Latest news with #Victor


The Star
a day ago
- Sport
- The Star
Lee biding his time
Being fair: Lee Zii Jia serving as umpire during an exhibition match in China. — Victor PETALING JAYA: Is men's singles shuttler Lee Zii Jia truly getting better, or has he actually been fine all along? Will he return to competition at the World Championships in Paris next month, after skipping all tournaments since March due to an ankle injury? Concerns remain over his fitness, especially with questions mounting over why his ankle injury has yet to heal after more than three months, leaving him still unable to return to competition. Zii Jia had skipped last week's Japan Open in Tokyo and this week's China Open in Changzhou due to the injury. Ankle injuries typically take between two and eight weeks to heal. However, according to sports medicine specialist Dr Hazwan Khair, Zii Jia's ankle issue appears to be far more complex. It is not surprising that he needs a longer recovery period before making a full return to competition. 'Getting back to his best form is a subjective matter. While two to eight weeks is the usual recovery time for common ankle injuries based on most case studies, it really depends on the nature of the injury,' said Dr Hazwan, who treated Selangor footballer Faisal Halim back to his feet. 'If it involves the cartilage, ligaments, or bone marrow swelling, also known as bone oedema, then it will definitely take longer to heal. The player himself may be frustrated, and fans are understandably questioning the delay in his return. But sometimes, we need to understand that the tissue capacity has to be gradually rebuilt before a full comeback is possible,' said Hazwan. Zii Jia's injury is a recurring one, which he first sustained during the BWF World Tour Finals in Hangzhou last December. He attempted a comeback in March after missing several tournaments earlier, but only managed to compete in the Orleans Masters and the All-England before announcing that he would shift his focus back to the recovery process. 'When someone has suffered an ankle injury, the risk of recurrence is always higher compared to an ankle that has never been injured,' said Dr Hazwan. 'In Zii Jia's case, we have to be prepared for the possibility of it happening again. 'The key to managing this is to minimise the risk and optimise his movements. 'From a coach's perspective, it is important to monitor every aspect of his condition, including training load, recovery, ice baths, post-training and post-tournament massage, and rest. Everything needs to be taken into account,' he added. While his injury recovery is a concern, Zii Jia however, showed that his posting of cryptic messages depicting sketches of a series of disturbing images on his account, was probably an artistic interest. After nearly two weeks of speculation among badminton fans around the world about the former Asian champion's mental health condition, Zii Jia made a surprise public appearance at the Victor brand conference and new product launch in China on Sunday. Zii Jia was one of the featured faces of the badminton brand, modelling the new collection for the 2026 season on a runway. Other notable appearances at the event included 2024 Paris Olympic gold medallists Zheng Siwei-Huang Yaqiong, who have both retired, as well as former men's doubles player Li Junhui, who was reunited with his old partner Liu Yuchen. Also present was Indonesia's men's singles player Jonatan Christie. Following the event, he didn't just attend a fan meet-and-greet session but also took part in a friendly exhibition match, where he even served as the umpire.


CBS News
a day ago
- CBS News
LASD serves search warrant as investigation into deadly explosion continues
The Los Angeles County Sheriff's Department on Monday said it served a search warrant in Marina del Rey as it searches for answers after three longtime deputies died in an explosion last week. The warrant was executed in the 13900 Block of Marquesas Way in Marina del Rey. The LASD said the warrant was served to follow "all leads and evidence" into the origins of devices that were found in Santa Monica on Thursday, the night before the fatal blast. The area where the search took place is located on the Marina del Rey Marina and contains apartment buildings and businesses, with hundreds of boats docked around the perimeter on the water. It's not yet clear what buildings were searched, and if anything crucial to the investigation was found. Authorities confirmed that on Thursday night, LASD investigators were called to assist the Santa Monica Police Department with a report of possible explosive materials in the 800 block of Bay Street in Santa Monica. There, detectives recovered items that appeared to be grenades, the department said. On Friday, after the explosion, senior law enforcement officials who were briefed on the investigation told CBS News that the grenades were transported to Biscailuz Training Facility. There, members of the highly skilled and trained Arson Explosives Detail were working to render the grenades safe when the explosion occurred, the officials said. The Sheriff's Department later identified the fallen deputies as detectives Joshua Kelley-Eklund, Victor Lemus and William Osborn. The LASD stopped short of fully connecting the grenades to the fatal explosion on Monday, saying investigators were continuing to "conduct their post-blast investigation and reconstruct the incident scene" before drawing a conclusion. "These investigations take time, and we are committed to conducting a thorough examination to accurately determine the cause," the LASD said in Monday's news release. Monday's search warrant was at least the second served since the explosion. In the hours following the blast, the Santa Monica garage where the grenades were found in was searched, the LASD said. No additional details were immediately made available.


