Latest news with #Tribeca
Wall Street Journal
2 days ago
- Entertainment
- Wall Street Journal
Chef Nobu Matsuhisa's Philosophy For Scaling a Business: Treating Teams Like Family
It took some time for Nobu Matsuhisa to trust Robert De Niro. When the actor, who was a regular at his first Los Angeles restaurant, first approached him in 1989 to open a new eatery together, the chef declined. 'I didn't know what he did,' Matsuhisa said. After several years, Matsuhisa agreed, and the pair opened Nobu's Tribeca location in 1994. The Japanese restaurant has since become a hot spot for A-listers, with over 50 restaurant locations and 20 luxury hotels spanning four continents.
Forbes
4 days ago
- Entertainment
- Forbes
Drinking French 75s With Fashion Designer Nili Lotan
Fashion designer Nili Lotan Courtesy of Nili Lotan Nili Lotan started in the fashion industry working for brands such as Ralph Lauren, Liz Claiborne and Nautica, before launching her own line in 2003, drawing in admirers from Kendall Jenner to Martha Stewart. Now, almost 20 years after opening her first womenswear store, she's opened her own menswear store in Manhattan's Tribeca neighborhood, designed with mid-century-meets-rock-and-roll flair. I spoke with Lotan about her introduction to wine, the new men's boutique and the musicians who inspired her fashion sense. Was wine a part of your family life growing up? I grew up in Israel and the wine scene was very different than what it is today. People were focussing on building a country, not on wine and luxury. But I had a Russian dad who was educated in Paris and he taught us that wine was a part of culture. Wine is the taste of life. Wine is what makes the meal so good. So now I drink wine with every dinner. He also had a bar where every night, before he would turn on the TV, he would get himself a whiskey on the rocks and he would sit there and with his pipe or cigar. I learned learned a lot of things from him. I don't sit with a cigar and a whiskey, but I've always admired that international flavor he brought to our lives in what was a very undeveloped country at the time. The new menswear store in Tribeca. Courtesy of Nili Lotan What are your wine preferences now? Mostly French. I like them very rich and round and velvety. Usually the blends of Merlot, Cabernet Franc and Cabernet Sauvignon. Even when I eat fish I prefer red. Do you enjoy cocktails? There's a drink I only have on specific occasions, a French 75. It's something my husband and I used to drink quite a lot of while we were dating. It's citrusy and sweet, kind of bubbly and a little dangerous . So we went kind of wild with that. And so now when we want to remind ourselves of those moments we drink it. What led to opening your first menswear store? I started in fashion trying to help women in dressing and feeling good about themselves. About a year ago I was having dinner with Alison Loehnis from NET-A-PORTER and she asked if I would ever consider doing a men's line — that there wasn't anyone approaching a man's wardrobe the same way that I approach a woman's wardrobe, thinking about their needs from the bottom up. There are the clothes that we need to helps us function and go through the day and then there's the clothes that just makes us feel great. That's how I build a collection. So I followed the formula that I did with women when I started 20 years ago. What are the similarities and differences in designing for men? Nili Lotan opening of her first men's store at 183 Duane In Tribeca. Getty Images Design is the aesthetic, the color and the sensibility. Then there is the fit — putting the garments on a model and understanding the conversation between the garment and the body. And men are built very differently than women. At the same time I have a lot of men buying my women's clothing and a lot of women buying my men's clothing. But although the lines between femininity and masculinity are blurring, there is very much of a different approach as well as different fabrics. My women's collection is a bit of a tomboy, but still very feminine. The men's collection is very masculine. The menswear store is decorated with your record collection, hosted an exhibit by rock photographer Allan Tannenbaum and donates a portion of in-store sales to to One Million Guitars. What inspires the music theme? My husband David Broza is an internationally-known guitarist and singer-songwriter. The record collection we curated there is more from him — but it's also become mine. We grew up with the same music, 70s-style soft folk rock from James Taylor to Bob Dylan. Joni Mitchell. Leonard Cohen. We've done a lot of trips to Spain together and I've also fallen in love with flamenco music. The rhythm and the energy is something I connected with immediately — to the point that I want to be a flamenco dancer in my next life. Does music inspire you when you are designing? Very much so. But it started more with the imagery. I was in high school in the early 70s and what affected