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Check out our 12 favorite golf belts for 2025 from Nike, Adidas, Peter Millar and more
Check out our 12 favorite golf belts for 2025 from Nike, Adidas, Peter Millar and more

USA Today

time3 days ago

  • Lifestyle
  • USA Today

Check out our 12 favorite golf belts for 2025 from Nike, Adidas, Peter Millar and more

Belts have gone from a simple tool to keep your trousers from falling down to full-blown fashion pieces, and that's true for the world of golf, too. A functional, comfortable and stylish belt has become a necessity for every golf closet, but there are hundreds of models from dozens of brands to choose from, and finding the perfect one for you can be time-consuming. Don't worry, we've got you covered. Check out our 12 favorite golf belts you can wear on the course this year. TravisMathew - Jinx 2.0 Leather Belt The Jinx 2.0 from TravisMathew will go with any outfit, and it's made from genuine leather with stretch technology to keep you comfortable wherever you're headed. Brooks Brothers - 1818 Textured Leather Belt Made from 100 percent leather crafted in Italy, the 1818 Textured Leather Belt is a high-quality, luxury piece that features a textured feel and a brushed brass buckle. Adidas - 3-Stripes Tour Belt This is one you'll see many pros wearing. Adidas' 3-Stripe Tour belt features a fresh take on the brand's signature logo in the belt buckle and it's made from a combination of polyurethane and polyester, the latter of which is 100% recycled. Vineyard Vines - On-The-Go Flecked Bungee Belt Made from 47% rubber, the On-The-Go Flecked Bungee Belt from Vineyard Vines promises maximum stretch for ultimate comfort on the golf course and features a leather trim to increase durability. Johnnie-O - Classic Suede Belt Johnnie-O's Classic Suede Belt is handcrafted in Brazil and features a rugged, antique look that will pair nicely with any bottoms, including golf shorts and pants, jeans, or khakis. Nike - Stretch Woven Belt With woven materials consisting of nearly half rubber, Nike's Stretch Woven Belt is another one that ensures you'll have a full range of motion throughout your day on the golf course. Plus, it has a no-hole harness buckle so you can find the perfect fit. Original Penguin - Core Golf Reversible Belt Versatile and stylish, the Core Golf Reversible Belt from Original Penguin is exactly what you need for every occasion, on the golf course or not. It has the brand's signature logo on its flat-faced metal buckle and can be worn in two different colors. Bonobos - Clubhouse Stretch Belt The Bonobos Clubhouse Stretch belt is made from a unique blend of polypropylene and latex, which essentially just means it's really stretchy. Plus, it's offered in 11 different colorways. Ping - Tour Belt At the highest price point on this list, you know you're getting nothing but the best quality in Ping's Tour Belt. It's handcrafted from premium leather and the Italian-made plaque solid brass buckle features the brand's iconic logo. PGA Tour Apparel - Silicone Golf Belt At the lowest price point on this list, the simple but effective Silicone Golf Belt from PGA Tour Apparel still packs a punch and will get the job done in keeping everything in place during your round. J. Lindeberg - Arvo Belt J. Lindeberg's Arvo Belt is made from a high-performance webbing material that makes sure you're mobile while you're on the course. It has an adjustable buckle to help you find the right fit, complete with the brand's signature emblem on the front. Peter Millar - Crafted Woven Belt This woven belt from Peter Millar's Crown Crafted collection is a classy piece made from 65 percent wool and 30 percent elastane, ensuring comfort and stretchiness to keep you at the top of your game on the course.

