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Yahoo
6 days ago
- Entertainment
- Yahoo
‘Awards Chatter' Pod: Sissy Spacek on Her J.Law Collab ‘Die My Love,' the ‘New Hollywood' of the '70s and the Penises in ‘Dying for Sex'
For the fourth annual recording of The Hollywood Reporter's Awards Chatter podcast in front of an audience in the Campari Lounge of the Palais during the Cannes Film Festival, the legendary actress Sissy Spacek joined yours truly for an hourlong conversation about her remarkable life and career. Spacek, a youthful 75, reflected on her journey from small-town Texas to Hollywood (and then to a farm in Charlottesville, Virginia, where she has resided since 1982); her involvement in the 'New Hollywood' of the '70s and early '80s, including massively acclaimed performances in 1973's Badlands, 1976's Carrie, 1977's Three Women, 1980's Coal Miner's Daughter (which brought her a best actress Oscar) and 1982's Missing; and the recently deceased filmmaker David Lynch, a childhood friend of Spacek's husband Jack Fisk and a friend of hers for some 50 years, whose breakthrough 1977 film, Eraserhead, she and Fisk helped to finance, and in whose 1999 film The Straight Story she starred. More from The Hollywood Reporter Billy Joel Shares Brain Disorder Diagnosis 'Lilo & Stitch' Now Soaring to Record $170M-$180M Memorial Day Box Office Bow Pop Star King Princess Didn't Think She Could Be an Actress (Then She Talked to a Psychic) She also discussed her latest project, Lynne Ramsay's Die My Love, which premiered in competition at Cannes just hours after this conversation took place, and which shortly thereafter was acquired by Mubi in the biggest sale of the festival. In the dark drama, Spacek plays the wife of a character played by Nick Nolte (with whom she previously acted in 1980's Heart Beat and 1997's Affliction), the mother of a character played by Robert Pattinson and the mother-in-law of a woman in the throes of severe post-partum depression, played by fellow Oscar winner Jennifer Lawrence. Die My Love brought about Spacek's first trip to the Cannes Film Festival in 26 years, following three previous visits, each in different decades — for Three Women, Missing and The Straight Story. The general consensus at the fest was that Spacek's performance in the new film could bring her the seventh Oscar nomination of her career, which would be her first first in 24 years, and her first ever in the category of best supporting actress. Her earlier noms, all in the best actress category, came for Carrie, Coal Miner's Daughter, Missing, 1984's The River, 1986's Crimes of the Heart and 2001's In the Bedroom. Only six living women have accumulated seven or more acting Oscar noms: Meryl Streep (21), Cate Blanchett (8), Judi Dench (8), Glenn Close (8), Jane Fonda (7) and Kate Winslet (7). Best of The Hollywood Reporter 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now
Yahoo
13-05-2025
- Entertainment
- Yahoo
Adria Arjona on breaking ‘Star Wars' ground with intense ‘Andor' scenes: ‘I found it really important'
Season 2 of Andor is a real roller-coaster for all its characters. However, Bix Caleen (Adria Arjona) has some harsh ups and downs. On the one hand, Bix is still dealing with the trauma from her brutal torture and interrogation at the hands of Dr. Gorst (Joshua James) in Season 1, as well as new violent attacks from other Imperial officials. But the show doesn't just wallow in her pain; it depicts how she overcomes her troubles through solidarity and empowerment as part of the growing Rebel movement. Though Star Wars is about the struggle against the forces of darkness, it usually sticks to cartoonish portrayals of evil: An old wizard cackling as he shoots lightning out of his fingers, or his minion in black armor with a flaming sword. But below them, as Andor repeatedly shows, are millions of bureaucrats and officials carrying out much more recognizable forms of violence and oppression every day. At the beginning of Season 2, one such figure, Lieutenant Krole (Alex Waldmann), even sexually assaults Bix