Latest news with #Vaccarello
Yahoo
25-06-2025
- Entertainment
- Yahoo
Saint Laurent Men's Spring 2026: Color – and Shirts
A Saint Laurent show before dark? Yes, it happened on a sunny Tuesday afternoon and it was delightful, staged in the rotunda of the Bourse de Commerce art museum, where the fashion pack could also enjoy a mesmerizing installation by French artist Céleste Boursier-Mougenot of white ceramic bowls drifting across a shallow basin of pool-blue water, occasionally colliding and producing soothing pings. More from WWD Beyoncé Knowles-Carter and Jay-Z Blend Modern Western Style and Parisian Cool in Black Shoes for Louis Vuitton Men's Spring 2026 Show Amelia Gray Anchors Slouchy Menswear Look With Extreme Point Oxblood Heels for Saint Laurent Men's Spring 2026 Show Jacques Solovière Set to Open Second Paris Store During Men's Fashion Week There was nothing as simple as blue and white in the men's collection by Anthony Vaccarello, who is tightening his grip on sophisticated color combinations as an immediately recognizable YSL brand code. He reprised the ocher-khaki combination from his terrific fall women's collection, also sliding together mint and navy, and blending together more autumnal shades, too, like gold, forest green and bordeaux. (The shades in Larry Stanton portraits were a reference.) Vaccarello's bean-pole models filed around the pool with a nonchalant attitude, their hands shoved into the pockets of jaunty little shorts, or tapered, multipleat pants with an '80s vibe. All of them wore outsized acrylic sunglasses that brought to mind the ones Johnny Depp famously sported in 'Charlie and the Chocolate Factory.' It was an about-face in mood from Vaccarello's Robert Mapplethorpe-esque fall 2025 collection, which WWD described as 'desk to dungeon' as everything was worn with black leather thigh-high boots, which have already pretty much sold out, by the way. 'Less dark, more light, more sensual — more fun,' was how the designer summed up his spring effort, meant to evoke 'a suspended moment' somewhere between Paris and Fire Island in the '70s. Tucked into the show program was a black-and-white snapshot of founder Yves Saint Laurent on the tennis court circa 1950, his gangly legs poking out of jaunty shorts just like those on the runway. But Vaccarello poured most of his design energy into shirts, which were sensational, with jutting shoulders thanks to extra-long, removable stays, and generous '80s volumes that billowed over those tapered trousers, some with paper-bag waists. The shirts came in fluid silks with military pockets, or nearly sheer technical nylons in surprising colors like lemon and persimmon. Some were cropped like bomber jackets; one resembled an anorak and was tucked in neatly. Tailoring followed the same fluid lines, and solid-colored silk neckties were worn with every exit, tucked into the shirt between buttons three and four. 'It's a simple gesture, but it gives another perspective of the silhouette,' Vaccarello said. 'It's less strict, less in an office.' Thanks for the styling tip, and the early call time, Anthony! Launch Gallery: Saint Laurent Men's Spring 2026 Ready-to-Wear Collection Best of WWD Windowsen RTW Spring 2022 Louis Shengtao Chen RTW Spring 2022 Vegan Fashion Week Returns to L.A. With Nous Etudions, Vegan Tiger on the Runway
Hypebeast
25-06-2025
- Entertainment
- Hypebeast
Saint Laurent SS26 Menswear Is a Quiet Affirmation That Explores Elegance in Restraint
Summary Under the discerning eye ofAnthony Vaccarello,Saint Laurentunveiled itsSpring/Summer 2026menswear collection today duringParis Fashion Week, marking its return to the official menswear schedule. Staged in the grand rotunda of the Bourse de Commerce – Pinault Collection, the show was less about overt spectacle and more about a profound, almost hushed exploration of elegance, identity, and inner solace. The collection drew subtle inspiration from Yves Saint Laurent's own past and personal battles. The show notes spoke of a moment 'when beauty served as a shield against emptiness,' a poignant reflection on the human experience and the guarded codes many men, particularly from a certain generation, often adopted. This theme manifested through styling choices that suggested privacy and a contained sensuality – ties sitting low, dark sunglasses obscuring eyes, and silhouettes that hugged the body without clinging. Vaccarello opened the show with pieces that echoed a young Yves Saint Laurent in Oran, featuring roomy shorts, boxy trenches and blazers with subtly extended shoulders that transformed into dress shirts with padded shoulders. The overall palette was hushed, dominated by sands, salts, pale ochre, dry moss, and pool blue, creating a tranquil, almost contemplative atmosphere. Materials like silk and nylon gracefully draped, tracing the form without exaggerated volume. The collection's strength lay in its sculpted yet unexaggerated silhouettes, emphasizing cinched waists and a geometry of exposure that held rather than displayed. The ambiance was further enhanced by Céleste Boursier-Mougenot's installation, 'Clinamen,' where white porcelain bowls drifted and gently collided across a shallow pool of aqua water. This visual poetry mirrored the collection's mood: models crossing paths yet remaining subtly apart, their stillness punctuated by the soft, resonant pings of ceramic. It was a testament to Vaccarello's control and polish, leaning into stillness rather than a boisterous presentation. The Saint Laurent SS26 menswear collection is a confident declaration from a house sure of its power. It offers a quiet affirmation in cloth for those who seek more than just fashion – a subtle sensuality without theatre, a continuity of timeless style and a profound message conveyed through the most refined forms.
