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Time of India
17 hours ago
- Entertainment
- Time of India
Mohit Suri reveals Ahaan Panday and Aneet Padda starrer 'Saiyaara's idea was originally Aashiqui 3': 'They were in a hurry... I was not comfortable...'
Mohit Suri is back with a romance film, Saiyaara. The film stars Ahaan Panday and Aneet Padda. Yash Raj Films will release it on July 18. Suri initially planned the story as Aashiqui 3. He later reworked the idea independently. Luv Ranjan encouraged Suri to write Saiyaara. Suri revealed Aashiqui 2 was also initially a standalone love story. Mohit Suri is returning to the genre he knows best—romance—with Saiyaara, starring debutants Ahaan Panday and Aneet Padda . Set for release on July 18 under Yash Raj Films, the film marks a significant new chapter for the director, who recently revealed that the story was originally conceived as Aashiqui 3. In conversation with Pinkvilla, Mohit revealed that Saiyaara was originally conceived as Aashiqui 3. He shared that Bhushan Kumar and Mukesh Bhatt had approached him to develop a draft, but due to their fluctuating relationship and a rushed announcement plan, he chose to rework the idea independently. Eventually, the concept evolved into Saiyaara. Suri further shared that it was filmmaker Luv Ranjan who encouraged him to write Saiyaara. He credited Luv for pushing him toward a love story, and said the inspiration intensified after watching The Romantics, which reminded him of the emotional depth of 80s cinema. Observing a dip in action films' performance also nudged him to pursue this romantic narrative, which he eventually developed into a full screenplay. Mohit Suri revealed that Aashiqui 2 was originally conceived as a standalone love story, not a sequel. After Murder 2, he was eager to explore romance on screen, but faced rejections—even from Emraan Hashmi—due to industry reluctance toward love stories under Vishesh Films. Bhushan Kumar then suggested adapting the script into Aashiqui 2, and Mukesh Bhatt offered a bigger budget with the iconic title. Mohit agreed, and the rest became history.
Pink Villa
21 hours ago
- Entertainment
- Pink Villa
EXCLUSIVE: 'Saiyaara's idea was originally Aashiqui 3': Mohit Suri breaks silence on Ahaan Panday and Aneet Padda starrer
Come July 18, Yash Raj Films and Mohit Suri are all set to launch Ahaan Panday and Aneet Padda to the showbiz with their ambitious love story, Saiyaara. While the music of this film is already starting to gain momentum on several platforms, the team is gearing up to launch the theatrical trailer of the intense musical love story soon. Ahead of the film's release, Pinkvilla got in conversation with director Mohit Suri, who for the first time broke silence on the script of Saiyaara. The director confirmed that he was initially brainstorming on an idea to make Aashiqui 3 with Bhushan Kumar and Mukesh Bhatt. 'To be honest, they had pitched me to come up with a draft for Aashiqui 3 in the beginning. At that time, Mukesh ji and Bhushan were on better terms. I know, they have a very sensitive relationship. They are friends at times, and then they are not. So, I thought of this idea for Aashiqui 3, which is now Saiyaara. But they were in the hurry and wanted to announce, which is something I was not comfortable with. I prefer in having a script first and then make an announcement. But to sum it up, yes, this idea was originally for Aashiqui 3,' Mohit cleared the air. The filmmaker was quick to inform that Luv Ranjan motivated him to write this script and the energies multiplied after he saw Romantics. 'I largely credit Luv Ranjan to push me to write a love story. He motivated me to write this script, and then simultaneously, I saw some action films not doing as well as expected. Then I saw The Romantics, it spoke about the similar times that existed in the 80s. Then I wrote developed that idea into screenplay completely,' Mohit added. While Aashiqui 3 became Saiyaara, Mohit also shared that in the early days, the script of Aashiqui 2 was in-fact an original love story. 'Aashiqui 2 was also not written as Aashiqui 2. I was dying to make a love story after Murder 2. It was first supposed to have big stars, then Emraan Hashmi but no body wanted to do a love story with Vishesh at that time, including my brother and hero of the company, Emraan. But I was willing to make it no matter what, and that's when Bhushan came to me and said why don't you spin this script into Aashiqui 2. And then, Mukesh ji gave me a deal of having a higher budget with the title Aashqiui. So I agreed, and made the film,' he concluded. Talking of Saiyaara, it marks the first collaboration of Mohit with YRF, and the filmmaker hopes to make many more films for the banner in the time to come. Stay tuned to Pinkvilla for more updates.
