Latest news with #Waves'
Hypebeast
2 days ago
- Entertainment
- Hypebeast
First Look at the Patta x Nike Air Max 90 'Waves'
Name:Patta x Nike Air Max 90 'Waves'Colorway:Black/Particle Grey-Anthracite-White-Gum Medium BrownSKU:IF5605-002Retail Price:$155 USDRelease Date:Fall 2025Where to Buy:Nike The intersection of Amsterdam's iconic streetwear institution,Patta, andNikehas consistently yielded some of the most coveted collaborations in sneaker history. Their 'Waves' series, which initially captivated the sneaker world on the Air Max 1, is now making a highly anticipated splash on another Tinker Hatfield masterpiece: theAir Max 90. With an expected release in later this year, the first official looks at the Patta x Nike Air Max 90 'Waves' promise to reignite the fervent excitement that defines their partnership. The newly revealed Patta x Nike Air Max 90 'Waves' follows a black, particle grey, anthracite, white, gum and medium brown aesthetic, featuring cream laces to give it a vintage look. The branding receives a logo shift as it sits atop a gum rubber outsole to round out the design. Look out for the pair dropping soon.
Yahoo
16-05-2025
- Entertainment
- Yahoo
'Hurry Up Tomorrow': Weeknd vanity project wastes the talent in front of, and behind, the camera
The lure for music stars to cinematize their success will never grow old, and the movies — in need of high-wattage attractions as ever — always seem ready to oblige. The latest to enter that terrain is Abel Tesfaye, the artist known as the Weeknd, whose chart-toppers over the last decade-plus have painted, in club colors and through his haunted falsetto, a hedonist performer's ups and downs. It's one thing to croon about the aftertaste of youthful excess to a dirty, mesmerizing dance beat, however, and another to draw the subject out to a compelling feature length, which the turgid psychodrama 'Hurry Up Tomorrow,' starring Tesfaye and directed by Trey Edward Shults, mostly fails to do. But not for lack of trying from the visually vibey 'Waves' filmmaker, who wrote the movie with Tesfaye and Reza Fahim, and from co-stars Jenna Ortega and Barry Keoghan, roped into playing along in the superstar's sandbox of tour-nightmare solipsism. The title also belongs to the latest hit album of Tesfaye's, released this year, which the singer-songwriter has hinted in the press to be a redemptive mic drop of sorts for his mysterious sex-and-drugs-fueled Weeknd persona. Whether you call the film a promotional tie-in or companion piece — it was filmed two years ago, before all the album's tracks were recorded — it's still little more than a long-form music video vanity project, straining for importance, fumbling at resonance. Read more: Cannes: Even bad exposition can't trip up Tom Cruise, flying high with 'Mission: Impossible — The Final Reckoning' A tight frame on Tesfaye's boyish, anxious-looking face, his angry girlfriend's breakup voice message ('I used to think you were a good person!'), and superficial pumping up from his manager (a bro-mode Keoghan), let us know all is not right backstage for this musician on the first night of a big tour. Elsewhere, a distraught young woman (Ortega) drenches a house's interior with gasoline and sets it on fire, then drives to a gas station to refill her canister. These tortured souls meet the night his coked-up, busted-heart malaise triggers a walk-off midperformance, and she's there backstage to lock eyes with him and ask if he's OK. (He's not!) From there it's an escapist date of air hockey, carnival rides and, once they settle in a fancy hotel room, the sharing of a sensitive new song. In the cold light of day, though, when her vulnerabilities bump up against his reset untouchability — Ortega gets a great line, 'You don't look worried, you look scared' — this impulsive star/fan connection takes a violent turn. Anyone familiar with the HBO series 'The Idol' that Tesfaye co-created will soon sense an unwelcome reprise of that short-lived showbiz yarn's retrograde misogyny. Read more: The 18 summer movies we're most excited about The germ of an edgy fantasia about an isolated pop icon's ego death is swimming somewhere in the DNA of 'Hurry Up Tomorrow,' but it's been flattened into a superficial, tear-stained pity party. Shults and cinematographer Chayse Irvin are gifted image makers, but they seem hamstrung applying their bag of style tricks — different aspect ratios, multiple film stocks, 360 shots and roving takes — to so shallow and prideful an exercise. There's always something to look at but little that illuminates. As for Tesfaye, he's not uninteresting as a screen presence, but it's an embryonic magnetism, in need of material richer than a bunch of close-ups that culminate in a howl of a ballad. In the flimsy narrative's pseudo-biographical contours — notably the real-life voice loss he experienced onstage a few years ago — parallels to what Prince sought to achieve with the real-life-drawn 'Purple Rain' are understandable. But that film was a cannier bid for next-level success, offsetting its three-act corniness with emotional stakes that led to a crescendo of its genius headliner's performance prowess. Read more: Meet the proud parents of 'M3GAN,' Adrien Morot and Kathy Tse, who welcome us to their design shop 'Hurry Up Tomorrow' is thinner and sloppier. It won't slam the door on Tesfaye's movie ambitions, but as a bid to conquer the big screen, it's an off-putting, see-what-sticks wallow that treats the power of cinema like a midconcert costume change. Sign up for Indie Focus, a weekly newsletter about movies and what's going on in the wild world of cinema. This story originally appeared in Los Angeles Times.
