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15-05-2025
- Sport
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Watching Tape With South Alabama DB Jaden Voisin, the Draft Prospect the NFL Forgot
If you were in charge of personnel for an NFL team, and you had the ability to sign as an undrafted free agent a versatile defensive back who balled out in his last two NCAA seasons, why wouldn't you take the shot? The defensive back in question did go to a smaller school, but had a lot of transfer portal interest from major programs before the 2024 season, has good tape against bigger schools, and seems to have all the attributes that you'd think would give him at least a shot at the next level. In this case, South Alabama's Jaden Voisin is the prospect in question, and Voisin is receiving no post-draft interest from NFL teams. This despite all that bigger-school interest from before, and the kind of tape and metrics you'd think would have those teams thinking. Advertisement Last season for the Jaguars, his fifth with the program, Voisin allowed 21 catches on 34 targets for 234 yards, 86 yards after the catch, one touchdown, five interceptions, four pass breakups, and an opponent passer rating of 52.5. This after a 2023 season in which he allowed 17 catches on 36 targets for 177 yards, 100 yards after the catch, one touchdown, four interceptions, six pass breakups, and an opponent passer rating of 31.6. He was named first-team All-Sun Belt Conference for the second consecutive season. Despite all that, it's been crickets from NFL teams since the 2025 draft came down two weeks ago. "Going into the draft, I looked at myself as possibly a late-rounder or, you know, a priority free agent at best," Voisin told Athlon Sports this week. "But after the draft ended, it was just no phone calls and my agent [Marcel Owens from Veer Sports Agency] reaching out to people, and a lot of the teams saying that they were full or just [had] no interest at the time. So it's weird because, you know, some of the teams reached out throughout the process. But then once the draft was over, there was nothing. Advertisement "So, it's super-confusing. I just wish I had an answer for why that was happening." Voisin's 2024 season was just as confusing before it even began. He entered the transfer portal and had visits set up with Florida, Arkansas, and Mississippi State. He did visit West Virginia before coming back and deciding to stay at South Alabama. Two days after Voisin made that choice, Kane Wommack, his former head coach, left the program to become Alabama's defensive coordinator. Wommack called that the opportunity he couldn't avoid, and that's understandable, but it left his players in the lurch. It also didn't help that Corey Batoon, South Alabama's defensive coordinator and safeties coach from 2021-2023, left to become Missouri's defensive coordinator. The Jaguars matched their 7-6 record from 2023 under new head coach Major Applewhite, beat Western Michigan 30-23 in the Salute to Veterans Bowl, and Voisin had another productive season. But where does that leave him now? Advertisement "I enjoyed my time at South," Voisin said when I asked him whether a transfer to a more visible program might have helped his NFL prospects. "I think I did everything I needed to do at South to still give me the same chances as someone at a bigger school, but I don't know what these NFL teams wanted... maybe they wanted me to go on a bigger stage and play. "So, that kind of puts it in my mind that maybe I should have gone to a Florida or an Arkansas or West Virginia and, you know, done the same thing. Maybe I would have kind of helped my process." Applewhite and his staff were left with a younger defense due to injuries and portal departures, so it was crucial for Voisin as the veteran to become the "green-dot guy," making sure everyone on his side of the ball was where they should be. "I was calling the play obviously for the back end and the linebackers, but also, my coach would tell me, 'If there's a young guy out there and he's kind of iffy about who would do their job, he would remind me in the helmet, Hey, make sure [Player X] knows this,'" Voisin said of the experience. "So I would get that out of the way, because playing so many years, you don't really have to worry about yourself anymore. Advertisement "Once you get to play, you know what you're doing, and you can try and help others. So that was my biggest thing, having to help others throughout the whole play going on." Voisin's defense may have been smaller-school, but the positional versatility the program asked of him, and the extent to which the Jaguars were disguising coverages, showed NFL-readiness in both design and execution. Last season, Voisin lined up 19% of the time in the box, 15% in the slot, 32% as a middle-field safety, 31% as a a split safety, and 4% as an outside cornerback. For the 5-foot-10, 202-pound Voisin, no transition was out of the question. "My DC [Batoon] told me, and this was in 2022, it's valuable to know more positions because like you said, it makes you more valuable," Voisin said. "[Coaches] can place you anywhere, you can play anywhere, [and it] gives you more time on the field. You learn the defense better from different perspectives, and it just makes you a better football player. playing in the box and playing deep, you know, playing in the box makes you a better tackler, obviously, because you're down in