desperately trying to understand his own creation," wrote Vulture's Bilge Ebiri. 11. "Obi-Wan Kenobi" (2022) Rotten Tomatoes score: 82% For many years, fans theorized about what, exactly, Obi-Wan was doing in the Tatooine desert during the 20 or so years between "Revenge of the Sith" and "A New Hope." This miniseries answered that question, for at least a few weeks. It turns out Obi-Wan met a young Princess Leia, saved her from the Empire, battled with Darth Vader multiple times, and reconnected with the Force. It was a productive time! The high point of this series was Obi-Wan and Vader's final fight, where Obi-Wan heartbreakingly glimpsed Anakin for a few moments, underneath all the hatred, before giving up on his old friend. "The latest 'Star Wars' spin-off from Disney+ sees the Scot [Ewan McGregor] put in his best performance as the legendary Jedi in a John Wick-esque caper with marvelous action sequences," wrote Stuart Heritage for The Guardian. 10. "Return of the Jedi" (1983) Rotten Tomatoes score: 83% It's hard to end a series in a satisfying way, and back in 1983, George Lucas and Co. didn't know for sure that another six movies would be released. This could've been the last people saw of Luke, Han, Leia, Darth Vader, Chewbacca, R2-D2, and C-3PO. Even though, of course, we know it wasn't, " Return of the Jedi" does a pretty good job of tying up loose ends. Luke fulfills his destiny to bring balance to the Force, Han and Leia declare their love, Anakin finds the light once again, and Ewoks are there. What else could you want? "One may carp, gripe, quibble with 'Jedi,' but Lucasfilm's special effects subsidiary, Industrial Light and Magic, is in a class by itself as creator of screen magic. And when it is good, 'Jedi' is peerless escapist fantasy," wrote Joseph Gelmis for Newsday. 9. "Rogue One" (2016) Rotten Tomatoes score: 84% George Lucas has repeatedly reiterated that "Star Wars" is meant for kids. Rogue One, a prequel story that goes right up to the seconds before "A New Hope" starts, puts that statement to the test. It's easily the darkest and most morally gray film in the "Star Wars" canon and shows Darth Vader at his most terrifying, finally pushing beyond what was technologically possible during the original trilogy. Based on a throwaway line in the opening crawl of "A New Hope," " Rogue One" proved that a "Star Wars" movie about something other than Luke Skywalker and the Force could be successful. Chris Klimek of NPR called the film a "tense, well-made spacefaring war movie about a desperate and demoralized band of insurgents standing up against a rising authoritarian regime." 8. "Ahsoka" (2023-present) Rotten Tomatoes score: 85% This is the time when we have to discuss the animated properties in the "Star Wars" universe. If you skipped out on "The Clone Wars" or "Rebels," you most likely don't even know who Ahsoka is. A quick crash course: In between the events of "Attack of the Clones" and "Revenge of the Sith," the Clone Wars ravage the galaxy, and Anakin is promoted from padawan (or apprentice) to Jedi master. In turn, he takes a padawan himself: Ahsoka. Don't worry about why she's never mentioned in the movies; it's (somewhat) convincingly retconned in "Clone Wars." She's one of the most beloved characters in the animated "Star Wars" canon, and her live-action debut was highly anticipated. So, when it was announced that Rosario Dawson would play Ahsoka first in "The Mandalorian," and then in her own series, people were hyped. And, for the most part, the series lived up to expectations. The one issue is that this show barely makes any sense if you don't have, at the very least, basic knowledge of the characters from "Rebels," including Sabine, Hera, Ezra, and Thrawn. "No lightsabers can match the fierce glow of Rosario Dawson as the ex-Jedi with the funky headgear who leads her sisterhood — glory to Mary Elizabeth Winstead and Natasha Liu Bordizzo — against the Empire's fading patriarchy. Now that's worth celebrating," wrote Peter Travers of ABC News. 7. "The Mandalorian" (2019-present) Rotten Tomatoes score: 90% Two words: Baby Yoda. The first-ever "Star Wars" live-action TV show started on a high note, thanks to the cutest puppet of all time (who would later be named Grogu, but started out as simply "Baby Yoda"). Besides this unbelievably adorable baby, "The Mandalorian" has another thing going for it: Pedro Pascal's vocal performance as Din Djarin, a Mandalorian bounty hunter just trying to find his way in the universe. When he meets (and then refuses to kill) Grogu in the first episode, it starts him on a quest that's still going now — get ready for "The Mandalorian & Grogu" coming to theaters in 2026. As "The Mandalorian" has progressed, it's become a bit bogged down in connecting to the larger "Star Wars" canon, but we'll always have that perfect first season. "For all its sci-fi stiltedness, 'The Mandalorian' founded a compelling myth, a world of paranoia, ethical dilemmas and, aah, tiny space kitten things. Just don't take it too seriously," wrote The Times ' Victoria Segal. 