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Most Memorable Movie Deaths That Left Us Shook
Most Memorable Movie Deaths That Left Us Shook

Buzz Feed

time19-07-2025

  • Entertainment
  • Buzz Feed

Most Memorable Movie Deaths That Left Us Shook

Movies indeed move us, and nothing hits harder than the death of a beloved character. On the always alive subreddit r/AskReddit, Reddit user u/CubicleJoe0822 asked: What movie death is seared into your memory forever? Here are just some of the answers at your own risk of trauma and tears: "That one Ewok that didn't get up in Return of the Jedi." "Doesn't show the actual death, but the scene in Titanic when the ship is sinking and the mother tucks her children into bed knowing they will drown...f*cked me up for life. I was like nine or ten." "The little shoe that gets dipped in Who Framed Roger Rabbit?" "Macaulay Culkin in My Girl." "The sweet alien in Galaxy Quest." "Spock dying in massive radiation contamination in Star Trek II: The Wrath of Khan." "Littlefoot's mom in The Land Before Time." "American History X. I was way too young to watch that curb-stomping scene." "Mufasa in The Lion King. That scene hit like a truck as a kid and honestly still does." "Private Mellish getting stabbed by the German soldier in Saving Private Ryan." "'I'm tired, boss.' The Green Mile." "The dog in I Am Legend." "Not only am I scarred still by Artax dying in the swamp of sadness, but I carelessly showed my young daughter The NeverEnding Story, so now she's scarred too. Thus turns the cycle of trauma." "The AC unit in Brave Little Toaster. That movie was a psychological horror, not a children's movie, and I'm tired of pretending otherwise." "The death scene in Blade Runner that features the character Roy Batty (portrayed by Rutger Hauer) delivering the iconic 'Tears in Rain' monologue just before his death." "Wash in Serenity. I relate to his wife, Zoe, going on a crazy kill spree. I'd do the same." "To the Gen X guys out there, Neil's death by suicide in Dead Poets Society. Hearing the dad's 'Oh my son!' when discovering his body haunts me so many years later." "I know he lives ultimately, but the Iron Giant." "Old Yeller." "The grandma in Dante's Peak." "Boromir in The Lord of the Rings: The Fellowship of the Ring. 'I would have followed you, my brother. My captain. My King.'" "Bambi's mom in Bambi." "'Brooks was here.' Shawshank Redemption." "In Guardians of the Galaxy 3, the death of the hybrid animals. So f*cking cruel." "Yondu in Guardians of the Galaxy: Vol. 2." "The little girl from The Bridge to Terabithia! F*ck that movie forever." "Marley from Marley and Me. Could go for most dog deaths on screen, they're always the worst." "Leon in The Professional." "Shelby from Steel Magnolias." "T-800 in Terminator 2: Judgment Day. Thumbs up into the molten steel." "The longneck dino at the end of the dock watching them leave while the entire island goes up into flames in Jurassic World: Fallen Kingdom." "Debra Winger in Terms of Endearment. Her goodbye to her kids and the way Shirley McLain reacts is painful to watch." "Up." "That chick in the tanning bed in Final Destination 3." "I know it wasn't really a 'permanent death' but Spider-Man when Thanos snaps in Avengers: Infinity War…'I'm scared, I don't want to disappear.' I have a kiddo about Spider-Man's age in that movie, and I lost it in the theater." And lastly, and perhaps the most devastating inanimate object death in cinema history, "Wilson in Cast Away." What movie death scarred you for life? Comment below and tell us why!

America's notoriously car-mad, clogged city can now be explored by train
America's notoriously car-mad, clogged city can now be explored by train