there. Advertisement "Obviously, you've got to strap your helmet up for sure when you're in there. And then being in the deep half, it just shows more ball skills and change of direction and all that." As Voisin wasn't invited to the scouting combine where he could participate in meetings and film sessions with NFL teams in round-robin fashion, I thought that the next best thing would be an approximation in which Voisin and I would go over eight of his plays — both good and bad — from his last two seasons. Here's what came from that. NFL shot-callers, please tune in. PLAY 1: Pass deflection vs. Oklahoma State, 2023 Doug Farrar: At the start of this play, you're driving back in coverage, and you read Gunnar Gundy's boundary throw to Rashod Owens pretty quickly to come down and break it up. I'm as interested in where you went for the deflection as anything – you went more to the sideline than where Owens was. What made you anticipate that particular spot, and what was this coverage? Cover-2? Advertisement Jaden Voisin: So this play is actually super-interesting. Throughout this game week in practice, we ran through this play so many times with this tight end going to the flat, they had a corner route coming behind it, and it was almost every single time we've watched it. So as soon as I'm looking, I see the tight end go to the flat, we're already playing outside coverage in our Cover-2. We played more on the outside tip than inside. DF: You're disguising one to two here and you're the second safety, right? JV: Yes. I'm disguising one [Cover-1] right here. The corner's bailing like he's playing bail, but he's really trapping. So I'm acting like I'm going towards the middle of the field and then going out. DF: So from your film study, you were able to discern that this is going to the guy's outside shoulder. Advertisement JV: I'm going to defend it here. 100%. PLAY 2: Pass deflection vs. Oklahoma State, 2023 DF: This play, you work from the box pre-snap to deep safety. This looks like a similar coverage [to the previous play]. JV: This is the exact same coverage, actually. Disguising a little bit different. DF: How are you disguising it different? JV: Our rover [linebacker], he's higher than me. He was in that last play, kind of towards the middle of the field. However, this was actually a broken coverage. He was supposed to be playing Cover-2 to the right and he ended up not doing it. DF: So you're up here [at middle distance], you're coming down. The corner is handing it off to you. How often did you start in one place on the field pre-snap, and head somewhere else post-snap? Because those shifting safeties — teams are doing it so much more at the NFL level. And you guys seemed to do that a lot. So it's something you're pretty conversant with. Advertisement JV: Yeah, absolutely. We tried to disguise every coverage. Sometimes you can't disguise certain coverages, but I mean, practices were tough because you're starting in one area and you're running to the next area. You're on the line and your job is 10 yards behind you. So it's tough, but in the game, it makes it so much easier. Because the quarterback has no idea what you're doing, because they're going to think you're doing one thing. And then when the ball snapped, you're doing something completely different. And that's what leads to plays like this one. DF: You mentioned practice. Those disguises can mess the offense up. But they can also mess the defense up if you're not fully aware of who's where, you don't get to your spot. JV: It can be bad. DF: You time this hit really well. Maybe in the NFL, they're a little more sensitive to the whole idea of defenseless receivers. How do you refine that timing, so you're not nailing a guy for the pass breakup, maybe after or before you should? What is the science of the timing on that so you don't get a flag? Advertisement JV: I knew the ball was in the air at that point. And when I'm running towards [the receiver], I'm kind of trying to decide when his hands go up. You can't tell a lot of the time, but I could see the ball. And then when I saw his hands go up, I knew it was going to be a good timing because I mean, his hands weren't going to go up for two seconds before I hit him. So, I knew I could go through with it. DF: Receivers who play with late hands, like a Davante Adams, does that change your thought process with that? JV: Yeah. The receivers that play with late hands, that's the tougher stuff. You can't tell when the ball is coming, because you've got to play before you play the ball. if you can't see the ball. That's what makes it tough. And you can't obviously go for shots like that. You've got to look back for the ball most of the time. PLAY 3: Interception vs. Marshall, 2023 DF: This is another play where you're dropping deep at the snap, and then coming down to break up the catch. And here, you get the pick. You carry the motion over here for a couple of steps, and then return to your responsibility on the defensive left side. What is the coverage here, and what is your responsibility? Advertisement JV: This is Match-2 [Cover-2 with match principles across]. So right now I still have [the] number-one [receiver]. I still have the half technically, but when this receiver motions, it's pretty much a match. I have the receiver at that point. It's covered, but it's really a match coverage. When I see the receiver go under, I know immediately I can break on him, because he's