6. "The Last Jedi" (2017) Rotten Tomatoes score: 91% " The Last Jedi" is the most divisive "Star Wars" movie of the bunch. Those who love it, love it, and those who don't? Well, just look at the 41% audience score on Rotten Tomatoes. We're of the opinion that it rocks. It has breathtaking cinematography, intense fights, and a genuinely beautiful message: That anyone, even if their last name isn't Skywalker, can stand up to evil in the universe, whether they're a small boy with a broom, a former Stormtrooper, or a young woman from a junk planet in the middle of nowhere. It doesn't matter where you came from, just where you intend to go. "[Director Rian] Johnson is easily the most skilled filmmaker to helm one of these (it's not even close) and it's not just that the film has a surface beauty of its own. He's aware of what we expect narratively from a 'Star Wars' movie, and delights in subverting it," wrote Jason Bailey for Flavorwire. 5. "Skeleton Crew" (2024) Rotten Tomatoes score: 92% "Skeleton Crew" is best described as "The Goonies" in space. It follows a group of ragtag kids who accidentally get trapped on an old spaceship and get lost in space. They must work together, along with a new friend Jod (played by the always-charming Jude Law), to get home to their planet, which is more important and mysterious than these kids ever could have guessed. It's fun — something that "Star Wars" has been sorely lacking recently — and definitely worth the watch. "For anyone who says the House That [George] Lucas Built is out of ideas and has been picked clean, 'Skeleton Crew' proves there's still meat left on those bones," wrote The San Francisco Chronicle's Zaki Hasan. 3 (tie). "The Empire Strikes Back" (1980) Rotten Tomatoes score: 93% "The Empire Strikes Back" has one of the most iconic plot twists in movie history. Do the words "No, I am your father" mean anything to you? It's also widely considered one of the best sequels of all time, and has been used as a shorthand to describe any sequel that some could call better than the original, and it's certainly darker than its predecessor. "The Empire Strikes Back," for all its fun (and there is fun!), ends on a huge downer. Han has been captured and frozen in carbonite in front of the woman he loves and has been betrayed by an old friend; Luke has found out his nemesis is actually his dad; and the Empire is stronger than ever. Woof. "The appeal of visiting Oz is that it is a magical place over the rainbow. The appeal of 'Star Wars' and, now, 'The Empire Strikes Back' is that it also takes us to a magical place — the childhood of our mind," wrote Gene Siskel for the Chicago Tribune. 3 (tie). "The Force Awakens" (2015) Rotten Tomatoes score: 93% It had been 32 years since Mark Hamill, Harrison Ford, and Carrie Fisher had graced our screens as Luke, Han, and Leia (and for Hamill, at least, it'd be another couple of years until we saw him again). Audiences had three decades to become attached to these original characters, but when " The Force Awakens" introduces us to Finn (John Boyega), a disillusioned stormtrooper, Poe (Oscar Isaac), a brash Resistance pilot, Rey (Daisy Ridley), a junk trader desperate for something more, and Kylo Ren (Adam Driver), our new terrifying villain, audiences knew they were in good hands. And then, after all that, we got to see (almost) all of our old friends together again, too. "As a nostalgia trip that knows exactly what die-hard 'Star Wars' fans want and then layers in some memorable new characters, 'The Force Awakens' is exactly what it needs to be: an old-school Saturday afternoon sci-fi matinee writ big," wrote The Austin Chronicle's Marc Savlov. 2. "Star Wars: A New Hope" (1977) Rotten Tomatoes score: 94% Originally titled " Star Wars," this is the film that started it all. There's a reason we're still watching "Star Wars" movies and shows five decades later. The world that George Lucas introduced us to in "Star Wars" is filled with lovable characters, a villain that continues to scare audiences, a magical Force that connects all living things, and a brand-new alien to catch your attention whichever way you look. In many ways, it's the closest thing we have to American mythology. It also affected Hollywood forever. The special effects company created for this film, Industrial Light and Magic, completely changed the game for special effects and is still working today. It's the fourth-highest-grossing film ever, adjusted for inflation. It was nominated for 12 Academy Awards, including best picture, and won six, including a special achievement award for its sound designer, Ben Burtt. Critics knew it then; fans still know it now. To put it simply: "A New Hope" is great. "George Lucas' 'Star Wars' is not a film that readily lends itself to comparisons, so it may as well begin with the superlatives. This captivating science fantasy is the finest pure entertainment to reach the screen in ages," wrote Desmond Ryan for The Philadelphia Inquirer. 1. "Andor" (2022-2025) Rotten Tomatoes score: 97% "Andor," according to critics, is the best live-action "Star Wars" property, and it's hard to argue with them. The series, which ran for two seasons before its finale aired Tuesday, follows the beginning seeds of the Rebellion, which, by the time we see it in "A New Hope," is a high-functioning operation. Of course, it didn't start out that way. Even though we know how this story ends, with Cassian Andor and many of his friends sacrificing their lives in " Rogue One" and beyond, the stakes are high, and the series can be unbearably tense. Another high point: The writing. Many have clowned on George Lucas' stilted dialogue in the prequels. There's none of that to be found in creator Tony Gilroy's prose, which has provided some of the most beautiful lines in "Star Wars" history. It will be missed. "The show deserves to be seen as great TV, in the same league as shows like 'The Wire' and 'The Sopranos,'" wrote David Klion for The New Republic.
