Latest news with #TilTuesday
Yahoo
21 hours ago
- Entertainment
- Yahoo
Fans Swoon Over ‘Still Smokin Hot' '80s Singer, 64, As Band Reunites for the First Time in 40 Years
Fans Swoon Over 'Still Smokin Hot' '80s Singer, 64, As Band Reunites for the First Time in 40 Years originally appeared on Parade. Aimee Mann looks and sounds like no time has passed since she dazzled fans with her bluesy vocals in her band 'Til Tuesday's '80s hit Voices Carry. Forty years later, the band reunited, and Mann's understated, bluesy vocals show no sign of wear and tear. 'Til Tuesday disbanded in 1990, and Mann's debut solo album Whatever was released in 1993, but fans were transported back to the 1980s when the band reunited in Pasadena, CA, for the Cruel World Festival in May who still sports her signature platinum blonde locks, took the stage quipping, 'This is the song that made us recognizable in airports across America,' before launching into the iconic bassline of Voices Carry. Wearing a cropped leather jacket, jeans, and bold black glasses, Mann looked anything but her 64 years—and fans were quick to notice and celebrate her youthful appearance. One wrote, 'She's still smokin' hot,' while another commented, 'Aimee Mann is 64 still rocking and better than a lof acts half her age.'Many more fans were quick to comment on how good Mann—and the band—still sound, but one summed up Mann's enduring appeal perfectly, writing, 'I wanted to be Aimee Mann in 1985.' Same, girl. Same. 🎬SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox🎬 Fans Swoon Over 'Still Smokin Hot' '80s Singer, 64, As Band Reunites for the First Time in 40 Years first appeared on Parade on Jun 7, 2025 This story was originally reported by Parade on Jun 7, 2025, where it first appeared.
Boston Globe
4 days ago
- Entertainment
- Boston Globe
Aimee Mann says she ‘would never have become a musician' without Berklee
She said the school's 'Come and learn' approach and her teachers' encouragement were instrumental. 'I would never have become a musician otherwise,' she says. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up The 'super fun' music scene in Boston in the early eighties was the next spark. 'It was incredibly vibrant and all the bands knew each other,' she says. 'I also worked at Newbury Comics so I heard every import, every interesting weird little new wave and punk band.' Her band, Young Snakes, was 'unlistenable and noisy,' she says with a laugh. 'It's the kind of thing you do when you're 20. But there were a hundred clubs in the area and we played six nights a week, so it gave me a lot of experience. It was the most fun part of my career.' Advertisement Mann, who's married to singer-songwriter Michael Penn, will be performing her 2002 album 'Lost in Space' on this tour (it has just been re-mastered for vinyl). How did the recent 'Til Tuesday reunion come about? We got an offer from this festival and I'm not sure why I did it. The guys really wanted to do it. I didn't really want to, I gotta say, but I like a challenge. I wondered if I could do these songs well and how would I approach them. It was more difficult than I thought it would be, because I don't sing like that anymore. Even changing the keys didn't help. My style has gotten more conversational. It became a technical thing, like how do I leap up to the octave. So on some songs, it felt like singing karaoke — and I don't ever sing karaoke. The show went really well, but music is like a time machine, and it's weird, 'cause you don't always come back. I felt really weird afterwards and I can't tell you why. I think it's because I'm not that person anymore. So it felt like I was subbing for the singer of this band, like there was some identity shifting where you feel like you're your own doppelganger. You're playing the 'Lost in Space' album on this tour, which was written during a healing period after a difficult point in your life. Will singing those songs feel cathartic or emotionally fraught, or are they just songs? I guess I'll find out. We're just starting to practice now. A lot of the songs are very depressing, but when you're on stage, the audience creates a different vibe, so it's a more cheerful party atmosphere. And I love my band so much that I feel like focusing on the music will make it fun and satisfying regardless of what the lyrics are. Advertisement You had traumas in your childhood [her parents fought over custody and she was taken by one all over Europe and then the other to England]. How much do your early experiences still linger in your songwriting? Stuff pops up as echoes. You find yourself writing about a current situation, but the reason it resonates is it reminds you of your annoying stepmother, and otherwise that situation wouldn't bother you. I think everything has echoes to the past. You also paint and make comics. What do you like about having other creative outlets? Again, I like challenges. Painting and cartooning are harder for me than writing songs. You want to feel like you really cracked it. There's fun in that, although I'm writing a graphic memoir and it is not that fun because I'm not that good at it. Maybe by the end of the book, I'll be better. I have some moments where I think, 'This panel is really good.' But if every panel is, 'Oh, this head looks like a pumpkin' and I've erased it a thousand times, then the fun is kind of limited. I wish it came more naturally, but, you know... Do you and your husband bounce ideas off each other when you're working on new songs? Michael is very solitary and much more private about his stuff. The joke about him is that he's a hermit. He has a studio where he basically sits in the dark writing songs for his first record in 20 years because he's been scoring movies and TV shows. Advertisement I encourage him to ask if he's having trouble with lyrics or something, because I can write a