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The Hindu
6 days ago
- Entertainment
- The Hindu
Trincas Timeline project spotlights Kolkata's enduring love for jazz
Kolkata and jazz — two words that bring back sepia-tinted memories of a musical tapestry that rang across the ages. The likes of Louis Banks, Usha Uthup, Pam Crain, and Carlton Kitto lent a certain vibrancy to the city, and immortalised its jazz soul. And, venues such as Trincas and Blue Fox on Park Street nourished that soul, along with a side of deviled crabs and prawn cocktails. Blue Fox was renowned for its jazz and food, while Trincas offered a complete entertainment package, blending music, food and variety shows. As jazz swept Calcutta of the 1960s and 1970s, it mirrored the city's cosmopolitan spirit — a meeting point of global influences and indigenous charm. The nightly crescendos of music were more than performances; they were collective experiences. Today, nostalgia flavours every such musical memory. Imagine the warm glow of Trincas' lights reflecting off clinking glasses, the rhythmic hum of conversation amid soulful notes, and the unmistakable aroma of spiced delicacies whisked to eager patrons. Park Street's pulsating rhythm was almost the heartbeat of the city itself. Trincas has, indeed, evolved over the decades, adapting to the changing rhythms of Kolkata's culture. Beginning as Flury & Trinca in 1927, this iconic venue on Park Street transitioned from a Swiss tea room to a music bar by 1969, becoming a cornerstone of Kolkata's jazz scene. It transformed into a vibrant hub of nightlife, hosting legendary jazz performances and floor shows. The velvet stage, low-slung furniture and air-conditioned interiors gave it the feel of a Chicago jazz club meeting a Parisian café. Now, Trincas embraces a more relaxed and family-friendly vibe, with Sunday brunches that celebrate its culinary heritage. The bustling nightlife of the past has given way to a more diverse experience, blending nostalgia with modern tastes. The restaurant continues to honour its legacy with live music and a menu that pays homage to its storied past. Anand Puri, the third generation owner of Trincas, says: 'It is not just the music but the vibe. So, we hosted everyone from musicians to magicians.' He has embraced its jazz heritage. The newly-launched weekend jazz lunches at Trincas, where the ambience is high on nostalgia. This reimagination has made jazz accessible and appealing to a new generation. The Trincas Timeline Project is a community-based memory project that collects stories, photos and anecdotes from patrons, musicians and historians, creating a cultural treasure trove of the iconic venue for current and future patrons. Singer Usha Uthup, who hails from Kolkata, began her music journey at Trincas. Her first live performance on October 1, 1969, was held here. She lent a unique dimension to the restaurant's already lively music scene with her charisma, Kanjivaram sarees and flowers in her hair. 'I had the best audiences in this city. And, it has been a fantastic run,' says Usha. While jazz's popularity has waned in other parts of India, Kolkata has managed to hold onto its jazz heritage. The city continues to celebrate jazz through events such as JazzFest, which has been conducted since 1978, and attracts jazz lovers from all over. In January this year, at Art Meets Jazz, Louis Banks and Usha Uthup showcased the enduring love for jazz in the City of Joy. Says Usha: 'People still want to listen to 'Sweet Caroline', 'Those Were The Days', 'Roberta Flack' and 'Killing Me Softly'.'