not going vertical. DF: What are you signaling here? JV: Oh, I can tell that the guy's about to go in motion. I'm just trying to tell [his teammates] that the motion's coming over. It changes a few jobs over there when that guy does come over. So, this was one of my gamble plays for sure. When I saw this receiver go under at that point, I'm looking at the quarterback rolling out towards us, and I just was like, let me attack this receiver. Obviously, [the quarterback's] got pressure on him. When he was rolling out to the right, I knew there wasn't a vertical throw he was throwing. So I just on it, and you know, he ended up throwing it. DF: You're reading the quarterback and reading the receiver. You have to time this whole thing up in two dimensions. Advertisement JV: Yes. With that receiver going underneath, even though I am in a match to him, him going underneath, I can just stay on top of him. My end goal is to stay on top of this guy. But with the quarterback rolling out to the boundary, he's not going to have much time and, the windows are much tighter on this side. So I just dove on, on the play and he ended up throwing it to me. DF: Plus you've got the linebacker up here. He's got the tight end, so he's probably not going to make that throw anyway. So you know at that point what you've got. JV: Exactly. DF: And then you're just... that's the ball skills. Advertisement JV: Yeah, I definitely pride myself on catching the ball. You know, all the balls that are supposed to be caught, I catch them. DF: 11 interceptions in your college career; that's not an accident. That happens for a reason. PLAY 4: Interception vs. LSU, 2024 DF: This is an interception against LSU. I'm sure we've all heard of LSU. It's not Raccoon State Teacher's College; you're making plays against bigger schools. Is this quarters coverage? JV: Yes, this is quarters. The way we played this: The top corner, he's playing his quarter, but we had a call. He's pretty much in man coverage at that point. I'm playing number three to the field over here. So if he comes across the field, I carry him kind of like a weak hook [defender]. You're carrying inside slot to the other side, but if he cancels, then I look back to the quarterback and zone off, which is what I did right here. Advertisement DF: It sounds like a thing people take for granted, but it's not just, I have this guy, unless he does this and then I have to go there. You have to time all that stuff up or you're going to be late somewhere. JV: Exactly. DF: And that's a big deal. So you see him, then off you go. And then this was Amarion Fortenberry, your teammate, who had the pass breakup. You've got a couple of those "right place, right time" interceptions. I'm wondering at the snap — I know you're reading three here. Are you also kind of spying [LSU quarterback Garrett Nussmeier]? Are you watching him too? JV: Yes. I'm looking at [Nussmeier's] eyes as soon as the ball is snapped, and he immediately looks to the field. So that's when I take my eyes to my guy, but he cancels. As soon as that happens, I get my eyes back to Garrett and you know, he's looking back to the boundary. I just break on it as fast as I can. When we play coverage. It's more eyes on the quarterback than anything. Advertisement DF: Yeah. You're shifting, and he still has the ball. You have to read the receiver, but you're reading the quarterback here. JV: Exactly. Once my man canceled, it was all eyes on the quarterback, and him staying over there just helped me get to where I was at. DF: And we'll show the end zone [angle] here. Cause that was a, this is a fun play where you're just like, Hey, look, a ball! That was nice. JV: Yeah. I mean, it popped right in front of me. DF: I see here where you have your eyes on Nussmeier. JV: Yeah. DF: You have your eyes on his eyes and that's just like, okay, that's the moment where, all right, I got it. Advertisement JV: Exactly. And LSU was tough, because a lot of the times I'll read the O-line, and the O-line will give me pass run tendencies, but their offensive line looked like they were in pass pro every play. So it was tough. DF: Plus you got a guy in Nussmeier who can really run around and do stuff. With mobile quarterbacks, wherever you are on the field as a defender, what additional challenges does a guy like that present who can just bail from the pocket and still make throws at any point? JV: It's tough because not only are you in coverage, but if you turn your back to the quarterback, they'll end up running, and you don't see what's happening. Once your back's turned and he's running behind you, he could run forever if no one looks. It's just green grass in front of them. So that, that does bring a lot of difficulties, honestly. We usually have to have a spy or, you know, we all honestly played a lot of man coverage in that, trying to get pressure on the quarterback. DF: So you guys must practice these tip drills, because you seem to have this one pretty sewn up. Advertisement JV: Yeah, actually we did. We, we did practice this a lot of the time, trying to get warm and stuff like that. You'd be surprised how many times I've seen players drop some of the tips, which is... you know, tips are money. You've got to catch those. They're easiest catches. DF: You'd think so. So just to run through this play, just the multiple responsibilities — you're reading three, you're reading the quarterback, then you're back there, then you're on time. I