The Star
11-05-2025
- Entertainment
- The Star
'The Eternaut' review: Too short a season
Come for the apocalypse, stay for the allegory. The Eternaut, Netflix's latest science fiction series, is an adaptation of a late 1950s Argentinian comic by the writer Hector German Oesterheld and artist Francisco Solano Lopez. The initially apolitical Oesterheld "rebooted" the story in 1969 with artist Alberto Breccia at a time of rising political tension in his home country and inserted stronger allegorical themes into the story. After joining a leftist revolutionary group opposing the ruling military junta, Oesterheld and his four daughters were subsequently kidnapped and disappeared in the 1970s, presumably killed. In the years since, The Eternaut has come to be hailed as a bona fide literary landmark, with Sept 4 (the date of its first publication in 1957) now recognised as the Day of the Argentine Comic Book. There's more history to the title and its writer's significance than this review can fit, so do continue researching it for some useful insight when viewing this Netflix adaptation. It is written and directed by Argentinian filmmaker Bruno Stagnaro, with Oesterheld's grandson Martin on board as a consultant. 'This swimming pool, with all the departed beside it ... it's a veritable Deadpo – no! If I say his name, he might appear.' The story takes place in Buenos Aires, as a sudden snowfall proves lethal to anyone who comes in contact with the, um, snowflakes. Those fortunate to be indoors, such as the everyman protagonist Juan Salvo (Ricardo Darin), struggle to figure out what's happening as communications systems also fail. (Cue that line from The Phantom Menace...) The Eternaut starts with a narrow focus, on just Juan and his immediate buddies, steadily expanding with each of its six Season One instalments: from house to apartment block, block to street, street to neighbourhood, and neighbourhood to city, with the veil lifted slowly each time to give us glimpses of what's happening. (For a similar vibe, consider the Steven Spielberg-Tom Cruise War Of The Worlds, which took an "ant on the ground" view of an alien invasion.) There's another mystery unfolding as this particular invasion develops: Juan's frequent flashbacks and possible flash-forwards – revisiting his experiences in the Falklands War and sometimes, situations of which he has no memory, hinting they might be from his future. First, 'The Eternaut', then 'Starship Trooper's – is it a coincidence that space bugs seem to love Buenos Aires? As it becomes apparent that not all survivors can be trusted, and (what we believe to be) human collaborators with the invaders perpetrate heinous acts, we begin to wonder just how much of the story we will get to see before the end of the season. The answer: sorry, it ends on an abrupt note. Brace for the (already confirmed) next season, when answers will be forthcoming and the showrunners promise things will get even wilder (like that bizarre multidigited extremity glimpsed in one scene here isn't wild enough). The consequence: this first season seems maddeningly unfulfilling, stopping where it does. Also, to hold stuff back for the next batch, and keep things going for six episodes until this (presumed) halfway mark, there are frequent pacing issues. This only makes us wish they'd done the whole saga in one go, as an eight- or 10-episode limited series. The bright side: The Eternaut has loads of striking visuals and constant suspense from not knowing what will befall our beleaguered protagonists next. There is also a pervasive, creeping sense of helplessness slowly eroding their faint hope; at first, that may not seem like any kind of brightness – but it is, from the perspective of effective storytelling. While some of its more specific metaphors may elude non-Argentinian viewers, the world in general is no stranger to fascism and imperialism, not even in these ought-to-be-enlightened times. The Eternaut is perhaps a fitting release in these days when reality has taken on entirely different dimensions, thanks to science and the facts no longer being factors in many people's thinking (though I hesitate to call it that). It used to be that science fiction was a lens through which we could sometimes consider real-world concerns in an exaggerated manner that was still a "safe space" for ideas. That lens is now a mirror, though it's up for debate which is the object, and which is the reflection. All six episodes of The Eternaut Season One are available to stream on Netflix.