Vogue
27-05-2025
- Entertainment
- Vogue
Saint Laurent Pre-Fall 2025 Collection
Should you ever need a quick musical pick me up, I can highly recommend watching the divine Françoise Hardy perform her fabbo 1966 song Je changerais d'avis on YouTube. It's totally her, a wonderfully rousing symphonic number. And then there's the performance itself, all shiny Pop Art jackets and that blunt-banged, straight-shanked hair of hers blowing (via wind machine) whenever the chorus kicks in. Back in 1966, pop belonged to the US and the UK, but along came Hardy, putting French music—and more specifically, French women vocalists—on the map, not to mention that iconically lanky, androgynous look of hers which lives on to this day. Yet 1966 is also notable for another French phenomenon: the launch by Yves Saint Laurent of his Rive Gauche ready-to-wear label. (The house had been strictly haute couture up till that point.) It changed everything; fashion would no longer be driven by the hauteur of the Parisian couture salon, but the pulsating energy of the street, right across the world. It's those two moments that Anthony Vaccarello brings into a coolly chic conversation with this collection, mining the first Rive Gauche offerings for their contemporary relevance (the ease, the modernity, the lack of fuss, and, oh, the checks) with Françoise Hardy's eternally cool appeal, a kind of casual, boyish, shrug of the shoulders style that could make the dressed-up and the dressed-down coexist in perfect harmony. For Vaccarello, it comes down to a few key ideas, looks, and pieces. There are the big, bold, and—here's a word they wouldn't have used back in 1966—badass leather jackets, with everything from Kurt Cobain-esque tartan shirting to Catherine Deneuve (circa the 1980s) gleaming croc-effect pencil skirts. Another tailoring option: vintage-y blousons, atop inverted pleat checked skirts, the uber-bourgeois vibe amped up with the substantial, statement-y gilt bangles and earrings. Amongst the seriously good jackets on offer, Vaccarello also found the time to turn out a masculin/feminin 1970s blazer, again in one of his ubiquitous checks (from plaid to Prince of Wales). It would look absolutely terrific with the more quotidian pairing of jeans, but here he plays it off against dramatic, evening-y floor length ruffled skirts that are scissored away face on to be much shorter: party at the front, ballgown at the back. To underscore the idea of easiness, instead of frou-frou blouses, those trailing, couture-like skirts were also partnered with tees and sweaters. That's how Vaccarello has transported his Saint Laurent back to that pivotal year of 1966, while also being entirely cognizant that nearly 60 years have passed. There's a tacit acknowledgement that women's lives are in a very different place (we certainly all hope) from where they were back then, and really, obviously, so is fashion. Today it's about designing clothes that can walk the line between reality and fantasy, and the responsibility that comes with that, especially at a house laden with history. Even when Vaccarello goes into a more boudoir vibe with his lingerie inspired dresses, they're slipped under oversized coats and worn with vertiginous leather boots. The message remains the same however: We still need clothes we can dream about, now maybe more than ever, but fashion is really something to be loved, worn, and lived in. Just don't, please, overthink it.