mean, that's, that's a lot of stuff. It's just the processing is... I would just encourage people to go beyond, "Oh, he went to South Alabama. So, it's all simple." No, it's really not. PLAY 5: Interception vs. Texas State, 2024 DF: On this interception, you have to make a quick decision because at the snap, it looks like the quarterback Jordan McLeod is running toward the goal line. And then a few steps in, he tries to hit Deion Hankins, the running back in the end zone. Are you reading the quarterback all the way here in this end zone responsibility? Advertisement JV: We're in man coverage, so that I have that tight end right there. And once he comes back into the [formation], I ended up being something called a force player. So I'm just the edge of the defense at that point. But once he slides back, I came to the line and see the quarterback running away, but I could tell that the, the offensive line wasn't moving with him. So I thought it, I immediately thought pop pass. Okay, let's go to, let's go to end zone here. DF: So when you say the offensive line, isn't going with the quarterback, let's look at that. Oh, so they're running kind of power with a puller sort of thing. JV: Yeah. DF: And then, the running back runs that little Texas route, and there you are. So, walk me through everything you're reading here. Advertisement JV: Once he [the tight end] slides back, I can see the quarterback running away and I know for a fact I couldn't chase him down from where I was at. So I mean, when I saw the offensive line in front of me like that, I immediately thought, okay, if he throws a pop pass, he'll get it. And, you know, he ended up actually throwing it straight to me. I mean, it was honestly kind of crazy. I'm just running back there, and I just see the ball right in my face. DF: What's that old saying? Luck is the residue of design. I think you had a plan there. JV: Yeah. It worked out for me. DF: That's also kind of an offshoot of the, the Brian Branches of the world; these guys who play all these different positions. Does it make you more astute as far as matching the tight end, then [you're] at the line, [then you're covering]? Now, you have to be more alert about going from match, to pressure, to veering out to someone else, than maybe you would have say 10 years ago. Advertisement JV: Yeah, exactly. The job changes. It can change five times throughout the play. You've gotta be ready for all all those things. PLAY 6: 30-yard catch allowed vs. LSU, 2024 DF: So it's not all rainbows and sunshine. I wanted to bring up a couple things that maybe I just had some questions about. So this is back to the LSU game. This 30-yard catch that Mason Taylor got on you. Obviously a very good player. Went in the second round to the New York Jets. What is the coverage here? JV: This is Cover-3. With that receiver that before he went in motion, I would play that receiver through the [route]. However, when he went in motion, I just become the weak hook [defender] at that point. Okay. Advertisement DF: So, you're taking Taylor all the way up. JV: With that running back at the beginning of the play, at first, I'm not with the tight end right now. I'm just playing that, that area right there. But when the running back went out, we made a push call. Then, that strong hook that's over the tight end right there has to push through. And then I ended up taking the tight end at that point. DF: I'm just wondering, you're giving up about eight inches to this guy. You're five-foot-10. I'm wondering, if you had this to do over again, would you maybe get a quicker leap on the ball? You know, when you're dealing with height and wingspan issues just in general... I mean, it's not a bad play. You're right on him the whole way through, but as you know, the little fractions of the catch point can make all the difference when you're giving up that much height and leaping ability and wingspan and arm length to a guy. What do you do as sort of adaptive strategies to avoid things like this? JV: Yeah, I definitely, if I could do that all over again, I would have definitely stayed more on top of him. I definitely got to him later than I should have. I definitely should have kept him underneath me. Simply im being that tall, and he's not a slower guy. I mean, I knew that going into the game too, but no — I definitely, I definitely got a late jump on him. I should have stayed more on top of him rather than on his hip. I mean, the quarterback put the ball, I mean, perfect. I mean, yeah, right in the window and, you know, kudos to him for that, but definitely with guys like him, you know, you gotta, you gotta play more on top of those guys rather than behind them. Cause they can throw it over you. And like you said, his, his wingspan's obviously way, way higher than mine. And so, you know, that play, that play definitely got to me. DF: When you say get up on him earlier, at what point in this process would you do what differently? JV: At this point, instead of arm-fighting, I should have gone more towards his top shoulder rather than his back shoulder. What I should have done is just sped up, leaned into him, and looked back to the ball rather than trying to play his hands. DF: Gotcha. Like I said, you're right on him. One little change, and that's a breakup. These aren't major things; they're just things that NFL teams would probably ask you about. PLAY 7: Blitz pressure vs. Southern Miss, 2024 DF: I love this play