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India Today
3 days ago
- Entertainment
- India Today
The Better Sister review: Power, patriarchy and murder in a brilliantly layered show
Chloe Taylor, the Editor-in-Chief of a feminist magazine, The Real Thing, lives the ideal, picture-perfect life with her attorney husband Adam Macintosh and son Ethan. The narrative takes a dramatic turn when Adam is murdered under mysterious circumstances. It is later revealed that Ethan is the biological son of Chloe's estranged alcoholic sister Nicky, who's also Adam's the complicated family history, the sisters reunite when their son (Nicky's biological son raised by Chloe) is accused of his father's murder. Co-creators Olivia Milch and Regina Corrado weave an intriguing whodunnit thriller based on Alafair Burke's novel, 'The Better Sister.'advertisementThe most challenging aspect in long-form storytelling is retaining consistency despite having five different directors for an eight-part series. Craig Gillespie's direction in episode one, who is also the executive producer for the introductory chapter 'She's My Sister', sets the momentum for the rest of the episodes. The blend of suspense with human trauma brings a novelty to each character in the story. Leslie Hope, Azazel Jacobs, Dawn Wilkinson and Stephanie Lang make sure to comply with Milch and Corrado's creative vision. The combination of an Agatha Christie-inspired murder mystery with an 'Adolescence'-like narrative about abuse and toxic masculinity is what sets 'The Better Sister' smart, sharp and emotionalThe unique aspect in every episode is the different layers every character has, except for Detective Nancy Guidry, played by Kim Dickens. Despite being a one-dimensional cop, she's convincingly dislikeable as the most insensitive, stubborn acting prowess of the actors on board makes 'The Better Sister' a compelling watch. Jessica Biel resonates as a media executive, fighting her way to the top despite the subtle misogyny and sexism. Biel brings out a range of emotions, as Chloe - from sophistication, charm, vulnerability to guilt, fear and rage. From a loving mother, a women's rights supporter to a sacrificing sister, the actor delivers one of the best performances in her acting Banks as the estranged sister amicably complements her artistry in their emotionally charged sequences. Banks, as the unpredictable yet lovable Nicky, gives it her best shot when it comes to character transformation. She embraces the scars and innocence of Nicky throughout the Stoll as the complex husband and father delves deep into the character's psyche. His portrayal of Adam gives you a glimpse into his humane aspect despite him being a morally questionable Acee Donovan as Ethan Macintosh gives an aesthetically gratifying act as a teenager traumatised by his parents' toxic relationship and his biological mother's broken marriage. Donovan hits the right chord in making the audiences empathise with Ethan despite him being a troublemaker who deep-down cares for his mother's safety and Mathew Modine, in a brief yet pivotal role as the law firm founding partner Bill Braddock, is impressive in every frame. He brings out the cunningness and ruthlessness in Braddock with subtle nuances and charismatic screen Toussaint gives depth to Catherine Lancestar as the publisher and Chloe's close friend and mentor. Her performance stands out despite limited screen time as she adds up to the pace and seriousness of the Reuben as Ethan's counsellor, Michelle Sanders, brings believability to her character. Gabriel Sloyer adds intensity to Jake Rodriguez, an attorney at Adam's law firm and Chloe's secret lover. Michael J Harney, Janel Moloney, Frederick Weller, John Finn, Paul Sparks and Frank Pando are equally impressive as the supporting than what meets the eye!The show is a testament to passionate storytelling as it makes a bold commentary on women's sufferings, agency, emotional trauma and social equity. Milch and Corrado leave no stones unturned in bringing up issues like the trolling of women in influential positions for their advocacy for labour and women's show also makes a subtle commentary on the resilience of women in the modern world by depicting a female police investigator as the most domineering character, ruthlessly chasing all the suspects. Chloe, Nicky and Catherine are equally determined characters who reveal their silent yet restrained ferocity and resilience through their the series focusses on human relations and perspectives, it also reflects on the abuse of power by the judicial and government show unveils the complications in the legal system as well as the corruption within the police administration. 'The Better Sister' makes you question how a rotten system, be it professional, social or personal, can ruin the lives of multiple story also highlights both toxic parenting and marriage, which end up adding miseries to everyone remotely involved in it. If 'Adolescence' was about a patriarchal minor, 'The Better Sister' unravels the mindset of a sensitive and compassionate teenager, scared to open up to his show is meant for those up for an emotionally enriching plot alongside courtroom drama and murder investigation. It is a unique series that demands audiences' attention for a well-crafted, engaging cinematic experience.'The Better Sister' is available for streaming on Prime Video.4 out of 5 stars to 'The Better Sister'
Kuwait Times
25-05-2025
- Entertainment
- Kuwait Times
Japanese filmmaker Fukada casts queasy gaze on J-pop idols