Los Angeles Times
16-05-2025
- Entertainment
- Los Angeles Times
‘Hurry Up Tomorrow': Weeknd vanity project wastes the talent in front of, and behind, the camera
The lure for music stars to cinematize their success will never grow old, and the movies — in need of high-wattage attractions as ever — always seem ready to oblige. The latest to enter that terrain is Abel Tesfaye, the artist known as the Weeknd, whose chart-toppers over the last decade-plus have painted, in club colors and through his haunted falsetto, a hedonist performer's ups and downs. It's one thing to croon about the aftertaste of youthful excess to a dirty, mesmerizing dance beat, however, and another to draw the subject out to a compelling feature length, which the turgid psychodrama 'Hurry Up Tomorrow,' starring Tesfaye and directed by Trey Edward Shults, mostly fails to do. But not for lack of trying from the visually vibey 'Waves' filmmaker, who wrote the movie with Tesfaye and Reza Fahim, and from co-stars Jenna Ortega and Barry Keoghan, roped into playing along in the superstar's sandbox of tour-nightmare solipsism. The title also belongs to the latest hit album of Tesfaye's, released this year, which the singer-songwriter has hinted in the press to be a redemptive mic drop of sorts for his mysterious sex-and-drugs-fueled Weeknd persona. Whether you call the film a promotional tie-in or companion piece — it was filmed two years ago, before all the album's tracks were recorded — it's still little more than a long-form music video vanity project, straining for importance, fumbling at resonance. A tight frame on Tesfaye's boyish, anxious-looking face, his angry girlfriend's breakup voice message ('I used to think you were a good person!'), and superficial pumping up from his manager (a bro-mode Keoghan), let us know all is not right backstage for this musician on the first night of a big tour. Elsewhere, a distraught young woman (Ortega) drenches a house's interior with gasoline and sets it on fire, then drives to a gas station to refill her canister. These tortured souls meet the night his coked-up, busted-heart malaise triggers a walk-off midperformance, and she's there backstage to lock eyes with him and ask if he's OK. (He's not!) From there it's an escapist date of air hockey, carnival rides and, once they settle in a fancy hotel room, the sharing of a sensitive new song. In the cold light of day, though, when her vulnerabilities bump up against his reset untouchability — Ortega gets a great line, 'You don't look worried, you look scared' — this impulsive star/fan connection takes a violent turn. Anyone familiar with the HBO series 'The Idol' that Tesfaye co-created will soon sense an unwelcome reprise of that short-lived showbiz yarn's retrograde misogyny. The germ of an edgy fantasia about an isolated pop icon's ego death is swimming somewhere in the DNA of 'Hurry Up Tomorrow,' but it's been flattened into a superficial, tear-stained pity party. Shults and cinematographer Chayse Irvin are gifted image makers, but they seem hamstrung applying their bag of style tricks — different aspect ratios, multiple film stocks, 360 shots and roving takes — to so shallow and prideful an exercise. There's always something to look at but little that illuminates. As for Tesfaye, he's not uninteresting as a screen presence, but it's an embryonic magnetism, in need of material richer than a bunch of close-ups that culminate in a howl of a ballad. In the flimsy narrative's pseudo-biographical contours — notably the real-life voice loss he experienced onstage a few years ago — parallels to what Prince sought to achieve with the real-life-drawn 'Purple Rain' are understandable. But that film was a cannier bid for next-level success, offsetting its three-act corniness with emotional stakes that led to a crescendo of its genius headliner's performance prowess. 'Hurry Up Tomorrow' is thinner and sloppier. It won't slam the door on Tesfaye's movie ambitions, but as a bid to conquer the big screen, it's an off-putting, see-what-sticks wallow that treats the power of cinema like a midconcert costume change.