while carrying out an Imperial census on the planet Mina-Rau. The casualness with which Krole abuses Bix suggests it's an everyday occurrence. However, this time, he pays for it with his life. This represents the first depiction of overt sexual assault in a Star Wars story, and neither Arjona nor Andor creator Tony Gilroy (who wrote the first three episodes of the season himself) took that lightly. More from GoldDerby TV showrunner panel: 'The Better Sister,' 'Deli Boys,' 'Overcompensating,' 'Shifting Gears,' and 'Three Women' 'Three Women' showrunner Laura Eason talks courage, desire, and 'superhero' intimacy coordinators 'Overcompensating' showrunner Scott King on Prime Video comedy: 'There are no heroes or villains - everyone is just a f--ing mess' 'I felt a great honor for being the one to play it right,' Arjona tells Gold Derby. 'I have many friends and family members who are victims, and I felt like this was written in a way that I wish everybody would react. I wish it were really empowering to do the thing we all wish we could do, but we don't know when we're in that moment. It's kind of the reaction that someone has five days after something happens, when they have the perfect thing to say and the perfect reaction. You know what I mean? So that's sort of how I saw it, and that gave me a lot of power.' Arjona continues, 'I really held strong to the people I know who have been through this. I brought them with me, in a way, to the scene. At the end of the day, it's part of our history. This show touches so much on really high themes, and it almost feels like we're trying not to look at the reality of it. But the abusive power happens in a galaxy far, far away; it happens here, in Guatemala, in Europe; it happens all over the world. Sometimes we're blinded to it or don't want to see it because it is really scary. So to perform it, I did not take that lightly, and I really put my heart into that scene. I found it really important.' When Andor started, Bix was just a junkyard dealer on the Outer Rim planet Ferrix. She was trying to get by like everyone else in that hard-scrabble community. Still, anti-Imperial activity intrigued her enough to contact the mysterious Luthen Rael (Stellan Skarsgård). That got her into trouble when the Empire captured her and subjected her to torture. But after joining with her longtime friend Cassian Andor (Diego Luna) and becoming part of the growing Rebellion, Bix learns how to fight back against her oppressors. So in the second block of Season 2 episodes, Bix dovetails her recovery from torture with her work in the Rebellion by finding and killing Dr. Gorst. 'You take it personally. I've really fallen in love with the characters that I've played, and I just wanted Bix to win,' Arjona says. 'I was saying, 'Tony, throw Bix something!' Tony really talked me through her entire arc, but that moment with Dr. Gorst, he didn't. He let me read it, and I did. I read it, and oh man, it was just such a big relief that I had for Bix. I counted the days for us to film that scene.' Throughout both seasons, Andor shows how individuals' choices add to causes greater than themselves, political (like the Rebellion) and personal (like the love that grows between Bix and Cassian). 'As the show progresses, you see the repercussions of everything Dr. Gorst did to her until she has that big moment of revenge and liberation,' Arjona says. 'But as Bix is coming to herself, she's also playing more of a part in the Rebellion, and she wants to be a part of it. That's what takes her out of this whole dark hole, her desperate need to be part of the Rebellion, support Cassian, and be well for Cassian so they can form this beautiful relationship.' The Andor series finale debuts on Tuesday. Best of GoldDerby Filming 'The White Lotus' terrified Sam Nivola more than once TV showrunner panel: 'The Better Sister,' 'Deli Boys,' 'Overcompensating,' 'Shifting Gears,' and 'Three Women' 'Three Women' showrunner Laura Eason talks courage, desire, and 'superhero' intimacy coordinators Click here to read the full article.
