Latest news with #TheRealSlimShady
Yahoo
4 days ago
- Business
- Yahoo
Eminem's Publishing Company Files Copyright Lawsuit Against Meta
Eminem's publishing company Eight Mile Style has filed a copyright infringement lawsuit against Meta. The suit filed in the U.S. District Court Eastern District of Michigan Southern Division and reviewed by Rolling Stone alleges that the company that owns Facebook, Instagram, and WhatsApp has distributed the rapper's music across its platforms without proper licensing permissions. 'Despite their not being licensed, the recordings of the Eight Mile Compositions have been reproduced and synchronized with visual content on Meta's platforms across millions of videos, which have been viewed billions of times,' the complaint claims. 'Meta's years-long and ongoing infringement of the Eight Mile Compositions is another case of a trillion (with a 'T') dollar company exploiting the creative efforts of musical artists for the obscene monetary benefit of its executives and shareholders without a license and without regard to the rights of the owners of the intellectual property.' More from Rolling Stone Eminem, Post Malone Make Cameos in Adam Sandler's 'Happy Gilmore 2' Trailer Watch Eminem Join Jelly Roll for 'Lose Yourself' at Detroit Show Eminem Stalker Convicted After Second Home Invasion Eight Mile Style is the owner of 243 musical compositions, including 'Lose Yourself,' 'The Real Slim Shady,' 'Forgot About Dre,' and other notable releases from Eminem. The suit acknowledges that Meta 'has removed several of the Eight Mile Compositions from its Music Libraries in the preceding months,' including 'Lose Yourself,' but states that a karaoke version, a piano instrumental, and one regular cover version by a different artist are still available. 'This in addition to other prominent Eminem works which remain available on Meta's services,' the company's lawyers claim, citing 'Till I Collapse.' The suit alleges that Meta's 'rampant infringement' extends beyond allowing users to upload copyrighted audio to its platforms. 'This case involves Meta's knowing infringement of the Eight Mile Compositions by first reproducing and storing them in Meta's online Music Libraries, and then distributing them for users to select and incorporate into their own photos and videos made available for public streaming on the users' WhatsApp, Facebook and Instagram accounts,' the complaint claims. The publishing company is seeking monetary damages 'including actual damages, damages for the diminished value of the copyrights by Defendants' theft of them, lost profits, and Defendants' profits attributable to the infringement.' Alternatively, the company is seeking 'maximum statutory damages for willful copyright infringement for each of Eight Mile Style's works,' which would amount to '$150,000 per work, times 243 works, times 3 platforms,' or $109,350,000. Eight Mile Style has also requested a permanent injunction to halt ongoing infringement. A rep for Meta did not immediately return Rolling Stone's request for comment. The legal filing comes less than a year after Eight Mile Style lost its copyright infringement lawsuit against Spotify after five years due to a legal loophole. In September, a Tennessee judge ruled that while Spotify did not have the proper streaming license, as the publisher claimed, any imposed penalties would have fallen on Kobalt Music Group, a royalty collection agency. In the suit, Eight Mile Style sought nearly $40 million, claiming to not have received payment for billions of Spotify streams. Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time
USA Today
23-04-2025
- Entertainment
- USA Today
In the backseat with Penn Badgley: With 'You,' 'Gossip Girl' in the rearview, what's next
In the backseat with Penn Badgley: With 'You,' 'Gossip Girl' in the rearview, what's next Penn Badgley gets candid about "You," fame and what's next, in an exclusive series of conversations with USA TODAY: "I've certainly never leaned into what I think people want to see or hear." NEW YORK – Penn Badgley is hoping something exciting will happen. Speeding down Manhattan's West Side Highway in an Uber, he wonders aloud whether a disastrous occurrence – perhaps breaking down on the side of the road? – would make this interview more interesting. If imagination took hold and Badgley's fictional murderer Joe Goldberg were the version of him in the car, that deviously wishful thinking might add nerves to the mix. But since it's Badgley – the charming, down-to-earth actor who became a household name as Dan Humphrey in CW's 2007-12 hit show "Gossip Girl," and again a decade later with his leading role in "You" – worries don't register. The most that happens is Eminem's 2000 earworm "The Real Slim Shady" plays on the car radio, catching Badgley's attention in a throwback