Popular Men's Clothing Brand Adding Iconic Collection for Limited Time
Popular Men's Clothing Brand Adding Iconic Collection for Limited Time

Yahoo

time17-06-2025

  • Entertainment
  • Yahoo

Popular Men's Clothing Brand Adding Iconic Collection for Limited Time

June 20, 1975, was the release of the famous movie, "Jaws." Half a century later, it still remains an iconic film and one that put director Steven Spielberg on the map in the industry. As the famous shark-themed film approaches its 50th anniversary, one popular clothing brand is rolling out a new collection for a limited time. Vineyard Vines, a company founded by brothers Shep and Ian Murray, is set to release a new product assortment in honor of the anniversary. "The coastal-themed apparel brand is collaborating with Universal Products & Experiences to celebrate the 50th anniversary of the 1975 summer blockbuster film 'Jaws.' An exclusive 'Jaws' Vineyard Vines collection includes a range of iconic apparel and accessories for men, women and kids featuring short-and long-sleeve t-shirts, sweatshirts, polos and hats," according to Dan Berthiaume of Chain Store Age. The Vineyard Vines X account also teased the release with a clip. Shep Murray, the co-founder of the company, spoke about his childhood enjoyment of the movie, per Chain Store Age. "I was just a kid and Ian was born only a few months later when Steven Spielberg came to Martha's Vineyard to film 'Jaws' in the summer of '74. Some of our closest family friends were part of the production, and the stories that came out of it are still legendary. We're excited to celebrate the anniversary of this iconic film with a collection that captures its legacy," Murray said. The products are already available on the website, with items including hats, T-shirts, bathing suits and plenty more in what will be a cool collector's item with the 50th anniversary coming soon. Vineyard Vines also rolled out a limited edition set for the Grateful Dead for its 60th Men's Clothing Brand Adding Iconic Collection for Limited Time first appeared on Men's Journal on Jun 16, 2025

Inside Simone's Style Transformation on 'Sirens',' 'from 'Ornamental' Staff to Lady of the House (Exclusive)
Inside Simone's Style Transformation on 'Sirens',' 'from 'Ornamental' Staff to Lady of the House (Exclusive)

Yahoo

time12-06-2025

  • Entertainment
  • Yahoo

Inside Simone's Style Transformation on 'Sirens',' 'from 'Ornamental' Staff to Lady of the House (Exclusive)

Sirens costume designer Caroline Duncan tells PEOPLE how she transformed Simone, played by Milly Alcock, from an assistant to the lady of the house Duncan used clothing details on Simone's character to make her go from "youthful little girl into a woman" in the span of a weekend The costume designer also describes how she built one of the most important costume pieces in the show: Simone's gala dressWarning: Some spoilers ahead for Netflix's . The costumes in Netflix's Sirens are have a story arc of their own. Costume designer Caroline Duncan crafted a whole story behind the pieces the characters wear on the limited series, from the custom Lilly Pulitzer pieces to the pastel Vineyard Vines splashed across the Cliff House and beyond. For one character in particular, her clothes speak to an evolution unlike anyone else on the show. "With Milly's clothing in the [Lilly] Pulitzer palette, I wanted her to feel like she's part of this world, but she's not actually a member of this society yet. She works for Michaela. So her costumes have to feel as if she's following Michaela's rules and she wants to be perfect," Duncan says of Milly Alcock, who plays the role