Latest news with #X-E5
Tom's Guide
20 hours ago
- Tom's Guide
I flew to Europe to test the new Fujifilm X-E5 — it took my photography to a whole new level
Taking pictures has been one of my favorite hobbies since I was young. Getting out and about with a camera to capture what I see is my idea of a great day. So when Fujifilm invited me to test out the newly announced X-E5 camera in Valencia, Spain (famed for its architecture) how could I say no? The X-E5 is the new and improved iteration of the Fujifilm X-E4 which was discontinued over two years ago. It was a fan favorite but had its drawbacks including lack of image stabilization and weather sealing, and the ageing X-Processor 4, which lacked advanced AF algorithms. But with the X-E5 Fujifilm has listened to the community and given fans everything they've been asking for… apart from weather proofing, but I'll let it slide. Oh, and there's the little matter of price (it's hella steep), but more on that later. Admittedly, I am new to Fujifilm cameras. While I know they're some of the best mirrorless cameras, and I have always admired the film reproduction and ease of use Fujifilms offer, my trusty Sony a6100 never lets me down… but I think the X-E5 might just take its place. Fujifilm X-T50: $1,399 @ AmazonCant wait until August? I'd recommend the Fujifilm X-T50. It features the same 40.2MP sensor and processor as the X-E5, plus a film simulation dial. It has more ergonmic handling than the X-E5, but still has bags of retro charm. I am pretty new to street photography. Being from a town surrounded by beaches and lakes, landscape photography has always been my go-to. But the Fujifilm X-E5 camera made the whole experience so easy. The combination of five-axis image stabilization and the latest AF algorithms from Fuji's X-Processor 5 meant that I was almost guaranteed a perfect shot regardless of the scenario or lighting conditions. Whether it was getting quick snaps of tourists meandering the tall city walls or of the cascading architecture, the X-E5 made it easy to capture stills without worrying about shake or out of focus images. The X-E5 features subject detection for humans and lots of other subjects, so it was super easy to nail focus. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Fujifilm is known for its cameras being super user friendly and tactile. But the X-E5 takes it to a whole new level. Fuji has loaded the X-E5 with new features to improve the experience of using the camera and bring focus to the enjoyment of photography. My favourite new feature is the Surround View function, which allowed me to alter the aspect ratio of the image and have a semi-transparent framing on the peripheries of the EVF so I could see what was happening outside of the frame — simulating one of the key benefits of an optical viewfinder. This meant I was able to position my shot according to what was happening around my frame — like when I took this still of a motorcyclist, I was able to time the shot perfectly as I could see them coming into frame. It's a Fuji, so we can't ignore the film simulations, and the X-E5 now houses a handy dial above the LCD screen for quick effect selection, similar to the dial on the Fujifilm X-T50. There are plenty of settings to choose from and even an option to save three preset recipes that best suit your style, or even the vibe of the place you are shooting. By simply turning the dial I was able to cycle through the presets to get the best one really quickly, but I could also use the LCD touch screen to select the effects. My favorites for the bright sunlight of Valencia were Velvia and Classic Chrome, but I spent a lot of time in Acros, which complemented the bright sunlight and strong contrast. The easy-to-use nature of the camera and the film simulation options makes the X-E5 perfect for anyone interested in the retro style of film photography — Let's be honest, film photography is a commitment in both time and money, so Fujifilm's profiles are always a good place to start. The Fujifilm X-100VI was loved by Instagram users everywhere, but its lack of interchangeable lenses might not be for everyone — it can prove quite limiting if you want to expand your creative options. That's where the X-E5 