Latest news with #ThereSheGoes
The Irish Sun
2 days ago
- Entertainment
- The Irish Sun
Michelle Keegan looks incredible as she shows off abs in sports bra just four months after giving birth
MICHELLE Keega n showed off her toned body as she completed an intense Pilates workout months after welcoming her first born child. Michelle , 38, who , snapped a pic of herself in the mirror in a black sports bra and sitting atop a reformer Pilates machine at a studio near her 4 Michelle Keegan got in an early Sunday morning Pilates class Credit: Instagram 4 Michelle gave birth to her first child in March Credit: Instagram 4 She shares baby Palma with husband Mark Wright Credit: instagram The former Coronation Street star, who shares her adorable daughter with husband Mark Wright , 38, smiled for the camera as she wore her brunette hair in a loose bun above her head. She posted the photo to her Instagram stories and added The La's song, There She Goes to the post. "Love a Sunday morning class," she captioned the post. following the arrival of daughter Palma in March. michelle keegan She jetted to a film set in Bulgaria for her next project and shared a slew of snaps from the shoot, which included an adorable pic of her daughter. Other pictures included Michelle looking happy and relaxed on set as she showed off her incredible post-baby figure. In her caption, she wrote: "A week of work & belly laughs in Bulgaria." The Fool Me Once star, who recently to become the new face of Sky, has been excitedly living it up at the Cannes film festival , on holiday in Spain and showing off her in tiny swimsuits from her own fashion range. Most read in TV The Sun revealed how the We revealed how she would be filming a series of promo clips — which will be shown around the globe — with fellow British actor, Luther star The deal is Michelle's first major job since Mark Wright and Michelle Keegan take newborn baby Palma to another luxury hotel as they stay in £21k a night suite She landed the deal after becoming a major player for Sky, with her comedy-drama The actress revealed The happy couple - who have been married for nine years - shared their happy pregnancy news on Instagram. Then in March, the new parents revealed 4 Michelle and Mark got married in 2015 Credit: PA
Scottish Sun
2 days ago
- Entertainment
- Scottish Sun
Michelle Keegan looks incredible as she shows off abs in sports bra just four months after giving birth
The star is a regular on the Pilates reformer machine sports mum Michelle Keegan looks incredible as she shows off abs in sports bra just four months after giving birth Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) MICHELLE Keegan showed off her toned body as she completed an intense Pilates workout months after welcoming her first born child. Michelle, 38, who welcomed Palma in March, snapped a pic of herself in the mirror in a black sports bra and sitting atop a reformer Pilates machine at a studio near her Essex mansion. Sign up for the Entertainment newsletter Sign up 4 Michelle Keegan got in an early Sunday morning Pilates class Credit: Instagram 4 Michelle gave birth to her first child in March Credit: Instagram 4 She shares baby Palma with husband Mark Wright Credit: instagram The former Coronation Street star, who shares her adorable daughter with husband Mark Wright, 38, smiled for the camera as she wore her brunette hair in a loose bun above her head. She posted the photo to her Instagram stories and added The La's song, There She Goes to the post. "Love a Sunday morning class," she captioned the post. Michelle returned to work in June following the arrival of daughter Palma in March. She jetted to a film set in Bulgaria for her next project and shared a slew of snaps from the shoot, which included an adorable pic of her daughter. Other pictures included Michelle looking happy and relaxed on set as she showed off her incredible post-baby figure. In her caption, she wrote: "A week of work & belly laughs in Bulgaria." The Fool Me Once star, who recently bagged herself a six-figure sum to become the new face of Sky, has been excitedly sharing snaps of her living it up at the Cannes film festival, on holiday in Spain and showing off her incredible post-baby figure in tiny swimsuits from her own fashion range. The Sun revealed how the actress had signed a six-figure advertising deal to become the new face of Sky. We revealed how she would be filming a series of promo clips — which will be shown around the globe — with fellow British actor, Luther star Idris Elba. The deal is Michelle's first major job since she gave birth in March. Mark Wright and Michelle Keegan take newborn baby Palma to another luxury hotel as they stay in £21k a night suite She landed the deal after becoming a major player for Sky, with her comedy-drama Brassic one of the most popular series to air on the platform. The actress revealed she was expecting her first baby with Towie favourite Mark back in December. The happy couple - who have been married for nine years - shared their happy pregnancy news on Instagram. Then in March, the new parents revealed they had welcomed baby Palma into the world.
