Latest news with #TheShining
Daily Mail
4 hours ago
- Entertainment
- Daily Mail
NFL coach Jim Harbaugh goes viral in bizarre clip of him peeking through a curtain to watch his team practice
The Los Angeles Chargers were back in practice on Monday and nobody seemed to be happier about it than their eccentric head coach, Jim Harbaugh. As preparations for the 2025 campaign stepped up and the players got back out onto the practice field, a Chargers admin caught Harbaugh bizarrely staring through a curtain at his players. To make things seem even more suspicious, Harbaugh was wearing a cap and sunglasses, almost as if he was trying to disguise his appearance. The team itself clearly saw the funny side given they posted it out onto social media, simply writing as the caption: 'Wait for it'. Fans immediately leapt onto the image of Harbaugh, with some comparing it to Jack Nicholson 's 'Here's Johnny' scene from the 1980 horror film The Shining. Another fan described Harbaugh as 'a national treasure' while a different Chargers supporter replied saying: 'I love it - definitely my new meme template.' wait for it — Los Angeles Chargers (@chargers) July 21, 2025 Harbaugh has never made any secret of how much he enjoys the first day of training camp ahead of a new campaign. Speaking in July 2024 ahead of his first season leading the team he said: 'It's like New Year's Day. It feels like being born. It feels like coming out of the womb. 'You're in there. It's comfortable and safe, and now you're out. You're born. Lights are on, it's bright, chaos, people looking at you, people talking at you, and it just feels good to have it happen.' But perhaps Harbaugh is especially excited this time around after having a difficult offseason. The 61-year-old underwent a successful heart procedure and hip replacement surgery earlier this year. He told reporters in June: 'The doctors can't find anything wrong with me. It would take my heart stopping for me not to be out there on the sideline.' The Chargers start the season with a bang, heading to Brazil to face last season's Super Bowl runners-up, the Kansas City Chiefs, in Sao Paulo on Friday, September 5. They follow that game with a trip to Vegas to play the Raiders before hosting the Denver Broncos in Week 3.
Khaleej Times
5 days ago
- Entertainment
- Khaleej Times
'Doctor Sleep', 'American Manhunt', 'MurderBot', 'Voy! Voy! Voy!': Our top picks for the weekend watch
Doctor Sleep Apple TV+ | Horro Imagine if you could travel worlds while you slept, seeing new realities and creating new dreams. Now, what if you open your eyes mid nap to see that you are a child and slowly it dawns upon you that you are stuck in your most traumatic memory? You wake up terrified, but the worst part isn't that you keep seeing scary things – it's that you know that things that go bump in the night are real – because they've been coming for you your entire life. This tale by horror guru Stephen King is set years following The Shining, and in it, functioning alcoholic Dan Torrance is drawn into a situation where he must save a young child who has similar powers as him and is being hunted by a cult. But to do this, he must go back to the place where it all started, to those haunting corridors that hold his nightmares. By Karishma Nandkeolyar American Manhunt: Osama bin Laden Netflix | 3 Epidoses | Docuseries Want to indulge in a little bit of education, but in the most cinematically engaging format possible? Netflix continues to reinvent the infotainment genre, and this week's pick is the gripping docuseries American Manhunt: Osama bin Laden. Told over three tightly edited episodes, it traces the decade-long global pursuit of the al-Qaeda leader, from the aftermath of 9/11 to the secret SEAL Team 6 raid in Abbottabad. What sets it apart is the emotional storytelling, including firsthand accounts from CIA analysts, rare archival footage, and a real sense of moral tension: Can you really kill your way out of terror? It's part history lesson, part spy thriller, and all-consuming. And even if you think you know the story, this one hits differently! By Somya Mehta MurderBot Apple TV+ | 10 Episodes | Sci-Fi / Comedy / Action A robot gone rogue? In 2025, that hits a little too close to home. But MurderBot takes that premise and flips it into something surprisingly funny and heartfelt. Alexander Skarsgård is brilliant as a Security Unit that hacks its own governor module, giving it free will. Instead of going full Terminator, it tries to keep a low profile by babysitting scientists on a dangerous alien planet, while secretly just wanting to binge soap operas in peace. It's weird, witty, and has way more emotion than you'd expect from a show featuring a bot with sarcasm issues. With just one season featuring 10 sitcom-length episodes, the show is perfect for a weekend binge. Season 2 is already confirmed. By Husain Rizvi Voy! Voy! Voy! Netflix | Arabic | Dramedy Based on a true story, Voy! Voy! Voy! tells the story of a man fed up of his life in Egypt and dreams of making it big in Europe. His modus operandi? Feign blindness and become a member of a blind football that's travelling to Poland. Directed by adman-turned-filmmaker Omar Hilal, the movie boasts a stellar cast, including the Arabic stars Mohamed Farrag, Nelly Karim and Bayoumi Fouad. Voy! Voy! Voy! is part screwball comedy and part touching, as it dwells on people's aspirations, hope and disappointment — and how the world works. Prepare to laugh, ponder and empathise as you witness Hassan's (Mohamed Farrag) journey. This production released alongside Barbenheimer (yes, Barbie and Oppenheimer) and went on to taste resounding success at the Arab box office. As for the title, it refers to the word blind footballers say when they have the ball to themselves to avoid bumping into others. For fans of: Drama, genuine laughs, and rooted Arabic cinema. By Rajagopalan Venkataraman
Japan Today
11-07-2025
- Entertainment
- Japan Today
Dark series 'The Institute' adaptation gets author Stephen King's thumbs up
This image released by MGM+ shows Joe Freeman in a scene from "The Institute." (Chris Reardon/MGM+ via AP) By MARK KENNEDY Stephen King has a rule for anyone wanting to adapt one of his books for the big or small screen. It's basically the Hippocratic oath for intellectual property — first, do no harm. 'When you deviate from the story that I wrote, you do so at your own risk,' he said in a recent interview from his home in Maine. 'I know what I'm doing and I'm not sure that screenwriters always do or that producers and directors always do.' Not everyone has listened to King, who has enjoyed hit adaptations — 'The Shawshank Redemption,' 'Stand By Me,' 'Misery,' 'It' and 'The Shining' — as well as flops — 'Salem's Lot,' 'Graveyard Shift' and 'The Lawnmower Man.' The industrious novelist has lately watched as a wave of adaptations are crafted for theaters or streaming platforms, a list that includes 'The Life of Chuck' and the upcoming 'The Long Walk,' 'The Running Man' and 'It: Welcome to Derry.' It also includes the eight-episode series 'The Institute,' which debuts on MGM+ on Sunday. It's about a secret government facility where kids with special talents — telekinesis and telepathy — are imprisoned and put to dark geopolitical uses. Their bedrooms are faithfully re-created and creepy posters — 'Your Gift Is Important' and 'I Choose to be Happy' — line the halls. Does this small-screen adaptation of his 2019 book get King's approval? 'I'm talking to you which is a pretty good sign,' he says, laughing. He even signed on as executive producer. 'When I write a book, it's a single-person sport and when these people do a TV show or a movie it becomes a team sport. So you expect some changes and, sometimes, man, they're really good.' 'The Institute' stars Mary-Louise Parker as a sinister scientist and Ben Barnes as a small-town cop on opposite sides as the group of children are kidnapped and exploited. The series is faithful to the book, but includes some changes, like setting it entirely in Maine and aging the hero up so as not to appear too sadistic. That hero — 14-year-old Luke Ellis, played winningly by Joe Freeman — is the latest youngster with special powers that King has manifested, a line that stretches back to the heroine of 'Carrie,' Danny Torrance in 'The Shining' and Charlie McGee in 'Firestarter.' 