Forbes
2 days ago
- Automotive
- Forbes
Heliot Emil Refines Fashion Through Innovation And Industrial Elegance
Heliot Emil Refines Fashion Through Innovation and Industrial Elegance. Evald Munksgaard hansen In the heart of Copenhagen, nestled within the walls of a former auto repair shop turned gallery, lies the creative hub of Heliot Emil. Founded by brothers Julius and Victor Juul, the brand has become synonymous with industrial elegance, futuristic design, and a meticulous attention to detail. The duo's journey into their design philosophy is an evolution displayed through each collection, with garments creating a global fashion cult. The Juul brothers have cultivated a subversive, Scandinavian, and monochromatic aesthetic, combined with custom developed materials, fabrics and trimmings. This creation, Heliot Emil, has enticed audiences to its acute attention to detail throughout every branch of the brand. Hiking boots that have reached the top of the hypebeast totem pole, and intricately designed garments that reflect industrial flare, while giving way to mechanical interpretations, with technical design elements. Each collection is influencing a new sartorial lingo among architectural fashion designs. Heliot Emil, founded by brothers Julius and Victor Juul, merges industrial elegance and futuristic design through meticulous craftsmanship. Evald Munksgaard Hansen The former garage space that now houses Heliot Emil's studio has a rich history. 'It used to be an old auto repair shop,' Victor explains, pointing out remnants of its past, like the areas where cars were once parked and auto machinery sat. The brothers first encountered the space in 2017 when they were searching for a location to shoot their debut lookbook. 'You can still see where the cars were parked. The previous tenant turned it into a gallery. When we shot our first lookbook in 2017, we blasted emails to galleries in Copenhagen, and only one responded. This one!' Victor recalls. 'During the shoot, we became good friends with the owner, and four years later he offered us the space.' The connection was instant, and when the opportunity arose to take over the space four years ago, they didn't hesitate. Heliot Emil merges industrial elegance and futuristic design through meticulous craftsmanship. Evald Munksgaard hansen The studio is now a blend of industrial grit and futuristic design, and features custom renovations by the Juul brothers, including an LED wall that doubles as a screen for events, or even 'Formula One races,' the brothers jokingly remark. 'We built everything you see here,' Victor says, highlighting the skylight and acoustic panels that combine lighting and sound, all as a testament to their commitment to both form and function. Heliot Emil's journey began with Julius in New York and Victor in Copenhagen, brainstorming over Skype in 2016. 'We wanted to build something bigger than just a product - a universe where everything speaks together,' Victor explains. This vision has guided the brand's expansion into furniture, music, and immersive experiences, creating a cohesive aesthetic that transcends fashion. Heliot Emil merges industrial elegance and futuristic design through meticulous craftsmanship, transforming a repurposed Copenhagen auto repair shop into the heart of their brand. Evald Munksgaard hansen The brand name Heliot Emil stems from their great-grandfather who once tilled farmland for a living. "Heliot Emil was our great-grandfather's name,' 'Victor details. "He was a farmer, not into fashion at all—just a traditional entrepreneur. The farm still exists, though it's not operational anymore." As brother's, they have found the harmonious synchronization of creativity and business acumen. Julius steering design while Victor takes the helm of operations in-house. Victor expands on the family legacy, 'We're brothers, so we took the family name but didn't want to use our own names specifically. It felt like it had heritage—something rooted in the family." Heliot Emil, founded by brothers Julius and Victor Juul, merges industrial elegance and futuristic design, transforming a repurposed Copenhagen auto repair shop into the heart of their brand. Evald Munksgaard hansen "There are actually five of us siblings, though people often think it's just us two because we're always together. We've shared friend groups, sports, schools - we're inseparable,' Victor explains. That closeness creates telepathic communication in the work. Expanding with new team members tends to be a challenge for the duo each time. 