for two reasons. You're screaming in to provide pressure and you're signaling at the same time. What are you signaling here? JV: Honestly, I think I thought it was a false start. I think that's exactly what I thought the whole time. They were doing it a lot throughout that game. DF: Well, I guess 55 could say he timed it, With a trigger-happy referee, that's a false start in the NFL, whether it is or not. And then what I like here, I mean, you have the size to take on the running back. He's a smaller guy, but I like the way you do this. I remember talking to [former NFL defensive back] Su'a Cravens years ago, and he was the first one that told me — I don't like try to push through people. I read gaps or openings like a running back would to provide pressure. And that really seems like what you're doing here. JV: Yeah. I was definitely thinking, get to the quarterback rather than go through the running back to the quarterback. Because at the end of the day, I am the contain blitzer. I want to stay outside. So what I did was just give him an inside move. And a lot of the running backs think that some guys are going to run through them most of the time. Even just giving them an inside move, and we worked this every day in practice. So yeah, just give him an inside move just to make sure I stayed outside. And then, and you know, I ended up actually getting [the quarterback]. DF: Would you like to rush the passer more in the NFL? Would you like to blitz more? JV: I definitely didn't get to blitz as much as I would like to. You can almost make up what you're doing when you're going in there [blitzing], but staying to your job as well. It's one-on-one most of the time. PLAY 8: Run stop vs. Southern Miss, 2023 DF: So this play, you come down from slot depth, and you just run through this whole thing. You see this develop, and that's Frank Gore Jr., by the way. A name you may know. JV: Yeah. DF: Shows that you're not afraid, afraid to get grimy in the run game. You're not afraid to be physical. That's certainly evident. I wanted to ask about the tackling. Quite a few missed tackles. And I understand that when you have that sort of breakneck, go-for-broke style, that's a thing. What can you do to sort of shore that up for the next level? JV: Just rather than go for the big hit and all that, just go. I go in there and just wrap up like I know how to wrap up rather than try and suplex the guy, and try and hit him high and all that stuff. They taught us how to tackle pretty well in college, you know, right shoulder and all that stuff. I definitely tried to go for bigger hits a lot of the time. Instead of going for the legs, try and hit them higher than I should. So that's definitely something I would fix. Go where they bend, rather than their upper body where their pads are at. What Jaden Voisin can bring to the NFL DF: What message do you want to send to NFL teams about you, about your potential, about what you can provide? JV: Yeah, I'm a great locker room guy. Someone who's going to put the team first, who cares about the team rather than their own success. I've showed that, you know, being loyal, staying at South Alabama, showing that I'm a team guy. I'm more than willing to play special teams. I'm more than willing to do anything to help the team get to where they want to be. And yeah, I'm still available. I'm still training, and I'm just waiting for my opportunity. After getting to know Jaden Voisin, hearing his story, and watching tape with him, I'm even more convinced that he deserves an NFL opportunity. This isn't to say that he should have been a first-round pick — Voisin said himself that he saw a possibility of a late-round pick or priority free agent signing, and that's all he was asking for. His athleticism, awareness, and ability to talk through the things he needs to work on without flinching are all positives, and it seems that the only person at South Alabama that didn't benefit from the transfer portal last year was him. If NFL teams are penalizing Voisin because he's a small-school guy, when he did have legitimate bigger-school interest and could have done the same things with a more prominent program and a more stable coaching staff had he not have been as loyal as he was, that would be a shame. Voisin also insisted that there are no off-field red flags that might have NFL teams wondering about him. So, consider this a gentle reminder that Jaden Voisin is still out there, and he can probably help your defense in more ways than one. Related: Dallas Cowboys' George Pickens Trade Comes With Caveats, But It's Worth the Risk Related: From Nick Nash to Shaun Dolac, the Best Undrafted Players In the 2025 NFL Draft
30-04-2025
- Entertainment
Oui, chef! ‘Carême' introduces world's first (sexy) celebrity chef, a Napoleonic-era kitchen god
