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If we want to stop crime, we have to talk to those committing it
If we want to stop crime, we have to talk to those committing it

Irish Examiner

time5 days ago

  • Entertainment
  • Irish Examiner

If we want to stop crime, we have to talk to those committing it

The latest figures on severe overcrowding in Irish prisons have prompted renewed calls for creative thinking, but here's an idea that rarely gets traction: we need to include prisoners in the discussion. How can we tackle crime if we don't listen to the people who commit it? Thousands of books — and myriad articles — have been written about men in prison, but so very few are written by the men themselves. That is why What We're Made Of, a new book written by men in Mountjoy Prison, should make us sit up and take notice. Written by a section of society that gets little support — and less empathy — it challenges, inspires and chips away at the kind of prejudice that leads many inmates to say they feel they have been sentenced twice; once by the judges and, on release, by the indelible stigma that locks them out of so much. But this is not, in any way, a sentimental call to go soft on crime. Instead, it is a clear-eyed look at its root causes and an impassioned call to society to help break the cycle of poverty and violence that traps so many people within it. 'What We're Made Of' brings together an exceptional body of work created by men in Mountjoy as part of The Factory on the Royal Canal project, a year-long programme facilitated by Senator Lynn Ruane, pictures' and artist Grace Dyas. Picture: Gareth Chaney/Collins As one prisoner writes: 'I am sorry to every person I have ever harmed. I wish I could take it back, I genuinely do. But I can't. I have to live with that shame for the rest of my life. My goal now is to stop the cycle. I want to share my experiences so that the next generation doesn't have to make the same mistakes.' What We're Made Of, however, does more than simply share those experiences. It brings together an exceptional body of work created by men in Mountjoy as part of The Factory on the Royal Canal project, a year-long programme facilitated by Senator Lynn Ruane and artist Grace Dyas. In that time, prisoners were encouraged to become writers, actors, set designers and directors. They wrote two original plays, Prison Rules and Pedro's Dream, which were staged in the prison for an invited audience of 150 decision-makers, politicians and advocates. Taking inspiration from Augusto Boal, the Brazilian creator of Theatre of the Oppressed, the audience was invited to become 'spect-actors', that is, spectators who watch, listen and then take action. This is theatre as an agent of social change. The audience was also asked a question which permeates What We're Made Of: What have you done to tackle the embedded structural inequalities that mean most, if not all, of the people in prison come from working-class backgrounds? If that all sounds a little theoretical, it roars into vivid life when Pedro — the pen name chosen by all the contributors — takes the stage at the book's launch (by Ray D'Arcy) in the Museum of Literature Ireland (Moli). Here's a sample of his powerful performance, which comes from the prologue to Prison Rules: 'Ask any 10-year-old child sitting in a so-called 'Deis' classroom what they would like to be when they are older. I am certain they won't say: homeless, drug-addicted, drug-dealer, alcoholic, prisoner, or dead before their time after falling through the cracks in our broken society. But too often this is the case… I believe there is a subtle oppression at play here, the soft bigotry of low expectations.' Here's another thought-provoking snippet: 'As [actor and playwright] Emmet Kirwan so eloquently put it on the Late Late Show, it wasn't the people in tracksuits who bankrupted the country and caused untold misery, it was the people in business suits. White-collar crime and cronyism cost the exchequer millions a year but there are no white-collar criminals or politicians on my landing.' A cell in Mountjoy Prison: Prisons condemn thousands of people to spend 'demoralising groundhog days' on the inside before being released with a stigma that can't be expunged. And, finally, a thought experiment from the play's epilogue: Before returning to his 12x6 cell, Pedro asks us to imagine a hospital, a clean, state-of-the-art, publicly funded hospital that costs tens of millions of euro a year. There is, however, one big problem. For every 10 people it treats, seven come back with the same issue within a year. It wouldn't be long before such an ineffective money-pit was closed down, but prisons — with those very same statistics — condemn thousands of people to spend 'demoralising groundhog days', to use another Pedro's evocative term, on the inside before being released with a stigma that can't be expunged. Actor Neilí Conroy, playing the part of Ireland, gives a jolting performance that lays bare a truth that we don't want to face. It is so much easier to paint all prisoners as rule-breaking, drug-taking 'scum' and lock them up. "Go into that cell now,' she says, 'I don't wanna look at you. I'm getting your father to build a high wall all around you.' Then, from the back of the room — just behind me — a man stands up to challenge her. For one toe-curling moment, the assembled invitees think there is going to an awkward scene. And indeed there was a scene, a deeply moving one that was all part of the launch performance. Except it is not a performance at all. As Pedro (a now-former prisoner) starts talking, it is crystal clear that we are, if not guilty, then responsible for perpetuating stereotypes and failing to look at the reasons people end up in jail. The solution?: 'If I had help when I was a child… maybe I would not be here today… I ask you [Ireland] to let me help you help those who were in my position… so the next generation of broken children don't cause the pain that I have caused. "Please don't wait till they are in prison to fix them. Let's work together to teach these young people about themselves.' What We're Made Of provides a manual, one that is urgent now as Irish prisons, creaking at the seams, are forced to pack three or four people into cells designed for two. As Pedro says: 'I am here as punishment, not for punishment.' It might not be a popular message but, as Pedro points out, the cycle of violence can end only if everyone is included: 'It takes many parts of society — the gardaí, the teachers and the State bodies — to perpetuate the cycle. It will take all of us to end it.' Speaking of ends, there are no plans to rerun a project that prisoners and their families said gave them a kind of hope they had never felt before. The draft budget for a new 19-24 month programme for 40 men is €110,000, says Senator Ruane. To put that in context, it costs almost €100,000 to keep one prisoner in jail for a year. 'The men are putting every penny from the book sales into a prospective new project with younger men. Their ambition is to create a meaningful legacy and give the younger men opportunities they didn't have,' she says. Ask artist Grace Dyas what she hopes to do next and she'll tell you she wants to be sent back to prison. We might do all we can to help her get there. What We're Made Of costs €20 and is available from Books Upstairs:

‘Prisoners can be part of solution', says Mountjoy inmate on ‘potential' of cons to turn life around after jail stints
‘Prisoners can be part of solution', says Mountjoy inmate on ‘potential' of cons to turn life around after jail stints

The Irish Sun

time25-06-2025

  • Entertainment
  • The Irish Sun

‘Prisoners can be part of solution', says Mountjoy inmate on ‘potential' of cons to turn life around after jail stints

A PRISONER serving life in Dublin's Mountjoy Prison has revealed how inmates have "the potential" to turn their lives around. The claim was made in a new book - entitled What We're Made Of - featuring the experiences of 20 inmates in the prison system. Advertisement 2 The book was facilitated by artist Grace Dyas and Senator Lynn Ruane Facilitated by Senator Lynn Ruane and artist Grace Dyas, the publication was produced after the men staged the Theatre of the Oppressed project in the jail in the summer of 2023. Entitled Pedro's Dream, the concept was based on a social justice methodology created by Brazilian activist Augusto Boal in the 1970s. It saw inmates create and direct scenes based on their experiences of life both inside and outside the prison. Their performances also featured their experiences of trauma, the justice system, the Gardai, the media and other State agencies. Advertisement Read more in News Following the theatre productions, the new book featuring a wide range of contributions has now been published One life-sentenced prisoner wrote: "I have had a lifetime of punishment and you become conditioned to it. "There are many prisoners with the desire and potential to do so much good. "There are people with the right support who could contribute so much to society, particularly in relation to crime, addiction and social withdrawal that many of today's youth seem to be falling into. Advertisement Most Read in The Irish Sun "Prisoners are the ones who have committed the crimes and how have the experts not realised that, surely they could be part of the solution." Speaking about the book, Senator Ruane praised the project as a "significant achievement for everyone involved" PRISONER PRIVILEGE She said: "Working with these men over the past two and a half years has been a privilege. "I'm proud of their work and grateful to have been part of it. It will impact all the work Iever do into the future in a way that will enrich everything I do, everything I stand for. Advertisement "We hope the book will start conversations about those with decision makers. "The book has a dual purpose - to fund a project the men have designed to work with young men through the arts, to have a legacy to help young men avoid prison sentences." FUNDS DONATED She added: "This book is the men's way of owning their power as men of influence in a positive way. "They feel compelled to contribute to the world and protect younger men from having to experience what they have gone through. Advertisement "Every penny from the book goes to the men's vision for a programme where they would work with young men through the arts to explore power - they had a transformative experience making this work and they want to create that for the young men - they are only focused on creating a better world for them." The publication is priced at €20 and available from 2 An inmate serving life in Mountjoy Prison believes inmates have 'the potential' to turn their lives around Credit: PA:Press Association

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