comes in. It has the 40.2MP X-Trans CMOS 5 HR sensor and X-processor 5 image processor, just like the X-100VI, plus an extra stop of IBIS, taking it to 7 stops. It handles very similarly, and is ideal for people who love the Fuji street camera style and handling, but want to switch lenses. And on the topic of lenses, for the launch of this new camera, Fujifilm is also releasing a new pancake kit lens: the XF 23mm F2.8 R WR, which replaces the 27mm pancake kit lens available with the X-E4. Super compact, but beautifully sharp, the 23mm is nice and wide for scenic shots, but has a minimum focal distance of 20mm making it perfect for detailed shots as well. The lens will be available for purchase as part of the camera kit in early August, but won't be available for purchase on its own until November. The Fujifilm X-E5 is the camera perfect for street photographers who want the look of film but the freedom of digital — especially those who value handling and purity of shooting experience. It's also great for newcomers to photography, who are aiming for a retro film look but don't want to fork out a ton of cash on rolls of film before getting the technique and framing down. That being said, it is quite the investment. $1,899 (with the lens, but if you're a newbie you'll need it) is a big ask. Considering the previous models of the X-E series have been somewhat affordable, it does feel like a bit of a jump. But unfortunately, like with most things, the pricing has been affected by the U.S. tariffs. If you want to conserve cash you can spring for the X-T50 instead which, internally, is effectively the same camera. Personally, I love the X-E5. It is one of the easiest I have used and with all of the film simulation options I was able to get creative in any setting. It is of course a very different style of camera to my usual Sony a6100, but I do think it will have me switching over to Fuji for all of my travel photography in the future.
Digital Trends
a day ago
- Automotive
- Digital Trends
Fed up waiting for the X100VI? Then check out the new X-E5
Fujifilm has just unveiled the X-E5, and it might just be the answer for those folks who are still waiting around for the X100VI. The Japanese camera maker released the X100VI in March 2024, at a time when its predecessor, the X100V, had gone viral and was pretty much impossible to buy new. While Fujifilm promised better availability with the X100VI, its popularity exceeded that of the X100V, and many customers have had to wait months to receive their purchase. The new X-E5, unveiled by Fujifilm on Thursday, sports the popular retro styling of the X100VI, and includes many similar features. But the one key difference that may excite potential buyers is the fact that the new camera lets you change the lens — something you can't do with the X100VI, which has a fixed 23mm lens (35mm equivalent on its crop sensor). The X-E5 is the successor to the X-E4, which came out four years ago, though the older model fell well short when it came to matching the X100 series. But the new X-E5 has received a significant spec bump that includes the same 40.2MP APS-C X-Trans CMOS 5 HR sensor as the X100VI, along with the X-Processor 5. And just like the X100VI, the X-E5 also comes with in-body stabilization, an articulating back display panel, a similar layout of vintage-inspired dials on the top, and a compact body. Another feature that might appeal to fans of Fujifilm's X series is the new dedicated film simulation dial offering easy access 20 built-in simulations. Differences, however, include the lack of an optical viewfinder for the X-E5, the absence of an ISO dial on the top, no weather sealing for the body, and no built-in ND filter. Additionally, the 28mm kit lens for the X-E5 starts at f/2.8 compared to f/2 for the X100VI, making the new camera slightly less suitable for low-light conditions. The Fujifilm X-E5 is out in August and will cost $1,699.95 for the body only. A kit including a 23mm (35mm equivalent) f/2.8 lens will also be available for $1,899.95. The X-E5 certainly looks like a compelling piece of kit, with the interchangeable lens feature sure to make the decision harder when it comes to choosing between the X100VI and this new camera.
