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Paul Rudd recalls NSFW wardrobe malfunction on stage with Rachel Weisz
Paul Rudd recalls NSFW wardrobe malfunction on stage with Rachel Weisz

Yahoo

time29-04-2025

  • Entertainment
  • Yahoo

Paul Rudd recalls NSFW wardrobe malfunction on stage with Rachel Weisz

Paul Rudd had an unfortunate outfit mishap during his stage acting days, he's revealed. Speaking on the latest episode of the SmartLess podcast — hosted by Jason Bateman, Sean Hayes, and Will Arnett — Rudd, 56, recalled the embarrassing incident. The Ant-Man actor was starring in the 2001 off-Broadway production of The Shape of Things when one of his scenes went awry and the audience got more than they bargained for. "I was lying on top of a bed and I was wearing boxer shorts and a T-shirt and all of a sudden — this had never happened before — I heard the audience laughing," Rudd recalled. "And I'm like, what is going on? I realized it's because I was lying on the bed and I had my leg up and my balls were hanging out, which is worse than actually, penis — it's like, just your balls." The nature of the mishap, combined with the title of the show, sent co-host Arnett into a fit of laughter. "That's exactly right," Rudd said. "That was the show." "The poster should've been your balls hanging out of your shorts," Arnett joked. After the 2001 off-Broadway production, Rudd and co-star Rachel Weisz went on to star in the 2003 film adaptation of The Shape of Things, written by Neil LaBute. Since then, Rudd has appeared in dozens of films and TV shows, including Anchorman, The 40-Year-Old Virgin, Forgetting Sarah Marshall, Friends, and Only Murders in the Building. He entered the Marvel Cinematic Universe in 2015 with the Ant-Man franchise and will be seen in Avengers: Doomsday in 2026. Details on his role in the upcoming Marvel film remain mum. During a recent appearance on The Tonight Show, Rudd was forced to stay tight-lipped. "There is nothing that I can tell you. They are very secretive. It's important. You know, it's a major movie. You can't be frivolous with this kind of stuff,' he teased. "This is a major motion picture. It's not like some coordinated attack. It's Marvel, Jimmy."

How to Fight Loneliness review – death hovers over impossibly awkward social gathering
How to Fight Loneliness review – death hovers over impossibly awkward social gathering

The Guardian

time24-04-2025

  • Entertainment
  • The Guardian

How to Fight Loneliness review – death hovers over impossibly awkward social gathering

Neil LaBute has a good relationship with Park theatre. Two years ago, it staged a production of The Shape of Things that worthily showcased his downright disturbing comedy. Now it premieres his latest work, a contemplative three-hander about our right to choose the time and manner of our death. LaBute was inspired to write it after losing his mother. His inability to help her out of her pain manifests itself in the story: here he fastens the dilemma he faced on the characters of Jodie, who can't face another round of chemotherapy, and her husband, Brad, who wants her to go on fighting. We meet them at home as they wait tensely – words skirting wide circles around both the subject and their emotions – for the arrival of someone they hope will 'help them out'. The good samaritan is Tate Miller, a former classmate of Jodie with a DUI and assault charge against him. In Lisa Spirling's production, the impossibly awkward social gathering becomes fodder for LaBute's typically mordant humour. It also subverts our moral quandary: the seemingly roughneck Tate is, in a magnetic performance by Morgan Watkins, a kinder and more empathic man than the one who loves Jodie so much he refuses to let her go. LaBute can be a master at challenging assumptions, and deadly-deft with a plot twist. But the one-track narrative does him no favours here: instead of dramatic progress we get expository monologues and a repetitive discussion of the issues. Archie Backhouse is taut and haunted as Brad but it's a struggle for Justina Kehinde to colour in Jodie – we don't see much more of her than her pain and frustration. Mona Camille's design renders the cinematic quality of a second act, set in a desolated highway location. But even that ominous night-time backdrop, with death hovering in the wings – can't sharpen its edge. With nowhere to go, the hyper-real dialogue winds in ever tighter circles that boil down to one of Meat Loaf's most famous lyrics: he would do anything for love, but he won't do that. At Park theatre, London, until 24 May

How to Fight Loneliness review — a moral thriller about mercy killing
How to Fight Loneliness review — a moral thriller about mercy killing

Times

time23-04-2025

  • Entertainment
  • Times

How to Fight Loneliness review — a moral thriller about mercy killing

For more than three decades the American writer-director Neil LaBute has maintained a reputation as an arch-provocateur. Often branded as a misogynist and misanthrope for plays and films that have focused on liars, lovers and manipulators, his subject matter has ranged from toxic masculinity to terrorism. In 2023 the Park Theatre in London scored a hit with a slickly assured revival of LaBute's The Shape of Things. His work is now back at the north London venue with the UK premiere of How to Fight Loneliness, a three-hander on the hot-button topic of assisted dying. On the surface LaBute's premise is fairly straightforward. We are in the suburban home of an anxiously conflicted couple facing an awful dilemma. Jodie (Justina Kehinde) has terminal

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