me the most, from Woodstock onward, was not just the music, but the freedom. The attitude. The spirit. And the clothes. And I'm still holding on to this although life kept going on. I think that's what makes me unique among my peers in fashion — that this is something that is so specific to me. Even though it's not really 'me,' it's the world I grew up in. Did any specific musicians inspire your fashion sense? I was inspired more by designers like Yves Saint Laurent. But as I was evolving I realized there was something about Mick Jagger and Jimi Hendrix. They had a style that appeared as not having a style because they were mixing all these things that were not to be mixed together in the eyes of the fashion police. I liked the idea that they broke all the rules. And to me that's their voice: not only what they did through their music, but also through their clothes. That's what I found attractive. I use a lot of elements today of what Jagger and Hendrix were wearing then. So in every collection I have a Hendrix jacket — he was wearing all these military band jackets with the gold buttons. And then I always have a ruffled shirt, like what Mick Jagger and Keith Richards used to wear. What is next for your brand? We are launching a bag called The Voyager. Sometime I create something because I'd like to own it and this is a beautiful luxury leather travel bag that I carry. I'm going to be opening a new showroom in New York, very much mid-century inspired. And then the same thing in Paris. And then we will be opening two stores in Seoul, Korea. This is very exciting because while I am in other stores this will be our first branded Nili Lotan store in Asia.
Irish Examiner
5 days ago
- Irish Examiner
Mick Clifford: Sophie Toscan du Plantier case still haunts Ireland's legal and political system
Nearly 30 years after the brutal murder of Sophie Toscan du Plantier, the fall-out continues apace. In June, a new docudrama made by Jim Sheridan about the case premiered at the Tribeca film festival in New York. It portrays what a trial of Ian Bailey, the chief suspect in the murder, would have looked like. This follows from a documentary made a few years ago by Mr Sheridan and another produced by Netflix. There has been the West Cork podcast, a highly regarded series on the case and various books. One of the latter was the focus of a new departure in the case this week – an application to bring a private prosecution against its author, Senan Molony, and also the person who launched the book, Taoiseach Micheál Martin. Frenchwoman Ms Du Plantier's body was found outside her holiday home in Schull in December 1996. Ian Bailey was twice arrested for the murder. He was never charged. In 2019, a French court convicted Ian Bailey in absentia of the murder and sentencing him to 20 years in prison. File picture: Dan Linehan In 2019, a French court convicted him in absentia of the murder and sentencing him to 20 years in prison. The Irish courts refused to extradite him. Mr Bailey continued to live in West Cork until he collapsed and died in Bantry in January 2024. There has, over the years, been two prevailing narratives about Mr Bailey and whether or not he was responsible for the murder. One has been the perception among large swathes of the public that Mr Bailey must have been the murderer. This has been based on the various strands of circumstantial evidence against him. A number of accounts, including the Netflix documentary, and the book at issue in the private prosecution, have veered towards this conclusion. At the other end of the spectrum has been the relatively boring but absolutely vital business of actual evidence and whether or not it amounted to a realistic chance of prosecution of Ian Bailey for murder. One central figure in that respect was Robert Sheehan, a prosecutor who spent most of his career in the office of the DPP. In 2001, he wrote an analysis of the garda investigation into Mr Bailey and what evidence existed that could be used in a prosecution. The document went through each facet of the case in detail, from the complete absence of forensics, to Mr Bailey's statements and behaviour, circumstantial evidence, and the character of the chief witness on whom much of the case against Mr Bailey would hang, Marie Farrell. Former DPP Robert Sheehan (pictured) concluded that there was no case to prosecute Mr Bailey and in a few places he even suggested that evidence pointed to the suspect's innocence. File picture: Courtpix Mr Sheehan concluded that there was no case to prosecute Mr Bailey and in a few places he even suggested that evidence pointed to the suspect's innocence. That document did not see the light of day for over 10 years. Then in 2011, the incumbent DPP Jim Hamilton made available Mr Sheehan's analysis ahead of an extradition request from the French government. Mr Hamilton felt that the document was vital evidence for the Supreme Court to consider. The court subsequently declined to extradite Mr Bailey. Fast forward to last September and the launch of another book on the case, Sophie: The Final Verdict. The Taoiseach did the honours for author and journalist Senan Molony. At the event, Mr Martin mused that he couldn't understand the 'legal principles' that were applied which concluded Mr Bailey should not be prosecuted. 