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Irish Examiner
4 days ago
- Irish Examiner
Clodagh Finn: The woman who took the last known photo of Michael Collins
When Agnes Hurley fixed the viewfinder of her Brownie box camera on Michael Collins as he left Bandon, Co Cork, on August 22, 1922, she had no idea that he would be dead a few hours later. The 18-year-old from nearby Mallowgaton already had a photographer's instinct and brought her camera with her everywhere. 'She carried it around with her like a person would a mobile phone today,' her niece Mim O'Donovan said. It was quite the coup to be positioned in front of Lee's Hotel (now the Munster Arms Hotel) with a clear view of Michael Collins as he left the West Cork town, sitting next to his aide Emmet Dalton in the back of a luxury Leyland touring car. The car is the focus of her atmospheric shot – complete with exhaust fumes – but you can also sense the ripple of excitement in the crush of people gathered along the pavement and one, looking down on proceedings from the vantage point of an upstairs window. Even without knowing what would later happen a few miles down the road, the young amateur photographer had succeeded in capturing an important moment in time. The last known photograph of Michael Collins alive taken by amateur photographer Agnes Hurley shortly before he died. Photo courtesy of Cork City and County Archives Service Just how important became clear soon afterwards when Michael Collins was fatally wounded in an ambush at Béal na Bláth that evening. Agnes Hurley's moment of serendipity had been transformed into something exceptional; her image remains the last known photograph of the revolutionary leader alive. That fact is noted on the photograph itself. Someone, though probably not Agnes, wrote on the back: 'Last snap of M. Collins taken on Tuesday, 22nd Aug 1922 a few hours before ambush.' It's written in pencil and then traced over in pen sometime later, as if to ensure the message was preserved for posterity. But Agnes Hurley's brush with history did not end there. The following day, as she and her younger siblings Julia and Maurice were taking grain to Howard's Mill in Crookstown, they passed the site of the ambush. She took another photograph which has this note on the back: 'Scene of death of Michael Collins taken day following ambush; 23rd Aug 1922.' Agnes's niece Mim O'Donovan takes up the story: 'She had her camera and took a photo of the side of the road. There was a big pool of blood on the road. Then they saw a collar which had blood on it. They walked along the higher parallel road, where the anti-Treaty IRA had taken up their positions, and saw what they described as nine indentations; places where men had been leaning against the fence and ditch. They saw empty casings too and gathered up a few which they took home along with what they believed was Michael Collins's collar. Police forensics were still a way off, but Agnes and her siblings saw the importance of what they had discovered although, unlike the photographs, those artefacts were later thrown out. But that's a story for later. In 1922, Agnes was a teenager with a deep interest in photography. She got her Brownie box camera the year before and had started to hone her skills taking family portraits at her parents' farm in Mallowgaton. While it was relatively unusual for such a young woman in rural Ireland to be so interested in photography, the Brownie camera, introduced by Kodak in 1900, had turned ordinary people into photographers for the first time. It was cheap and easy to use. All you had to do was point and shoot. As the advertising jingle went: 'You press the button, we do the rest.' Agnes Hurley also photographed the scene of the ambush, the following day, and saw blood on the road and a collar belonging to Michael Collins in the background. Photo courtesy of Cork City and County Archives Service The Brownie was also seen as a fashion accessory, in the States at least, and it allowed women to chart their lives in a way that had not been possible before. We don't know if Agnes Hurley saw her box camera as fashionable or not, but she certainly wore it like a favourite accessory. Between 1921 and the early 1940s, she took hundreds of photographs, most of them beautifully composed photos of her family with their dogs or horses. She left her collection to her niece, Mim O'Donovan of Crookstown, who brought the Michael Collins and Beál na Bláth photos to the UCC Revolutionary Decade Roadshow in Clonakilty in 2012. A few years later, she donated them along with a number of personal photos to the Cork City and County Archive. Archivist Felix Meehan described the photos as precious artefacts which offer us an exceptional connection to the past. 'Holding a letter that someone has cried over transports you back to a time long gone,' he tells Irishwoman's Diary. 