Edinburgh Reporter
3 days ago
- Entertainment
- Edinburgh Reporter
Cast return to Edinburgh supporting Oasis
Cast return to Edinburgh to support Oasis for the 'biggest support slot of the year, if not the decade'. John Power discussed his first meeting with Liam Gallagher, before the singer's fame, when Gallagher was just a teenager. Power admits it was a 'strange atmosphere' as he was going to see The La's, the band he had just left. 'This lad came up to me and asked for a smoke, I told him to p**s off, it was Liam Gallagher. A couple of years later, Oasis was doing a gig in Liverpool and had appeared on The Word, playing Supersonic. Liam came over and said: 'I asked you for a smoke and you told me to p**s off, and we just both burst out laughing.' There's been a long history between Oasis and John Power. The 'Scouse-Irish' songwriter and front-man of Cast was a teenager himself when he first joined The La's and mercurial musical magus Lee Mavers back in 1986. 'At the height of it, it was like nourishment,' explains Power of the band's mystical sea shanties, Mersey melodies and spirited flamenco rhythms, 'How can you not be blown away by songs like Son of Gun when you are that age and learning the guitar. There were Biblical highs, there was something eternal within The La's, and with Lee's songwriting, the waters were crystal clear and you could baptise yourself within them. I couldn't play before that, with those songs, they were the first bass lines I played and understood. It all felt very natural, Lee was like a mentor and a massive influence on my songwriting, and it was a beautiful part of my life.' While The La's made only one self-titled album released in 1990 featuring their hit There She Goes, Power would go on to form Cast two years later. During his time in The La's he began to write what would soon be a string of hit singles, among them Alright and Sandstorm would eventually appear on Cast's debut album All Change. Later this year the band will tour the 30th anniversary of the LP but before then they are about to embark on as Power suggests, 'the biggest tour of the year, if not the decade' with Oasis. I suggest to him it's like a gathering of the clans for the last Kings of Ireland. 'I like that,' he laughs, 'we all have those working-class Irish connections so there has to be something in the lineage or the blood, it's too common for it not to be the case.' Noel Gallagher is quoted as saying Oasis came to finish what The La's started. As Power suggests Oasis gave Cast 'a bump' when asking them to play support in May 1994 at The Venue in Newcross. 'I remembered Noel from when he was a roadie with Inspiral Carpets back when The La's played at G-Mex in Manchester, we were always zig-zagging and crossing paths. Cast got a record deal from that gig in Newcross, and then Noel would give us a shout for gigs like Irvine Beach, Loch Lomond and Knebworth.' It's fair to say that Loch Lomond often gets overlooked for Knebworth, but author Simon Spence points to the importance of the band's links with Scotland, even using a shot from one of the gigs for the limited edition version of his book Feeling Supersonic: From Manchester To Britpop. Spence said: 'Oasis have strong and deep links to Scotland, which explains the fervent reception they get here and the sense among fans that Oasis are part of them. Liam and Noel's mum Peggy lived in Glasgow before moving to Manchester and, crucially, the band's big break, the infamous meeting with Alan McGee that led to them being signed to his label Creation in 1993, also took place in Scotland at Glasgow's King Tut's Wah Wah Hut. 'For many, including McGee, their best ever gig during their 90s heyday, and one of the defining moments of Britpop, took place in Scotland, on the shores of Loch Lomond in Balloch Castle Country Park, where they played to 80,000 over two rapturous nights. After Manchester, Scotland is the band's second home. Noel and Liam have both spoken with pride of their Scottish fans who have remained ferociously loyal over the years. Liam described them as 'the f**king bollocks'. 