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Sydney Morning Herald
09-08-2025
- Entertainment
- Sydney Morning Herald
Far away from home, I fell in love with Australian music again
What in the World, a free weekly newsletter from our foreign correspondents, is sent every Thursday. Below is an excerpt. Sign up to get the whole newsletter delivered to your inbox. Washington: On a recent Wednesday night, I found myself in New York revisiting the new Australian bar that's opened up in Lower Manhattan. I first wrote about Old Mates pub in April, finding it was a surprise hit with discerning New Yorkers as well as the expat crowd. I came back to see The Wiggles. Not in their usual coloured skivvies, but in casual pub attire for a free gig at the end of their month-long US tour. The crowd might have been adults-only, but the set list wasn't, with plenty of Wiggles favourites mixed with karaoke renditions of You're So Vain and a rocking version of The Cockroaches' She's the One. The boisterous New York audience wouldn't let them leave without performing Hot Potato, while Dominic Field – sans Wiggles' tree costume – brought the house down with the hoedown-style Rattlin' Bog, an Irish folk song. For the uninitiated, Field – or the Tree of Wisdom, as he's known on stage – dances up a storm while the band works its way through the epic song, which is cumulative (the verse grows each time around, like The Twelve Days of Christmas) and gets progressively faster. 'It was incredible,' blue wiggle Anthony Field, Dominic's uncle, told me after the show. 'It was packed full of Aussies and a lot of Americans who grew up with The Wiggles. This is our last night in America, so we just wanted to let some steam off. We didn't do it for money; we didn't get paid.' We got talking about the lure of a slice of home during long stints abroad. It might be the sound of an Australian accent while walking the streets (not uncommon in the United States, I can assure you). It might be the appearance of a flat white on a menu (rarer), or just any coffee that's strong and well-made (rarer still). For me, it's Aussie music. I've been cleaning the apartment to the best of Savage Garden, roaming Washington with Missy Higgins coursing through my headphones, playing Ball Park Music while driving to the beach. And I tuned into Triple J's recent Hottest 100 of Australian Songs (Cold Chisel and Powderfinger both should have been higher, but clearly their vote was split across two top-20 tracks).
The Age
09-08-2025
- Entertainment
- The Age
Far away from home, I fell in love with Australian music again
What in the World, a free weekly newsletter from our foreign correspondents, is sent every Thursday. Below is an excerpt. Sign up to get the whole newsletter delivered to your inbox. Washington: On a recent Wednesday night, I found myself in New York revisiting the new Australian bar that's opened up in Lower Manhattan. I first wrote about Old Mates pub in April, finding it was a surprise hit with discerning New Yorkers as well as the expat crowd. I came back to see The Wiggles. Not in their usual coloured skivvies, but in casual pub attire for a free gig at the end of their month-long US tour. The crowd might have been adults-only, but the set list wasn't, with plenty of Wiggles favourites mixed with karaoke renditions of You're So Vain and a rocking version of The Cockroaches' She's the One. The boisterous New York audience wouldn't let them leave without performing Hot Potato, while Dominic Field – sans Wiggles' tree costume – brought the house down with the hoedown-style Rattlin' Bog, an Irish folk song. For the uninitiated, Field – or the Tree of Wisdom, as he's known on stage – dances up a storm while the band works its way through the epic song, which is cumulative (the verse grows each time around, like The Twelve Days of Christmas) and gets progressively faster. 'It was incredible,' blue wiggle Anthony Field, Dominic's uncle, told me after the show. 'It was packed full of Aussies and a lot of Americans who grew up with The Wiggles. This is our last night in America, so we just wanted to let some steam off. We didn't do it for money; we didn't get paid.' We got talking about the lure of a slice of home during long stints abroad. It might be the sound of an Australian accent while walking the streets (not uncommon in the United States, I can assure you). It might be the appearance of a flat white on a menu (rarer), or just any coffee that's strong and well-made (rarer still). For me, it's Aussie music. I've been cleaning the apartment to the best of Savage Garden, roaming Washington with Missy Higgins coursing through my headphones, playing Ball Park Music while driving to the beach. And I tuned into Triple J's recent Hottest 100 of Australian Songs (Cold Chisel and Powderfinger both should have been higher, but clearly their vote was split across two top-20 tracks).