Indian Express
21-05-2025
- Entertainment
- Indian Express
Aditya Chopra: The businessman Yash Chopra never was
When you Google 'define a good businessman,' the AI assistant doesn't hesitate: 'A good businessman is someone who is skilled and successful in business, demonstrating strong leadership, decision-making, financial acumen, and an understanding of market dynamics.' If anyone in the Hindi film industry fits that definition with surgical precision, it is Aditya Chopra — the heir to a cinematic dynasty, who didn't just inherit the throne but rebuilt the entire kingdom. Born with a silver spoon, Aditya didn't just hold on to it, he forged it into gold. As actor Anil Kapoor aptly put in Netflix documentary, The Romantics, 'Aditya is one of those few sons who, I think, has surpassed his father's legacy.' And that legacy? It belonged to the towering figure of Yash Chopra, a romantic visionary whose films defined Bollywood's golden era. However, his business instincts often lagged behind his artistic flair. Yash Chopra began his career under the shadow of his elder brother B.R. Chopra. After directing five films as a salaried employee, Yash finally stepped out on his own and founded Yash Raj Productions in 1970. Soon, he delivered a smashing hit with Daag (1973). This was followed by a series of classics — Deewar (1975), Kabhi Kabhie (1976), Trishul (1978), Kaala Patthar (1979). But success, like fashion, is seasonal. In 1981, he released his dream project Silsila. It flopped. And so did every film he made through the 80s. The country was changing. India was talking about caste-based reservations, the Ayodhya dispute, civil rights, and social justice. Yash Chopra was still filming tulips in Kashmir. The audience had moved on. The director hadn't. A mistake that Aditya Chopra learnt from. 'He used to have a book in his room. In these books he used to write box office expectation, his analysis, and eventuality. He has done this for decades. He used to have one fat book,' shared Karan Johar as he spoke about Aditya Chopra in The Romantics. Hrithik Roshan added, 'The whole film used to be broken down into categories, column and questions and then he had the box office numbers. He did all this when he was 12 or 13 years old. And he did this over and over again.' 'Now when you look at these things, you know that these are the things that make him the director-producer he is,' said Abhishek Bachchan. In 1989, Yash Chopra returned with Chandni, a hit that revived his career. But he never ventured beyond romance. A comfort zone that Aditya had already begun to challenge. When Lamhe flopped, a young Aditya (who worked as an AD in the film) had predicted it. Not because he knew the box office, but because he understood the audience. ALSO READ | Sharmila Tagore stayed in a chowkidar's room while Simi Garewal got a bungalow during the shoot of Satyajit Ray's Aranyer Din Ratri: 'You cannot imagine how hot it was' 'This was the first film I put so much of myself into, and I realised… I am a slave to the audience. That shaped me. I decided I wouldn't let success affect me, so failure wouldn't break me,' said Aditya in The Romantics. Aditya Chopra first proved his business acumen when he decided to self-finance his debut film Dilwale Dulhaniya Le Jayenge (1995). That single decision changed the trajectory of Yash Raj Films. 'Imagine sharing 50% of DDLJ's revenues, I don't think we'd be where we are today', said Aditya Chopra. The decision became the seed that funded YRF's transformation into a full-blown media empire. In 2004, YRF launched its own music label, eliminating third-party licensing. In 2005, the production house launched YRF Studios — a 20 acre facility offering multiple services in filmmaking. Eventually, the director decided to produce multiple films a year. 'We used to do one film in two years,' Aditya said in his rare interview in the docuseries The Romantics. 'I thought, if we know how to produce, why not do more and see where it takes me as a producer?' Yash Raj Films, once synonymous with classic romance, underwent a bold transformation under Aditya Chopra. In 2004, he shocked the industry by announcing a diverse slate: Hum Tum (a fresh romantic comedy), Dhoom (a genre-defining action thriller), and Veer-Zaara (a sweeping cross-border love story). All three released the same year — and all became commercial hits. With this move, Aditya not only expanded the studio's creative horizon but also proved that YRF could thrive beyond its romantic legacy. Apart from direction and production, through YRF Talent, Aditya Chopra also launched the careers of actors Anushka Sharma, Ranveer Singh, and Bhumi Pednekar. He was the visionary, who advised Shah Rukh Khan to not shut doors for romantic films–the advise which made him a global star. He is the man who spotted a filmmaker in Karan Johar (who otherwise was convinced to go to Paris to learn fashion designing). He created the YRF Spy Universe with his Ek Tha Tiger franchise, War and Pathaan. This is the closest India has come to a Marvel-style franchise. While Yash Chopra gave Bollywood its most beautiful dreams, Aditya Chopra made sure those dreams were bankrolled, protected, and owned. Jyothi Jha works as a Copy Editor at the Indian Express. She brings in more than 5 years of experience where she has covered Entertainment majorly for TV9, NDTV and Republic Media. Apart from Entertainment, she has been an anchor, copy editor and managed production team under the Politics and Daily News segment. She's passionate about Journalism and it has always been her first choice, she believes in what George Orwell had once said, " Journalism is printing what someone else does not want you to do, rest everything is public relations". ... Read More
