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Otago Daily Times
26-07-2025
- General
- Otago Daily Times
Category 1 status for church ‘great news'
Kakanui church owners Anna Miles and Michael Simpson (right), and their dog Pippa (left) on the doorstep of the category 1 historic place, and the interior (centre) of the restored former community church that still houses the original piano organ from 1901. PHOTO: JULES CHIN A preservation project has paid off for the dedicated efforts of the passionate owners of the Kakanui church that is now listed as a category 1 historic place with Heritage New Zealand Pouhere Taonga. The former Kakanui Presbyterian Church, a modest Carpenter Gothic building designed by renowned Scottish-born Dunedin architect Robert Arthur Lawson, has undergone a significant transformation in recent years thanks to Waimate-based couple Michael Simpson and Anna Miles. The pair are ecstatic their restoration project has reached category 1 status after working on the former church since they bought it in 2019. "We are absolutely thrilled and delighted. It's great news," Mr Simpson said. Category 1 historic places are of special or outstanding historical or cultural significance or value. Ms Miles said the church and the area surrounding meant a lot to them and the Kakanui community. "It's just a special spot ... the river, the beach, this place. "So many people came in while we were working on the church and because it was already a notable building and the community had battled to try and save it and fundraise for it when the church still owned it," Mr Simpson said. Built in 1870, and once the spiritual heart of Kakanui, the timber church had weathered decades of change before its final service in November 2019 in the seaside town. Mr Simpson and Ms Miles, who attended the last service, said it was "emotional" and embodied the deep connection the Kakanui community had to the church. Since buying the property, the couple have steadily restored the structure, replacing sub-floor bearing joists, corner studs and weatherboards, improving drainage, restoring windows and repainting the interior. Their restoration has extended to the church's outbuildings — including the bible class hall added in 1933, two small buildings acquired in 1955 for the growing Sunday school and even a brownies den. They say they have kept the budget to a minimum by working with original materials "to minimise waste" as much as possible. They have also strived to keep original details such as original boarding and the iron straps added to the building in 1884 to stop the church from "getting battered by northwest winds", Mr Simpson said. Mr Simpson, a carpenter with heritage expertise, and Ms Miles, equally hands-on, saw the church as more than just a building and have brought it back to life with community events including a night market and musical gigs, Christmas carols and even a friend's wedding. "We'd seen so much loss of heritage and we knew we could work to preserve it ... we see ourselves as stewards of the building". Mr Lawson (1833-1902), the church's architect, is well known for many of Oamaru's classical buildings including the National Bank, the Bank of New South Wales and the Star and Garter Hotel. Mr Simpson said it was "was super exciting" when they got the listing "to get a stab" at preserving the history of the church. The couple said initial meetings with Waitaki District Council building advisers and engagement with Heritage New Zealand had been "fantastic". "The building advisers were so receptive to our ideas ... and Heritage New Zealand assessment adviser Alison Brees who came up and then did a report on it, it was so comprehensive and she was learning, so much," Mr Simpson said. "She was doing all the research on the social history of Kakanui and what it was a symbol of," Ms Miles said. After various project ideas the couple opted to stick to the "essence" of the original design of the building. They have also made some interesting discoveries throughout the restoration of the 154-year-old church including Roman numerals etched into wood behind some of the boards. "Because this was kit-set, likely built off-site or pre-assembled offsite. "An intern at Heritage NZ also discovered through old photos that the bent and forked roof was actually for the rope that went up to the bell on the bell tower," Mr Simpson said. Making the commute from Waimate at any chance they get, they describe the restoration as their "hobby", but the project has taken on new meaning for them as it has progressed. "We saw it as a building project on day one, but it just keeps turning into something else — having events in the church, and restoring it as well as we can, means that it should have a life beyond us, and that's what we want." Mr Simpson said. Originally designed to seat 100 worshippers, the church was constructed in just three months during a period of ambitious development. Hopes were high that the newly built port would turn the coastal settlement into a major export hub. While those dreams faded, the church remained a part of the community's life for nearly 150 years. The couple say they have had "so much fun" restoring the former church and have been grateful not to have a set deadline to be able to enjoy the process at their own pace. Ms Miles said the wider community outreach and public submissions in support of the building to achieve a category 1 historic place had been immense. "All these people submitted saying they thought it was a great idea. They all got involved; it was amazing," she said. Mr Simpson said they were told it was a "recent record" for the number of submissions they received. The couple plan to continue restoration of the church and to celebrate its new-found heritage status with an open day event "to welcome all" in spring. "If we have a gin at the end of the day sitting in here and looking at the ceiling and thinking how lovely it is, well, what else could you want?" Mr Simpson said.