Daily Record
30-04-2025
- Entertainment
- Daily Record
'I played Jar Jar Binks in Star Wars and what happened after was horrifying'
The 1999 release of Star Wars Episode I - The Phantom Menace was a monumental event, with fans eagerly awaiting the backstory of Darth Vader's rise to infamy. However, upon its release, the film faced harsh criticism for its performances, storyline, and heavy use of CGI, with the character Jar Jar Binks receiving particular disdain. Seen by some as merely irritating and by others as an offensive racial caricature, the backlash against the CGI character was intense. Ahmed Best, the actor behind the maligned Gungan, suffered greatly under the weight of public disapproval. "It was the lowest I've been in my life," he confessed in a 2023 interview with the Guardian. The vitriol escalated to the point where Best received death threats after his personal contact details were leaked. Overwhelmed by the constant barrage of hate, he found himself on Brooklyn Bridge one night, contemplating ending his life. He recalled thinking, "I'll show all of you. I'll show you what you're doing to me. And when I'm gone, then you'll feel exactly what I went through.", reports the Mirror US . Fortunately, Best reconsidered his tragic plan and has since made a successful comeback to the Star Wars universe, appearing alongside the beloved Baby Yoda. Ahmed, a former Stomp performer, landed a role in the first of the Star Wars prequels, where he claimed to have outshone even Michael Jackson for the part. Ahmed brought to life Jar Jar Binks, one of the pioneering fully-CGI motion capture characters on film, marking a significant technical milestone. Speaking to The Guardian, he reflected on the groundbreaking nature of his work: "We were doing something that was going to change cinema history," and added, "Even the software was written on my body. There's still that legacy code in CGI packages today. My physical DNA is in every single CGI character since." However, the negative reception to Jar Jar led to writer and director George Lucas reducing the character's presence in subsequent films. His character had a diminished but crucial role in the sequel and only made a fleeting appearance without dialogue in the third instalment. Ahmed commented on his altered trajectory in the franchise, "Here I am, a significant character who changed movies, and then I'm a footnote – I barely appear,". Highlighting what he feels were the racial undertones of the backlash, Ahmed believes discrimination played a part: "Culturally, black invention has been repeatedly erased from history and that is an injustice," he asserted. Calling attention to an ongoing issue within the industry, he noted, "Since 1997, no other black man has ever played a main CGI character and that's a travesty. That has to change and I hope that is recognised." Following a difficult period after the Star Wars prequels, Ahmed threw himself into martial arts, earning a black belt in jiu-jitsu, as well as focusing on production, direction and fatherhood. In 2018, Ahmed bravely shared his past struggles with suicide, posting an image of the Brooklyn Bridge with the caption: "This was the place I almost ended my life. It's still hard to talk about. I survived and now this little guy [his son] is my gift for survival." Ahmed's courage in sharing his story resonated with countless fans, particularly those who grew up with the prequels. These films, once heavily criticised, have grown in affection among audiences. A prevalent online speculation even posits that Jar Jar Binks was initially slated to be unveiled as the true mastermind behind the Sith conspiracy – the titular 'Phantom Menace' – though this notion was supposedly dropped due to negative feedback to his character. In a triumphant comeback, Ahmed returned to the Star Wars universe, appearing in the third season of Disney+'s 'The Mandalorian', portraying the valiant Jedi Knight Kelleran Beq. In a pivotal twist, it's revealed that Beq saved Grogu, also known as Baby Yoda, from the Empire's grasp just in time, securing his place as a consequential character in the saga. This marked a redemptive turn for an actor whose relationship with Star Wars had brought significant challenges. Ahmed shared with the Guardian, "It really felt good. As an artist, I lost my confidence for so many years, but The Mandalorian gave me that affirmation of 'You were always doing the right thing ... It wasn't you.'" He also expressed his hope to continue his journey in the Star Wars universe and didn't dismiss the possibility of reprising his most contentious role. "I would never say never," he stated. "I don't feel like Jar Jar's story was ever closed." However, he added, "But right now, I would like to explore more Kelleran Beq. I'd love to do a Star Wars martial arts show – like a Jedi John Wick."