Yahoo
13-05-2025
- Entertainment
- Yahoo
‘Deli Boys' and ‘Shifting Gears' showrunner Michelle Nader says both shows ‘are about humanity and make people laugh'
Michelle Nader, the showrunner behind two of the year's new comedies — Hulu's Deli Boys and ABC's Shifting Gears — says "both shows are about humanity and making people laugh." With two very different worlds, casts, and tones to balance, Nader has crafted shows that not only entertain but resonate deeply with audiences. Created by Abdullah Saeed, Deli Boys follows a pair of privileged Pakistani-American brothers who lose their lavish lifestyle after their convenience-store mogul father dies in a freak golfing accident. Nader calls the genre-blending comedy one of the most rewarding experiences of her career. More from GoldDerby TV showrunner panel: 'The Better Sister,' 'Deli Boys,' 'Overcompensating,' 'Shifting Gears,' and 'Three Women' 'Three Women' showrunner Laura Eason talks courage, desire, and 'superhero' intimacy coordinators 'Overcompensating' showrunner Scott King on Prime Video comedy: 'There are no heroes or villains - everyone is just a f--ing mess' 'Deli Boys is so special to me,' Nader shares. 'The experience of working on it has been one of the best I've had in my long career. It was such a gift to be able to tell this story about a family coming together through crime. I come from Philadelphia, it's set in Philadelphia, and it was a convergence of so many great things — the cast, the writers' room, and the directors. It's a special show that is resonating with people. The genre is such a blend of action, comedy, and craziness. That's what people want now — laughing and being surprised. A lot of comedies today are just smiles." Deli Boys brings on the laughs. At the heart of Deli Boys is its ensemble cast, led by Asif Ali and Saagar Shaikh as the brothers navigating their father's criminal empire. Nader credits their bond as the driving force behind the series' success. 'Asif Ali and Saagar Shaikh are brothers now,' Nader says. 'They are the two sides of Abdullah [Saeed]: the hardworking person and his pursuit of weed. It's about rich kids — one wants to enjoy [the wealth], and the other wants to keep [the family business afloat]. Both Saagar and Asif really took that to heart. They came every day ready to explore [their characters] with each other and with us. The dialogue between the writers and them, as actors, brought their performances and the show to a level that people are responding to.' The diverse and energetic writers' room also played a pivotal role in shaping the voice of Deli Boys. 'Abdullah is Pakistani, I'm Lebanese and Italian — there were Indian people, Persian people, Thai, other Pakistanis, Jewish writers. We had this Ocean's Eleven group of weirdos with crazy backgrounds drama,' Nader explains. 'I would say in the writers' room, 'It has to be a runaway train to a rocket ride.' Abdullah created something so rich. We were able to cull from that and develop it." While Deli Boys explores crime and chaos, ABC's Shifting Gears takes a more traditional sitcom approach, with Tim Allen playing widower Matt Parker, whose estranged daughter shows up with her two teenage children, sparking both family drama and heartfelt humor. Though Nader didn't work on the pilot, she was thrilled to join forces with Kat Dennings, whom she calls her 'professional wife' after working closely together on 2 Broke Girls. 'It was going to be hard for me to watch Kat in another relationship on a show,' Nader jokes. 'Miraculously, fate brought me to [Shifting Gears]. Then I got to work with Tim Allen, who is such a legend. I was nervous because he's such an icon, but he was so welcoming and trusting. We were on the same page — we wanted this to be a classic sitcom but modernized.' The chemistry between Allen and Dennings was what ultimately convinced Nader the show could work creatively. 'They are so magical together,' Nader says. 'I responded to their dynamic and chemistry as actors, but I also love the exploration of grief and how people have to rebuild. The show is about Matt Parker restoring classic cars, so thematically, I wanted to mirror that idea of restoration in the family as well. They still fight, but they have to make peace with their differences and drive the car together.' Deli Boys and Shifting Gears are both streaming on Hulu. This article and video are presented by Disney/Hulu. Best of GoldDerby Filming 'The White Lotus' terrified Sam Nivola more than once TV showrunner panel: 'The Better Sister,' 'Deli Boys,' 'Overcompensating,' 'Shifting Gears,' and 'Three Women' 'Three Women' showrunner Laura Eason talks courage, desire, and 'superhero' intimacy coordinators Click here to read the full article.