to a time before he became TV's complicated leading man. Beyond the backseat, Badgley is driving toward the closing stretch of "You" ahead of its final season (streaming Thursday on Netflix). And he is done with Joe. "I'm glad we're putting him to bed," he says, ready to retire the charismatically cerebral, violent killer. The adage "you can't go home again" (pulled from the title of Thomas Wolfe's novel and repeated in the opening scene) isn't exactly true for Badgley's former bookstore manager Joe, who returns to New York City for Season 5 of the Netflix series. "I've been with (Joe) my entire 30s, actually. I was 30 years old when I signed on to do this. I'm going to be 39 later this year," he tells USA TODAY in an exclusive series of conversations. Penn Badgley is ready to say goodbye to 'You' character, Joe Goldberg After playing Joe Goldberg on "You" for the past 10 years, Penn Badgley reflects on the show's impact. "He's been like my little convict brother, who I've had to counsel through our 30s together," says Badgley. "And in that way, he's kind of taught me to be a better man. He's failing miserably, but I've had to reflect on all the things I share with him, even if they're not that escalated or that magnified." Over the past decade, Penn and Joe both got married (the former to singer Domino Kirke, the latter to Love Quinn in Season 3, then to Kate Lockwood at the end of Season 4), welcomed their first child and explored what it means to be a man. "For me, it's been this long, profound, life-changing experience, reflecting on masculinity, misconceptions of love and … abuse," he says, acknowledging the "satirical social commenting exercise in using high drama and camp." The series, which premiered on Lifetime in 2018 and quickly moved to Netflix, is based on Caroline Kepnes' novels. After four seasons as a bumbling apex predator, Joe faces a new challenge as the show ends: The women are fighting back harder than ever. "You" has always emphasized contradictions: Joe's fairytale delusions of being a righteous "white knight" vs. his reality of stalking and killing people each season in pursuit of his obsession. And his alleged hatred for wealth and what it breeds be damned. Repeatedly, he climbs the ladder of "love," chasing a series of privileged women to finally possess one of the world's richest and most powerful in this final season. Pair that with viewers lusting after a sociopathic stalker, fantasizing about Joe's killer looks. Review: In the addictive 'You,' Penn Badgley is even creepier than in 'Gossip Girl' The timing of the show's end probes that duality, in part due to the political landscape and even the similar thirst for Luigi Mangione, the 26-year-old charged with the brutal shooting death of UnitedHealthcare CEO Brian Thompson, at the twisted intersection of attraction, killing and justice. Badgley was perturbed "to see 'justifiable murder' as a debate-worthy topic." "Are we really at a place where we have to investigate our belief system, our moral framework? Is there a circumstance where we feel murder is justifiable? And if we say yes, what are the implications? I think the implications are pretty huge." Badgley thinks about the bigger picture. His "Can We Talk?" lecture series, with psychotherapist and relationship expert Nura Mowzoon, aims to connect with a younger generation facing intense division. With talks this year at Harvard and Columbia University, hotbeds of sociopolitical tension, the motivating focus is finding empathy. We meet for the first time directly after his Columbia conversation with Mowzoon, which fills a large classroom (the same one seen in the 2000s "Spider-Man" franchise) with 400 students, all laser-focused on his cascading curls, a full yet manicured dark beard and earnest eyes. "In some ways, students represent ..." Badgley starts. "Your biggest fans," Mowzoon interjects. "Yeah, they represent a demographic that I interact with a lot," he says. "Both in reality and also in imagination." Pulling the curtain back on Penn Badgley "Do you believe people can change?" Badgley poses the question to the Columbia students, his own trajectory mirroring the response: Maybe so, maybe not. His acting career began around age 12, with a guest role on NBC's "Will & Grace," though child stardom – and fame in general, it seems – unsettles Badgley. "I developed a very contemptuous relationship with whatever you might call Hollywood … very early on. By the time I was on 'Gossip Girl,'" which he landed at 20, "I felt like I was done." The show, a satirical drama about wealthy prep school teenagers on New York's Upper East Side, almost didn't include Badgley as Dan Humphrey. (His Brooklynite interloper is revealed in the 2012 finale as the eponymous blogger narrating the series, obsessively chronicling the lives of Manhattan's