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Female Hotshot firefighter brings California mega blazes to life in moving memoir
Female Hotshot firefighter brings California mega blazes to life in moving memoir

Los Angeles Times

time13-06-2025

  • General
  • Los Angeles Times

Female Hotshot firefighter brings California mega blazes to life in moving memoir

Fire changes whatever it encounters. Burns it, melts it, sometimes makes it stronger. Once fire tears through a place, nothing is left the same. Kelly Ramsey wasn't thinking of this when she joined the U.S. Forest Service firefighting crew known as the Rowdy River Hotshots — she just thought fighting fires would be a great job. But fire changed her too. In her memoir, 'Wildfire Days: A Woman, a Hotshot Crew, and the Burning American West,' Ramsey takes us through two years of fighting wilderness fires in the mountains of Northern California. She wrote the book before January's deadly Altadena and Pacific Palisades fires, and what she encountered in the summers of 2020 and 2021 was mostly forests burning, not city neighborhoods. But at the time, the fires she and her fellow crewmen fought (and they were all men that first year) were the hottest, fastest, biggest fires California had ever experienced. 'My first real year in fire had been a doozy, not just for me but my beloved California: 4.2 million acres burned,' she writes, in the 'worst season the state had endured in over a hundred years.' That included the state's first gigafire — more than 1 million acres burned in Northern California. The job proved to be the hardest thing she'd ever done, but something about fire compelled her. 'At the sight of a smoke column, most people feel a healthy hitch in their breath and want to run the other way,' she writes. 'But all I wanted to do was run toward the fire.' Ramsey's memoir covers a lot of ground, skillfully. She learns that being in good shape isn't enough — she has to be in incredible shape. She learns how to work with a group of men who are younger, stronger and more experienced than she is, and she figures out how to find that line between never complaining and standing up for herself in the face of inappropriate behavior. She also writes about the changes in her own life during that time: coming to terms with her alcoholic, homeless father; pondering her lousy record for romantic relationships; searching for an independence and peace she had never known. 'It wasn't fire that was hard; it was ordinary life,' she concludes. Sometimes her struggles with ordinary life threaten to take over the narrative, but while they humanize her, they are not the most interesting part of this book. What resonates instead is fire and all that it entails — the burning forest and the hard, mind-numbing work of the Hotshots. They work 14 days on, two days off, all summer and fall, sometimes 24-hour shifts when things are bad. They sleep rough, dig ditches, build firebreaks, set controlled burns, take down dead trees and, in between, experience moments of terrifying danger. Readers of John Vaillant's harrowing 2023 book 'Fire Weather' — an account of the destruction of the Canadian forest town of Fort McMurray — might consider Ramsey's book a companion to the earlier book. 'Wildfire Days' is not as sweeping or scientific; it's more personal and entertaining. It's the other side of the story, the story of the people who fight the blaze. Ramsey's gender is an important part of this book; as a woman, she faces obstacles men do not. It's harder to find a discreet place to relieve herself; she must deal with monthly periods; and, at first, she is the weakest and slowest of the Hotshots. 'Thought you trained this winter,' one of the guys tells her after an arduous training hike leaves her gasping for breath. 'I did,' she said. 'Thinking you shoulda trained a little harder, huh,' he said. But over time she grows stronger, more capable, and more accepted. In the second year, when another woman joins the crew, Ramsey is torn between finally being 'one of the guys' and supporting, in solidarity, a woman — but a woman whose work is substandard and whose attitude is whiny. 'Was I only interested in 'diversity' on the crew if it looked like me?' she asks herself. 'Had I clawed out a place for myself, only to pull up the ladder behind me?' But competence is crucial in this dangerous job, and substandard work can mean deadly accidents. For centuries, natural wildfires burned dead trees and undergrowth in California, keeping huge fires in check. White settlers threw things out of whack. 'The Indigenous people of California were (and still are) expert fire keepers,' Ramsey writes. 'Native burning mimicked and augmented natural fire, keeping the land park like and open.' But in the 20th century, humans suppressed fires and forests became overgrown. 'Cut to today,' she writes. 'Dense forests are primed to burn hotter and faster than ever before.' Ramsey's descriptions of the work and the fires are the strongest parts of the book. 'We could hear the howl — like the roar of a thousand lions, like a fleet of jet engines passing overhead — the sound of fire devouring everything,' Ramsey writes. Later, she drives through a part of the forest that burned the year before to see 'mile upon mile of carbonized trees and denuded earth, a now-familiar scene of extinguished life.' But she also notes that the burned areas are already beginning to green up. 'New life tended to spring from bitterest ash,' she writes. 'The forest wouldn't grow back the same, but it wouldn't stop growing,' she observes earlier. There is a metaphor here. Ramsey's memoir is a moving, sometimes funny story about destruction, change and rebirth, told by a woman tempered by fire. Hertzel's second memoir, 'Ghosts of Fourth Street,' will be published in 2026. She teaches in the MFA in Narrative Nonfiction program at the University of Georgia and lives in Minnesota.