'I thought to myself, what would happen if a bunch of kids that had psychic powers could see enough of the future to tell when certain moments were going to come along,' he says. 'But the kids would be wrecked by this process and they would be kept in a place where they could serve the greater good. It was a moral problem that I really liked.' King has a special respect for young adults, who he says can be brave and behave nobly under pressure but who can also be mean and petty. He says he was inspired by William Golding, who wrote the iconic 'Lord of the Flies,' a dystopian novel about a group of schoolboys who while trying to survive on a remote island unlock their own barbarism. 'He was talking to his wife before he wrote the book and he said, 'What would it be like if I wrote a story about boys and the way that boys really acted?' And so I tried to write a book about kids the way that kids really act,' says King. Executive producer and co-writer Benjamin Cavell says King resists the impulse to be overly involved in the process, instead identifying people he trusts to do right by the material. 'So much of the pleasure of King's writing is the access he gives his reader to the deepest, darkest, most private thoughts and dreams and desires of his characters; the adaptor's task is to make all that external and cinematic,' says Cavell. Jack Bender has become something of a King whisperer, helping adapt both King's 'Mr. Mercedes' and 'The Outsider' to the screen. This time, he helped direct and executive produce 'The Institute.' 'I count my blessings to be in the position of someone he creatively trusts,' says Bender. 'He is a genius at tapping into the fears we all share of what's hiding under our beds. For me, both 'Mr. Mercedes' and 'The Institute' deal with those fears by focusing on the monsters inside of us human beings, not just outside in the world around us.' The first thing Bender and Cavell had to figure out was what form 'The Institute' would take — a standalone film or a series. 'In the case of 'The Institute,' which was a 576-page novel packed with rich, fascinating characters that would need time to connect and be with each other, I didn't want to shrink it into a 110 minute movie that would've become the 'X-Kids,'' says Bender. King says that while Hollywood has a seemingly insatiable appetite for his books, he hasn't gotten more cinematic as a writer — he always has been. 'I am one of the first writers that was actually influenced by television as well as movies. 'I grew up with the idea that things should be cinematic and that you should look at things in a visual way, a very sensory way.' King was also pleased that the adapters of 'The Institute' made sure not to change the name of Barnes' small-town cop, Tim. "I named him Tim because I read somewhere that no great thing was ever done by a man named Tim. And so I thought to myself, 'Yeah, well, OK, I'll call him Tim and he can do great things.'' © Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.
San Francisco Chronicle
10-07-2025
- Entertainment
- San Francisco Chronicle
Dark series 'The Institute' adaptation gets author Stephen King's thumbs up
NEW YORK (AP) — Stephen King has a rule for anyone wanting to adapt one of his books for the big or small screen. It's basically the Hippocratic oath for intellectual property — first, do no harm. 'When you deviate from the story that I wrote, you do so at your own risk,' he says in a recent interview from his home in Maine. 'I know what I'm doing and I'm not sure that screenwriters always do or that producers and directors always do.' Not everyone has listened to King, who has enjoyed hit adaptations — 'The Shawshank Redemption,' 'Stand By Me,' 'Misery,' 'It' and 'The Shining' — as well as flops — 'Salem's Lot,' 'Graveyard Shift' and 'The Lawnmower Man.' The industrious novelist has lately watched as a wave of adaptations are crafted for theaters or streaming platforms, a list that includes 'The Life of Chuck' and the upcoming 'The Long Walk,' 'The Running Man' and 'It: Welcome to Derry.' It also includes the eight-episode series 'The Institute,' which debuts on MGM+ on Sunday. It's about a secret government facility where kids with special talents — telekinesis and telepathy — are imprisoned and put to dark geopolitical uses. Their bedrooms are faithfully re-created and creepy posters — 'Your Gift Is Important' and 'I Choose to be Happy' — line the halls. Does this small-screen adaptation of his 2019 book get King's approval? 