'We have to adjust how we communicate because Julius and I can often understand each other without words." From their first collection showcased in Milan in 2017 to their current presence at Paris Fashion Week, Heliot Emil has always aimed for global relevance. 'Paris is the epicenter of fashion,' Julius notes. 'It was a goal for us, as a small Danish brand, to be part of that official schedule.' 'Early on, we did a world tour - showing in Milan, LA, New York, Shanghai, Tokyo, and Copenhagen - to get our collection in front of as many people as possible," Victor interjects. Heliot Emil, founded by brothers Julius and Victor Juul who transformed a repurposed Copenhagen auto repair shop into the heart of their brand. Evald Munksgaard hansen Victor adds on, "Our biggest market right now is the U.S., with strong communities in New York, L.A., Miami, and Austin. We're also growing a lot in France, thanks to our fashion shows in Paris, and in Korea." Heliot Emil's designs are a masterclass in balancing industrial elements with elegance. 'It's [about] combining fine merino wool with metal trims and utility-inspired details,' Julius explains. The brand's signature carabiner clips, fluid silhouettes, and lightweight materials reflect a meticulous approach to design and technicality. 'Every detail, from the zipper size to the pocket lining, is carefully considered,' Victor adds. This dedication to innovation extends to their research and development department, which operates independently of their seasonal collections. 'We're experimenting with materials and techniques that might take years to perfect,' Julius says. 'It's like a marathon, not a sprint.' "We've always wanted to build something bigger than just a fashion brand - a complete universe where everything speaks together. Constantly experimenting - what if we made this from a different material? What if we infused metal into leather? It's about balancing form and function while pushing innovation." Heliot Emil transformed a repurposed Copenhagen auto repair shop into the heart of their brand. Evald Munksgaard hansen Heliot Emil's success lies in its ability to create a universe that resonates with a global community. 'People don't just see our products; they understand the aesthetic and lifestyle,' Victor explains. From music and architecture to food and uniforms, the brand's universe is instantly recognizable. Julius adds, "Even before Instagram was big for fashion, we used it to create a world, not just show products. People recognize our aesthetic so clearly they could imagine how a Heliot Emil hotel would look without seeing it.' This approach has allowed Heliot Emil to transcend its Danish roots and become a global phenomenon. 'We've always had a global mindset,' Victor notes. 'Our goal was never to be just a Copenhagen [Danish] brand but to create something that people everywhere could connect with.' As Heliot Emil continues to grow, the Juul brothers remain committed to their core values of innovation, industrial elegance, and community. 'We want to keep pushing boundaries and exploring new ideas,' Julius continues. 'Whether it's through fashion, furniture, or experiences, our goal is to create a world that inspires and connects people.' Heliot Emil transformed a repurposed Copenhagen auto repair shop into the heart of their brand. Evald Munksgaard hansen With a stash of ideas stored away in a corridor of the industrialized fashion showroom, the brothers hold on to their inspirations not yet realized. "In our design room, we archive every past collection, develop new pieces, and work on patterns. We've got fabrics, mood boards, and prototypes… Like, this modular piece where zippers detach sleeves and panels to transform it," Julius describes. With their unwavering dedication to craftsmanship and their bold vision for the future, Julius and Victor Juul are crafting a legacy. Julius' passion for design leads the brand into its lane. "I personally love the tailoring we're doing,' he notes. 