couple of lines that maybe will give him an idea. Only two times in the last nine months has he asked to play me something. Once he asked, 'Does this sound like something else?' And once he said the lyrics were just placeholders, but I said, 'These lyrics are fantastic. What is even wrong with you?' He's very self-critical. Do you play stuff for him? No, I don't. I think I assume he's not really that interested. Playing songs for another person is really tricky. The only person I'll send a song to for a pat on the back or a 'Does this work' is my friend, Jonathan Coulton. I'll say, I'm not sure exactly what the song is about, so tell me what it feels like so I can home in on the lyrics. How do you look back at the success you had with 'Til Tuesday and the record label struggles you had in your solo career? Do you have any regrets? My decisions — to make my own records on my own label since 'Bachelor No. 2″ — have been perfect for me. The majority of female singers out there have a certain look. It's showbiz and I'm not interested in showbiz. That takes a certain mindset and effort and frankly it's too much work in the realms of thinking about outfits and sets and product deals. Not for me. I also don't have a lot of patience with other people's commercial concerns. Advertisement At this point I don't even know how you have a hit — you get a million streams on Spotify and you make 30 cents. Like, wow, I should really aspire to that. 'Til Tuesday was really famous, like MTV famous. But it doesn't take that many people following you back to like your crappy apartment and waiting outside your window to make you think, fame makes everyone a stalker and yet I have to be nice to them. For fame, it really helps to have a bottomless need for attention and my need to be loved and paid attention to has a limit. If I make a record for myself that I really like, that's enough. This interview was edited for length and clarity. AIMEE MANN With Jonathan Coulton Friday, June 6, 8 p.m., The Wilbur, 246 Tremont St., Boston. Sold out, but tickets are available for resale.
New York Post
27-05-2025
- Entertainment
- New York Post
Singer-songwriter Aimee Mann on ‘Lost in Space' tour, new musical
Singer-songwriter Aimee Mann is on the road again this summer with a tour of the East Coast that will take her to the Music Hall of Williamsburg in Brooklyn and out to the East End of Long Island this June. Known for her witty, personal lyrics and clear, melodic voice, she's playing the hits from her fourth studio album, released back in 2002. That means fans at her 21+ shows might be hearing these songs — which the elder millennials among us might remember from 'Buffy the Vampire Slayer' — for the very first time. We caught up with Aimee to check in on the tour, her life in LA and what's inspiring her latest work. You're celebrating the 22 1/2 year anniversary of your album 'Lost In Space' with an East Coast tour (playing the Grand Ballroom at Canoe Place Inn in Hampton Bays June 12). Why this album and why now? We were a little slow off the mark. We wanted to do the 20th anniversary thing but for a variety of reasons it took longer. Obviously I like all my records, but I feel like this one has just such an interesting sound and really creates a mood. Your catalogue cuts across genres — from the hit 'Voices Carry' with the new wave band 'Til Tuesday to 'Save Me' the breakout 90s ear worm from the Oscar-nominated 'Magnolia' soundtrack. Your album 'Mental Illness' even won the 2018 Grammy Award for Best Folk Album. Are you still evolving as an artist? The first band I was in was this really unlistenable kind of art rock, punk, new wave band — one of those bands where you say to yourself, 'Let's do everything weird.' Which is super fun, but not necessarily fun for the listener. 'Til Tuesday was a reaction against that. I wanted to play music that was more melodic. I think it takes a lot of practice at songwriting to figure out what you like and what you're good at. It's a lot of experimentation and over time you realize, 'Oh, this is the kind of thing I'm really good at, or 'This is the kind of thing I like to do.' And acoustic guitar-based pop with a little folk flavor is my favorite place to park. Left to right: Robert Holmes and Aimee Mann, both of the group 'Til Tuesday perform onstage at Liberty State Park, Jersey City in 1985. Getty Images But there's also this writerly quality to your songs that I think defines you. Do you agree? I like that description. That's a fun way to think of myself. But no, I haven't really thought of it that way. I just know that words are very important, and it's fun to try to get better at writing lyrics and to be more exact in your language. You're based in LA with your husband Michael Penn. Do you have plans for your time in New York when you aren't on stage? I have really good friends in Brooklyn that I stay with when I go to New York. So it kind of feels like I have my neighborhood coffee place. But I never lived in New York; I was in Boston for 15 years. On this tour, it's hard to say. It might be in and out, but it all sort of depends. I'll let karma decide. Wherever the tour bus goes, that's where I'll go. Mann performs as part of 'The Aimee Mann And Ted Leo Christmas Show' at City Winery last November in NYC. Getty Images Are you working on new music? I'm writing songs for a new record. I'm not sure exactly what I want it to sound like yet, but I have a record called 'The Forgotten Arm,' [2005] and I've been playing a lot of songs from that so I'm kind of interested in returning to that sound. I'm also developing a musical based on those songs. That record was written about drug addiction and the musical is about two people who are together, and one is a drug addict. It's the dynamic of that relationship. I think we'll do a workshop presentation at Joe's Pub sometime this fall.
