Latest news with #Zachariah
The Age
27-04-2025
- Entertainment
- The Age
‘The epitome of suave, and achieved so much'
Returning to Melbourne aged 15, he completed his schooling back at Brighton Grammar, where his father had been appointed deputy headmaster. After matriculating, Richard secured a much sought after cadetship at The Age newspaper in 1964 under the editorship of Keith Sinclair. Coincidentally, it was pretty much the start of Australia's great 30-year newspaper boom. Curiosity, winning ways, reporting skills, and a shrewd grasp of the paper's power centres, stood Zachariah in good stead, and he was transferred to work at The Age bureau in Canberra's Parliament House. He was also blessed with being at The Age during the early years of its great renaissance under the editorship of Graeme Perkin, who led the paper until his untimely death in 1975. But for Richard Zachariah, the call of a bigger world was overwhelming. In 1969, he joined Donald Hewett, also a former reporter on The Age, and travelled to England and the 'swinging London' scene of the late 1960s. While living in London, Richard worked in BBC current affairs and spent many nights socialising with figures like Barry Humphries and British movie heart-throb David (Blow Up) Hemmings. There were also raucous parties at a Holland Park Mews house he shared with, among others, distinguished former Age and Guardian journalist Jackie Leishman, and Perth architect Zdenka Underwood. One of Zachariah's less remarked upon European exploits was just about single-handedly torpedoing a high-budget British made-for-TV cigarette advertisement set on the Italian island of Capri. As the ad's putative 'talent', he became over-excited at a crucial stage of filming on a Capri nightclub dance floor. Returning to Australia, he married Diane Webster, who hailed from a beef and dairy farming family near Maffra in Victoria's Gippsland, and was appointed Melbourne correspondent for Rupert Murdoch's short-lived Sunday Australian newspaper. After The Sunday Australian folded in 1972, the couple moved to the Webster family property, where he worked for a time as a farm hand, enjoying regular horse rides into the magnificent Gippsland hinterland. By the mid-1970s Zachariah, Don Hewett, Di Webster and former model Helen Homewood opened the Sale Country Kitchen, a high-end restaurant in what Zachariah called 'the gourmet end of Sale'. His local interests expanded to calling local Australian football games for Victorian country radio stations and reading the news for TV station GLV8, based in Traralgon. As the 1970s merged into the 1980s, Richard spent more time in Sydney and became inseparable from fashion icon and broadcaster Maggie Tabberer. He moved to Sydney in 1985 and the two lived in a roomy, stylish, two-storey home in Hamden Avenue, Darling Point, with its regular background clink of cocktail glasses. As legendary Sydney eastern suburbs real estate agent Billy Bridges, with a penchant for the argot, remarked: 'You're farting through silk here.' By early 1986, Zachariah was hosting the Seven Network's national morning news program Eleven AM. Two years later, he was promoted by former school colleague and then Seven owner Christopoher Skase to read the revamped Seven Nightly News in Sydney with Ann Sanders. In 1988, he and Maggie Tabberer embarked on a joint venture to host a highly successful lifestyle program The Home Show on the ABC, which ran for three years. At the height of his fame, it seemed that everyone – from governors-general to racecourse touts – wanted to meet Richard Zachariah. He enjoyed notoriety but was never seduced by it. A journalist above all else, Richard had a remarkable capacity to relive various encounters with figures like Gough Whitlam, John Howard, Barry Humphries, Graham Kennedy and Donna Koran, and laugh uproariously – and equally – at the awkward moments and social triumphs. After separating from Tabberer, he employed his passion, remarkable breeding knowledge and contacts in racing to write a regular column for The Sun-Herald and later The Sunday Telegraph. The latter splashed with a 'Zac's Racy New Lady' headline, a reference to Zachariah squiring UK former model and author, Tessa Dahl, daughter of renowned British children's author, Roald Dahl, around Royal Randwick racecourse. Soon after, Richard briefly married Gold Coast publicist Louise Carroll, and the two lived in a spacious Point Piper apartment with its panoramic harbour views. After the break-up of his second marriage, Zachariah continued his racing columns, and became close to Sarah Hyde, a pharmaceutical company marketing executive, and the two lived in a spacious terrace house in Annandale, an inner-Sydney suburb.