'I'm talking to you which is a pretty good sign,' he says, laughing. He even signed on as executive producer. 'When I write a book, it's a single-person sport and when these people do a TV show or a movie it becomes a team sport. So you expect some changes and, sometimes, man, they're really good.' What's 'The Institute' about'? 'The Institute' stars Mary-Louise Parker as a sinister scientist and Ben Barnes as a small-town cop on opposite sides as the group of children are kidnapped and exploited. The series is faithful to the book, but includes some changes, like setting it entirely in Maine and aging the hero up so as not to appear too sadistic. That hero — 14-year-old Luke Ellis, played winningly by Joe Freeman — is the latest youngster with special powers that King has manifested, a line that stretches back to the heroine of 'Carrie,' Danny Torrance in 'The Shining' and Charlie McGee in 'Firestarter.' 'I thought to myself, what would happen if a bunch of kids that had psychic powers could see enough of the future to tell when certain moments were going to come along,' he says. 'But the kids would be wrecked by this process and they would be kept in a place where they could serve the greater good. It was a moral problem that I really liked.' King has a special respect for young adults, who he says can be brave and behave nobly under pressure but who can also be mean and petty. He says he was inspired by William Golding, who wrote the iconic 'Lord of the Flies,' a dystopian novel about a group of schoolboys who while trying to survive on a remote island unlock their own barbarism. 'He was talking to his wife before he wrote the book and he said, 'What would it be like if I wrote a story about boys and the way that boys really acted?' And so I tried to write a book about kids the way that kids really act,' says King. Executive producer and co-writer Benjamin Cavell says King resists the impulse to be overly involved in the process, instead identifying people he trusts to do right by the material. 'So much of the pleasure of King's writing is the access he gives his reader to the deepest, darkest, most private thoughts and dreams and desires of his characters; the adaptor's task is to make all that external and cinematic,' says Cavell. 'Monsters inside of us' Jack Bender has become something of a King whisperer, helping adapt both King's 'Mr. Mercedes' and 'The Outsider' to the screen. This time, he helped direct and executive produce 'The Institute.' 'I count my blessings to be in the position of someone he creatively trusts,' says Bender. 'He is a genius at tapping into the fears we all share of what's hiding under our beds. For me, both 'Mr. Mercedes' and 'The Institute' deal with those fears by focusing on the monsters inside of us human beings, not just outside in the world around us.' The first thing Bender and Cavell had to figure out was what form 'The Institute' would take — a standalone film or a series. 'In the case of 'The Institute,' which was a 576-page novel packed with rich, fascinating characters that would need time to connect and be with each other, I didn't want to shrink it into a 110 minute movie that would've become the 'X-Kids,'' says Bender. King says that while Hollywood has a seemingly insatiable appetite for his books, he hasn't gotten more cinematic as a writer — he always has been. 'I am one of the first writers that was actually influenced by television as well as movies. 'I grew up with the idea that things should be cinematic and that you should look at things in a visual way, a very sensory way.' "I named him Tim because I read somewhere that no great thing was ever done by a man named Tim. And so I thought to myself, 'Yeah, well, OK, I'll call him Tim and he can do great things.''
