Latest news with #Vaccarello
Vogue
27-05-2025
- Entertainment
- Vogue
Saint Laurent Pre-Fall 2025 Collection
Should you ever need a quick musical pick me up, I can highly recommend watching the divine Françoise Hardy perform her fabbo 1966 song Je changerais d'avis on YouTube. It's totally her, a wonderfully rousing symphonic number. And then there's the performance itself, all shiny Pop Art jackets and that blunt-banged, straight-shanked hair of hers blowing (via wind machine) whenever the chorus kicks in. Back in 1966, pop belonged to the US and the UK, but along came Hardy, putting French music—and more specifically, French women vocalists—on the map, not to mention that iconically lanky, androgynous look of hers which lives on to this day. Yet 1966 is also notable for another French phenomenon: the launch by Yves Saint Laurent of his Rive Gauche ready-to-wear label. (The house had been strictly haute couture up till that point.) It changed everything; fashion would no longer be driven by the hauteur of the Parisian couture salon, but the pulsating energy of the street, right across the world. It's those two moments that Anthony Vaccarello brings into a coolly chic conversation with this collection, mining the first Rive Gauche offerings for their contemporary relevance (the ease, the modernity, the lack of fuss, and, oh, the checks) with Françoise Hardy's eternally cool appeal, a kind of casual, boyish, shrug of the shoulders style that could make the dressed-up and the dressed-down coexist in perfect harmony. For Vaccarello, it comes down to a few key ideas, looks, and pieces. There are the big, bold, and—here's a word they wouldn't have used back in 1966—badass leather jackets, with everything from Kurt Cobain-esque tartan shirting to Catherine Deneuve (circa the 1980s) gleaming croc-effect pencil skirts. Another tailoring option: vintage-y blousons, atop inverted pleat checked skirts, the uber-bourgeois vibe amped up with the substantial, statement-y gilt bangles and earrings. Amongst the seriously good jackets on offer, Vaccarello also found the time to turn out a masculin/feminin 1970s blazer, again in one of his ubiquitous checks (from plaid to Prince of Wales). It would look absolutely terrific with the more quotidian pairing of jeans, but here he plays it off against dramatic, evening-y floor length ruffled skirts that are scissored away face on to be much shorter: party at the front, ballgown at the back. To underscore the idea of easiness, instead of frou-frou blouses, those trailing, couture-like skirts were also partnered with tees and sweaters. That's how Vaccarello has transported his Saint Laurent back to that pivotal year of 1966, while also being entirely cognizant that nearly 60 years have passed. There's a tacit acknowledgement that women's lives are in a very different place (we certainly all hope) from where they were back then, and really, obviously, so is fashion. Today it's about designing clothes that can walk the line between reality and fantasy, and the responsibility that comes with that, especially at a house laden with history. Even when Vaccarello goes into a more boudoir vibe with his lingerie inspired dresses, they're slipped under oversized coats and worn with vertiginous leather boots. The message remains the same however: We still need clothes we can dream about, now maybe more than ever, but fashion is really something to be loved, worn, and lived in. Just don't, please, overthink it.
Yahoo
10-04-2025
- Entertainment
- Yahoo
Justin Bieber Hypes Up Hailey Bieber As She Flaunts Her Curves at the Fashion Trust Awards
Hailey Bieber made a striking appearance while flying solo at the third annual Fashion Trust Awards, held on Tuesday, April 8, in West Hollywood. For the star-studded soirée, the model and Rhode beauty mogul chose a curve-skimming aubergine-colored gown by Saint Laurent, a luxury label for which she serves as an ambassador and enjoys a close relationship with its creative director, Anthony Vaccarello. While Hailey, 28, opted to skip the traditional red carpet, she played a significant role inside the event, presenting Vaccarello with the Honorary Award in recognition of his profound impact on the fashion industry. Notably absent from the event was Hailey's husband, Justin Bieber (who share a son, Jack Blues, 7 months). However, the singer made sure to publicly show his support for his wife's stunning look by taking to Instagram to post a photo of Hailey in her elegant attire, followed by a close-up selfie of her, too. Hailey Bieber Flies Solo at 2025 Vanity Fair Oscar Party After Celebrating Justin Bieber's Birthday Justin, 31, chose to let the images speak for themselves, foregoing a caption. Still, his sweet gesture resonated with fans, as evidenced by supportive comments like 'Gotta support our better halves 💕.' Another follower echoed this sentiment, writing, "Justin is always super supportive to Hailey. Bro posts more about Hailey than himself 😭😭." Hailey's choice of attire, a chic aubergine halter dress, perfectly embodied her and Vaccarello's shared aesthetic of restrained yet striking glamour. The dress featured a distinctive wraparound, ruched fabric, strategically placed cut-outs and a sheer skirt, creating a sultry, alluring silhouette. She even coordinated her nails to match the deep purple hue of her dress, a departure from her usual "glazed donut" manicure, opting instead for an eggplant shade. Her glam remained characteristically understated and beautifully natural, featuring a subtle lip tint and highlighter. Hailey Bieber's Enviable Fashion Evolution Through the Years She complemented the look with a few Tiffany & Co. cocktail rings, allowing the dress to take center stage. Her brunette hair was styled down with soft, barely-there curls, while her signature lit-from-within glowing skin completed the polished ensemble's subtle sheen. During the evening, Hailey and Vaccarello were seen posing together, enjoying chicken nuggets topped with caviar and even filming an Instagram Story dancing and singing at their star table. Hailey also mingled with other stylish guests, including Normani, who donned vintage Geoffrey Beene, as well as Lori Harvey and Ciara. Other fashionable attendees included Julia Fox, who embraced a bold and theatrical Marni polka-dot frock (replete with vaudevillian makeup), model Aweng Chuol in Oude Wang and Kehlani in a look by Grace Ling. Meanwhile, Hailey delivered a heartfelt speech honoring Vaccarello's contributions. According to Vogue, she gushed, 'There is a purpose in every stitch. Anthony Vaccarello, your journey is a testament to the transformative power of fashion, and we are so proud to celebrate you.'