Time of India
30-04-2025
- Entertainment
- Time of India
Groovy music, a cultural melange and all that jazz
A jazz aficionado, whose passion for the genre made him launch a jazz club in Kolkata, Munir Mohanty initially expected an older audience. However, he was in for a sweet surprise. "It has been thrilling to see that the crowd is not just 40 or 50 years old. Tired of too many ads? go ad free now Almost half are between 20 to 30 years of age. If they didn't like jazz, they wouldn't be coming. There's a certain inclusivity in jazz," said Mohanty, co-founder, Skinny Mo's Jazz Club. Amar Sukhi, an amateur saxophonist and founder of the Mumbai-based, The BlueBop Cafe, agrees, 'The younger generation, to my complete and happy surprise, has taken to jazz like ducks to water.' Once considered niche, jazz has been making its presence felt more than ever. On the occasion of the International Jazz Day , here's looking at the current jazz scene in India and where it's headed. Anna Stubbs, Croo Music, Noah Cerejo, Avishek Dey, and Shreya Bhattacharya at Skinny Mo's Jazz ClubPic courtesy: @margubaliofficial @skinnymosjassclub Education and exposure are essential to building a culture or a subculture. With more venues coming up, there is more access. We bit the bullet and slowly the audience started building. Before us, there was a handful of jazz shows. We started with five to six nights of jazz gigs a week. This helped in building a base and gave the opportunity to people to listen to jazz and take a subjective decision. People have more access now and artistes have more opportunities to perform Arjun Sagar Gupta, founder and CEO, The Piano Man, which has been hosting jazz gigs since 2015 Pic courtesy: Trincas From revival to a wider appeal Since its introduction in the 1920s through its popularity in the 60s, jazz has been gradually cementing its base among an increasing number of takers. What started from being a star-hotel staple for the elites, trickled down to restaurants and clubs. From the British era to the post-Independence jazz, its blend with the Indian classical music and Bollywood, to the cross-cultural influences and the more diverse nature today, jazz in India only seems to be growing. Increase in the number of venues, and dedicated jazz fests are proof. 'Earlier, the spectrum of people tended to be narrowed down into the upper-tier. But accessibility to jazz has grown tremendously. When we restarted our jazz gigs in 2021, the democratisation of jazz gave rise to multiple venues in Kolkata,' said Anand Puri, the third-generation owner of Kolkata-based Trincas, which has had a relationship with live gigs since the 60s, with legendary performers marking their presence. Tired of too many ads? go ad free now The popularity can also be linked to jazz's improvisational aspect that helps it blend with other genres like pop, classical, rock, and electronica. It's this free-spirited nature that keeps jazz relevant. 'Since jazz is such an improvised style, it's something to be experienced live. No one style is alike. No two gigs by a jazz artiste are the same. Jazz fests, theater hall shows, sit-down jazz gigs, and active listening sessions, are becoming a thing for the keen listener,' said Pune-based Vinay Kaushal, guitar player and music composer. We consciously invite jazz artistes who are not frequently seen in Pune. In fact, many guests come without even checking who is playing. It has become a safe space for those, who want to unwind with good music and better company Vijeta Singh, founder of the Pune-based Cobbler & Crew Zian B Rhythm, multiculturism and more: Why is jazz making the right noise One of the aspects that's making jazz tick boxes is the lack of geographical limitations and the essence of multiculturalism. Musicians and jazz propagators from cities like Kolkata, Pune, Mumbai, Bangalore, Goa and Delhi, are on the quest to find their individual style and rhythm to keep listeners hooked. 'My band and I usually perform a mix of contemporary and classic jazz, and try to keep the arrangements exciting. We also add a few funk, and pop jazz tunes that are familiar to the audience,' said Mumbai-based Zian B, a jazz artiste and vocal coach, who performs across cities with her band Zian B Collective. Darshan Doshi and Mark Hartsuch at The Flying GoatPic courtesy: The Flying Goat "The attentive audience, understated ambience, great sounding room, signature music, and the option to play with a solid house-band attracts a host of high quality acts and artistes from around the world that speak the language of jazz . We are able to present the audience with eclectic musical styles, and energies from the likes of Grammy winners and virtuoso drummer,' said Jonathan Furtado, jazz bass player, and jazz curator at the Goa-based, The Flying Goat that has hosted renowned jazz artistes from across the world, including Darshan Doshi, Mark Hartsuch, Lars Moller, Shirish Malhotra and Shariq Tucker, for its monthly special Jazz Odyssey, apart from the weekly jazz nights. Jazz is not some esoteric, niche kind of music. Just like classical music, jazz might demand slightly more attention to be enjoyed. It is unlike pop music, which is far more assessable Amar Sukhi, founder, The BlueBop Cafe that has hosted legendary names like Louis Banks and Ranjit Barot among others 120756936 120757117 120756901 'There's something for every listener' What makes jazz more vibrant is that there's something for everyone. 'If listeners give it a go, there's something for every listener. The lines between modern day blues, R&B, Hip Hop, and jazz are so blurred (in a great way) that people are more and more exposed to jazz styles, whether they're aware of it or not,' said Vinay Kaushal, guitar player and music composer. Inquisitiveness towards unique sounds, is also paving a path towards a promising future. 'We are getting called to international fests because of the uniqueness of the sound we are bringing. It's not traditional New York City or New Orleans jazz. The bands that are getting called, have a sound which is native to our land,' said Sayar Mitra, bass player and music educator, who performed at a recently held Cape Town International Jazz Festival with Bombay Lights, which fuses Indian classical with jazz and funk.