Yahoo
13-05-2025
- Entertainment
- Yahoo
‘Three Women' showrunner Laura Eason talks courage, desire, and ‘superhero' intimacy coordinators
"There were many people that wanted to adapt the book," says Three Women showrunner Laura Eason, who collaborated closely with the novel's author, Lisa Taddeo, to bring the 2019 bestseller to the screen. "When they put a list of possible showrunners together, I luckily was on the shortlist. When Lisa and I met, we just clicked and luckily she chose me to be her partner. I came to that meeting having read the book, already being obsessed with it, and when I got the call I felt so fortunate to get that opportunity." The Starz limited series is an intimate, moving, and uplifting portrait of real women reclaiming their lives. Based on true stories, Shailene Woodley stars as Gia, a writer who sets out to tell chronicle the lives of Lina (Betty Gilpin), Sloane (DeWanda Wise), and Maggie (Gabrielle Creevy). More from GoldDerby Filming 'The White Lotus' terrified Sam Nivola more than once Adria Arjona on breaking 'Star Wars' ground with intense 'Andor' scenes: 'I found it really important' TV showrunner panel: 'The Better Sister,' 'Deli Boys,' 'Overcompensating,' 'Shifting Gears,' and 'Three Women' Adapting a beloved book presents unique challenges, notes Eason. "You want to honor the material, honor these real women's lives, but you are also making a TV show that needs to stand on its own," she explains. "That was one of the great things about the partnership. Lisa had never done any television. I was able to bring what I know about making [TV] and tell these internal stories in visual, cinematic ways. We wanted to use the tools of television to externalize that beautiful internal life and the complexity that the book and these stories are so centered on." Eason and Taddeo wrote all 10 episodes prior to casting, which Eason says gave them an advantage. "They were able to read what the show was asking [them to do]," she explains. "The show is about female desire and there's a ton of intimacy. It asks a lot of the actors. They have to be very vulnerable and there's a lot of onscreen intimacy. The order was tall in a lot of ways. It was a big ask of the actors. When we met with them, not only did we know they were right, but that they were also up for the challenge." The show's sexually explicit nature captures all dynamics — including moments of intimacy, comedy, and trauma. "A big part of the show was capturing all those different dynamics," Eason says. "We had the best intimacy coordinator, Claire Warden. She's really been at the forefront of this movement. We brought her on as a department head and integrated her into the whole creative process. She brings a tremendous amount of artistry to the work that she does. Safety was paramount — and that was our first priority — but in terms of having intimacy tell the story, that was where Claire was like a superhero for us." "All of that planning allowed the actors to show up and be in the moment," Eason continues. "One of my greatest days was after a big intimacy scene in Episode 2, the wonderful Betty Gilpin came up to me and said, 'I didn't know a day like this could be fun.' She felt so safe, but also so creatively free. In many experiences for actors, days like that are not fun. It's the opposite. So to have that be a really great day for her was such an achievement of Claire's and was one of my happiest days." Eason also connected personally to one of the show's central characters, Maggie. She shares that Maggie's story— of being groomed by her high school teacher — is the only narrative in both the book and series that uses the real person's name. "When I was in high school, I moved across the country. In retrospect, I now understand that there were two teachers that approached me inappropriately that were really early signs of grooming. That is what happened to Maggie Wilkin in real life and what we portray on the show. She was groomed by her teacher. She believed when she was young that it was a love story, but in retrospect she realizes the trauma, manipulation, and the truth of what happened to her. I so easily could have fallen into one of these relationships. When I read Maggie's story, I just felt such connection. Although I didn't endure what she did, so many people who watch the show have told me they had a similar experience." Eason praises the real Maggie Wilkin's courage, particularly for coming forward in 2016, before the MeToo movement began. "Her bravery and decision to say, 'This happened to me, and it was wrong,' is incredibly inspiring," Eason says. "For many people that watch the show, it can be challenging to watch that, but also there's a real catharsis in witnessing Maggie's bravery and her continuing on. She's now doing really well in her life." All episodes of Three Women are currently streaming on Starz. This article and video are presented by Starz. Best of GoldDerby Filming 'The White Lotus' terrified Sam Nivola more than once TV showrunner panel: 'The Better Sister,' 'Deli Boys,' 'Overcompensating,' 'Shifting Gears,' and 'Three Women' 'Overcompensating' showrunner Scott King on Prime Video comedy: 'There are no heroes or villains — everyone is just a f-king mess' Click here to read the full article.