of Simone, the assistant to Michaela Kell (Julianne Moore). "Part of her whole journey is letting go of this perfectionism and this mania and these panic attacks that she has throughout the miniseries have to do with her losing control when Devon shows up. So she starts in this very, very girly pink and white goop Pulitzer collaboration that we trimmed out with some extra doily features. And then the next dress she wears is one that we built from a furniture fabric to double down on the fact that she feels like one of the furnishings in Michaela's home, that she's been de-individualized by being a part of this posse of sycophants." In the show, Simone comes to Cliff House — Michaela's home that she owns with her billionaire husband, Peter Kell (Kevin Bacon), to be her assistant. It's there on a New England island that she becomes this new version of herself that her sister, Devon (Meghann Fahy), doesn't recognize. In the beginning, audiences meet her as a bubbly assistant who tends to Michaela's every beck and call, wearing brightly colored clothes to match the aesthetic. But as Duncan points out, Simone does not stand out, she is part of the staff, and like the rest of the staff — who wear mint green uniforms and are "ornamental" to match the color of the kitchen — she blends in and is treated as such. However, as the story unfolds, Simone retreats into her old self before transforming into the true main character, overtaking Michaela herself. Simone's wardrobe transformation culminates in an icy blue dress that she wears for Michaela and Peter's gala at Cliff House. It's a floor-length gown that viewers know Michaela hand-picked for Simone to wear. What viewers don't know is that this dress is the final shift in Simone taking Michaela's place as the head of the household by Peter's side. Duncan says there was a lot of pressure to get that dress perfect, which is why she built it from scratch. "I looked to see if I could find something that felt right for her, and the reason that I leaned into this silhouette that we ended up constructing for Milly is, she has such a fast evolution over the course of really three days. She has to completely transform from this youthful little girl into a woman. She also has to still feel like a siren," Duncan explains. The costume designer also wanted the color of the dress to blend with the sky as Simone was standing on the edge of the cliff in the final shot of the show because the character, in theory, now belongs in her surroundings. "We made the dress out of a stretched satin so that it would have this ripple through the fabric and this reflective quality that echoed the clouds and the sky," Duncan says. "It had to accomplish a lot of things, and I wanted it to fall off of one shoulder to feel draped like a Greek goddess." Duncan says it was also important to look at how Simone's dress would play against Michaela's, because the two needed to go toe to toe before Michaela made her grand exit, leaving Simone as the new lady of the house. She already had Michaela's dress picked out — a marigold chiffon McQueen number that she says fit Moore perfectly. An icy silver blue dress felt like the right counterpoint to that. In the end, Duncan says the dress makes the character resemble a "statue," because Simone is a bit of a "trophy wife," repeating a cycle for Peter. There was Jocelyn (the first wife), then Michaela and now Simone. "She had to feel breathlessly and iconically like she fit into this cycle that may or may not continue, Duncan says. "We don't know where her story will go." Sirens is streaming now on Netflix. Read the original article on People