Yahoo
a day ago
- Business
- Yahoo
Fujifilm's latest lens emulates its eternally sold-out cameras
When you use DPReview links to buy products, the site may earn a commission. Fujifilm has announced the XF 23mm F2.8 R WR lens, a wide-angle, 35mm equiv. pancake lens for its APS-C cameras. It's a similar focal length to the lens used by the much-coveted X100-series and has similar dimensions, though its maximum aperture is a stop slower. The lens is very light and compact; it's 23mm (0.9") long and weighs in at 90g (3.2oz). Despite that, it has a fair number of features: it has a clicking aperture ring that can be locked into the auto position, its manual focus ring has a "high frequency position" detector to make it easier to focus despite its short throw, and it's water and dust resistant. The silver version of the lens even has a matched grey gasket on the back, rather than a black one. Optically, the lens is made up of 8 elements in six groups with two aspherical lenses. It has an 11-blade aperture and a 20 cm (7.9 inches) minimum focusing distance. The lens will come in black or silver, and will retail for $499. Fujifilm says it won't be available on its own until December, though it'll start making its way into customers hands as a kit lens for the X-E5 later this summer. See the sample gallery Buy now: Buy at Adorama Buy at B&H Photo Buy at B&H Photo Press Release: Fujifilm Introduces the Versatile, Ultra-Compact, Lightweight FUJINON XF23mmF2.8 R WR Lens VALHALLA, N.Y. - June 12, 2025 – FUJIFILM North America Corporation, Electronic ImagingDivision, announces the launch of its FUJINON XF23mmF2.8 R WR (XF23mmF2.8 R WR) with portability in mind, XF23mmF2.8 R WR was developed to be thin and unobtrusive while delivering powerful resolution and autofocus (AF) performance. 'The first word that comes to mind when thinking of XF23mmF2.8 R WR is 'versatility',' said Victor Ha, vice president, Electronic Imaging and Optical Devices Divisions, FUJIFILM North America Corporation. 'The lens is adaptable to handle standard, wide-angle, close-up image making with ease, while at the same time offering an ultra-compact form factor and user-friendly functionality. From street photography and travel/landscape, where the big picture tells the story, all the way to tabletop photography, where close up, intricate details are critical, XF23mmF2.8 R WR is the ideal everyday carry, designed to work with you on the move.' Main Features: Ultra-compact and lightweight design with high resolution performance XF23mmF2.8 R WR is designed to deliver high resolution performance compatible with the FUJIFILM X Series' approximately 40.2 megapixel X-Trans™ CMOS 5 HR1 sensor. By adopting 8-elements in 6 groups, including two aspherical lenses, XF23mmF2.8 R WR minimizes aberrations from the center to the periphery. The lens has been made optically compact through Fujifilm's latest lens development which reduces size by increasing the number of metal components to make parts thinner while maintaining durability. XF23mmF2.8 R WR features a focal length of 23mm (equivalent to 35mm in 35mm format), an overall length of only 23mm2 and a weight of approximately 90g (3 ounces). The lens's 11- blade aperture diaphragm also delivers smooth, circular bokeh for excellent subject separation, most notably at wider apertures. Close-up photography and high-precision, high-speed autofocus (AF) XF23mmF2.8 R WR excels at close-ups, down to the minimum object distance of 20 cm (7.9 inches) from the sensor. The lens uses a full-group focusing system, which suppresses aberration variation depending on the focus position, enabling high image quality photography even at close range. A powerful direct-current (DC) motor is integrated into the lens to achieve high-speed AF. Stylish yet durable user-friendly design Knurling at the base of the lens allows for a secure grip when changing lenses. The manual focus (MF) ring is equipped with high frequency position detection for high precision manual focus with minimum rotation angle. A fixed spacer between the manual focus and aperture rings makes for easier adjustment of either setting when composing through the viewfinder. With 9 sealing points, the lens is dust and moisture resistant to temperatures as low as -10 degrees Celsius (14 degrees Fahrenheit) and can be used safely in light rain, cold, or dusty environments. The FUJINON XF23mmF2.8 R WR lens will be available late 2025 at a Manufacturer's Suggested Retail Price of $499.95 USD and $559.99 CAD. For more information, visit 1 X-Trans is a registered trademark or trademark of Fujifilm Corporation. 2 Equivalent in size to XF27mmF2.8 R WR. Principal specifications Prime lens APS-C / DX 23 mm Fujifilm X F2.8 F16 Yes 11 8 6 2 asph 0.20 m (7.87″) 0.15× Yes Stepper motor Yes Unit No No 90 g (0.20 lb) 62 mm (2.44″) 23 mm (0.91″) Aluminium Yes Black, Silver 39 mm Yes No
Tom's Guide
2 days ago
- Tom's Guide
I spent two days shooting street with the new Fujifilm X-E5 — here's what I think of it so far
