5 days ago
- Entertainment
- Boston Globe
Two strangers carry a budding romance, and a cake, across New York
The musical, by Jim Barne and Kit Buchan, makes the most of Tutty's irresistible charm as the naïve fish-out-of-water, in contrast to Pitts's jaded Robin. Tutty and Pitts have terrific chemistry, and Tutty absolutely delivers on Robin's description of Dougal as 'a Golden Retriever with less boundaries.' His opening number, 'New York,' perfectly captures Dougal's childlike excitement about his 48-hour adventure in a city he expects to be defined by the cherished movies he's seen (including 'Taxi Driver,' 'Midnight Cowboy,' and 'Big').
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Despite her eye rolls, it's clear Robin finds his comically dorky impersonations more endearing than she'd like to admit. Tutty has impressive vocal chops and dance moves, both of which feel wild and free — when he lets them explode — even though we know they were precisely rehearsed and choreographed.
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Pitts's character is explored in 'What'll It Be,' a heartfelt ballad set in the Bump and Grind, the coffee shop where Robin works, as she wonders what will be next for her. Pitts, too, is a stunning singer and actor, giving the audience a haunting tour of her childhood neighborhood in 'This Is the Place' with all the love and regret that can entail.
Tutty and Pitts in "Two Strangers."
Nile Scott Studios and Maggie Hall
Director and choreographer Tim Jackson moves his two performers effortlessly up, down, and around Soutra Gilmour's
inventive baggage claim area set. Gilmour's piles of suitcases turn to provide different scenes, even as an outer turntable allows the actors to cover a lot of ground — a visit to the ice rink at Rockefeller Center, a sumptuous Plaza hotel room, an Uber ride and a coffee shop, and even a Chinese restaurant.
Gilmour's collection of seemingly nondescript luggage also provides a delightfully surprising array of closets and cabinets as needed. Every inch of the space is employed in a climactic booze-fueled spree through New York, courtesy of Dougal's estranged father's credit card. Despite the limitations of creating dance routines that can be safely executed on a narrow, moving turntable, the couple's fearless energy, whipped up lighting, and spot-on timing (watch for the appearance of his tux jacket)
are perfectly combined.
Barne and Buchan's musical numbers are pleasantly, sometimes humorously derivative, with a special nod to Stephen Sondheim's patter songs in 'The Hangover Duet.' Jeffrey Campos leads the crisp five-piece band (keyboards, guitar, bass, drums and percussion).
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The magical moments emerge from the clever and funny banter between Dougal and Robin, which reveals more about their characters than the exposition-heavy phone calls and letters that slow the action down. This is perfectly summed up by a subplot in which Dougal helps Robin find a match on a dating app. His sweet understanding of what she's looking for could have been more deeply explored.
'Two Strangers' finishes with a big, heartwarming number, 'If I Believed' — spoiler alert, there is snow — leaning more into cliché than necessary. Like a Hallmark movie, 'Two Strangers' boasts enough humor and whimsy to be sweet and superficially appealing, but at the end, all we're left with is the superficial.
TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK)
Musical by Jim Barne and Kit Buchan. Directed and choreographed by Tim Jackson. Music direction by Jeffrey Campos. A Kiln Theatre production, produced by the American Repertory Theater. Loeb Drama Center, Brattle Street, Cambridge, through July 13. Tickets from $35. 617-547-8300,