Shep and Ian Are Back at Vineyard Vines
Shep and Ian Are Back at Vineyard Vines

Yahoo

time22-05-2025

  • Business
  • Yahoo

Shep and Ian Are Back at Vineyard Vines

STAMFORD, Conn. — Vineyard Vines has kept a low profile over the past few years — and that's intentional. Since introducing its smiling pink whale logo 27 years ago, the Stamford, Conn.-based brand founded by brothers Shep and Ian Murray have built a multimillion-dollar business centered around a preppy country club-inspired aesthetic. More from WWD UYN Opens First U.S. Store as Sports Brand Eyes Expansion in America Billy Reid Returns to Growth Mode After Knot Standard Integration Carhartt Work in Progress Opens in Williamsburg But around the company's quarter-century mark, rumors began to fly that the company was for sale and the brothers were butting heads. While a sale never came to fruition, the Murrays decided to bring in some fresh blood to help them navigate the future. Enter Roger Farah, a respected industry figure who spent four decades in retail at Macy's, Federated Department Stores and Saks Fifth Avenue, before joining Ralph Lauren Corp., Tory Burch, Tiffany & Co. and CVS. 'We met Roger a number of years ago,' Ian Murray said in an interview last week at the company's sprawling headquarters on the waterfront here. 'We thought he could be helpful, so he joined our advisory board and through his strong recommendation, we brought in some leadership.' That leader was John Mehas, whose career started at Bloomingdale's and included stints as chief executive officer of Club Monaco and Victoria's Secret as well as president of Tory Burch. He came on board in October 2022 as CEO of Vineyard Vines. Although they never exited the company or brought in investors, the brothers stepped aside and took on the role of chief creative officers. But the experiment didn't end well. After less than two years, Mehas was shown the door by the Murrays, who continue to own 100 percent of the privately held company. 'We're back,' the brothers said in unison. Although they were reluctant to provide too much detail about the split, it's obvious upon speaking to them that the situation ultimately became contentious. 'We were nearing 25 years of business and we were focused on how to evolve and grow,' they said. 'At that time we thought that having a team with a bigger skill set would be instrumental.' 'We met Roger through a mutual friend,' Shep Murray said. 'He's a terrific businessman, and we enjoyed our time with him, but we are founders of our company — we have a vision, and our customers repeatedly have always responded best to our vision. So Ian and I are back home and happy, and we're seeing great results. 'We felt it was the right thing for the brand at time,' he continued, 'and we took a risk. I think everybody learned a lot from it, and at the end of the day, we confirmed what our customers wanted. The way we run our business is a little bit atypical, but it works best for this brand.' Vineyard Vines traces its beginnings to 1998 when the-then 27-year-old Shep Murray and his 23-year-old brother ditched their corporate jobs in New York City and invested $7,000 into creating a line of whimsically designed neckties inspired by the lobsters, boats and street signs of Martha's Vineyard, where they loved spending time. They sold those ties — not very successfully at first — on the Vineyard, sometimes off their boats and other times out of their Jeeps or backpacks at local bars. Although business was tough to come by at first, they persevered and eventually established a following and built a business they boast is 'extremely healthy' with annual sales 'significantly above $500 million.' Now back in charge, the Murrays are reinvigorated and looking to the future with optimism as they lean into their mantra: 'Every Day Should Feel This Good.' While there are no plans to dramatically change their game plan, they do see opportunities for growth in other categories such as restaurants, food, travel or even pet products. 'It's a very simple formula,' Ian Murray said. 'As Yvon Chouinard from Patagonia always said: if you do something and it feels good, you walk toward it. If it doesn't feel good, take a step back. We don't chase trends. We've gotten to scale, which is great. And being at scale and being privately owned allows us to do things that a lot of other companies can't, which is to always make decisions in the best interest of the long-term health of the business, as opposed to a short-term financial exit.' As a result, the Murrays continue to focus on their core products, but infused with technological advances and refreshed seasonally. 'The product feels fantastic. It's innovative. It's updated versions of many key franchises that have been successful for years, along with some fashion ideas that will likely become new franchises,' Ian Murray said. 'I actually don't like the word 'fashion.' We don't do runways. We just do seasonal updates. We're really about brand and lifestyle.' 'Great things never go out of style,' his brother added. 'Our brand represents color, it represents humor. It doesn't discriminate. It's a beacon of positivity in this world we live in.' Ian Murray pointed to Ralph Lauren as a company they admire for its unwavering vision. 'He dreamed up these lives he wanted to live and there's nobody better than him.' Today, the Vineyard Vines business breaks down into 50 percent menswear, 30 percent women's, 15 percent boys and 5 percent girls. Its bestselling item is the On the Go men's pant, which looks like a classic chino but is infused with performance attributes such as stretch, moisture-wicking, water repellency and wrinkle resistance. It retails for $128 and there's also a shorts version for $98.50. 'It took almost 20 years to get the pants and shorts where we wanted them to be,' Ian Murray said. 