She became a ‘hotshot' wilderness firefighter to write about being on the front lines
She became a ‘hotshot' wilderness firefighter to write about being on the front lines

Los Angeles Times

time07-06-2025

  • General
  • Los Angeles Times

She became a ‘hotshot' wilderness firefighter to write about being on the front lines

This week, we are jumping into the fire with Kelly Ramsey. Her new book, 'Wildfire Days: A Woman, A Hotshot Crew, and The Burning American West,' chronicles her time fighting some of the state's most dangerous conflagrations alongside an all-male crew of Hotshots. The elite wildland firefighters are tasked with applying their tactical knowledge to tamp down the biggest fires in the state. We also look at recent releases reviewed by Times critics. And a local bookseller tells us what our next great read should be. In 2017, Ramsey found herself in a holding pattern. Living in Austin, with an MFA from the University of Pittsburgh under her belt, she didn't know what or where she wanted to be. So she took a nanny job. 'I was spending all my time outdoors with these kids,' she told me. 'I thought, is there a job that would allow me to be outside all the time?' Ramsey landed a volunteer summer gig working on a fire trail crew in Happy Camp, Northern California, on the Klamath River. While Ramsey was learning the delicate art of building firebreaks, a large fire broke out just outside the town. 'My introduction to California that summer was filled with smoke,' says the author. 'This is when I got the bug, when I started to become interested in fighting fires.' Ramsey became a qualified firefighter in 2019, joining an entirely male crew of fellow Hotshots. Ramsey's book 'Wildfire Days' is the story of that fraught and exciting time. We talked to Ramsey about the 'bro culture' of fire crews, the adrenaline surge of danger and the economic hardships endured by these frontline heroes. Below, read our interview with Ramsey, who you can see at Vroman's on June 23. This Q&A has been edited for length and clarity. (Please note: The Times may earn a commission through links to whose fees support independent bookstores.) What was it like when you confronted a big fire for the first time? It was the Bush fire in Arizona. I was so incredulous, just marveling at what was happening. 'Look at that smoke,' and 'that helicopter is making a water drop.' It was kind of a rookie move, because all the other crew members had seen it thousands of times. To see a helicopter up close making a drop, it looks like this gorgeous waterfall. I had to get acclimated to the epic nature of fires. And that wasn't even a big fire, really. In the book, you talk about entering into a pretty macho culture. How difficult was it for you to gain acceptance into this cloistered male world of the fire crew? It was definitely shocking at first, to be in an entirely male space. The Forest Service had some sexual harassment scandals in 2017, so everyone was on their best behavior at first. It took me some time before I was accepted into the group. I had to perform over-the-top, irrefutably great, just to prove to them that I was OK. It's an unfair standard, but that's the way it was. I wanted to shift the way they saw women, or have better conversations about gender and fire. You write about the pride and stoicism of the fire crew members, the ethos of actions rather than words. No one brags or whines, you just get on with it. Why? When my editor was going through the book, he insisted that I mention the 75 pounds of gear I was always carrying on my back, and I resisted, because you don't complain about that kind of thing when you're out there. But I realized that readers would want to know these details, so I put them in. I was inclined to leave them out. You also write about the difficulties of re-entering civilian life. I don't know of any firefighters who don't struggle with the idea of living a normal, quiet life. It's just a massive letdown after the adrenaline rush of the fire season. What was shocking to me reading 'Wildfire Days' is that fire crews are essentially paid minimum wage to work one of the most dangerous jobs in the state. It was $16.33 an hour when I was in the crew. And most firefighters that I worked with didn't have other jobs. They would take unemployment until the next fire season rolled around. You would just scrape by. During the first month of the season, everyone would be flat broke, eating cans of tuna. The joke is that you get paid in sunsets. But we all love being out there. The camaraderie is so intense and so beautiful. Hamilton Cain reviews National Book Award winner Susan Choi's new novel, 'Flashlight,' a mystery wrapped inside a fraught family drama. 'With Franzen-esque fastidiousness,' Cain writes, 'Choi unpacks each character's backstory, exposing vanities and delusions in a cool, caustic voice, a 21st century Emile Zola.' Jessica Ferri chats with Melissa Febos about her new memoir, 'The Dry Season,' about the year she went celibate and discovered herself anew. Febos wonders aloud why more women aren't more upfront with their partners about opting out of sex: 'This radical honesty not only benefits you but it also benefits your partner. To me, that's love: enthusiastic consent.' Carole V. Bell reviews Maria Reva's 'startling metafictional' novel, 'Endling,' calling it 'a forceful mashup of storytelling modes that call attention to its interplay of reality and fiction — a Ukrainian tragicomedy of errors colliding with social commentary about the Russian invasion.' Nick Owchar interviews Nathan Marsak about the reissue (from local publisher Angel City Press) of 'Los Angeles Before The Freeways: Images of an Era, 1850-1950,' a book of vintage photos snapped by Swedish émigré Arnold Hylen and curated by Marsak. Owchar calls the book 'an engrossing collection of black-and-white images of a city in which old adobe structures sit between Italianate office buildings or peek out from behind old signs, elegant homes teeter on the edge of steep hillsides, and routes long used by locals would soon be demolished to make room for freeways.' And sad news for book lovers everywhere, as groundbreaking gay author Edmund White died this week at 85. This week, we paid a visit to the Westside's great indie bookstore Diesel, which has been a locus for the community in the wake of January's Palisades fire. The store's manager, Kelsey Bomba, tells us what's flying off the store's shelves. What books are popular right now: Right now, Ocean Vuong's 'The Emperor of Gladness' is selling a ton, as [well as] Miranda July's 'All Fours' and Barry Diller's memoir, 'Who Knew.' What future releases are you excited about: Because I loved V.E. Schwab's 'The Invisible Life of Addie LaRue,' I'm excited to read her new book, 'Bury Our Bones in the Midnight Soil.' 'The Great Mann,' by Kyra Davis Lurie — we are doing an event with her on June 11. What are the hardy perennials, the books that you sell almost all the time: 'One Hundred Years of Solitude' by Gabriel García Márquez, Rick Riordan's Percy Jackson series and the Elena Ferrante books, especially 'My Brilliant Friend.' Diesel, A Bookstore is located at 225 26th St., Suite 33, Santa Monica CA 90402.

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