'The band's two previous shows at Murrayfield were epochal, for different reasons, and these three nights are set to reignite joyous memories for both the band and the fans (if not the local council). Remarkably, after a 15-year absence, the bond between the band and their Scottish fans has only strengthened. Expect to party like it's 1999 again; Hogmanay comes early this year.' John Power is only too familiar with what it's like to play alongside Oasis in Scotland. It was another gig here that helped put the band on the map. Inertia had set in for The La's with Lee Mavers halting progress at every stage, partly due to his obsession with the debut album's sound and a refusal to play or record new songs. Cast soon managed to build on a head of steam with a memorable sonic force during performances that buried those previous disappointments. Power said: 'Before it happens, you are working spiritually and physically towards a dream. As a band, we were all connected to it and cutting it live, through that, you are discovering this new ground, it's like heading towards the promised land. We knew we would see it, and we were getting there, which gave us that strength. When you do break, it's all about maintaining it like with Oasis or U2 you go into another stratosphere but for most of us having a top ten record, getting on Top of the Pops and meeting the fans. That's as good as it's ever going to be and that's more than most bands ever get a whiff of. At that time you can feel it happening and no one can get in the way or tell you otherwise.' Cast and The Verve both made an impact on fans as support at the Irvine Beach shows. As Cast walked off stage Noel Gallagher remarked that it was 'like a religious experience'. The line was picked up by a journalist and quoted in the press. 'Fine Time was massive in Scotland before we had a hit with it,' added Power. 'People would go off their nut.' Oasis gifted coveted support slots to both bands at key gigs, it was fitting that both The Verve's frontman Richard Ashcroft and Cast are both invited thirty years later as support for the long-awaited reunion. Power said: 'I think we are all really looking forward to seeing Noel and Liam walk on that stage together again in Edinburgh. Cast is in such a great place and we've got momentum, it's going to be a big year. The line-up is stratospheric with Richard Ashcroft as well – it's real northern soul rock n' roll, and here we all are thirty years later. It was easy to miss things back then because I was always looking forward. When the Oasis tour becomes the present time I'll be in the eye of the hurricane and right in the presence of it in all these places like Dublin and Edinburgh and the rest of them.' Next year will mark forty years since Power joined The La's, he now performs tracks such as Son Of A Gun, taking him full circle. 'The ifs and buts could go on forever, but those two voices together', he says of the hypnotic connection with Mavers, 'I did some of the best songs I ever wrote with Lee, together we were a force to be reckoned with, it's like letting the genie out of the bottle. I hope we can get together for a cup of tea and play together again, even if it's just in his kitchen'. Cast will support Oasis in Edinburgh on August 8, 9, and 12 along with Richard Ashcroft. Feeling Supersonic: From Manchester To Britpop by Simon Spence is out now Members of Cast – L_R Liam Tyson, Peter Wilkinson and John Power Like this: Like Related
Buzz Feed
05-07-2025
- Entertainment
- Buzz Feed
Throwback One-Hit Wonders That Trigger Millennial Nostalgia
Calling all Millennials! It's time to dive into the past with these classic '90s and 2000s one-hit wonder songs. So, let's take a stroll down memory lane and be sure to share your favorite throwback from this list down below! "Gonna Make You Sweat (Everybody Dance Now)" by C+C Music Factory (1990) It stayed at #1 on the Billboard Hot 100 chart for two weeks, becoming their most popular song to date. "There She Goes" by The La's (1990) It reached #32 on the Billboard Hot 100, only truly reaching its success from its re-releases and international audiences. "Baby Got Back" by Sir Mix-A-Lot (1992) It stayed at #1 on the Billboard Hot 100 chart for five straight weeks and was declared the "Song of the Summer" for 1992. "Jump" by Kriss Kross (1992) It reached the #1 spot on the Billboard Hot 100 in the summer of 1992, becoming the third biggest hit of the year. "Runaway Train" by Soul Asylum (1992) It reached #5 on the Billboard Hot 100 and became their biggest hit to date, even winning the Grammy for Best Rock Song in 1994. "Send Me On My Way" by Rusted Root (1992) It peaked at #72 on the Billboard Hot 