'It's elegant and perfectly explores the concept of industrial elegance. When we started, we didn't have the experience, but we learned season after season and partnered with the best people. Now, tailoring is one of our best-selling categories." Julius and younger brother Victor also work through the nuances for a fashion line by finding trusted and willing partners. "Working with manufacturers is crucial,' Julius admits. 'We see them as internal resources, not just suppliers. The partnership has to be strong, especially when developing complex pieces. Many factories say no because it's too complicated, so they need to see the vision and the fun in creating something unique." Heliot Emil, founded by brothers Julius and Victor Juul, merges industrial elegance and futuristic design through meticulous craftsmanship. Evald Munksgaard hansen Victor, as the business half of the brand, sees those creative choices as an attribute to the Heliot Emil Maison. He notes, "We always try to find materials with an interesting point to them. Whether it's wool, cotton, or technical fabrics, they have to have a unique attribute. For example, we use alpaca wool, which feels super nice and wears well, but in our context, it feels different and interesting." When it comes to the nature of collaborations in fashion today, Heliot Emil has taken its fair share of the market, infusing its hardcore, technical design into every detail. Julius explains, "For the Puma collaboration, everything was custom-developed. The sole was inspired by Icelandic glaciers, and we used Puma's Nitro technology, which infuses nitrous oxygen into the foam for a bouncy yet firm feel. The lacing system and knit upper were also custom-made to match our aesthetic." Heliot Emil, founded by brothers Julius and Victor Juul, merges industrial elegance and futuristic design, transforming a repurposed Copenhagen auto repair shop into the heart of their brand. Evald Munksgaard hansen As for the Heliot Emil name standing alone, Julius seldomly explores along with Julius. "We're slowly introducing new colors like stone and green, but we want to master our core palette first,' Julius laments. 'I doubt we'll go for neon pops, but we're exploring how to infuse interesting colors into our designs." "We've done custom developments for stars who want unique pieces. It's part of what we do - creating exclusive, custom items for people who want something special," Victor adds. As Heliot Emil continues to evolve, the world watches as moments like rapper Playboi Carti wearing the Hiking Boot at his March 2025 Rolling Loud Los Angeles performance mark the brand in streetwear and fashion iconography. With a global approach and a commitment to innovation, Heliot Emil has become a sought-after name in contemporary fashion, pushing the boundaries of style and functionality.


The Star
2 days ago
- Sport
- The Star
Zii Jia appears fine in first public appearance in China
New role: Zii Jia turns up as an umpire during a fun exhibition match as he makes a surprise public appearance at the Victor brand conference and new product launch in China on Sunday. - Pix by Victor PETALING JAYA: Is men's singles shuttler Lee Zii Jia truly getting better, or has he actually been fine all along? After nearly two weeks of speculation among badminton fans around the world about the former Asian champion's condition, Zii Jia made a surprise public appearance at the Victor brand conference and new product launch in China on Sunday. Zii Jia was one of the featured faces of the badminton brand, modelling the new collection for the 2026 season on a runway. Other notable appearances at the event included 2024 Paris Olympic gold medallists Zheng Siwei-Huang Yaqiong, who have both retired, as well as former men's doubles player Li Junhui, who was reunited with his old partner Liu Yuchen. Also present was Indonesia's men's singles player Jonatan Christie. Following the event, he didn't just attend a fan meet-and-greet session but also took part in a friendly exhibition match, where he even served as the umpire. However, concerns remain over his fitness. He has been unable to compete in any tournaments for more than three months due to an ankle injury sustained in December last year. Zii Jia, who had skipped the back-to-back Japan and China Opens, has qualified for the World Championships in Paris next month.