The Guardian
12-03-2025
- Entertainment
- The Guardian
Saint Laurent closes Paris fashion week with bold statement of intent
Saint Laurent has cross-generational cool. On the last night of Paris fashion week, Kate Moss sat next to Catherine Deneuve, both in black tailoring, sheer blouses and high heels. Pedro Almodóvar and Rossy de Palma smiled for the cameras, while Hailey Bieber and Charli XCX kept their shades on. Saint Laurent's daytime silhouette this season is an inverted triangle, with broad shoulders narrowing to slim skirts and sheer tights. For evening, it flipped upside down, with slinky sweaters and grand ball skirts. The colours were of cocktail ring gemstones: emerald, sapphire, ruby and garnet. There was leopard print, naturally, in silk blouses with a silicone gloss. With slicked-back hair, shards of rock crystal jewellery, hands nonchalantly in pockets – nothing so mundane as a handbag here – the models oozed aloof Parisian chic, sauntering easily in spike heels to the voice of Nina Simone. Designer Anthony Vaccarello said before the show he wanted the look to be clean, no ornamentation, no decoration. 'Simplicity of silhouette – as if created with a few pencil strokes – has defined the Saint Laurent ideal.' Under Vaccarello, the house of Saint Laurent has its sights set bigger than fashion. Not content with being one of the leading names in style, the company has ambitions to be a cultural powerhouse. This show was moved from its usual slot at the beginning of Paris fashion week to the end to avoid a clash with the Oscars, because Saint Laurent Productions is now a fully-fledged movie studio, producing the multi Oscar-nominated Emilia Pérez. The fate of Emilia Peréz was torpedoed halfway through award season by the disclosure of racist tweets by star Karla Sofia Gascon, but this has not deterred Saint Laurent, which has also produced Parthenope, a new film by Paolo Sorrentino. Film is seen by Saint Laurent as a platform to amplify its cool image beyond style into the broader culture, and Vaccarello recreated Yves Saint Laurent's famous 1966 Le Smoking tuxedo jacket for the actor Celeste Dalla Porta to wear on screen. A Saint Laurent-backed project with the director Jim Jarmusch is also in the works. Saint Laurent's cultural ambitions are also reflected in an ambitious revamp of its Paris flagship boutique in collaboration with the Judd Foundation, which promotes the work of the late American artist Donald Judd. Furniture by Judd is for sale at the Paris store, displayed alongside Saint Laurent evening gowns and handbags, while an exhibition of Judd's woodcuts and prints is on display on an upper floor. The house has also diversified into the restaurant industry, with the opening of a Paris branch of LA's Sushi Park.