Yahoo
13-05-2025
- Entertainment
- Yahoo
TV showrunner panel: ‘The Better Sister,' ‘Deli Boys,' ‘Overcompensating,' ‘Shifting Gears,' and ‘Three Women'
Gold Derby recently gathered together four top TV showrunners to discuss how they landed their first job, what advice they would share with people starting out in show business, and what some of their favorite TV shows were that inspired them to work in Hollywood. Joining our Meet the Experts: Showrunners roundtable panel are The Better Sister showrunner Regina Corrado, Deli Boys and Shifting Gears showrunner Michelle Nader, Overcompensating showrunner Scott King, and Three Women showrunner Laura Eason. Watch the full roundtable above. Click each person's name to watch an individual discussion. More from GoldDerby 'Three Women' showrunner Laura Eason talks courage, desire, and 'superhero' intimacy coordinators 'Overcompensating' showrunner Scott King on Prime Video comedy: 'There are no heroes or villains - everyone is just a f--ing mess' 'Deli Boys' and 'Shifting Gears' showrunner Michelle Nader says both shows 'are about humanity and make people laugh' "I actually came up through ensemble theater as a playwright," says Eason. "I was artistic director of the theater company. I was a writer, actor, director. In that capacity, I sat in a bunch of different seats. When I came into television, I had already done sort of producing, people management, running a staff, looking at a budget. A lot of the things that writers in a writers' room don't actually do. When I was able to see what the showrunner did — I thought, 'I hope one day that I get to do that.' I had my eye on it for a while." Corrado could relate to being in the writers' room. "You're sort of confined to create an environment in a room," she says. "I'm very committed to fostering environments that are nourishing, that are fun. Sometimes we get lost in the fear of what we do. As a showrunner I thought, 'Gosh! If you could get in that position you could create an entire show where people were happy to come to work. Is that possible? That was the goal for me. It's so much more than just writing. It's such a big boss job. [The Better Sister] was my first showrunning job and it was incredible." Nader rose through the ranks of comedy, noticing there were never female showrunners anywhere she worked. "I was learning from the way guys did it," she recalls. "In comedy, that meant stay for 24 hours a day and never want to go home. I was like, 'There's got to be a better way.' We were just wasting a lot of time. Women are natural multi-taskers in a way I didn't see with men. I'm very efficient — and I actually really like it. I like being able to put an imprint on something. Maybe I'm a little bit of a control freak." King began as a writer on Mad TV before working his way up to head writer, and eventually landing his first showrunning gig on Hulu's Difficult People. "I got a very lucky call from Julie Klausner because I had worked with her. That's how I got my first opportunity. I am so co-dependent and wrapped up in everyone's experience — it became a job where I could use that for good." After sharing valuable life lessons, the panelists chat about some of their favorite TV shows that inspired them: Batman, My So-Called Life, SCTV, and Seinfeld. The Better Sister is streaming on Prime Video. Deli Boys and Shifting Gears is streaming on Hulu. Overcompensating is streaming on Prime Video. Three Sisters is streaming on Starz. This article and videos are presented by Disney, Hulu, Prime Video, and Starz. Best of GoldDerby Filming 'The White Lotus' terrified Sam Nivola more than once 'Three Women' showrunner Laura Eason talks courage, desire, and 'superhero' intimacy coordinators 'Overcompensating' showrunner Scott King on Prime Video comedy: 'There are no heroes or villains — everyone is just a f-king mess' Click here to read the full article.