'You know with guys, when they find something they like, they just stick with it. So it took a long time to earn their trust and to get the fabrics and fits right.' Also popular today are the lightweight nylon button-down shirts for men that are machine washable and quick drying, as well as the Sankaty golf polo — named after a lighthouse on Nantucket — and a complementary quarter-zip that are appropriate for the links or the office. And the brand's boxer shorts are also 'on fire,' they said. Preppie pieces continue to represent 50 percent of the men's business, they said, with items such as blue blazers, performance cotton shirts, cotton chinos and even neckwear and accessories still staples. 'That business is still strong, but not growing as fast as the [performance side],' Ian Murray said. A collection called Surf, which comprises worn-in pieces such as garment-dyed polos, terrycloth sweats, hoodies and faded T-shirts, is also performing well, they said. 'A lot of brands like to be on the cutting edge,' Shep Murray said. 'You're never going to see us anywhere near the Met Gala. We've done a great job evolving our basics. We're not afraid to pull out a jersey cotton polo and put that in the line. It doesn't have to be new all the time.' Beyond its core assortment, Vineyard Vines also offers collaboration product. The brothers, who still share an office and say they almost never disagree about anything, were just back from Louisville, where they showcased their Kentucky Derby collection to fans at Churchill Downs, a collaboration that began 15 years ago. That's one of many partnerships the brand has had over the years including its most recent, a Grateful Dead collection in honor of the band's 60th anniversary that launched last week. Coming on June 7 is a Jaws collaboration celebrating the 50th anniversary of that legendary film. The limited-edition capsule will include men's, women's and children's Ts, sweatshirts, polos and hats. Because the movie was filmed on Martha's Vineyard, many of their friends had cameo appearances, and they're expected to be included in activations the brand will host on the Vineyard and in its stores this summer. 'We hitch our wagons to iconic American institutions,' Shep Murray said. His brother added: 'They're relatively small parts of our business, but they're the sizzle.' Retail remains a key part of the business. Vineyard Vines operates 126 stores: 77 full-price and 49 outlets, with its most recent additions in Kittery, Maine; Albany, N.Y.; Edina, Minn., and Tampa. Since the beginning, the business has been broken down into 'three buckets,' Ian Murray said: Vineyard Vines stores; direct-to-consumer, which includes web and catalogue, and wholesale. Their collection is sold at Nordstrom, Bloomingdale's, Belk, Von Maur and other large retailers but specialty stores such as Puritan Cape Cod and Darien Sport Shop remain important partners. The business is nearly 100 percent U.S.-based although there are Vineyard Vines stores in both Bermuda and the Bahamas that are operated by local partners. 'And we have a small wholesale business in other countries,' Shep Murray said. The idea of moving outside the U.S. is something they plan to revisit going forward, they said. 'That wasn't a priority of the last leadership team,' Ian Murray said. They're also exploring getting into the restaurant business, and adding other product categories such as eyewear and fragrance. A collaboration with Target in 2019, where they offered some 300 items such as inflatables, tableware, games and other products, 'showed us how passionate people were about our lifestyle, not just the categories we're in now,' Shep Murray said. 'Whatever we do, it has to be something we love. We built our business making things we love.' And spreading that love — both internally and externally — remains a priority for the brothers. 'We have an incredible team comprised of many people who have worked their way from store level up to senior roles, along with other people from the outside,' Shep Murray said. 'We're having fun and inviting our customers to have fun with us.' The brothers stressed that the company's goals remain the same as they have been since the beginning: to make Vineyard Vines a great place to work, to create an exceptional customer experience through product and messaging, and to drive profitable sales growth. 'And we believe super strongly that they have to be in that order,' Ian Murray said. 'They can't be flipped over. It'll just never work. And so we are really laser-focused on our team, making sure we have the right people in the right seats, and making sure everything we do reeks the brand. It doesn't need to have the logo on it to say Vineyard Vines. It's an easy story to tell because it's our story.' Shep Murray added: 'Nobody can tell our story better than us: these two brothers who had no experience but a passion to share their dream lifestyle with other people. It's been a winning recipe.' He said they're 'not afraid of smart people,' and seek to surround themselves with others who can 'help elevate our brand and our business and our three goals.' But one constant will remain — the Murray brothers will continue to be in control. 'Whenever we put somebody else in the seat and take a step back, we itch because we want to get back. No one can do us as well as us,' Shep Murray said. 'Every now and then, when we lose our way, or we have somebody join the team who doesn't always see the brand through that lens; it becomes apparent super quickly,' Ian Murray said. Although they've built a sizable business, 'we've always chased our dreams, we've never chased dollar signs,' Shep Murray said. 'We always want to be better than we are bigger.' Best of WWD China's Streetwear Whisperer: Peter Zhong Some 600 Exhibitors Expected at Pitti Uomo's 101st Edition Peter Manning Purchased by Longtime CEO Who Plans Expansion Sign in to access your portfolio