Sydney Morning Herald
27-04-2025
- Entertainment
- Sydney Morning Herald
‘The epitome of suave, and achieved so much'
Returning to Melbourne aged 15, he completed his schooling back at Brighton Grammar, where his father had been appointed deputy headmaster. After matriculating, Richard secured a much sought after cadetship at The Age newspaper in 1964 under the editorship of Keith Sinclair. Coincidentally, it was pretty much the start of Australia's great 30-year newspaper boom. Curiosity, winning ways, reporting skills, and a shrewd grasp of the paper's power centres, stood Zachariah in good stead, and he was transferred to work at The Age bureau in Canberra's Parliament House. He was also blessed with being at The Age during the early years of its great renaissance under the editorship of Graeme Perkin, who led the paper until his untimely death in 1975. But for Richard Zachariah, the call of a bigger world was overwhelming. In 1969, he joined Donald Hewett, also a former reporter on The Age, and travelled to England and the 'swinging London' scene of the late 1960s. While living in London, Richard worked in BBC current affairs and spent many nights socialising with figures like Barry Humphries and British movie heart-throb David (Blow Up) Hemmings. There were also raucous parties at a Holland Park Mews house he shared with, among others, distinguished former Age and Guardian journalist Jackie Leishman, and Perth architect Zdenka Underwood. One of Zachariah's less remarked upon European exploits was just about single-handedly torpedoing a high-budget British made-for-TV cigarette advertisement set on the Italian island of Capri. As the ad's putative 'talent', he became over-excited at a crucial stage of filming on a Capri nightclub dance floor. Returning to Australia, he married Diane Webster, who hailed from a beef and dairy farming family near Maffra in Victoria's Gippsland, and was appointed Melbourne correspondent for Rupert Murdoch's short-lived Sunday Australian newspaper. After The Sunday Australian folded in 1972, the couple moved to the Webster family property, where he worked for a time as a farm hand, enjoying regular horse rides into the magnificent Gippsland hinterland. By the mid-1970s Zachariah, Don Hewett, Di Webster and former model Helen Homewood opened the Sale Country Kitchen, a high-end restaurant in what Zachariah called 'the gourmet end of Sale'. His local interests expanded to calling local Australian football games for Victorian country radio stations and reading the news for TV station GLV8, based in Traralgon. As the 1970s merged into the 1980s, Richard spent more time in Sydney and became inseparable from fashion icon and broadcaster Maggie Tabberer. He moved to Sydney in 1985 and the two lived in a roomy, stylish, two-storey home in Hamden Avenue, Darling Point, with its regular background clink of cocktail glasses. As legendary Sydney eastern suburbs real estate agent Billy Bridges, with a penchant for the argot, remarked: 'You're farting through silk here.' By early 1986, Zachariah was hosting the Seven Network's national morning news program Eleven AM. Two years later, he was promoted by former school colleague and then Seven owner Christopoher Skase to read the revamped Seven Nightly News in Sydney with Ann Sanders. In 1988, he and Maggie Tabberer embarked on a joint venture to host a highly successful lifestyle program The Home Show on the ABC, which ran for three years. At the height of his fame, it seemed that everyone – from governors-general to racecourse touts – wanted to meet Richard Zachariah. He enjoyed notoriety but was never seduced by it. A journalist above all else, Richard had a remarkable capacity to relive various encounters with figures like Gough Whitlam, John Howard, Barry Humphries, Graham Kennedy and Donna Koran, and laugh uproariously – and equally – at the awkward moments and social triumphs. After separating from Tabberer, he employed his passion, remarkable breeding knowledge and contacts in racing to write a regular column for The Sun-Herald and later The Sunday Telegraph. The latter splashed with a 'Zac's Racy New Lady' headline, a reference to Zachariah squiring UK former model and author, Tessa Dahl, daughter of renowned British children's author, Roald Dahl, around Royal Randwick racecourse. Soon after, Richard briefly married Gold Coast publicist Louise Carroll, and the two lived in a spacious Point Piper apartment with its panoramic harbour views. After the break-up of his second marriage, Zachariah continued his racing columns, and became close to Sarah Hyde, a pharmaceutical company marketing executive, and the two lived in a spacious terrace house in Annandale, an inner-Sydney suburb.
Boston Globe
10-03-2025
- Entertainment
- Boston Globe
Athol Fugard was a model for politically engaged playwrights
For example, 'Blood Knot,' which was presented on Broadway in 1985, focuses on a pair of half-brothers who had the same Black mother but different white fathers. One of them, Morris, can pass for white, and the other, Zachariah, cannot. Advertisement When Morris moves to Zachariah's decrepit dwelling in the city's 'colored' section, and as Zachariah begins to explore the possibility of romance with a young white woman, the ugly power dynamic between white and Black — social, familial — asserts itself. In a 1990 essay in American Theatre magazine, Fugard wrote that in 'Blood Knot' he 'discovered what I wanted to talk about and how I wanted to talk about it." In the semi-autobiographical ' Sam has made Hally a kite and taught him to fly it, and also taught him ballroom dancing. But when Hally learns that his alcoholic, neglectful father is returning home after a lengthy hospital stay, his mood darkens. Finally, in a wrenching moment born of rage, shame, despair, and a deep-seated racism, Hally spits in Sam's face. An early champion of Fugard's work was Yale Repertory Theatre artistic director Lloyd Richards, who had won a Tony Award in 1960 for his direction of the Broadway premiere of Lorraine Hansberry's 'A Raisin in the Sun.' Richards had a keen eye for talent. There was another playwright whose work Richards ushered onto the Yale Rep stage in the 1980s: August Wilson. Advertisement Among other things, Fugard's career illustrated what is possible when dramatists are politically engaged. He set an example that could be a useful model for playwrights in our current moment, when Don Aucoin can be reached at