Elle
5 days ago
- Entertainment
- Elle
A24's New Under-the-Radar Gem 'Sorry Baby' Tackles Trauma With Humor
Eva Victor began their career in the comedy scene, going viral on TikTok and writing for satirical sites like Reductress. Subjects would range from how (not) to make small talk in an elevator to paying the check at a restaurant when you're not sure if you're on a date. But when it comes to their debut feature, Sorry, Baby, Victor isn't even sure there's a single joke in it. 'Humor is always there, but it's a very different feeling,' the writer, director, and star says. Sorry, Baby follows Agnes (Victor), an English lit professor in a small New England town, before and after 'the bad thing' that happens to her. She was sexually assaulted, though the film avoids saying or depicting it outright, forgoing stereotypical, on-the-nose portrayals. But it doesn't minimize Agnes's pain or trauma either. In Victor's hands, we don't fall into a well of despair around the incident. Instead, we spend more time in the crevices of everyday moments that make up Agnes's complicated and beautiful life. Sorry, Baby received the Waldo Salt Screenwriting Award at Sundance, where A24 immediately scooped up the film for distribution for around $8 million. Even without jokes, Victor thinks there might be three reasons why viewers laugh during Sorry, Baby. 'One of them is witnessing the joy of a friendship and feeling like you're a part of it,' they say. Victor is talking about the actual core of Sorry, Baby: the relationship between Agnes and her best friend, Lydie (Naomi Ackie), who went to college with Agnes in this small town and has since moved away. 'I wanted the beginning of the film to have a lot of joy and laughter in it and to feel like it's just these two people in this big world,' Victor says, 'so that after we go through really hard things later on, we can return to a place of joy and laughter because it's been established.' There's also humor in the way Agnes navigates the world; how she sneaks a cat into the grocery store or how she interacts with her kind neighbor, Gavin (Lucas Hedges). And then there's the way the movie holds people in power accountable. 'It's kind of cathartic to laugh at them,' Victor says. At various points, the film highlights the failures of the medical system, a college's HR department, and a courtroom during jury duty. Victor's approach to movies comes from a place of joy. They grew up watching the likes of A Hard Day's Night, Top Hat, and Swing Time. They still rewatch Singin' in the Rain, moved each time by Gene Kelly's extended dance sequence in the middle of it. 'It's joyful and for the sake of beauty. We sometimes are told everything has to exist for a reason, and I don't think that's totally true,' they say. Since then, Victor has gravitated more toward movies like 45 Years, the Three Colors trilogy, and The Double Life of Veronique. During the pandemic, Victor embarked on this self-led film education to get an idea of the kind of movie they could one day make. It then took years of preparation and confidence-building to step into the director's chair. 'I don't think anyone's ever going to let you make a movie,' Victor says. 'You have to continue knocking on the door to make a movie. And then finally, you get to, maybe, if you're lucky.' After Victor cracked the film's non-linear structure and finished the script, they sent it to Barry Jenkins, Adele Romanski, and Mark Ceryak's Pastel Productions, who signed on as producers. 'I never brought it anywhere else,' Victor says. The producers set Victor up to shoot two scenes from the movie so they could get comfortable directing. Victor made storyboards and reverse-shotlisted movies they loved. By the time they got to set, Victor had compiled a massive binder (which is now used as a doorstop) of acting notes, directing notes, and storyboards for every scene. Jenkins, aside from being a visionary artist—and one of Victor's early post-college inspirations—proved to be an invaluable mentor. 'He gifted me with this idea that what I was doing, before I ever made a film, was working out how to make a film. And that was very affirming,' Victor says. Victor took their online videos seriously, even if the tone was comical; like when they shared the many ways ladies love to brag ('I go to bed at 4:45 A.M. and I wake up at 5 A.M.'), or when they serenaded their cat after two hours apart. Jenkins saw the value in them too. 'He had so much confidence in me,' Victor says. Jenkins gave them script notes, helped cast Lydie, and offered advice on set, all 'intent on helping me make the film I wanted to make.' Sorry, Baby couches Agnes's experience in humor, tenderness, and warmth. Life can be dark and yet, in unexpected moments, we have to laugh. As a culture, Victor considers, we tend to mark people who've been through traumatic incidents as tragic figures. Victor, on the other hand, created a story that was primarily about friendship in order to give Agnes 'this fighting chance of being a whole person that goes through this thing, but isn't defined by it.' Victor has said that the film comes from a personal place. And while no experience can be completely healing, directing gave Victor a unique power over their own story. 'The act of directing myself as an actor, deciding where my body went, and then everyone in the crew and cast supporting that decision was very powerful. That part was very meaningful to me.' After years of working out feelings of anxiety and awkwardness on Twitter, Victor found fertile ground in feature-length storytelling. They approached it differently from the beginning—with research, homework, and Oscar-winning producers—and the product became something intensely personal and, much like Victor's video of opening a seltzer during a meeting, deeply relatable. 'I really wanted the feature to breathe,' they say. 'I wanted people to feel like they had to lean in to meet it.'