Sydney Morning Herald

time18-07-2025

  • Entertainment
  • Sydney Morning Herald

America's notoriously car-mad, clogged city can now be explored by train

I'm standing on the Santa Monica Pier, gazing at the Pacific and thinking about Roger Rabbit. The popular 1988 comedy movie Who Framed Roger Rabbit starred animated characters alongside live-action humans. That was novel enough, but what really caught my attention were the devious anti-railway antics of its villain, Judge Doom. In the story, set in 1947, Doom purchases a Los Angeles tram company so he can close it down and force residents into driving cars on his new freeway. What's interesting is how much this fiction drew on reality. In the early 20th century LA's Pacific Electric was one of the world's largest rail operators, delivering more than 2000 daily interurban services over 1600 kilometres of track in the city and its neighbouring urban areas. Its network was complemented by the trams (streetcars) of the Los Angeles Railway, which served a more central area. By the 1960s it had all closed, after the accelerated construction of freeways and the widespread adoption of cars. In the end the tram network was sold to a company that converted it to buses; a development in which corporations with road transport interests were complicit. Pacific Electric's interurban network also closed about the same time. Los Angeles famously became a car-mad city with a reputation for poor public transport. But since 1990, largely unnoticed by overseas visitors, the city's rail network has been rebuilt. Focused on the marvellous Union Station, served by Amtrak's long-distance trains, LA County has crafted the Metro Rail network, comprising six rail services (supplemented by two rapid-transit bus routes). Interestingly, it's a hybrid network: two lines are underground railways while the other four are light-rail lines running vehicles that are basically trams. But Angelenos call them trains, so I'll use that terminology, too. Every time I'm in LA I get a lot of use out of the Metro, zipping along dedicated lines while others are stuck in traffic on congested freeways. Which is why I'm at Santa Monica – from my hotel in Downtown LA I caught a train along the E Line to the popular seaside locale for a mere $US1.75 ($2.70). That's another attraction of the Metro: it's cheap. And Santa Monica Pier is worth travelling to see. Dotted with attractions including restaurants and a funfair, its broad timber deck has a view of the sandy ocean shore as it bends around to the north. On this weekday morning there's a lazy, relaxed vibe on the pier, with people sipping coffee as they saunter along its length. With the low, rhythmic crash of waves in the background, it's very mellow, though in the evening this place must heave with excited visitors and the sounds of the funfair.

America's notoriously car-mad, clogged city can now be explored by train
America's notoriously car-mad, clogged city can now be explored by train

The Age

time18-07-2025

  • Entertainment
  • The Age

America's notoriously car-mad, clogged city can now be explored by train

I'm standing on the Santa Monica Pier, gazing at the Pacific and thinking about Roger Rabbit. The popular 1988 comedy movie Who Framed Roger Rabbit starred animated characters alongside live-action humans. That was novel enough, but what really caught my attention were the devious anti-railway antics of its villain, Judge Doom. In the story, set in 1947, Doom purchases a Los Angeles tram company so he can close it down and force residents into driving cars on his new freeway. What's interesting is how much this fiction drew on reality. In the early 20th century LA's Pacific Electric was one of the world's largest rail operators, delivering more than 2000 daily interurban services over 1600 kilometres of track in the city and its neighbouring urban areas. Its network was complemented by the trams (streetcars) of the Los Angeles Railway, which served a more central area. By the 1960s it had all closed, after the accelerated construction of freeways and the widespread adoption of cars. In the end the tram network was sold to a company that converted it to buses; a development in which corporations with road transport interests were complicit. Pacific Electric's interurban network also closed about the same time. Los Angeles famously became a car-mad city with a reputation for poor public transport. But since 1990, largely unnoticed by overseas visitors, the city's rail network has been rebuilt. Focused on the marvellous Union Station, served by Amtrak's long-distance trains, LA County has crafted the Metro Rail network, comprising six rail services (supplemented by two rapid-transit bus routes). Interestingly, it's a hybrid network: two lines are underground railways while the other four are light-rail lines running vehicles that are basically trams. But Angelenos call them trains, so I'll use that terminology, too. Every time I'm in LA I get a lot of use out of the Metro, zipping along dedicated lines while others are stuck in traffic on congested freeways. Which is why I'm at Santa Monica – from my hotel in Downtown LA I caught a train along the E Line to the popular seaside locale for a mere $US1.75 ($2.70). That's another attraction of the Metro: it's cheap. And Santa Monica Pier is worth travelling to see. Dotted with attractions including restaurants and a funfair, its broad timber deck has a view of the sandy ocean shore as it bends around to the north. On this weekday morning there's a lazy, relaxed vibe on the pier, with people sipping coffee as they saunter along its length. With the low, rhythmic crash of waves in the background, it's very mellow, though in the evening this place must heave with excited visitors and the sounds of the funfair.

Alan Hamel confirms relationship with Suzanne Somers' co-star Joanna Cassidy
Alan Hamel confirms relationship with Suzanne Somers' co-star Joanna Cassidy

Express Tribune

time25-06-2025

  • Entertainment
  • Express Tribune

Alan Hamel confirms relationship with Suzanne Somers' co-star Joanna Cassidy

Alan Hamel, the 88-year-old widower of late actress Suzanne Somers, has confirmed he is dating actress Joanna Cassidy — Somers' former co-star in the 1985 miniseries Hollywood Wives. The couple was recently spotted arm in arm in Malibu, California, wearing matching Malibu Beach Inn baseball caps while dining at Broad Street Oyster Company. Speaking exclusively to Page Six, Hamel said of Cassidy, 79, 'I don't know where this relationship is going, but I'm fortunate to have Joanna in my life.' The two have known each other for over 45 years, first meeting in the 1970s when Cassidy appeared on The Alan Hamel Show. Their connection was rekindled after Hamel's son, Stephen, unknowingly introduced them again following a chance meeting with Cassidy at a screening. Hamel, who lost Somers to cancer in October 2023, says his late wife gave him her blessing to move on. 'Don't mope around,' he recalls her saying. 'Live your life. We'll see one another after you cross over.' Praising Cassidy, Hamel described her as a dedicated actress, a great mother, and someone with no 'Hollywood BS.' Cassidy, also known for her roles in Blade Runner and Who Framed Roger Rabbit, was previously married but has remained single since her 1974 divorce. Though uncertain about the future, Hamel says he is enjoying this new chapter, calling it the 'cocktail hour' of his life.