elite in a way not entirely dissimilar to his character on "You.") "I turned it down first. And I didn't just turn it down, like, 'Hm, maybe.' I was like, 'No, thank you. Best wishes with this show, I do not want to do this.' And I had moved on," he says. "I hadn't thought about it twice and felt good about the decision, and it was partly because I was like, 'I don't know that I can keep doing this.'" But the teen drama became an instant success, creating fame overload for the reluctant star and his castmates, including actress and ex-girlfriend Blake Lively. His Columbia appearance comes days after his "Gossip Girl" costar Michelle Trachtenberg died in February at 39 from complications of diabetes. Badgley recalls her laugh as a defining memory. "I knew her from (the 1996 film) 'Harriet the Spy' first," though he "didn't know her that well," he admits. "She had, in the best way, a childlike joy and spirit to her. She clearly loved to laugh, and she was so quick to laughter. … It's surreal, especially given that I hadn't seen her." Badgley's contemplating how "we're a culture completely obsessed with celebrity" when we meet again a little more than a month later. He's transformed, with a buzz cut, neatly shaven beard and a tan (courtesy of nearly two weeks in the Miami sun). "I'm very conscious of the negative impacts it has on folks who are not famous, and I'm also very conscious of the negative impacts it has on people who are famous," he says. "I actually believe, in both cases, the negative impacts of (celebrity) on all people grossly outweigh the positive." And for the second time, we're sitting without a publicist in sight in the backseat of a car, heading to Brooklyn as the sun begins its descent in the blue sky of a sunny spring day. "Growing up in Hollywood, I've lost people close to me, or worse, seen them struggle in a way that's worse than loss, that's worse than death." Of his "closest" trio of friends, "one's dead and one, not for nothing, did try to kill themselves in our 20s," he says. "I was just seeing the causes. And I don't just feel like I want to stand idly by and accept." Penn Badgley on podcasting, and texting Ariana Grande Analyzing his unconventional childhood, and those of others, fascinated him enough to start a podcast dedicated to unfurling healing inner truths. On "Podcrushed," with cohosts Nava Kavelin and Sophie Ansari, tweendom is dissected with high-profile guests. His guests have included Drew Barrymore, Demi Lovato, former "Gossip Girl" love interest Leighton Meester (team Dan and Blair!) and fellow Netflix heartthrobs Noah Centineo, Lucas Bravo and Chase Stokes. He's relied on his wife and cold calling to make connections. Though he's decidedly famous, Badgley doesn't seem like a Hollywood actor. When booking guests for "Podcrushed": "I don't know anybody. I don't know any celebrities." In describing his workout routine: "I've started doing all body-weight calisthenics." On getting around: the New York subway still, yes, and a Subaru, "such a practical car" for someone who's "not a car person." When asked about the Oscars: "I never know. … What are the movies?" Between the podcast and the talk series, he's become akin to a millennial Keith Morrison, but for investigative nostalgia instead of unraveling mysterious crimes on "Dateline." Wrap that enrapturing deep voice in the body of an "internet boyfriend," and you have Badgley. He does, however, occasionally text with überfamous pop singer Ariana Grande. He starred in her 2024 "The Boy Is Mine" music video. "Stalking THE stalker is genius" one commenter wrote of Badgley's casting opposite Grande's Catwoman-esque character. She returned the favor and appeared on his podcast, his most popular to date by far. Grande's viral "Domingo" sketch from "Saturday Night Live" – including Badgley's current favorite "SNL" cast member Marcello Hernandez ("I love Marcello") – made him laugh. 'The Boy is Mine': Ariana Grande drops star-studded video with Penn Badgley, Brandy and Monica "She's a good hang, she's so personable and funny," he says. "She's one of the biggest pop stars in the world, and everybody's just scrutinizing every single thing she does, every little bit of footage of her that's out there, any recording of her voice." He says "people psychoanalyze her," but she's "a person who I've met and know to some degree where I'm like, 'She may be one of the most down-to-earth people.'" Grande "is very strong. In fact, when we said that about her, Nava said it in the podcast, that's what made her cry," he says, growing quiet. "Because I bet you people don't call her that a lot, and that's not fair." He's constantly analyzing, making sure his words are exactly correct ("and what I mean by that is" becomes a common phrase). Badgley strives to be meaningful in how he approaches life and the "greater good." And the greater good is not celebrity. "Somehow, I just never had to think about (fame) the way that I do now. I didn't have to factor it into my life, (my) family," he says. Badgley constructs an ongoing "fortress of wellbeing" through his Bahá'í Faith, the belief system traced back to Persia (now Iran) in the 1800s that he adopted later in life. "I come from such a lack of community that it was like coming home, finally finding a framework for community building." 