Irish Daily Mirror
29-04-2025
- Entertainment
- Irish Daily Mirror
Star Wars' Darth Maul had huge role in second major film and fans never realised
Star Wars has no shortage of memorable villains. Darth Vader may be the most notorious, but there's also the repugnant gangster Jabba the Hutt, bounty hunter Boba Fett, and the evil Emperor Palpatine, to mention a few. The first instalment of the prequel trilogy - The Phantom Menace - released in 1999, introduced fans to a chilling new antagonist. Darth Maul, with his red and black face paint, crown of horns, and iconic double-bladed lightsaber, was a terrifying presence. This role marked a significant breakthrough for Ray Park, the Scottish actor behind the menacing character. Prior to this, Park had competed in martial arts tournaments and was part of the British national wushu team. He had also worked as a stunt double, including in 1997's Mortal Kombat Annihilation, and served as Christopher Walken's body double in 1999's Sleepy Hollow. Park even added a few personal touches to the character. Observant viewers will notice that Maul only blinks once throughout his entire screen time in The Phantom Menace, reports the Irish Star. While this enhances his frightening persona, it was reportedly a decision made by Park due to the discomfort caused by the red and yellow contact lenses he had to wear. Additionally, Maul has a piercing in his upper left ear - apparently because Park forgot to remove his own piercing before going into makeup. Apart from Star Wars, Ray also landed a role in another big franchise. Just a year after The Phantom Menace, he played Toad, Magneto's agile mutant sidekick, in the first X-Men film. In one scene, he even pays homage to his Star Wars character by wielding an iron bar similarly to his iconic lightsaber. The epic lightsaber duel in The Phantom Menace, where Qui-Gon Jinn dies and Darth Maul is cut in half by Obi-Wan Kenobi, is often ranked as one of the best fights in the series, thanks to Ray's impressive acrobatic moves. He also showcased his physical skills as Toad and later as Snake Eyes in the two G.I. Joe films. Although Darth Maul's apparent demise in The Phantom Menace was his last appearance in the prequel trilogy, animated shows later revealed that he survived, got robotic legs, and sought revenge against Kenobi. After Disney acquired the Star Wars franchise in 2012 and announced new movies, Ray expressed interest in returning. In a 2013 interview with he said: "I was excited about the possibility of the new Star Wars, but I didn't once think about me coming back." Ray expressed his enthusiasm, stating: "Talking to everybody, now I'm getting excited. I'm practicing my two-sided lightsabers in hopes that I [will] be asked. I would love to do it. I would love to come back as Maul and take the top off and do the whole tattoo body and robot legs. It [would] be fun." The opportunity to reprise his role as Maul arose with a surprise cameo in the 2018 film Solo: A Star Wars Story. Recounting the moment he was offered the part, Ray said in an interview with Forbes: "I got the phone call from Lynne Hale from Lucasfilm. And it was really nice of her, because she said to me 'Ray, we're just calling to see if you would like to do it.' And I went 'Yeah. Do you want me on the plane now?'". In 2020, Ray provided motion capture for an animated sequence featuring Maul in Star Wars: The Clone Wars. Dave Filoni, the show's creator, revealed his thought process behind the decision to involve Ray: "I wanted this fight to be big, and it got me thinking - and I've known Ray for a while - but why don't we bring Ray in and do some motion capture? He could be Maul one more time, physically fighting." During a rehearsal for the fight scene, Ray shared his experience of reprising the role: "It's amazing to play Darth Maul again. We've just been hitting it hard, coming up with some new stuff. It's been really nice, we're trying to do as much as we can - butterfly twists and flips and corkscrews, it'll be fun." Ray Park, who originally played Toad in the X-Men films, didn't return for the character's later appearances, including in last year's Deadpool and Wolverine. But there's another character he's keen to revisit. Speaking to Forbes, Ray expressed his desire to don the mask of Snake Eyes again, a fan-favourite from the G.I. Joe series. "I'm in a different state in my life now then I was before," he explained. "I'm a lot fitter, I'm older, I'm wiser I think, and I'd like to bring that to Snake Eyes." He also mentioned, "I was signed on for three movies, and I would like to do the third one. I'd like to finish it."