He's a dream in the kitchen — and elsewhere in the house. He makes a mean cream-puff tower. And he's got moves like Jagger. Alas, Antonin Carême has been dead since the 1830s, but nobody's perfect, right? Most people have heard of Napoleon, but not many are familiar — even in France — with the story of this chef who cooked for him and his contemporaries, rising from a poor kitchen boy to become a standard-bearer of French cuisine. Now a new Apple TV+ period drama, 'Carême,' argues that he was the very first celebrity chef. There's even a 'Top Chef' style cooking contest in front of a panel of judges. But for the vibe, think 'The Bear,' set in post-revolutionary Paris. Carême even directs his staff at one point to say 'Oui, chef.' (And we could totally imagine him, like Jeremy Allen White, in a Calvin Klein underwear ad, if those had existed back then.) The series, which drops its first two episodes Wednesday, also shows how Carême wasn't just a cook, or master pastry maker, or, well, sex god. We watch as he's pulled into political intrigue by his boss, the cunning diplomat Talleyrand, and used as a spy. Still, his goal was to be the best chef in the world. The show's first season ends with an extraordinary outdoor coronation banquet that Carême creates for thousands of people. When he places, in triumph, a tall white chef's hat on his head for the first time, it's as if he's crowning himself — and marking his ascent to celebrity. Benjamin Voisin, who's in virtually every scene, plays Carême with a scruffy head of hair, a gold earring and a bad-boy swagger that's consciously based on Mick Jagger, circa '70s. Director Martin Bourboulon says the choice for the role was obvious once Voisin walked into the audition room. 'When you find the right actor for the right part, 80% of the job is done,' he says. 'We were very impressed with his youthful attitude but also his rock 'n' roll attitude. He is absolutely Carême in real life — very attractive for everyone, a young man who is maybe sometimes a bit insouciant, or careless. ' Perhaps not surprisingly, the show plays up the sex factor. The first scene sets the tone with Carême and his lover, Henriette, in a food-tasting session that morphs immediately into sex, but then duty calls: Napoleon's soldiers are coming for dinner. Bourboulon says that first scene was very intentional, establishing in a few minutes the three main themes of the series: food, sex and politics. Did we mention sex? Of course, he wasn't an accomplished chef, so Voisin was given intensive lessons. 'I spent two months in the kitchen to learn the customs of the great French tradition,' the actor says. He focused on learning how to realistically convey what Carême did best: invent dishes of wild whimsy, especially flamboyant dessert creations like a huge pyramid, or the 'croquembouche' tower — a cascade of cream puffs. Carême is also known for inventing the vol-au-vent, an airy French pastry shell. But even so, this master pastry maker can't even chop an onion correctly when he arrives for work at his first big kitchen job. The job of teaching him falls to the talented sous-chef in Talleyrand's kitchen, Agathe (Alice Da Luz). Da Luz trained alongside Voisin on the kitchen brigade at the Ferrandi culinary school in Paris — and vastly improved her skill set. 'We really learned the choreography of a kitchen, we really learned technique,' she says. 'And today I can boast that I cut onions at a crazy speed.' The actors had a dream workspace: The production spent six weeks building a huge, airy kitchen where they work for Talleyrand — unlike the cramped, smoky kitchens that would be more historically accurate. Viewers may feel the need to brush up on their history. The show takes place shortly after Napoleon seized political power in 1799 and became first consul, on his way to later declaring himself emperor. The actors had to brush up, too. Voisin says he knew about 'the victories and defeats of Bonaparte,' but had to learn from scratch the story of Carême. Lyna Khoudri, who plays mysterious Henriette — who may or may not be on her lover's side — notes: 'We're making a series about the heritage of French culinary art, a story I didn't know. I found out why we're so famous for our cuisine in France.' Da Luz had studied the period at school but dove into it more deeply once she was cast. There was not a lot to read about Agathe, but she read everything she could find. And then, she says, 'I let my imagination go,' inspired to bring a woman out of the shadows of history. Jérémie Renier, who plays Talleyrand (actual name Charles Maurice de Talleyrand-Périgord), also engaged in extensive research. 'It's a character who has led a thousand lives,' he said, 'who lived through almost a century of history, at a time when people were guillotined for not much. So ... he must have been very clever.' The show, for Renier, is in large part about ambition. 'All these characters have a goal, a dream to achieve,' he says. 'The question is, what are we ready to win or lose to achieve this dream?' The production is lush throughout the whole season, beginning with the gorgeous country homes — filmmakers scouted 60 of them, and chose 12. They created new dinner services to dress the tables, and made 3,000 candles to light all the candelabras — different hues for different rooms. There were 96 vases of fresh flowers at all times in Talleyrand's home, according to production notes. As for costumes, some 1,000 of them were made from scratch, because the filmmakers had a specific vision of clothing that was not period-accurate but also not completely modern. Then there was that crazy banquet that ends the season. Filming at the Parc de Saint-Cloud, which boasts dramatic fountains, the production created a giant tent covered with 'an extraordinary amount of velvet,' and loaded down the tables with food, including a 60 kilo (132 pound) leg of lamb and a 50 kilo (110-pound) tuna. They also made 5,000 cream puffs, which were assembled into grand, towering structures — befitting not only a new emperor but the world's first celebrity chef.