'A photograph, however, is even more vivid; capturing a moment that turned out to have such deep resonance in Irish history. "It is all the more poignant given that the person behind the lens was a young local woman who joined the crowd in Bandon that day.' Agnes Hurley. Photo courtesy of Cork City and County Archives Service Mim O'Donovan adds another layer to the memory of a day that would prove so pivotal in Irish history. Agnes Hurley's family were stooking barley – stacking the sheaves to allow them to dry – when Michael Collins's convoy passed by on its way to Béal na Bláth. They saw the motorcyclist, the Crossley Tender, the Leyland car and the armoured vehicle. They didn't realise then that it had anything to do with Michael Collins, just as they were unaware of the significance of the shots they heard ringing out in the August evening a short while later. Agnes Hurley later moved to England and worked as a teacher. She also worked in the Ministry of Pensions before returning to Ireland in the mid-1940s. She didn't say much about her historic photos of Michael Collins, but she did tell her niece what happened to the collar she believed to be his. Over to Mim: 'A few years after 1922, she was studying in Cork and her mother didn't think she was doing enough study – she was following [Irish republican activist and politician] Mary MacSwiney around. To discourage Agnes from being too political, she threw the collar and the bullet casings into a pile of manure. Imagine having those now. "Her mother didn't mind the War of Independence, but she hated the Civil War.' Mim knew Agnes well, having spent some time living with her on the family farm in Mallowgaton when she was a child. Her own mother, Julia, had four children under three so Mim moved in with her Aunt Agnes and her grandmother, Mary Good, for a time. 'Agnes was definitely a character,' Mim, a former public health nurse, recalls. 'She was easy to live with as long as you did what you were told.' Though Mim didn't always do that. One time, as a small girl, she admits to biting her brother Jer. When Jer told Agnes, she wouldn't believe him without seeing the evidence. 'When she found bite marks on Jer's arms, she turned to me and bit me – through the clothes – in the exact same spot. That was the last time I ever bit anyone.' In later years, Mim remembers Agnes as a woman who read voraciously and kept meticulous diaries. 'She could tell you exactly what the weather was like two weeks ago.' Those diaries don't survive, but happily her photographs do. She died on November 1, 1982. All Saints' Day. 'I remember a neighbour saying: 'Didn't she die on a grand day?''
Irish Examiner
07-06-2025
- Politics
- Irish Examiner
Will there be another 'Battle of Rochestown' for €1.5m well-set Woodview?
THERE is deep Civil War history, sweeping harbour views and a hobby farm all wrapped up in Woodview, a one-off home in an enviable, sentinel position at the end of a cul de sac land and at the top of a wooded glen at Cork's Upper Rochestown. Views from Woodview It's changing of the guard time now after the best part of half a century at Woodview, the family home high on a hill for decades of the late Richard (Dick or Richie) O'Brien and his wife Elizabeth, where they reared a family of five and where the income from the cattle hobby farmer Richard kept put the couple's children through the costly college years. Farm functions too... 'The builder told me I wouldn't last a night out here, it was so dark and isolated,' laughs city born (Ballinlough) Elizabeth all these happy years later, albeit admitting 'back then there wasn't a light at night it was pitch black.' Outstanding in its fields In the years since, house development has come all the way out from Douglas to Rochestown, while visible across the waters of Cork harbour now is Litle Island, Carrigrennan and homes inched along the hills east of Cork city from Glounthaune, while shipping plying a route to and from the city quay also hoves into view, day and night. This is a quite fateful spot too in Irish Civil War terms as bitter battles (skirmish is too small a description) in the Battle of Rochestown of the Battle of Douglas took place in the woods here back in August 1922, with Free State troops landing an amphibian assault from Passage West to retake Cork city and other Munster anti-Treaty strongholds from Republican IRA forces. It was one of three timed Bank Holiday landings to banish rebel Cork, the other were at Youghal and Union Hall: here, the pro-treaty forces prevailed, taking the high land above Douglas later Cork city, with dozens injured and as many as 17 killed between both sides: Elizabeth O'Brien recalls finding unspent cartridges on the lands now bordering Woodview. Bullet-proof future location The O'Briens family story is one of a love of land, and farming, as Richard (who died in 