100 in 1995. "What Is Love" by Haddaway (1993) It reached #11 on the Billboard Hot 100 charts in December of 1993. "I'll Be There for You" by The Rembrandts (1995) It reached #17 on the Billboard Hot 100 chart in October of 1995. "This Is How We Do It" by Montell Jordan (1995) It peaked at #1 on the Billboard Hot 100 in April of 1995. "Closing Time" by Semisonic (1998) It was #1 on the US Billboard Modern Rock Tracks chart, but failed to make the Hot 100 that year. "How Bizarre" by OMC (1996) While it didn't ever top the Billboard Hot 100 chart, it became the bestselling record in New Zealand of all time. "Barbie Girl" by Aqua (1997) It peaked at #7 on the Billboard Hot 100, spending 16 weeks on the top 100 chart overall. "Kiss Me" by Sixpence None The Richer (1997) It reached #2 on the Billboard Hot 100, becoming their most successful single ever to date. "Bitter Sweet Symphony" by The Verve (1997) It peaked at #12 on the Billboard Hot 100 chart in 1998. "Who Let the Dogs Out" by Baha Men (2000) It peaked at #40 on the Billboard Hot 100 chart in October of 2000. "Teenage Dirtbag" by Wheatus (2000) Despite massive success in the UK, Europe, and Australia, it never made the Billboard Hot 100 chart. "Absolutely (Story of a Girl)" by Nine Days (2000) It peaked at #6 on the Billboard Hot 100 chart in 2000. "Hit 'Em Up Style (Oops!)" by Blu Cantrell (2001) It peaked at #2 for two full weeks in the summer of 2001. "Wherever You Will Go" by The Calling (2001) It reached #5 on the Billboard Hot 100, making it their most successful song ever. "Let Me Blow Ya Mind" by Eve ft. Gwen Stefani (2001) It peaked at #2 on the Billboard Hot 100 in 2001. "Stacy's Mom" by Fountains of Wayne (2003) It reached #21 on the Billboard Hot 100, making it their first song to ever transcend the charts. "Tipsy" by J-Kwon (2004) It peaked at #2 on the Billboard Hot 100 in 2004. "Bad Day" by Daniel Powter (2005) It reached #1 on the Billboard Hot 100 in 2005. "Crazy" by Gnarls Barkley (2006) It peaked at #2 on the Billboard Hot 100 in July of 2006. "Lip Gloss" by Lil Mama (2007) It peaked at #10 on the Billboard Hot 100 in June of 2007. Know any more one-hit wonders from the 90s or 2000s that didn't make the list? Be sure to let us know in the comments below!
Yahoo
18-05-2025
- Sport
- Yahoo
Everton fans celebrate in style to mark end of era at Goodison Park
The La's song There She Goes captured the mood perfectly, sparking a mass sing along before the second world war siren kicked in and Everton's men emerged to the sound of Z-Cars for one last time at Goodison Park. Then the PA system cut out and Z-Cars spluttered to a halt. Not now, please not now. A sign from the stadium gods? A little reminder that this iconic feature of English football is 133 years old and all the affection in the world can not hide the wrinkles? Perhaps, but it can still say goodbye in style. On a beautiful day in L4 4EL, under pale blue skies darkened by plumes of royal blue smoke from the flares outside, Everton delivered as its history demanded and departed with a win. Iliman Ndiaye danced through the Southampton defence twice and etched his name into Goodison folklore as the final goal scorer in the stadium's Premier League history. Related: 'Goodison Park has been part of saving my life': Everton fans mourn club's Mersey move Nottingham Forest's Horace Pike has the honour of scoring the first league goal here in 1892. Legends, glory, torment, passion, misery, the School of Science, Dogs of War and so much more have filled the years in-between. The history is inescapable and Everton – club, team and fans alike – staged the perfect send-off on a poignant and emotional afternoon. Ndiaye took the match-ball home after delivering victory for David Moyes's team. He didn't get a hat-trick but no one cared. It was some achievement by the Everton team to get inside the stadium and perform at all. The call to greet the team coach as it made its way along Walton Lane and Goodison Road was answered by tens of thousands of Evertonians. The area around Spellow Lane and Goodison Road, where the statue of Dixie Dean stands, was impassable by 9.30am. On the quieter Bullens Road and Gwladys Street, families stood outside their usual turnstiles to have their photographs taken. Outside 29 Gwladys Street, bedecked in Everton paraphernalia, the elderly owner sat in a deckchair and held court with passersby. A