'The simple fact is that we failed in our duty to find and convict a bloody murderer — and our system blocked alternative routes when others were not willing to accept our failures,' he said. In the book Sophie: The final verdict, Senan Molony is critical of Sheehan's analysis, suggesting that the solicitor acted as a 'one man jury' in arriving at his conclusions. In the book itself, Mr Molony is critical of Sheehan's analysis, suggesting that the solicitor acted as a 'one man jury' in arriving at his conclusions. Mr Sheehan interpreted passages in the book, along with public comments from both the Taoiseach and Mr Maloney, as impinging on his professionalism. He could have sued for defamation. He told the Irish Examiner he didn't go down this route because 'the financial cost of losing a case would leave you ruined'. It is a moot point as to how strong any such case would be. One way or the other, his conclusion in that respect is entirely valid. A defamation action can be ruinous. In the recent Gerry Adams libel action against the BBC he was awarded €100,000 by the jury. The costs for which the BBC now falls liable are estimated to be north of €2m. Instead of seeking resolution in the civil courts, Mr Sheehan corresponded with the DPP and set out his intention of applying for permission to take a private prosecution against the two individuals. As the alleged offences are indictable, the DPP would have to be involved. Ian Bailey was twice arrested for Sophie Toscan du Plantier's murder. He was never charged. File picture: Dan Linehan Then last Monday he applied to Dun Laoghaire District Court for the issuing of the summons, but his request was turned down. He says he may now appeal to the circuit court or bring his case to the European Court of Human Rights. More than anything the affair highlights once more the gulf in this case between what has been determined in the court of public opinion and the decision that Mr Bailey did not have a case to answer in a criminal court. Mr Sheehan's analysis was detailed and clear headed but crucially he was not an outlier. His boss at the time, Eamon Barnes, concurred with his conclusions. So did Mr Barnes successor, Mr Hamilton. Experienced senior counsel, one of whom has gone on to be a high court judge, were retained for opinions and they all reached the same conclusion. 'There was certainly no lack of enthusiasm to prosecute him if the facts suggested that there was evidence against him,' Supreme Court judge Adrian Hardiman noted when the case was before him. One recurring line from the barstool opinion was that Mr Bailey should have just been put on trial and let a jury decide on his guilt or innocence. That implies that there is no need for a prima facie case to be established before somebody should be charged and tried with an offence. In other words, if he looks like he might have done it, if he – as Mr Bailey had – displays a personality that is extremely unattractive, let a jury decide whether or not he did it. If the day comes when that passes for due process in a liberal democracy, we're all in trouble. Read More Mick Clifford: Tánaiste makes uncharacteristic lapse with Ian Bailey comments
Yahoo
6 days ago
- Business
- Yahoo
'Your Instincts Will Always Guide You': How Glowbar's Founder Turned Down Pop-Ups And Built A $16 Million Skincare Empire
Rachel Liverman launched Glowbar in 2019 with a decision to avoid distractions dressed as opportunities. She said no to hosting events in the Hamptons and South by Southwest, and turned down early collaborations with outside dermatologists. Those offers were tempting, but she referred to them as "shiny objects" that would have pulled her attention away from building a strong foundation, Liverman told Inc. Glowbar launched with one purpose: consistent, professional skincare delivered in just 30 minutes. According to the Glowbar website, licensed estheticians treat each client based on their skin goals, with no upselling and no confusing treatment menus. Memberships are $65 a month and include one facial, discounts on products, and access to clinical-grade techniques like LED therapy and dermaplaning. Don't Miss: Named a TIME Best Invention and Backed by 5,000+ Users, Kara's Air-to-Water Pod Cuts Plastic and Costs — $100k+ in investable assets? – no cost, no obligation. This clear structure allowed Glowbar to scale without chaos. From one storefront in Tribeca, the company grew to 20 locations across six states within three years. According to Inc., Glowbar ranked No. 409 on the Inc. 5000 list with a growth rate of 1,087 percent and is projected to bring in $16 million in revenue in 2024. She Waited Six Years to Release