Taking pictures has been one of my favorite hobbies since I was young. Getting out and about with a camera to capture what I see is my idea of a great day. So when Fujifilm invited me to test out the newly announced X-E5 camera in Valencia, Spain (famed for its architecture) how could I say no? The X-E5 is the new and improved iteration of the Fujifilm X-E4 which was discontinued over two years ago. It was a fan favorite but had its drawbacks including lack of image stabilization and weather sealing, and the ageing X-Processor 4, which lacked advanced AF algorithms. But with the X-E5 Fujifilm has listened to the community and given fans everything they've been asking for… apart from weather proofing, but I'll let it slide. Oh, and there's the little matter of price (it's hella steep), but more on that later. Admittedly, I am new to Fujifilm cameras. While I know they're some of the best mirrorless cameras, and I have always admired the film reproduction and ease of use Fujifilms offer, my trusty Sony a6100 never lets me down… but I think the X-E5 might just take its place. I am pretty new to street photography. Being from a town surrounded by beaches and lakes, landscape photography has always been my go-to. But the Fujifilm X-E5 camera made the whole experience so easy. The combination of five-axis image stabilization and the latest AF algorithms from Fuji's X-Processor 5 meant that I was almost guaranteed a perfect shot regardless of the scenario or lighting conditions. Whether it was getting quick snaps of tourists meandering the tall city walls or of the cascading architecture, the X-E5 made it easy to capture stills without worrying about shake or out of focus images. The X-E5 features subject detection for humans and lots of other subjects, so it was super easy to nail focus. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Fujifilm is known for its cameras being super user friendly and tactile. But the X-E5 takes it to a whole new level. Fuji has loaded the X-E5 with new features to improve the experience of using the camera and bring focus to the enjoyment of photography. My favourite new feature is the Surround View function, which allowed me to alter the aspect ratio of the image and have a semi-transparent framing on the peripheries of the EVF so I could see what was happening outside of the frame — simulating one of the key benefits of an optical viewfinder. This meant I was able to position my shot according to what was happening around my frame — like when I took this still of a motorcyclist, I was able to time the shot perfectly as I could see them coming into frame. It's a Fuji, so we can't ignore the film simulations, and the X-E5 now houses a handy dial above the LCD screen for quick effect selection, similar to the dial on the Fujifilm X-T50. There are plenty of settings to choose from and even an option to save three preset recipes that best suit your style, or even the vibe of the place you are shooting. By simply turning the dial I was able to cycle through the presets to get the best one really quickly, but I could also use the LCD touch screen to select the effects. My favorites for the bright sunlight of Valencia were Velvia and Classic Chrome, but I spent a lot of time in Acros, which complemented the bright sunlight and strong contrast. The easy-to-use nature of the camera and the film simulation options makes the X-E5 perfect for anyone interested in the retro style of film photography — Let's be honest, film photography is a commitment in both time and money, so Fujifilm's profiles are always a good place to start. The Fujifilm X-100VI was loved by Instagram users everywhere, but its lack of interchangeable lenses might not be for everyone — it can provide quite limiting if you want to expand your creative options. That's where the X-E5 comes in. It has the 40.2MP X-Trans CMOS 5 HR sensor and X-processor 5 image processor, just like the X-100VI, plus an extra stop of IBIS, taking it to 7 stops. It handles very similarly, and is ideal for people who love the Fuji street camera style and handling, but want to switch lenses. And on the topic of lenses, for the launch of this new camera, Fujifilm is also releasing a new pancake kit lens: the XF 23mm F2.8 R WR, which replaces the 27mm pancake kit lens available with the X-E4. Super compact, but beautifully sharp, the 23mm is nice and wide for scenic shots, but has a minimum focal distance of 20mm making it perfect for detailed shots as well. The lens will be available for purchase as part of the camera kit in early August, but won't be available for purchase on its own until November. The Fujifilm X-E5 is the camera perfect for street photographers who want the look of film but the freedom of digital — especially those who value handling and purity of shooting experience. It's also great for newcomers to photography, who are aiming for a retro film look but don't want to fork out a ton of cash on rolls of film before getting the technique and framing down. That being said, it is quite the investment. $1,899 (with the lens, but if you're a newbie you'll need it) is a big ask. Considering the previous models of the X-E series have been somewhat affordable, it does feel like a bit of a jump. But unfortunately, like with most things, the pricing has been affected by the U.S. tariffs. If you want to conserve cash you can spring for the X-T50 instead which, internally, is effectively the same camera. Personally, I love the X-E5. It is one of the easiest I have used and with all of the film simulation options I was able to get creative in any setting. It is of course a very different style of camera to my usual Sony a6100, but I do think it will have me switching over to Fuji for all of my travel photography in the future.