Winnipeg Free Press
10-07-2025
- Entertainment
- Winnipeg Free Press
Dark series ‘The Institute' adaptation gets author Stephen King's thumbs up
NEW YORK (AP) — Stephen King has a rule for anyone wanting to adapt one of his books for the big or small screen. It's basically the Hippocratic oath for intellectual property — first, do no harm. 'When you deviate from the story that I wrote, you do so at your own risk,' he says in a recent interview from his home in Maine. 'I know what I'm doing and I'm not sure that screenwriters always do or that producers and directors always do.' Not everyone has listened to King, who has enjoyed hit adaptations — 'The Shawshank Redemption,' 'Stand By Me,' 'Misery,' 'It' and 'The Shining' — as well as flops — 'Salem's Lot,' 'Graveyard Shift' and 'The Lawnmower Man.' The industrious novelist has lately watched as a wave of adaptations are crafted for theaters or streaming platforms, a list that includes 'The Life of Chuck' and the upcoming 'The Long Walk,' 'The Running Man' and 'It: Welcome to Derry.' It also includes the eight-episode series 'The Institute,' which debuts on MGM+ on Sunday. It's about a secret government facility where kids with special talents — telekinesis and telepathy — are imprisoned and put to dark geopolitical uses. Their bedrooms are faithfully re-created and creepy posters — 'Your Gift Is Important' and 'I Choose to be Happy' — line the halls. Does this small-screen adaptation of his 2019 book get King's approval? 'I'm talking to you which is a pretty good sign,' he says, laughing. He even signed on as executive producer. 'When I write a book, it's a single-person sport and when these people do a TV show or a movie it becomes a team sport. So you expect some changes and, sometimes, man, they're really good.' What's 'The Institute' about'? 'The Institute' stars Mary-Louise Parker as a sinister scientist and Ben Barnes as a small-town cop on opposite sides as the group of children are kidnapped and exploited. The series is faithful to the book, but includes some changes, like setting it entirely in Maine and aging the hero up so as not to appear too sadistic. That hero — 14-year-old Luke Ellis, played winningly by Joe Freeman — is the latest youngster with special powers that King has manifested, a line that stretches back to the heroine of 'Carrie,' Danny Torrance in 'The Shining' and Charlie McGee in 'Firestarter.' 'I thought to myself, what would happen if a bunch of kids that had psychic powers could see enough of the future to tell when certain moments were going to come along,' he says. 'But the kids would be wrecked by this process and they would be kept in a place where they could serve the greater good. It was a moral problem that I really liked.' King has a special respect for young adults, who he says can be brave and behave nobly under pressure but who can also be mean and petty. He says he was inspired by William Golding, who wrote the iconic 'Lord of the Flies,' a dystopian novel about a group of schoolboys who while trying to survive on a remote island unlock their own barbarism. 'He was talking to his wife before he wrote the book and he said, 'What would it be like if I wrote a story about boys and the way that boys really acted?' And so I tried to write a book about kids the way that kids really act,' says King. Executive producer and co-writer Benjamin Cavell says King resists the impulse to be overly involved in the process, instead identifying people he trusts to do right by the material. 'So much of the pleasure of King's writing is the access he gives his reader to the deepest, darkest, most private thoughts and dreams and desires of his characters; the adaptor's task is to make all that external and cinematic,' says Cavell. 'Monsters inside of us' Jack Bender has become something of a King whisperer, helping adapt both King's 'Mr. Mercedes' and 'The Outsider' to the screen. This time, he helped direct and executive produce 'The Institute.' 'I count my blessings to be in the position of someone he creatively trusts,' says Bender. 'He is a genius at tapping into the fears we all share of what's hiding under our beds. For me, both 'Mr. Mercedes' and 'The Institute' deal with those fears by focusing on the monsters inside of us human beings, not just outside in the world around us.' The first thing Bender and Cavell had to figure out was what form 'The Institute' would take — a standalone film or a series. Currently on hiatus A review of funny, uplifting news in Winnipeg and around the globe. 'In the case of 'The Institute,' which was a 576-page novel packed with rich, fascinating characters that would need time to connect and be with each other, I didn't want to shrink it into a 110 minute movie that would've become the 'X-Kids,'' says Bender. King says that while Hollywood has a seemingly insatiable appetite for his books, he hasn't gotten more cinematic as a writer — he always has been. 'I am one of the first writers that was actually influenced by television as well as movies. 'I grew up with the idea that things should be cinematic and that you should look at things in a visual way, a very sensory way.' King was also pleased that the adapters of 'The Institute' made sure not to change the name of Barnes' small-town cop, Tim. 'I named him Tim because I read somewhere that no great thing was ever done by a man named Tim. And so I thought to myself, 'Yeah, well, OK, I'll call him Tim and he can do great things.''