Otago Daily Times
21-06-2025
- Entertainment
- Otago Daily Times
Waimate artist's work in Met exhibit
Waimate-based artist Fiona Pardington at the Elephant Rocks near Duntroon in the Maerewhenua Valley. PHOTO: MEEK ZUIDERWYK Esteemed Waimate artist Fiona Pardington ONZM is riding a career high. Pardington was recently made an Officer of the New Zealand Order of Merit for her services to photography around the same time as her artwork became part of the permanent collection in the Arts of Oceania Galleries at the Metropolitan Museum of Art in New York. The Arts of Oceania exhibit, overseen by Māori (Ngāi Tai) curator Dr Maia Nuku and curators for the Arts of Oceania at The Met, is part of a significant transformation at the museum, which houses the collections of the Arts of Africa, the Ancient Americas, and Oceania. Her work is featured among more than 650 works representing 140 cultures from around Oceania, including Australia, Papua New Guinea and New Zealand. Pardington was excited to attend the official opening night of the reopening of the gallery last month. "This is kind of a big deal for a person like me. "I don't even really have words for how it makes me feel because I'm not even sure. I'm just feeling quite surprised. "A big black tie dinner and all these super-famous people and I'm going, 'oh my God'." Pardington was among seven invited Māori and Pasifika artists to attend the reopening supported by Creative New Zealand. Before the opening night she received another surprise. "You never really imagine you're going to be sitting in New York and attending something like this and then to receive an email saying you're in the New York Times today. "I mean, it's just a little mention, but it's awesome," she said. Earlier this year, the South Canterbury-based artist, a photographer of Maori (Ngai Tahu, Kati Mamoe and Ngati Kahungunu) and Scottish (Clan Cameron of Erracht) descent, was also selected to represent New Zealand at the Venice Biennale next year. She said New Zealand was "a tiny little place full of very powerful creativity" and to be selected for the biennale was a "great honour". " I am really going to do my best to uphold the honour that has been bestowed upon me." Pardington recently announced the name of her exhibition, "Taharaki Skyside". She said her work built on the content of her 2024 series Te taha o te rangi, "the edge of the heavens", which consists of photographs of Aotearoa New Zealand birds preserved as taxidermy specimens in museum collections. Pardington is known for her investigation of traditional and forgotten objects in her still-life photography and her focus on taonga, such as the hei tiki and the extinct huia. She said her relationship with birds was "very personal". "Birds can symbolise familial love, romantic attachment, ecological warnings — they can be intimations of mortality — and in my work they can also represent individual people in my life," Pardington said. In 2011, Pardington became a New Zealand Arts Foundation Laureate, and in 2016 was named a Knight (Chevalier) in the Order of Arts and Letters by the French prime minister, the first New Zealand visual artist to receive this honour. Since 2017, Pardington has represented New Zealand at the London Art Fair and Art Basel Hong Kong, participated in the 2018 major international exhibition "Oceania" at London's Royal Academy of the Arts, and was the first New Zealander invited to participate in the Sharjah Biennial 16 in the United Arab Emirates in 2024. Despite all her career successes she remains grounded and says persistence is key. "You really don't want to get a big head and start thinking that you're special, because everybody's got talents. "And people that work hard and persevere and push through — if you want to do something, you just stick to your guns and keep going."