Daily Mirror
29-04-2025
- Entertainment
- Daily Mirror
Carême stars trained under 'tough' gourmet chef for two months to perfect 'intimate' drama
Apple TV+ is back with a bang as they're set to drop a new period drama series later this week The stars of Carême underwent a rigorous two-month culinary training to prepare for Apple TV+'s new gripping gastro drama. Set in 19th Century Paris, French actor Benjamin Voisin portrays Antonin Carême, a rebellious cooking prodigy who finds himself cooking for Napoleon Bonaparte (played by Frank Molinaro). Once he steps into the opulent kitchen of Tuileries Palace, he forms an alliance with accomplished chef Agathe (Alice Da Luz) and quickly carves out a reputation for himself, becoming one of the world's first celebrity chefs due to his unruly approach to cooking. In a chat with Express Online, when asked about the most challenging part of the series, Voisin admitted: "For me it was cooking! "I spent two months in a school of cuisine, the Ferrandi School, it's a hospitality school where you learn about all the trades", reports the Express. Voisin and Da Luz not only had to master the art of cooking, but they also trained under one of the school's top chefs to learn how to manage a bustling and noisy kitchen. "I worked separately with a chef and he introduced me to his team," the actor added. "I was able to learn the body language, all the antics of cooking and then I could see how he ran his team, sometimes with an iron fist, but also sometimes very benevolent. "That was really exciting. That's what I really had to learn and re-train and see Carême's legacy through this 60-year-old chef, and see that Carême himself, throughout the series, learns to become a chef himself and learns how to go from A to B." Voisin didn't embark on his culinary adventure solo; Da Luz was right there with him, honing her kitchen prowess to match - and even outshine - her esteemed partner. "It was really incredible to spend so much time in such prestigious kitchens," she enthused. "We would go very early in the morning, take lessons, and then we would go back in the evening and serve dishes with the students who were studying in Ferrandi." During those two months, Da Luz insisted, "there was no difference between us and the students", as they underwent training just as rigorous as that of Ferrandi's aspiring restaurateurs. "We were just like any other student in that school, we had to do things seriously," she asserted. Da Luz also shed light on the importance of mastering more than just ingredient prep and cooking, emphasising skills like kitchen communication and ensuring each station runs without a hitch. "What was interesting was also to be able to actually work on this choreography," she continued. "This dance that goes on in the kitchen when everything is a rush and this is something we tried to work on with Benjamin. "We had to work on non-verbal communication, how to manage stress in a kitchen and all these unsaid, untold messages. [It was] very intimate." For all you food lovers and history enthusiasts out there - don't miss out on Carême this streaming season.
Daily Mirror
28-04-2025
- Entertainment
- Daily Mirror
Apple TV's 'seductive' historical drama that lifts lid on 'horrific' side of Napoleon
Apple TV+ is set to launch a brand new series this week, telling the story of the world's first celebrity chef who cooked for Napoleon Bonaparte History enthusiasts, brace yourselves for an upcoming drama on Apple TV+ that's sure to pique your interest. The latest series dropping on the platform this week spins a captivating yarn of espionage, gastronomy and romance that could potentially be one of Apple's finest productions yet. Brought to you by acclaimed French filmmaker Martin Bourboulon, the mastermind behind the recent blockbuster adaptation of The Three Musketeers featuring Eva Green, Carême is the riveting true tale of the world's first celebrity chef. Benjamin Voisin takes centre stage as Antonin Carême, a culinary prodigy who rose from rags to riches, cooking up a storm for high-profile figures like Napoleon, Tsar Alexander and the Rothschilds. The series kicks off with his ascent from modest roots as he grudgingly agrees to whip up meals for Napoleon Bonaparte (portrayed by Frank Molinaro), offering viewers a glimpse into the opulent palace's inner sanctum and its demanding kitchen, reports the Express. In a chat with Express Online, lead actor Voisin shed light on why Carême stands out as a period drama unlike any other. "The great thing [about Carême] is it's a small story within a big story," he elaborated. "We knew the general picture of Napoleon, that great emperor who conquered the world, but we didn't know what soft horror lay behind it. And one of them was cuisine. "He was recognised by all for having the best table, he invited kings and heads of state and government, they wanted to be invited to his table just to taste the food. And, of course, he used that and he had his guests eat and drink and at the end of the meal sign whatever he wanted them to sign. "So it was most interesting to focus on that aspect of things and go through the story of a 25-year-old boy who wants to become a chef and ends up in the Tuileries [Palace], the best place in Paris at the time, to run the finest team of cooks." While Napoleon might pop up in the series, he's not the star of the show. Still, by showcasing how pivotal Carême's culinary skills were to his rule, the audience will see just how integral the emperor's kitchen operations were, rivaling even his military tactics. Voisin's co-lead Lyna Khoudri, playing Carême's lover Henriette, chimed in: "The small story within the big story was what made it interesting. Just in terms of architecture, the story brought me to places I wanted to see on screen. "Of course, you have the kitchens of the Tuileries Palace, and when you walk around it you can't imagine that behind the arcades and buildings there were all these people working. That I found very seductive, very attractive." Voisin added his two cents: "Yes, he went to thousands of places, so you can make a series out of that, and it would frustrate me to just make a feature film because then you'd just have two hours to focus on a few tidbits of his life, but here you can go much wider because the man had a very exciting and broad life." Director Bourboulon also made it clear that while Carême will be the star of the show in the eight-part drama, Napoleon's presence will loom large throughout the tale. "Napoleon is not the main character of this show," he explained. "For sure, the story took place under Napoleon's reign, but Napoleon as a character is not the main character. "We have decided to not see him a lot. He's always in the shadows, in the back, we're always behind him. "I think it's more a show about the period rather than Napoleon's character, compared to previous movies such as Ridley Scott's, for example. "But we can learn a lot about Napoleon's drama and Napoleon's reign, about the divorce [from Joséphine de Beauharnais], about a lot of things." For TV buffs eager to dive into their Napoleonic history or just get lost in a sizzling historical romp, don't miss Apple TV+'s latest grandiose drama dropping this week.