Yahoo
07-04-2025
- Entertainment
- Yahoo
Blondie drummer Clem Burke dies aged 70: ‘He was the heartbeat of Blondie'
Blondie drummer Clem Burke has died aged following a 'private battle with cancer', the band have said in a statement. He was 70 years old. Burke was recruited by Blondie co-founders Debbie Harry and Chris Stein shortly after they formed the new wave band in 1975. He was credited for keeping the group together after Stein and Harry considered disbanding following the departure of original bassist Fred Smith to Television, and remained with them for his entire career. 'It is with profound sadness that we relay news of the passing of our beloved friend and bandmate Clem Burke following a private battle with cancer,' Blondie said in the statement shared from their social media accounts. 'Clem was not just a drummer; he was the heartbeat of Blondie. His talent, energy, and passion for music were unmatched, and his contributions to our sound and success are immeasurable.' 'His vibrant spirit, infectious enthusiasm and rock solid work ethic touched everyone who had the privilege of knowing him. Clem's influence extended far beyond Blondie.' The group continued: 'A self proclaimed 'Rock & Roll survivalist', he played and collaborated with numerous iconic artists, including Eurythmics, Ramones, Bob Dylan, Bob Geldof, Iggy Pop, Joan Jett, Chequered Past, The Fleshtones, The Romantics, Dramarama, The Adult Net, The Split Squad, The International Swingers, L.A.M.F., Empty Hearts, Slinky Vagabond, and even the Go-Go's. 'His influence and contributions have spanned decades and genres, leaving an indelible mark on every project he was a part of. We extend our deepest condolences to Clem's family, friends, and fans around the world. 'His legacy will live on through the tremendous amount of music he created and the countless lives he touched.' 'As we navigate this profound loss, we ask for privacy during this difficult time. Godspeed, Dr. Burke,' they said signing off, 'Debbie, Chris, and the entire Blondie family.' View this post on Instagram A post shared by Blondie (@blondieofficial) Born in New Jersey in 1954, Burke would recall one of his earliest memories was playing his father's drum kit to the music of the Four Seasons. He began drumming in the local drum and bugle corp before playing at the famous New York club CBGB as a teenager. Aged 14, he performed at Carnegie Hall with his band The Total Environment as part of a battle of the bands contest. After joining Blondie, he had a significant impact on the band's development when he recruited his friend Gary Valentine to join as a bassist, as well as by convincing Harry and Stein to keep going. During Blondie's 15-year hiatus from 1982 to 1997, Burke developed a hugely successful drumming career alongside the American punk band The Ramones under the name Elvis Ramone, was the regular drummer for The Romantics between 1990 and 2004 and played for the likes of Bob Dylan, Iggy Pop, Pete Townshend and Eurythmics. He was inducted into the Rock and Roll Hall of Fame in 2006 alongside his Blondie bandmates. 'We always straddled that line between the underground and then a larger ambition to make hit singles that were universal,' he told MixDown Magazine last year. 'I always appreciated drummers like Hal Blaine (Phil Spector's favourite session drummer) and Earl Palmer (Little Richard, Fats Domino, Frank Sinatra) who were consummate studio musicians and had the kind of musicality and versatility that I aspired to. I wanted to be able to contribute to the song rather than detract.' He later added: 'I don't know what I would be doing if I wasn't playing. Drumming has just always been there. Being in a band has just always been my social life from a very early age. 'I like being in the studio and on stage. I don't feel inhibited when I'm there. I enjoy it. These are places that I like to be.' In 2023, he called for drumming to be included in the national curriculum after research found that playing as little as 90 minutes a week could improve the quality of life for autistic children. Speaking in a 2018 documentary about his life, titled My View, Burke said: 'For me, drums were a means to an end that enabled me to have a career in the music business. It was about being a rock 'n' roll star. 'I feel like the drums have kind of chosen me. My dad was a drummer so it's probably in my DNA somewhere.' A number of fellow musicians and famous admirers paid tribute to Burke. "Condolences and love. Thank you for the music, Clem," BBC Radio presenter Lauren Laverne wrote. Fashion designer Zak Posen added: "Sending love to Debbie his family, the Blondie family. An iconic drummer, a true rock 'n roll savant, your rhythm lives on. Thank you for the magic." British musician Skin, lead singer of rock band Skunk Anansie, added: "This is so sad, sorry sorry, Clem was pure magic." Burke is survived by his wife, Ellen Burke.