Yahoo
10-04-2025
- Entertainment
- Yahoo
Justin Bieber Hypes Up Hailey Bieber As She Flaunts Her Curves at the Fashion Trust Awards
Hailey Bieber made a striking appearance while flying solo at the third annual Fashion Trust Awards, held on Tuesday, April 8, in West Hollywood. For the star-studded soirée, the model and Rhode beauty mogul chose a curve-skimming aubergine-colored gown by Saint Laurent, a luxury label for which she serves as an ambassador and enjoys a close relationship with its creative director, Anthony Vaccarello. While Hailey, 28, opted to skip the traditional red carpet, she played a significant role inside the event, presenting Vaccarello with the Honorary Award in recognition of his profound impact on the fashion industry. Notably absent from the event was Hailey's husband, Justin Bieber (who share a son, Jack Blues, 7 months). However, the singer made sure to publicly show his support for his wife's stunning look by taking to Instagram to post a photo of Hailey in her elegant attire, followed by a close-up selfie of her, too. Hailey Bieber Flies Solo at 2025 Vanity Fair Oscar Party After Celebrating Justin Bieber's Birthday Justin, 31, chose to let the images speak for themselves, foregoing a caption. Still, his sweet gesture resonated with fans, as evidenced by supportive comments like 'Gotta support our better halves 💕.' Another follower echoed this sentiment, writing, "Justin is always super supportive to Hailey. Bro posts more about Hailey than himself 😭😭." Hailey's choice of attire, a chic aubergine halter dress, perfectly embodied her and Vaccarello's shared aesthetic of restrained yet striking glamour. The dress featured a distinctive wraparound, ruched fabric, strategically placed cut-outs and a sheer skirt, creating a sultry, alluring silhouette. She even coordinated her nails to match the deep purple hue of her dress, a departure from her usual "glazed donut" manicure, opting instead for an eggplant shade. Her glam remained characteristically understated and beautifully natural, featuring a subtle lip tint and highlighter. Hailey Bieber's Enviable Fashion Evolution Through the Years She complemented the look with a few Tiffany & Co. cocktail rings, allowing the dress to take center stage. Her brunette hair was styled down with soft, barely-there curls, while her signature lit-from-within glowing skin completed the polished ensemble's subtle sheen. During the evening, Hailey and Vaccarello were seen posing together, enjoying chicken nuggets topped with caviar and even filming an Instagram Story dancing and singing at their star table. Hailey also mingled with other stylish guests, including Normani, who donned vintage Geoffrey Beene, as well as Lori Harvey and Ciara. Other fashionable attendees included Julia Fox, who embraced a bold and theatrical Marni polka-dot frock (replete with vaudevillian makeup), model Aweng Chuol in Oude Wang and Kehlani in a look by Grace Ling. Meanwhile, Hailey delivered a heartfelt speech honoring Vaccarello's contributions. According to Vogue, she gushed, 'There is a purpose in every stitch. Anthony Vaccarello, your journey is a testament to the transformative power of fashion, and we are so proud to celebrate you.'
The Guardian
12-03-2025
- Entertainment
- The Guardian
Saint Laurent closes Paris fashion week with bold statement of intent
Saint Laurent has cross-generational cool. On the last night of Paris fashion week, Kate Moss sat next to Catherine Deneuve, both in black tailoring, sheer blouses and high heels. Pedro Almodóvar and Rossy de Palma smiled for the cameras, while Hailey Bieber and Charli XCX kept their shades on. Saint Laurent's daytime silhouette this season is an inverted triangle, with broad shoulders narrowing to slim skirts and sheer tights. For evening, it flipped upside down, with slinky sweaters and grand ball skirts. The colours were of cocktail ring gemstones: emerald, sapphire, ruby and garnet. There was leopard print, naturally, in silk blouses with a silicone gloss. With slicked-back hair, shards of rock crystal jewellery, hands nonchalantly in pockets – nothing so mundane as a handbag here – the models oozed aloof Parisian chic, sauntering easily in spike heels to the voice of Nina Simone. Designer Anthony Vaccarello said before the show he wanted the look to be clean, no ornamentation, no decoration. 'Simplicity of silhouette – as if created with a few pencil strokes – has defined the Saint Laurent ideal.' Under Vaccarello, the house of Saint Laurent has its sights set bigger than fashion. Not content with being one of the leading names in style, the company has ambitions to be a cultural powerhouse. This show was moved from its usual slot at the beginning of Paris fashion week to the end to avoid a clash with the Oscars, because Saint Laurent Productions is now a fully-fledged movie studio, producing the multi Oscar-nominated Emilia Pérez. The fate of Emilia Peréz was torpedoed halfway through award season by the disclosure of racist tweets by star Karla Sofia Gascon, but this has not deterred Saint Laurent, which has also produced Parthenope, a new film by Paolo Sorrentino. Film is seen by Saint Laurent as a platform to amplify its cool image beyond style into the broader culture, and Vaccarello recreated Yves Saint Laurent's famous 1966 Le Smoking tuxedo jacket for the actor Celeste Dalla Porta to wear on screen. A Saint Laurent-backed project with the director Jim Jarmusch is also in the works. Saint Laurent's cultural ambitions are also reflected in an ambitious revamp of its Paris flagship boutique in collaboration with the Judd Foundation, which promotes the work of the late American artist Donald Judd. Furniture by Judd is for sale at the Paris store, displayed alongside Saint Laurent evening gowns and handbags, while an exhibition of Judd's woodcuts and prints is on display on an upper floor. The house has also diversified into the restaurant industry, with the opening of a Paris branch of LA's Sushi Park.