Irish Daily Mirror
03-08-2025
- Entertainment
- Irish Daily Mirror
We smashed a 22/1 winner yesterday and have a circa 6/1 double-bubble for today
Shark Hanlon has always been a good bet to register a winner at Galway - his winning streak stretches back 17 hasn't gone conspicuously close to one at Ballybrit this week which puts the spotlight on his three runners this afternoon, Half A Chance, Pahlavi and Hitak. Half A Chance (1.50pm) runs on the back of a run earlier in the week here and where, hampered four out, he finished seventh to Jessica Harrington's Jerrari. READ MORE: Galway Races - Premier football's favourite song can be a love of our own - 22/1 winner yesterday Derek & The Pacemakers The six-year old had amateur Paddy Hanlon that day but there has been a notable switch to Gavin Brouder for a lower-rated field. Half A Chance is also a Carly Simon song, released as a single in between her two most famous tracks You're So Vain (1972) and Nobody Does It Better (1977).But it is directly connected to both as her ever-so cool record label Elektra - which was owned by Warner Brothers - were fretting about the You So Vain smash-hit superstar losing their considerable muscle and citing Simon's nerves about performing on 'live' TV, they convinced Saturday Night Live to take a pre-taped performance of the 1976 single, something unheard of at the were for bargaining however and Simon agreed to pre-tape Your So Vain (purported about her then lover and Hollywood mega-star Warren Beatty) as well. It was a huge win for Elektra as Simon as with Half A Chance picking up and making the US Top 40, she was offered the James Bond track Nobody Does It Better from The Spy Who Loved Me - such a strong tune it would be the first theme song from the franchise since Dr No that wasn't the title. There is the lyric: "You said we'd stick through thick and thin, through up and down, through lose and win, but you gotta give half a chance: Which, granted, isn't quite as good as 'Vain': "You're so vain (you're so vain), I bet you think this song is about you, Don't you, don't you..." Or for that matter 'Nobody' with: "Nobody does it better, Makes me feel sad for all the rest, Nobody Does it half as good as you do, Baby, baby, you're the best." Here at Galway we are looking for back-to-back wins - following yesterday's 22/1` strike on Blue Moon Boy - and note Half A Chance hardening from 14/1 to 6/1 this morning. Get the latest sports headlines straight to your inbox by signing up for free email alerts.
Miami Herald
27-06-2025
- Entertainment
- Miami Herald
Miami's Olympia theater holds lifetime of memories for this reporter. And probably you
Imagine being a fan who helped lure a superstar singer to perform her first and only major concert in your own hometown. That fan was me, in my role as pop music critic at the Miami Herald. That star was Carly Simon. And a big part of the draw was the allure of Miami's elegant Gusman Center, also known as the Olympia theater. Simon, now 82, is a music legend who wrote and recorded one of pop culture's most famous songs — so enduring that Taylor Swift cited the 1972 hit, 'You're So Vain,' as 'the best song that has ever been written.' That's coming from Swift, who built a legion of fans on chronicling breakups. The Oscar- and Grammy-winning composer became a star attraction in the 1970s but stage fright largely kept her off the road for most of her career. It was May 2007 when I made my call. A key to my pitch was that Florida International University's theater department was staging her family opera, 'Romulus Hunt.' The event was conceived by then FIU head theater director Phillip Church to support a not-for-profit that helped children in foster care. Getting Simon to put on a show the night before her opera would be a huge boost for the benefit. I can still remember part of my conversation with Simon 18 years ago touting the Olympia. '...Oh, and the venue is beautiful. It's historic. You'll like it and it's not too big and overwhelming like an arena.' The following year, the theater added Simon's rare live concert to its long list of memorable moments. Olympia's fate? Now Miami's talking about giving away the Gusman? The clouds in my coffee are forming twisters. Do our memories go along with that deal? Mine are priceless. Bet yours are, too. As the Herald has reported, Miami officials are considering turning over control of the historic Olympia Theater on Flagler Street in downtown Miami to a Little Havana