few doors along a brave neighbour had decorated their house in Liverpool flags. They were not sat outside to welcome visitors. Once around the corner at St Luke's Church, Goodison Road was gridlocked with fans waiting to welcome Moyes's men. It was so packed that the coach couldn't get through and had to make a detour to drop the players off in the Bullens Road car park. Hundreds of fans without tickets remained outside for the duration of Everton's 2-0 win. Everton scarfs had been draped over every seat and supporters made their way inside the ground as soon as the gates opened. Just like old times. Moyes broke away from his team's pre-match warm-up to hug Wayne Rooney as the boyhood Evertonian made his way around the pitch with his son. The Gwladys Street ran through its old songbook as Ndiaye ran amok through the Southampton defence. Alan Ball, Super Kevin Campbell, Duncan Ferguson and Tim Cahill all got a mention. From the current squad, Seamus Coleman and Jordan Pickford were serenaded frequently. Moyes had given Coleman the fitting honour of captaining Everton's men in their final appearance at Goodison. A lovely touch, although it backfired to a degree when the 36-year-old pulled up injured and had to be replaced in the 18th minute by the soon-to-be-released Ashley Young. After the final, final whistle there was a 15-minute delay while club staff put seats and stages in place for 'Operation Farewell Goodison'. It was a moment to reflect on what it has taken for Everton to get to a point where leaving its cherished home for a new stadium at Bramley-Moore dock is met with excitement more than regret. Everton's house move has been more complicated and stressful than most. There was the proposed relocation to a 60,000, £100m super-stadium at an unidentified location under Peter Johnson in the late 1990s. That one never got off the ground. Goodison's final game would have been staged 22 years ago had Everton made the transformative move to a prime waterfront site at King's Dock. Bill Kenwright's refusal to cede boardroom power to the former director Paul Gregg put pay to that scheme. Then came the awful plan to move to Kirkby as part of a giant Tesco retail development. 'A glorified cow shed built in a small town outside Liverpool,' as it was described at the time by the former Liverpool city council leader Warren Bradley. That cheap and unambitious project was rejected by the government after a public inquiry prompted by the Keep Everton In Our City campaign. The debt that present and future Evertonians, plus present and future owners, owe the KEIOC founders Dave Kelly, Colin Fitzpatrick, the late Tony Kelly and the late Anthony AJ Clarke among others is immeasurable. But that is the past. Everton's farewell to Goodison could have morphed into a sombre memorial but was pitched perfectly. Goodison would get one last rendition of Z-Cars after all. In the penalty area where Dean scored his record-breaking and still unmatched 60th league goal in 1928, a lone violinist played a heart-wrenching version of the club's adopted anthem. A series of goodbye tributes then appeared on the giant TV screens from Carlo Ancelotti, Sir Alex Ferguson, Thomas Tuchel, Mikel Arteta, Tim Howard and Roberto Martínez. There were also messages from Dame Judi Dench, an Everton fan and honorary patron of the club's charity, Jodie Comer, whose dad, Jimmy, had been the club's masseur for decades, and Sylvester Stallone. Related: Everton fans on the end of a Goodison era: 'I'll be thinking about my dad, my brothers, my son' Centre stage was eventually and rightly given to former players, many of whom are responsible for Goodison's greatest moments. Joe Royle, Bob Latchford and Johnny Morrissey led the first wave. The great 1980s team followed. The legendary goalkeeper Neville Southall looked resplendent in a floral shirt. Graeme Sharp, who stayed away for two years due to protests against the club's former board, was welcomed home with a fine reception. Peter Reid took to the mic and apologised for his dreadful sunglasses. 'I was on the lash last night,' he said. Next to him stood Andy Gray, who remarked: 'We are all leaving Goodison but Goodison will never leave us.' Bill Ryder-Jones, co-founder of The Coral, closed proceedings with a moving version of In My Life. 'There are places I remember, All my life.' Evertonians could not have loved Goodison more.