48 hours with Usher: Concert preparation, family time and what's next for the R&B icon 'You' finale, what's next Badgley wears a baseball cap, just like Joe Goldberg, as we walk around his Brooklyn neighborhood, grabbing food at a local vegan restaurant. It's just before 5 p.m., but he orders pancakes (with syrup, topped with pecans and a side of peanut butter) and a chocolate muffin to go for his 4-year-old son. As he tucks into his short stack, he discusses his production company, Ninth Mode Media, created "to convert all of this energy coming at me with the show and have some agency within this business, where an actor has so little … (and is) left waiting for a project to come along that you like, theoretically, (and) that you could get as well. … That is a very narrow Venn diagram." But "between the kids, (Ninth Mode) and then the filming, the podcast," there's "been no time off" in "a period of responsibility, and hopefully progress and productivity." He's pursuing peace in his own world, punctuated by family (wife Kirke, their two kids and twins due this summer serving as the parentheses around his life); the question mark of the inquiries he makes on "Podcrushed"; the period at the end of "You"; and a subdued exclamation point beside his future. Does he consider his legacy after leading two major shows? "I should feel some pride, shouldn't I?" Badgley wants to get out of the "writer's medium" of TV and return to movies. "I want to work with directors again, in that way that an actor uniquely needs. That's what crystallized for me when I started directing, and then also in the last season of the show." On Badgley's bucket list of directors is Jordan Peele. "Of course what he did with 'Get Out' was so ingenious. He did something that had not been done before," and then again with 2022's "Nope." While he waits to get Peele on the phone, Ben Stiller might also want to give Badgley a ring for "Severance," the original Apple TV+ drama that he feels rebuts the push for more sequels, reboots and has-been ideas. "I'm not saying that I don't have nostalgia. But to me, like the 'Gossip Girl' reboot for instance – I'm like, 'The thing just ended! Didn't it just end?' I know everybody still calls me Dan Humphrey, so it's not gone!" And despite roles in early films like "Easy A" and "John Tucker Must Die," he's also over the "tired genre" of the rom-com. "It couldn't interest me less," he says. "I would like a new way to explore relationships" that's not "modeled off of some assumptions and doesn't reflect an ounce of reality." With an inventive script, then "maybe I would consider it," he says, though romance in general is not entirely off the table. He's now written a book with his "Podcrushed" cohosts, "Crushmore: Essays on Love, Loss, and Coming-of-Age" (Simon & Schuster, out Oct. 7). The essay collection will explore "stories of heartbreak, anxiety, and self-discovery," according to the publisher, combining Badgley's biggest roles – Dan as a writer, Joe a book aficionado – with the sentimentality of his own life. Perhaps fans will never get enough of his fictional characters. But they're in his rearview: Badgley says he's had enough. "The world is a different place now than it was when ('You') started," he says. "I said, I think in the first season, 'How far are we willing to go to forgive an evil man?' … It feels like the stakes in the world are a little bit different. I'm glad that this show is closing rather than starting." Badgley says he's felt like a gymnast through the show, wobbling on a balance beam and somehow landing the finale in a way where "they stick it, but they nearly don't." But he'll "miss this," he says, and "for all the gravity I try to bring to it in certain ways, it also was just crazy and fun." "Other times it was beyond draining (with) bringing that level of rage and suspicion and hatred and stoicism all the time," he says, exhaling deeply. "But I can feel that I'm going to miss the reliability and predictability of a guy like him around." Suicide Lifeline: If you or someone you know may be struggling with suicidal thoughts, you can call the U.S. National Suicide Prevention Lifeline at 988 any time, day or night, or chat online. Crisis Text Line provides free, 24/7, confidential support via text message to people in crisis when they text "HOME" to 741741.