From 'Perfect Housewife' Shift Dresses To A 'Rock ‘n' Roll' Gown, The Fashion In Sirens Is Full Of Easter Eggs
From 'Perfect Housewife' Shift Dresses To A 'Rock ‘n' Roll' Gown, The Fashion In Sirens Is Full Of Easter Eggs

Refinery29

time22-05-2025

  • Entertainment
  • Refinery29

From 'Perfect Housewife' Shift Dresses To A 'Rock ‘n' Roll' Gown, The Fashion In Sirens Is Full Of Easter Eggs

Mild spoilers for Sirens, premiering on May 22, ahead. In Netflix's new steamy thriller Sirens, on the lavish grounds of Cliff House — located on an exclusive, unnamed island in the vein of Martha's Vineyard — the decadent dress code is more than just an etiquette guideline. 'What is this place and why does everyone look like an Easter egg?!' exclaims Devon (Meghann Fahy) to her estranged younger sister Simone (Milly Alcock), an assistant to the palatial beach estate's doyenne, Michaela Kell (Julianne Moore) — or 'Kiki' to the anointed. Surrounded by floral-clad Stepford-type denizens, a disheveled Devon, out of place in all black, pleads for help from Simone, who, in contrast, is wearing brash pink. Their father, Bruce (Bill Camp), has dementia, but Simone refuses to leave her formidable boss and the lap of luxury. Devon surmises that her baby sister has been seduced by a cult led by the enigmatic Michaela. A suspenseful push and pull of women's relationships, money, and power ensues — and the luxurious wardrobes by costume designer Caroline Duncan offer figurative Easter eggs leading to the climactic finale. Devon's Subversive Black Outfit Arriving at Cliff House after a night in jail and a grueling 17-hour journey from Buffalo – including bus, ferry, and on-foot travel — Devon hasn't changed out of her all-black outfit: a black tank top, a Babaton mini skirt, and Thursday combat boots. 'When we meet Devon, she's at a low point,' says Duncan. 'She's got alcohol and sexual impulsivity issues, and we wanted to put her in something where we could see the scabs and dirt on her skin, but also show that she's emboldened by showing her skin. Part of her addiction comes from that confidence.' On the ferry, Devon visually — and spiritually — clashes with the posh summering crowd in pastel outfits straight out of Lilly Pulitzer and Vineyard Vines campaigns. But things are about to change, and the mint-green lace trim that Duncan added to Devon's camisole alludes to Michaela's meticulously manicured enclave and the intrigue to come. 'Planting that little seed of her journey,' says Duncan. Michaela's Otherworldly Neutrals Devon becomes convinced that Michaela, who's planning an extravagant Labor Day fundraiser gala for her rare bird preservation charity, is a cult leader. Adding to the vibe, the philanthropist — in a billowing white halter tunic and flowy pants — wields a fowl-topped baton to lead her devotées in an invocation of her sign-off mantra: 'Hey, hey.' 'Our intent was to always have the audience questioning what the mythos surrounding her, and the lore of her, was,' says Duncan, who custom-made most of Moore's other costumes. 'I wanted her to feel like she was always floating and above the fracas of the real world.' Taking inspiration from '70s-era Lee Radziwill and Italian brand Alberta Ferretti's ethereal silhouettes, Duncan made Michaela's halter ensemble with vintage silk from a distributor also used by Halston, a brand whose silky garments were worn by the likes of Liza Minnelli and Bianca Jagger. Later, the de facto empress of the island presides over her disciples in a luminous one-shoulder caftan gown by The Row. Duncan imagined that the ambitious lawyer-turned-billionaire-trophy-wife made her mark on the impressionable island community by formulating a color-coded wardrobe 'rulebook.' But, in the ultimate flex, Michaela's own distinctive palette of neutrals is an ongoing, eye-catching exception. 'Everyone else around Michaela is in this flutter of beautiful color, and she's this visual pause,' says Duncan. 'Which, of course, means that she's the person you're looking at, at all times, in the room.' Michaela's alabaster layers also boldly counter Devon's rebellious, grungey style as the two face off over Simone's allegiance toward the end of episode one. 'Everybody else in between them is in a powder puff of color, but the two are the binaries of the show,' says Duncan. Simone's Try-Hard Pinks and Commanding Blues Simone regularly barks orders at the Cliff House staff through a megaphone. Her bright pink mod-style dress with a precious white trim, from a Goop x Lilly Pulitzer collaboration, amplifies her relentless determination to fulfill Michaela's directives. 'Simone's got to be obnoxious,' says Duncan. 