Engadget
2 days ago
- Engadget
The Fujifilm X-E5 is basically an interchangeable lens X100VI
If you have ever looked at the X100VI said to yourself, "Man, I wish Fujifilm would just make an interchangeable lens version of this camera," consider your request answered. Four years after the release of the X-E4, the company has announced the X-E5, a compact, $1,699.95 camera that should appeal to the same crowd that loves X100VI. Inside, the X-E5 has Fujifilm's latest X-Trans CMOS 5 HR sensor. That's the same sensor you'll find on the X100VI, X-T5 and X-T50. It's capable of capturing 40.2-megapixel stills, and video at up to 6.2K and 30 frames per second. Thanks to improvements Fujifilm has made to the sensor's pixel structure, the X-E5 offers a native 125 ISO, and there's AI-based autofocus to make it easier to capture moving subjects such as animals, birds, insects, motorcycles, planes and more. Also new to the X-E5 is the inclusion of in-body image stabilization (IBIS). It offers up to seven stops of stabilization near the center of the frame and six stops toward the periphery. Fujifilm has also once again tweaked the exterior of the camera. If the X-E4 was a bit too minimalistic for your taste, the good news is the X-E5 has a front grip where Fujifilm did away with that on the X-E4. The camera's top plate is machined from a single piece of aluminum, an addition that should make the X-E5 feel more premium than its predecessor. On the top, you'll find all the usual dials, including one for shutter speed and another for exposure compensation. There's also an entirely new dial dedicated to Fujifilm's film simulations. In addition to the usual presets like Classic Chrome and Velvia, you can save up to three of your own recipes for easy access. As before, the external LCD can flip up 180-degrees to make it easier to capture selfies and vlog. Fujifilm has also redesigned the X-E5's viewfinder. It offers two new modes. First, there's a "Classic" mode, which simplifies the interface so it's more like what you would find on an old film camera. All your exposure settings are displayed along the bottom of the screen in a deep red color, with the light meter present on the side. Alternatively, the other new mode, "Surround View," displays a black, semi-transparent or outlined area outside of the aspect ratio you've set. In practice, that should make it easier to frame your shots. Alongside the X-E5, Fujifilm announced a new pancake lens, the XF23mm f/2.8 R WR. It's a full stop slower than the fixed, 35mm equivalent you'll find on the X100VI, but it's about the same size and should be a lot faster to focus thanks to inclusion of a direct current motor. Fujifilm will offer the X-E5 in black and silver. The camera will be available starting in August. At $1,699.95 for just the camera body, the X-E5 is twice as expensive as its predecessor. In fact, it's more expensive than the $1,599 X100VI, which features a leaf shutter and hybrid optical viewfinder. Personally, I'm sad about that since the X-E4 was my recommendation for a great starter camera. Now I'll need to tell people to look elsewhere.