charter school. MORE: In murky deal, Miami may give storied 1926 Olympia theater to Pitbull's charter school The Olympia is also known as the Gusman Center for the Performing Arts from the mid-1970s to 2014, in honor of philanthropist Maurice Gusman who donated the property to the city in 1975. Whatever its name, the theater has such a storied history. Olympia's history The Olympia opened on Flagler Street as a silent movie palace in 1926 as one of the original Publix Theatre movie palaces. Yep, Publix before the Publix you go to for Pub Subs and BOGOs. Publix founder George Jenkins liked the sound of the name 'Publix' so he took it when the Florida-based movie chain folded at the time of the Great Depression. Jenkins needed a name for his first store in Winter Haven, Florida, in 1930, and 'Publix' sounded right, according to his 1979 memoir. MORE: How did Publix supermarket get its name? It's a Florida story made for the movies From Elvis to Buffett The Olympia/Gusman hosted the Miami Film Festival in the 1990s and 2000s as its premier venue. Elvis Presley performed in concert there in 1956. So did B.B. King, Etta James, The Marx Brothers and Gypsy Rose Lee. Italian operatic tenor Luciano Pavarotti and Canadian rocker Bryan Adams played the venue too. Jimmy Buffett played a three-night gig at the Maurice Gusman Cultural Center on Aug. 14-16, 1978. These shows were taped and formed much of the material featured on his 1978 two-disc live album, 'You Had to Be There.' The rest of the set's live material was recorded days earlier from Atlanta's Fabulous Fox concert venue. Gosh, I wish I had been there at his Gusman concerts when I was 15. On the Gusman stage, Buffett 'Floridized his songs and commentary, with references to stolen sunglasses from Eckerd's, beer at Captain Dick's in the Grove. Pelican Pete's in Key Largo, Stuckey's with its pecan rolls and 'free alligators for the kids,'' future Herald theater critic Christine Dolen wrote in her review of opening night. Buffett premiered new material from the Gusman, too. One of those songs, 'Morris' Nightmare,' made it onto 'You Had to Be There.' It was a song about a cruise-ship couple, alias 'condo commandos and snowbirds,' Buffett quipped at the Gusman. Can you imagine that track originating anywhere else but Miami? That live album was a perennial on boomboxes at swim meets with my fellow Hurricanes teammates, I told Buffett in December 2021. We were chatting on the eve of the 50th anniversary of the launch of his career from Key West. One of many conversations. I miss Jimmy. He was his endearing stage persona Miami fans who were there at the Gusman saw so many years ago. MORE: 'The longevity of mischief.' Jimmy Buffett looks at 50 years after his first Key West gig The Police and Cash Around that time in 1978, The Police were a fledgling late-'70s New Wave rock act led by Sting when they graced the Gusman. I hadn't started going to rock concerts just yet. But I got to walk around the backstage catacombs at the Gusman with Police drummer Stewart Copeland about 16 or so years later in 1994 when he was checking out the venue at a soundcheck. He performed with a group of African percussionists on its stage to promote his post-Police project, The Rhythmatist. 'I've been always interested in music from around the world,' Copeland told the Herald at the time. Johnny Cash played the Gusman in 1995 when he was enjoying a musical and commercial renaissance that sustained him for the rest of his life. 'This hasn't been my best night, but I loved being with you,' Cash apologized to his audience toward the show's end. Puzzled, I shook his hand backstage moments after and continued a chat we'd had in an interview pre-show. The Man in Black was a perfectionist. He was all smiles afterward. So much for the brooding reputation. The man's charisma wattage was tuned so high in person the City of Miami probably saved a few bucks on its electric bill for running the theater's stage lights that night. Carly Simon's Miami debut Carly Simon, however, is my most cherished Gusman memory. A career highlight. FIU's Church wanted to stage Simon's 'Romulus Hunt' after seeing a production in North Carolina. Simon's family opera tells the story of a 12-year-old New York boy who is shuttled between divorced parents who plots to bring his incompatible parents back together. Simon wrote the parents as 'exaggerated' versions of herself and ex-husband, musician James Taylor, she said. The former couple share two children. 