2019) grew up in Kilmurry/Lissarda, studied Agricultural Science in UCC in the early 1970s and ended up playing key roles in the milling sector among some of Cork's oldest milling families, including for owners of Protestant and Huguenot stock, eventually becoming MD of the 1930s-founded Southern Mills, now Southern Milling, the largest milling company in the south of Ireland. While running mills was Dick O'Brien's day job, hobby and cattle farming was a passions and every day some or all of his three daughters and two sons raised here would be pressed into overalls, and into service, feeding and cleaning and farming at the O'Brien family homestead. Bright lights The home, substantial, two-storey and extended in the mid-1980s to its present 250 sq m size, was designed by architect Tony Dennehy and built by Forde & Meaney, is set at the end of the loveliest leafy farm lane between stone ditches alive with greenery. The private entrance is by a slatted shed and the family's nine acres of grazing also near the top of an old, grassy market road which runs from Upper Rochestown/Meadowlands down to the main Passage West road, the scene of Civil War hostilities back in the day, some of the bitterest fought outside of Dublin. Since the O'Briens came to the area, Meadowlands has filled in with up to two dozen one-off detached homes (inc ten in a circle cluster built on serviced sites) along the cul de sac road which they still bookend with the O'Briens' proudly-titled 'hobby farm. Kitchen by House of Coolmore Making the decision to 'right-size,' but to stay relatively locally in Rochestown, Elizabeth O'Brien has given the sale of Woodview and its eight acres (greenbelt for now and on the high hill between Rochestown and Passage West) to auctioneer Anthony O'Regan of Keane Mahony Smith, who guides the immaculately kept 2,500 sq ft family home at €1.5m, saying next owners can do as little, or as much, with it as they wish. Woodview is comfortable inside Some of the neighbours are into horses, and future interest in Woodview is likely to come from some of that ilk, animals and space lovers, perhaps into horses, perhaps cattle or even rare breeds. Rare breeds? When the Irish Examiner visited Woodview last weekend, visible to the east was the 35m high ferris wheel and its 24 spinning gondalas at Fota Wildlife Park, finishing its panoramic rounds above the 100 acre park and its zebras, ostriches and giraffes for now, on Sunday June 8. VERDICT: Free Staters and ferris wheels? Whatever next for Woodview?
The Irish Sun
23-05-2025
- Entertainment
- The Irish Sun
Ireland and Lions star reveals hidden talent as he opens up about his passion and family history
IRELAND star James Ryan has revealed a hidden talent that may serve him well after his playing days come to an end. The Leinster lock was recently named in the Lions squad by Andy Farrell for this summer's tour of Australia. Advertisement 2 Ireland star James Ryan spoke about his passion before revealing his family's deep history 2 James Ryan is announced by Board Chairman Ieuan Evans during the British & Irish Lions Squad and Captain announcement for the 2025 Tour of Australia The 28-year-old Ryan revealed that he has a huge passion for Irish history, due to family links. He said: "I've always been very interested in history and politics, yeah. "Could it be a life after rugby... I highly doubt it yet - never say never - but..." Advertisement read more on rugby Ryan went on to add that five members of his family took part in nationalistic activities during Ireland's fight for independence. James Ryan's family history is deeply woven into the fabric of Ireland's revolutionary and political past, incredibly stretching far beyond the rugby pitch. His great-grandfather, Dr James Ryan, played a prominent role in Ireland's struggle last century. Ryan's family connections don't stop there. His great-grandmother, Mairin Cregan, was a writer and a committed member of Cumann na mBan, the women's auxiliary of the Irish Volunteers. Advertisement Most read in Rugby Union The broader Ryan family also included revolutionary women such as Nell Ryan, who was arrested and went on hunger strike for anti-Treaty activities. James also revealed that he was asked to do a presentation to Ireland players on the history of 'Ireland's Call'. 'That time of year again' - Peter O'Mahony's captivating garden update includes hilarious tip for parents He added: "The difference between Ireland's Call and Amhrán na bhFiann is that Ireland's Call was intended to be inclusive for the whole island. "Particularly guys from the North - they come from different backgrounds, whether that's Unionist, Nationalist, and so on... Ireland's Call is meant to represent all of them. Advertisement "So we did a little bit on that, and I think off the back of that, people probably appreciated the song a little bit more."