Exploitative contracts that force young female Japanese pop stars to forego relationships are at the heart of director Koji Fukada's latest film, which has premiered in Cannes. The 45-year-old director said he was inspired by a news report about a Japanese "idol", as the starlets are known, who was sued by her management agency after breaking a "no dating" clause. Fukada cast former idol Saito Kyoko in the lead role of his feature "Love on Trial" which tells the story of a young performer who undergoes a similar ordeal. "I felt a deep discomfort, a real unease when I found out, and that's what made me want to look into the subject a bit and then turn it into a screenplay," he told AFP in Cannes. The film highlights the unequal relationship between management agencies and the idols, who are usually teenagers trained to become a mixture of pop star, online influencer and advertising prop. But the core of the film examines the more unusual demand that the women remain unattached and chaste -- in order for their older, male fanbase to project their fantasies. As the lyrics to the songs of Fukada's fictional five-member group "Happy Fanfare" make clear, the performers spend their time singing about the idea of falling in love. "The industry really encourages this kind of artificial love between fans and their idols," the director of "The Real Thing" and "Harmonium" explained. "As soon as an idol appears to have a romantic relationship with someone, it's well known that they lose a lot of popularity." As well as selling merchandise, the women also offer their time for meet-and-greet events -- for a price -- at which fans can come to talk to them, hold hands, and take selfies. 'Unusual job' The activist director, who has previously spoken out about sexual harassment and the Japanese film industry's over-reliance on manga adaptations, believes the J-pop industry reflects the prejudices of Japanese society. "There is a lot of prejudice and gender discrimination towards women in our patriarchal system," he said. "We tend to believe that women must be pure, untouched and submissive." As his film makes clear, many of the stars themselves are happy to encourage this image in pursuit of fame and wealth. "I met idols who are still active. Some believe that the ban on romantic relationships is a problem. Others think it's normal because it's a very unusual kind of job," he said. He hopes his film, which is set for release from May, will spark debate in Japan. "I tried to make a film that could bring out each person's perception of gender, love, freedom, and issues of discrimination," he said. "And that every viewer, whether they agree or disagree with the choices made by the heroine, could take part in a discussion around these questions." - AFP
Japan Today
24-05-2025
- Entertainment
- Japan Today
Japanese filmmaker Fukada casts queasy gaze on J-pop idols
By Adam Plowright Exploitative contracts that force young female Japanese pop stars to forego relationships and sex are at the heart of director Koji Fukada's latest film, which has premiered in Cannes. The 45-year-old director said he was inspired by a news report about a Japanese "idol", as the starlets are known, who was sued by her management agency after breaking a "no dating" clause. Fukada cast former idol Saito Kyoko in the lead role of his feature "Love on Trial" which tells the story of a young performer who undergoes a similar ordeal. "I felt a deep discomfort, a real unease when I found out, and that's what made me want to look into the subject a bit and then turn it into a screenplay," he told AFP in Cannes. The film highlights the unequal relationship between management agencies and the idols, who are usually teenagers trained to become a mixture of pop star, online influencer and advertising prop. But the core of the film examines the more unusual demand that the women remain unattached and chaste -- in order for their older, male fanbase to project their fantasies. As the lyrics to the songs of Fukada's fictional five-member group "Happy Fanfare" make clear, the performers spend their time singing about the idea of falling in love. "The industry really encourages this kind of artificial love between fans and their idols," the director of "The Real Thing" and "Harmonium" explained. "As soon as an idol appears to have a romantic relationship with someone, it's well known that they lose a lot of popularity." As well as selling merchandise, the women also offer their time for meet-and-greet events -- for a price -- at which fans can come to talk to them, hold hands, and take selfies. The activist director, who has previously spoken out about sexual harassment and the Japanese film industry's over-reliance on manga adaptations, believes the J-pop industry reflects the prejudices of Japanese society. "There is a lot of prejudice and gender discrimination towards women in our patriarchal system," he said. "We tend to believe that women must be pure, untouched and submissive." As his film makes clear, many of the stars themselves are happy to encourage this image in pursuit of fame and wealth. "I met idols who are still active. Some believe that the ban on romantic relationships is a problem. Others think it's normal because it's a very unusual kind of job," he said. He hopes his film, which is set for release from May, will spark debate in Japan. "I tried to make a film that could bring out each person's perception of gender, love, freedom, and issues of discrimination," he said. "And that every viewer, whether they agree or disagree with the choices made by the heroine, could take part in a discussion around these questions." © 2025 AFP
France 24
24-05-2025
- Entertainment
- France 24
Japanese filmmaker Fukada casts queasy gaze on J-pop idols