a Product For years, customers asked when Glowbar would introduce its own skincare products but Liverman waited. She took inventory of her team and resources in 2022 and asked one question: "Do we have the people, the time, and the money?" When the answer aligned across all three, development on the company's first cleanser began, Liverman told Inc. "As a founder, your instincts will always guide you," Liverman added. "At the beginning, I knew to stay focused and keep my eye on the prize." Trending: This AI-Powered Trading Platform Has 5,000+ Users, 27 Pending Patents, and a $43.97M Valuation — Two and a half years later, Glowbar launched its debut product: the Expert Cleanser. According to the website, the $28 formula blends AHAs, PHAs, and white willow bark for gentle exfoliation and a deep, balanced cleanse. Liverman told Inc. that the product sold 'extremely well,' with members especially enthusiastic about using Glowbar's skincare at home between treatments. Her Business Grew Because She Refused to Rush the Process Liverman didn't follow traditional beauty industry models. According to the Glowbar website, she comes from a family of skincare professionals as her grandmother opened the first accredited skincare institute in the U.S., but Glowbar's format is her own. Treatments last less than traditional ones, cost one flat fee, and deliver targeted results without the usual spa pricing or vague promises. Glowbar estheticians are trained through the company's internal Skinstitute program, which provides certification in customized treatment delivery. According to the website, the membership model offers consistent monthly facials and has been designed to prioritize results, with no upsells or vague promises."I've really stayed focused on the business that we set out to build," Liverman told Inc., reflecting on how patience helped her scale Glowbar without losing its identity. "And when I talk to founders, I really try to give that advice: Whatever your business is, stay focused on that, especially in the early days," she added. Liverman described her decision-making process as intentional, weighing resources carefully before expanding the brand's offerings. According to the Glowbar website, new locations are already planned in Clarendon, Virginia and Long Island City. Liverman continues to lead with the same approach that built the brand: focus, timing, and trust in long-term vision. Read Next: Here's what Americans think you need to be considered wealthy. Image: Shutterstock UNLOCKED: 5 NEW TRADES EVERY WEEK. Click now to get top trade ideas daily, plus unlimited access to cutting-edge tools and strategies to gain an edge in the markets. Get the latest stock analysis from Benzinga? APPLE (AAPL): Free Stock Analysis Report TESLA (TSLA): Free Stock Analysis Report This article 'Your Instincts Will Always Guide You': How Glowbar's Founder Turned Down Pop-Ups And Built A $16 Million Skincare Empire originally appeared on © 2025 Benzinga does not provide investment advice. All rights reserved. Errore nel recupero dei dati Effettua l'accesso per consultare il tuo portafoglio Errore nel recupero dei dati Errore nel recupero dei dati Errore nel recupero dei dati Errore nel recupero dei dati
New York Times
09-07-2025
- Business
- New York Times
Why Is L.A's Top Gallery Closing? Let the Owner Tell You.
The Los Angeles art dealer Tim Blum, co-founder of the namesake gallery known as Blum, should have been happy with his experience at Art Basel last month. He arrived with nearly 85 percent of his sales already done— sold to collectors who had purchased contemporary artworks for hundreds of thousands of dollars each, based on digital images sent to them. Then he capped off the V.I.P. opening with a sunset party at a rooftop bar packed with hundreds of attendees from around the world. But everywhere he looked, the gallerist saw hollow victories and confirmation that the art market had fundamentally changed since he entered the business more than 30 years ago. It had cost his gallery $450,000 to participate in this year's edition of the influential Swiss fair, taking into account booth fees, shipping, insurance and staff accommodations. There was little deal-making on the salesroom floor, and despite the crowds, Blum said he searched in vain for serious buyers. 'There was one collector, who pointedly said that he was not there to buy anything—'I'm just here to party,'' he recalled the client telling him. On July 1, Blum formally announced that he was closing the gallery's locations in Los Angeles and Tokyo, and eyeing a potential sale of the Tribeca gallery space he had purchased for $5.3 million about two years ago and was set to open this fall. After subtracting various fees, including the artists' share of profits, Blum made a small gain on his investment. But it wasn't enough to continue in a business where shrinking revenue and rising overhead costs meant that he could end next year in the red. Want all of The Times? Subscribe.