Judge Doom's Sword Cane from 'Who Framed Roger Rabbit' Cuts Its Way into Propstore Auction
Judge Doom's Sword Cane from 'Who Framed Roger Rabbit' Cuts Its Way into Propstore Auction

Associated Press

time04-06-2025

  • Business
  • Associated Press

Judge Doom's Sword Cane from 'Who Framed Roger Rabbit' Cuts Its Way into Propstore Auction

Weapon from Christopher Lloyd's Villain Expected to Fetch $10,000–$20,000 in auction this month. 'This sword cane embodies the dark, theatrical presence of Judge Doom and is one of the most recognizable villain props of the era.'— Brandon Alinger, COO, Propstore LOS ANGELES, CA, UNITED STATES, June 4, 2025 / / -- A rare piece of 1980s cinematic history is headed to auction this spring as Propstore presents Judge Doom's (Christopher Lloyd) sword cane from the 1988 groundbreaking live-action/animated hybrid 'Who Framed Roger Rabbit' (1988). Bidding for this lot—and over 400 additional items from Planet Hollywood's legendary archive—is live until June 11, 2025. Registration is now open at Judge Doom's menacing cane, which doubled as a hidden sword in the film's climactic showdown, is one of the most memorable props from director Robert Zemeckis' award-winning film. Crafted in two parts, the cane includes a solid black metal sheath and a sword with a silver-painted snake grip and skull pommel. The sword's dulled blade was production-altered for on-set safety, and the piece shows light wear from filming, including chipped paint and blade discoloration—hallmarks of its authenticity. 'As the founder of Planet Hollywood, I've had the privilege of curating one of the most iconic collections of movie memorabilia in the world—pieces that celebrate the films that made us laugh, cry, and fall in love with cinema,' said Robert Earl, Founder of Planet Hollywood. 'Whether you're just beginning your journey as a collector, or looking to add something truly unique to an already impressive archive, this auction offers an incredible opportunity. This specific offering was designed to be surprisingly accessible, making them perfect for the passionate fan or the seasoned collector alike.' The film won 22 major awards, including three Academy Awards, and remains a landmark in special effects and storytelling. This iconic prop is estimated to sell for between $10,000 and $20,000. 'Who Framed Roger Rabbit was a groundbreaking technical achievement and a genre-defying hit,' said Brandon Alinger, COO of Propstore. 'This sword cane embodies the dark, theatrical presence of Judge Doom and is one of the most recognizable villain props of the era.' This auction presents a rare opportunity for collectors to acquire authentic pieces of film history, many of which once adorned the beloved walls of Planet Hollywood's restaurants, at accessible starting bids, with many items opening at just $100. Online bidding is currently underway and will remain open through June 11, 2025, at # # # Notes to Editors: For further information, catalogue images, case studies and interviews please contact: Bethany Willetts | [email protected] Bidding is live until June 11, 2025, at: Dropbox link to images: Please credit: Propstore About Propstore In 1998, Propstore founder Stephen Lane's love for movies led him to hunt for the same props and costumes used to create his favorite films. He found that he could provide collectors with access to their most coveted pieces and establish archival standards for this new, pop-culture hybrid of fine art and memorabilia collecting—prop art. Since 2014, Propstore has regularly hosted live auctions featuring some of the world's greatest Entertainment Memorabilia treasures. Propstore specializes in film and television props and costumes, production materials, and artwork, as well as music memorabilia, posters, and collectible toys. Propstore also holds regular online auctions in association with many of the industry's major production materials and has over 5,000 items available for sale via Buy Now on Following our 2020 Queen's Award for Enterprise in International Trade, Propstore was thrilled to receive the honor again in 2024, this time as the prestigious King's Award for Enterprise. Widely regarded as the highest accolade for business success in the UK, the King's Award for Enterprise recognizes British companies that have excelled in innovation, international trade, sustainable development, and promoting opportunity through social mobility. Social Media: Facebook: @PropStore Twitter: @propstore_com Instagram/ Threads: prop_store YouTube: thepropstore TikTok: @.propstore Matthew Kovacs Propstore email us here Visit us on social media: LinkedIn Instagram Facebook YouTube TikTok X Legal Disclaimer: EIN Presswire provides this news content 'as is' without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the author above.

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