Yahoo
05-02-2025
- Automotive
- Yahoo
Want To Buy an Art Deco Masterpiece? This Voisin Goes Up for Auction Very Soon.
⚡️ Read the full article on Motorious It's not every day you get to see a car that so clearly typifies a period of time like this Voisin does for Art Deco. With an undeniably French flair, and a French name to boot, it might just be the chicest car we've ever seen. It basically belongs in a museum, which is true for many Voisins with their gorgeous lines, history and driving experience. But this one in particular is poised for another lifetime of adventures. Meet the 1935 Avions Voisin C25 Aérodyne. In a few short weeks, Gooding & Company will offer this star Voisin at their Amelia Island Auctions from March 6 – March 7. Of course, you can also register to bid on it here, or comb through the rest of the auction catalogue if you can't get enough. In case you're not familiar with the stylings and history of Voisin, we can give you a little crash course. Gabriel Voisin started his career in architecture and aviation, so when he broke into making cars, he didn't think about them as needing to be designed and engineered for racing or to be showy, like other makes at the time. He really wanted his cars to be modern, safe, comfortable, reliable and efficient. Though that may seem like a given now, it was truly revolutionary at the time. Because of this attention to detail, every Voisin was specifically tailored to passenger requirements from the chassis to suspension geometries, to the avant-garde coachwork. With the stunning portholes running down the sprint, the Hermès interior, and sumptuous colors, there's no doubt that this car typified Art Deco opulence and innovation. That also means most Voisins are just a little bit distinct from one another, making each special in their own way. Now, as for this particular model, the Aérodyne was an immediate hit at the 1934 Paris Salon de l'Automobile, where it debuted. Even though it's beautiful, every single line on the car has a function, making it a true engineer's car. The aerodynamic efficiency of the car so clearly stems from aircraft design. Mechanics wise, the car teems with innovation. With a retractable roof, electromagnetic gearbox, the finest modern appointments to the dashboard, and full Art Deco-design elements, the model is a jewel box which was only available to the most discerning clients. This chassis was notably owned by world-renowned collector Henry Browne de Kilmaine. M. de Kilmaine was a major figure in the collecting community, helping to organize the 24 Hours of Le Mans. Once the car was in his ownership, it became the centerpiece of various exhibitions curated around sharing the car. The car remained in his collection for 45 years. After M. de Kilmaine passed, his collection was dispersed and the car underwent a needed restoration by the beloved Blakeney Motorsports Ltd. firm, which was highly documented. During this notable restoration, they were able to bring the mechanical systems back to operating condition – the sleeve-valve engine was completely rebuilt with new sleeves, pistons, and connecting rods. All at once, it was returned to its Art Deco-Age glory and was even awarded the Vitesse Elegance Trophy at the 2022 Pebble Beach Concours d'Elegance®. Truly a kinetic sculpture, the Aérodyne is one of the greatest French cars ever made, with mechanical engineering to match the high caliber and a rich French provenance. A rare breed, of the eight C25 Aérodynes built in total, only three are believed to survive today. The inimitable 1935 Avions Voisin C25 Aérodyne is going on sale soon at Gooding & Company's Amelia Island Auctions. In the meantime, you can fall down the classic car rabbit hole with Gooding & Company's online catalogue or register to bid if you're missing a little Art Deco whimsy in your life.