'I've seen a lot of divorces, unfortunately, and so many kids are left confused [or] in a state of denial,' Simon said. 'The fights can be worse. The children can feel grabbed at and totally in the middle.' Church knew I'd had connections to Simon. I'd written about her often for the Herald. Flew out to see her in rare one-off concerts in Columbus, Ohio, and New York's famous Apollo for a Christmas show. He wondered if I'd reach out and gauge Simon's interest in taking part in some way with his production. I'd admired Church's work at FIU when I was a grad student just before joining the Herald in 1991. A concert and opera, both to benefit CHARLEE, the not-for-profit that supported foster children in Miami, was what Church had in mind. Simon's participation would sell that concept and fill the Gusman. 'I seem to find less and less pleasure in doing theater for theater's sake. These days, I feel I have to be compelled by a social need,' Church told me then. He's retired from FIU but still staging stories for his local community theater group What if Works. He was a fan of Simon. So was the late Marilyn March, who died in 2020 from pancreatic cancer. She was development director for CHARLEE, the foster care organization that stood to benefit from Simon's 'Romulus Hunt' and her concert the night before. 'Many of our children are the product of broken homes, and the divorce rate today is staggering,' March told me. 'We all grew up with Carly Simon's music and we knew how much of her personal life's journey is reflected in her lyrics.' Could I possibly convince the stage-shy Simon to say yes by simply vouching for these people? Simon sang an array of her hits from the Gusman stage. 'You're So Vain,' of course. 'Let the River Run' and 'Anticipation.' She sang a song about her and Taylor's daughter Sally from her then new album. Their son Ben Taylor played guitar and sang harmonies with his famous mom at the Gusman. Simon sang her son's song, 'Island.' 'If I can recommend a life experience, have Carly Simon play one of your songs on stage,' Taylor told the Miami audience. 'These songs have different meanings because we're old now,'' Simon, then 64, teased as she introduced her familial 'Coming Around Again.' I'm so vain. I apparently convinced Carly. A memory as precious as the Olympia.
India Today
26-06-2025
- Entertainment
- India Today
Approved by God: Sabrina Carpenter shares alternate cover for Man's Best Friend
Singer Sabrina Carpenter recently faced backlash for the cover art of her latest album, 'Man's Best Friend'. The singer has shared an alternate album cover, while poking fun at the sharing the cover on her social media, the artiste captioned "I signed some copies of Man's Best Friend for you guys & here is a new alternate cover approved by God ". (Photo Credit: Instagram/sabrinacarpenter) advertisementThe 26-year-old singer, first came under public scrutiny in 2023. When she released the music video of her song 'Feather'. According to Rolling Stone, the Diocese of Brooklyn called the music video "violent and sexually provocative". Additionally, she faced backlash for non-violent but sexually provocative performances of 'Juno' and 'Bed Chem'. Then, earlier this month, she received hatred for her album cover art. In the cover, Sabrina was seen in a dog-like pose with a person grabbing her the alternate cover, the artiste evokes the glamour of a Hollywood starlet, caught candidly by the paparazzi. Dressed in a beaded gown, she leans against the arm of a man gazing off into the distance. The playful reference marks the first time the musician has subtly responded to the backlash surrounding the original cover, also shot by Bryce Anderson. While she hasn't directly addressed the controversy, she has spoken more broadly about the growing wave of criticism that holds her accountable for how others choose to perceive Carly Simon best known for her song 'You're So Vain' came to Sabrina's defence, 'She's not doing anything outrageous. It seems tame. There have been far flashier covers than hers. One of the most startling covers I've ever seen was (The Rolling Stones') Sticky Fingers. That was out there in terms of sexual attitude. So I don't know why she's getting such flak,' she told Rolling is all set for the release of 'Man's Best Friend' on August 26. This follows after the singer received great reception for her 'Short n Sweet' album. The album also won Best Pop Vocal Album at the GRAMMYs.- Ends