'It's like the dial is just turned up way too high. She's vibrating far too brightly, and she's trying way too hard to fit in. So everything about her feels extra, and she is in a hotter color than everyone else in that world.' As Simone's character evolves, she transitions to cooler shades of blue, starting with a custom sleeveless Pulitzer-referential dress. 'Blue very much felt like a moment; a marker for Simone feeling more in control,' says Duncan, who also made an exquisitely draped, silvery-blue asymmetrical gown for Simone for a jaw-dropping moment later in the season. 'She starts to feel a little bit bolder and a step wiser,' says Duncan, 'Her need for this perfection, and her desire to match Michaela's level of perfection, starts to wane.' Devon's Red Statement Dress After her initial showdown with Michaela, Devon is briefly banished to a luxury hotel on the island — on the Kell family tab. Taking advantage of her new expense account to finally change out of her two-day-old outfit, she buys a bold crimson Francesca Miranda dress, featuring the Colombia-based designer's pata de cabra technique of slinky, draped strips of fabric. 'It felt like Devon would love that dress, because it's exoskeletal and it moves and it's bold,' says Duncan, who worked with the label to customize the dress with monochrome red lining. 'It moves so beautifully, and the color is so defiant. We're not a world of primary colors in Sirens.' As the signature color of Devon's hometown team, the Buffalo Bills, red also indicates Devon's humble roots — something Simone disavows by cryptically saying she's from 'upstate.' Devon's Michaela-Approved Outfits In an effort to 'extract' Simone, Devon decides to infiltrate the presumed cult and ingratiates herself with Michaela by agreeing to dress the part. She changes into a Michaela-approved sleeveless shift dress with a vintage Lilly Pulitzer print, delicate cut-outs at the neckline, and fabric-covered buttons. Michaela's dress choice conveys her control and manipulation of Devon at Cliff House, with Duncan referring to the look as a 'cage dress.' 'There's a lot of intention to that. Michaela is putting her in a dress that feels very '60s,' continues Duncan. 'To Devon, that image of a 'perfect housewife' is her nightmare version of femininity.' Devon even devises her own chant, as she dons a padded lilac Jennifer Behr headband and matching ballet flats by Christian Louboutin. 'Fuck you, Michaela,' she mutters. 'Fuck you, Michaela.' But, nearly overnight, Devon eases into her second Cliff House-coded outfit: a yellow-and-blue shift dress with a seashell print, Castaner sandals, and an adorable lemon-shaped straw bag. 'As we get further and further into our story, she is tempted by the siren call of this world,' says Duncan. Devon's Goddess Gala Gown Ahead of the opulent Labor Day gala, Devon luxuriates in her own Pretty Woman -esque shopping montage — cheered on by Michaela's free-spending society cronies: The Fates -like Lisa, Astrid, and Cloe (Erin Neufer, Emily Borromeo, and Jen Lyon, respectively). 'I look like Beetlejuice,' opines Devon, drowning in a voluminous yellow Carolina Herrera dress covered in ruffles and giant black polka dots. She also nixes a feather-blanketed Marchesa gown and oversized hat by Rachel Trevor Morgan and a jarringly bright yellow column gown with a colossal bow at the back by Alexia María with custom Lacrasia gloves. But Devon falls under the spell of an ombrê purple goddess dress with a plunging neckline, finished off with a golden laurel tiara. 'She would need to feel incredibly powerful and beautiful,' says Duncan, who custom-designed the 'painterly' gown with elements that would express, and appeal to, Devon. 'This deep plunge and very, very minimalist bust, with more of a rock 'n' roll element pulled through it,' continues Duncan. 'Even though it's quite a feminine and Grecian silhouette, it's also got an edge to it that keeps it in Devon's world.' Micaela's Majestic Jewel Tones As Simone's traumatic past and Michaela's true intentions come to the fore, the latter's neutrals transition into jewel tones — like a sleeveless emerald green dress with a flowing train by Maria Cornejo. 'We're bringing Simone and Michaela's color palettes closer together,' says Duncan, explaining how the draped and twisted details of Michaela's green dress mirror a sapphire gown that Simone tries on in her boss' walk-in closet. Michaela readies for the high-stakes gala in a resplendent strapless marigold gown accessorized with a stunning Solange statement necklace and earrings set. 'She's the queen of this society. She's the leader,' says Duncan. 'She's a goddess.'

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