Yahoo
11-03-2025
- Entertainment
- Yahoo
Capping the Paris fashion season, Saint Laurent touts the art of powerful shoulders
PARIS (AP) — Saint Laurent closed Paris Fashion Week in dramatic fashion Tuesday night, with the Eiffel Tower glowing against the night sky and a vast black onyx stage polished to a mirror-like sheen. Designer Anthony Vaccarello 's fall collection refined the house's codes into pure, striking silhouettes — where sharp tailoring and commanding shoulders set the tone. Models moved with quiet authority across the onyx stage, their looks defined by bold proportions, rich textures, and a stripped-back sense of power. 'Chanel gave women freedom. Yves Saint Laurent gave them power.' The famous words of Saint Laurent's partner Pierre Bergé, echoed in every cut and contour. Vaccarello's vision was one of strength without excess—structured blazers worn as dresses, crisp pencil skirts, and bomber jackets exuding effortless cool. These weren't clothes that followed trends; they commanded attention. See for yourself — The Yodel is the go-to source for daily news, entertainment and feel-good stories. By signing up, you agree to our Terms and Privacy Policy. Front row A show of this magnitude attracted an equally formidable audience. Austin Butler, Zoë Kravitz, Kid Cudi, and Charli XCX took their seats as the runway came to life. The most anticipated moment of the night arrived with Bella Hadid, making her singular catwalk appearance of the season. Her presence ignited social media, reaffirming Saint Laurent's cultural dominance. The shoulder first silhouette Vaccarello has always understood the language of power dressing, and this season was no exception. Shoulder lines were bold and deliberate, defining the collection's structured blazers, high-collared frocks, and sleek outerwear. Models cut through the dimly lit stage in rich, saturated hues — tangerine, fuchsia, and deep grass green — bringing depth to an otherwise restrained aesthetic. Experimental fabrics elevated the collection: silicone-coated floral and animal prints, stretch materials paired with guipure lace, and distressed couture textiles. The closing looks, with voluminous skirts and sculptural hip inserts, added a hypnotic, fluid movement to the show. Precision, power and proportions Saint Laurent has always walked the line between masculine and feminine, and Vaccarello honed in on that tension with precise tailoring and calculated volume. Jackets skimmed the body like armor, while floor-length skirts billowed with an air of controlled drama. Leather jackets thrown over structured gowns toughened up the elegance, a reminder that power dressing doesn't mean compromise, it means control. Onyx, iron The setting was as much a statement as the clothes themselves. The show unfolded on a vast, gleaming onyx oval, a deliberate contrast of strength and sophistication. Digital walls, veined with earthy browns and blacks, pulsed with movement, reinforcing the collection's depth. Under the Eiffel Tower's steel framework, the scene felt monumental, like a closing act to fashion's biggest stage. The talk of the night: Linda, lace and luxury Linda Evangelista's arrival in a Saint Laurent business-meets-mobster suit was a moment in itself — a reminder of the brand's enduring appeal across generations. Meanwhile, industry insiders buzzed about the closing gowns, their sheer volume paired with toughened-up leather and chunky rock crystal jewelry, a nod to Yves Saint Laurent's lucky stone. What the designer says 'Instead of speaking through ornament or padding, fabrics and precise construction shape the garments,' read the show notes. 'Pure forms and volumes are derived from construction and cut.' With razor-sharp execution and a venue that reinforced its impact, Saint Laurent fall showed that power, precision, and control were at its core, proving that some legacies don't fade. They evolve.
Associated Press
11-03-2025
- Entertainment
- Associated Press
Capping the Paris fashion season, Saint Laurent touts the art of powerful shoulders
PARIS (AP) — Saint Laurent closed Paris Fashion Week in dramatic fashion Tuesday night, with the Eiffel Tower glowing against the night sky and a vast black onyx stage polished to a mirror-like sheen. Designer Anthony Vaccarello 's fall collection refined the house's codes into pure, striking silhouettes — where sharp tailoring and commanding shoulders set the tone. Models moved with quiet authority across the onyx stage, their looks defined by bold proportions, rich textures, and a stripped-back sense of power. 'Chanel gave women freedom. Yves Saint Laurent gave them power.' The famous words of Saint Laurent's partner Pierre Bergé, echoed in every cut and contour. Vaccarello's vision was one of strength without excess—structured blazers worn as dresses, crisp pencil skirts, and bomber jackets exuding effortless cool. These weren't clothes that followed trends; they commanded attention. Front row A show of this magnitude attracted an equally formidable audience. Austin Butler, Zoë Kravitz, Kid Cudi, and Charli XCX took their seats as the runway came to life. The most anticipated moment of the night arrived with Bella Hadid, making her singular catwalk appearance of the season. Her presence ignited social media, reaffirming Saint Laurent's cultural dominance. The shoulder first silhouette Vaccarello has always understood the language of power dressing, and this season was no exception. Shoulder lines were bold and deliberate, defining the collection's structured blazers, high-collared frocks, and sleek outerwear. Models cut through the dimly lit stage in rich, saturated hues — tangerine, fuchsia, and deep grass green — bringing depth to an otherwise restrained aesthetic. Experimental fabrics elevated the collection: silicone-coated floral and animal prints, stretch materials paired with guipure lace, and distressed couture textiles. The closing looks, with voluminous skirts and sculptural hip inserts, added a hypnotic, fluid movement to the show. Precision, power and proportions Saint Laurent has always walked the line between masculine and feminine, and Vaccarello honed in on that tension with precise tailoring and calculated volume. Jackets skimmed the body like armor, while floor-length skirts billowed with an air of controlled drama. Leather jackets thrown over structured gowns toughened up the elegance, a reminder that power dressing doesn't mean compromise, it means control. Onyx, iron The setting was as much a statement as the clothes themselves. The show unfolded on a vast, gleaming onyx oval, a deliberate contrast of strength and sophistication. Digital walls, veined with earthy browns and blacks, pulsed with movement, reinforcing the collection's depth. Under the Eiffel Tower's steel framework, the scene felt monumental, like a closing act to fashion's biggest stage. The talk of the night: Linda, lace and luxury Linda Evangelista's arrival in a Saint Laurent business-meets-mobster suit was a moment in itself — a reminder of the brand's enduring appeal across generations. Meanwhile, industry insiders buzzed about the closing gowns, their sheer volume paired with toughened-up leather and chunky rock crystal jewelry, a nod to Yves Saint Laurent's lucky stone. What the designer says 'Instead of speaking through ornament or padding, fabrics and precise construction shape the garments,' read the show notes. 'Pure forms and volumes are derived from construction and cut.'