Tourism Breaking News
17-03-2025
- Business
- Tourism Breaking News
Wego partners with Waves to elevate luxury travel experiences across the region
Post Views: 92 Wego announced its partnership with Waves, the innovative experience app and aggregator that seamlessly connects users with yachts and chalets. This collaboration brings an unparalleled luxury experience to travelers looking to explore coastlines, indulge in water activities, or celebrate special occasions in style. With this partnership, Wego customers can now easily book family friendly yacht trips ranging from 2 to 6 hours, accommodating an average of 25 guests for bespoke journeys across Dubai, Kuwait, Jeddah, and Qatar. Whether it's a tranquil coastal escape, an adventurous boating experience, or an exclusive celebration, Wego and Waves together offer the perfect setting for unforgettable moments at sea. Mr. AbdulRahman AlSaadoon, CEO of Waves added: 'By integrating Waves with Wego, we are bringing our world class yacht experiences to a broader audience. This partnership is a testament to our commitment to redefining travel by seamlessly connecting land and sea.' Waves has quickly established itself as a regional leader, beginning its journey in Kuwait before expanding to Qatar during the World Cup and further into Saudi Arabia and Dubai. The platform is known for its hassle-free booking experience, ensuring reliability, convenience, and premium service for all users. Mamoun Hmidan, Chief Business Officer at Wego, said: 'We are excited to partner with Waves to offer our customers exclusive luxury experiences. This partnership enhances our mission of providing travelers with unique, hassle-free travel options that go beyond conventional tourism.' Through Wego's extensive reach and seamless technology, travelers now have easier access to Waves' fleet of luxurious yachts, making premium water experiences more accessible than ever. The collaboration aligns with both companies' missions to enhance travel convenience and elevate experiential tourism in the region. Travelers can now access Waves' premium yacht rental services through Wego's platform, allowing for smooth and effortless reservations. Whether planning a relaxing family outing, a corporate event, or a luxurious getaway, users can browse and book their dream experience within minutes.
Trade Arabia
17-03-2025
- Business
- Trade Arabia
Wego teams up with Waves for luxury travel
Wego, an online travel marketplace in the Middle East and North Africa, has partnered with Waves, an app that connects users with yachts and chalets. The partnership allows Wego customers to book family-friendly yacht trips, accommodating an average of 25 guests across Dubai, Kuwait, Jeddah, and Qatar. The partnership offers a luxurious experience for travellers seeking to explore coastlines, indulge in water activities, or celebrate special occasions. AbdulRahman AlSaadoon, CEO of Waves added: 'By integrating Waves with Wego, we are bringing our world class yacht experiences to a broader audience. This partnership is a testament to our commitment to redefining travel by seamlessly connecting land and sea.' Waves has quickly established itself as a regional leader, beginning its journey in Kuwait before expanding to Qatar during the World Cup and further into Saudi Arabia and Dubai. The platform is known for its hassle-free booking experience, ensuring reliability, convenience, and premium service for all users. Mamoun Hmidan, Chief Business Officer at Wego, said: 'We are excited to partner with Waves to offer our customers exclusive luxury experiences. This partnership enhances our mission of providing travellers with unique, hassle-free travel options that go beyond conventional tourism.' Through Wego's extensive reach and seamless technology, travellers now have easier access to Waves' fleet of luxurious yachts, making premium water experiences more accessible than ever. The collaboration aligns with both companies' missions to enhance travel convenience and elevate experiential tourism in the region. Travellers can now access Waves' premium yacht rental services through Wego's platform, allowing for smooth and effortless reservations. Whether planning a relaxing family outing, a corporate event, or a luxurious getaway, users can browse and book their dream experience within minutes.