The 45-year-old director said he was inspired by a news report about a Japanese "idol", as the starlets are known, who was sued by her management agency after breaking a "no dating" clause. Fukada cast former idol Saito Kyoko in the lead role of his feature "Love on Trial" which tells the story of a young performer who undergoes a similar ordeal. "I felt a deep discomfort, a real unease when I found out, and that's what made me want to look into the subject a bit and then turn it into a screenplay," he told AFP in Cannes. The film highlights the unequal relationship between management agencies and the idols, who are usually teenagers trained to become a mixture of pop star, online influencer and advertising prop. But the core of the film examines the more unusual demand that the women remain unattached and chaste -- in order for their older, male fanbase to project their fantasies. As the lyrics to the songs of Fukada's fictional five-member group "Happy Fanfare" make clear, the performers spend their time singing about the idea of falling in love. "The industry really encourages this kind of artificial love between fans and their idols," the director of "The Real Thing" and "Harmonium" explained. "As soon as an idol appears to have a romantic relationship with someone, it's well known that they lose a lot of popularity." As well as selling merchandise, the women also offer their time for meet-and-greet events -- for a price -- at which fans can come to talk to them, hold hands, and take selfies. - 'Unusual job' - The activist director, who has previously spoken out about sexual harassment and the Japanese film industry's over-reliance on manga adaptations, believes the J-pop industry reflects the prejudices of Japanese society. "There is a lot of prejudice and gender discrimination towards women in our patriarchal system," he said. "We tend to believe that women must be pure, untouched and submissive." As his film makes clear, many of the stars themselves are happy to encourage this image in pursuit of fame and wealth. "I met idols who are still active. Some believe that the ban on romantic relationships is a problem. Others think it's normal because it's a very unusual kind of job," he said. He hopes his film, which is set for release from May, will spark debate in Japan. "I tried to make a film that could bring out each person's perception of gender, love, freedom, and issues of discrimination," he said. © 2025 AFP
Scottish Sun
18-05-2025
- Entertainment
- Scottish Sun
Fraud probe launched after Scots school goes bust while boss flaunts luxury lifestyle online
Pictures on social media showed him rubbing shoulders with music stars 'SMOKE & MIRRORS' Fraud probe launched after Scots school goes bust while boss flaunts luxury lifestyle online Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) COPS have launched a fraud probe into a drama school that took thousands of pounds of students' fees while facing collapse. Raging parents accused the Scottish Institute of Theatre, Dance, Film and Television of using 'smoke and mirrors' to attract youngsters dreaming of showbiz careers. 5 Andy Egan ran the Scottish Institute of Theatre, Dance, Film and Television 5 He rubbed shoulders with opera singer Russell Watson 5 He also met music stars like soul group The Real Thing And we can reveal the arts hub's boss Andy Egan, 61, was flaunting a luxury lifestyle on social media just hours before it shut on May 6 with the loss of around 20 staff jobs. Pictures showed him rubbing shoulders with music stars including opera singer Russell Watson, 58. Wannabe stage stars revealed they had continued to pay their dues with no warning of the school's looming liquidation — after directors were hauled before a law chief over cash owed to a property firm. One furious mum revealed her daughter unknowingly paid £750 from her student loan to Livingston-based 'SI' on the day it folded. She told The Scottish Sun: 'My daughter will now need to pay that loan back out of her own money. 'And she has nowhere else to go for her education.' I don't know if my degree means anything or if I can continue. I've lost all that work and he's on social media acting like it's no big deal Skyla Legal documents show the institute faced a winding-up order at Livingston Sheriff Court on March 28. The petition was granted on May 6 because it was 'unable to pay debts' — and it closed immediately. Meanwhile, SI president Egan was urging friends in online posts to visit a luxury holiday home with no mention of the financial woes. He showcased his celeb-spotting social life in rural Ireland, meeting pop stars such as disco legends Odyssey, Hot Chocolate's Kennie Simon and soul group The Real Thing. Moment dealer poses with wads of cash while claiming benefits - landing him in jail Wearing a bow-tie, he was also seen beaming alongside singer and I'm a Celeb contestant Watson. We told how students arriving for classes were initially told the school had closed due to a power outage. They later learned courses had been axed via a bizarre TikTok post featuring Crystal Waters' song Gypsy Woman (She's Homeless). Third-year dance student Skyla Kelly, 19, yesterday revealed she had been left in limbo after sitting two exams before finding out her course had been scrapped — despite paying £10,000-a-year fees. Skyla, of Bathgate, West Lothian, slammed the college supremo. It's heartbreaking... she's devastated. He sold us this big dream, but it was all smoke and mirrors Neil She said: 'I don't know if my degree means anything or if I can continue. "I've lost all that work and he's on social media acting like it's no big deal.' Meanwhile a cleaning firm boss told The Scottish Sun he spent months chasing a £3,000 payment for work at the SI. The contractor, named Neil, said: 'From April, May, and June, nobody got paid. His excuse was that he was waiting on a tax rebate from HMRC. 'I stopped cleaning for him, but I still wanted my money. Eventually, I got paid, as did other people.' My daughter will now need to pay that loan back out of her own money. And she has nowhere else to go for her education One furious mum Meanwhile his daughter's hopes of completing a musical theatre degree have been dashed. Neil, of Linlithgow, West Lothian, said: 'It's heartbreaking. She came bouncing down the school corridor, and she's devastated. 'He sold us this big dream, but it was all smoke and mirrors.' Egan refused to divulge any details about the school but said: 'I'll just have to take this one on the chin.' A notice posted on the SI's website revealed Katie McLachlan, of Edinburgh-based firm Middlebrooks Business Recovery, had been appointed liquidator. Cops confirmed they launched a probe after students complained. A Police Scotland spokesman said: 'On May 11 we received a report of fraud involving a business in Livingston. Enquiries are at an early stage.' 5 He rubbed shoulders with singer Errol Brown
