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Halsey Steals the Show in Modern Western Film ‘Americana,' Also Starring Sydney Sweeney and Eric Dane
Halsey Steals the Show in Modern Western Film ‘Americana,' Also Starring Sydney Sweeney and Eric Dane

Yahoo

timea day ago

  • Entertainment
  • Yahoo

Halsey Steals the Show in Modern Western Film ‘Americana,' Also Starring Sydney Sweeney and Eric Dane

In this zany Western caper, Mandy (Halsey), plays a down-and-out woman living in a double-wide with an abusive boyfriend, Dillon (Eric Dane), near a reservation in South Dakota. After Dillon steals a Ghost Shirt, a sacred Lakota Indian artifact, Mandy conks him on the head and steals the valuable garment, convinced it'll pay for her ticket out of town. But she's not the only one with dreams of a new life — Penny Joe (Sydney Sweeney, playing against type as a mousy waitress at the local diner), recruits a lonely rancher (Paul Walter Hauser) to help her steal the stolen shirt from Mandy to finance her ambition of making it big in Nashville. But then Mandy's young son, Cal (Gavin Maddox Bergman), who's so obsessed with Native American culture he's convinced he's the reincarnation of Sitting Bull, alerts two thugs from the local tribe, Ghost Eye (Zahn McClarnon) and Hank Spears (Derek Hinkey) about the theft of their tribal treasure and they also join the chase. But the biggest robbery is committed by Halsey, who in her first major movie role steals the show with her poignant but madcap performance, which only escalates the hilarious Tarantino-esque high jinks of the thieves thieving from thieves. The novel characters and convoluted plot make Americana worth seeing at the cineplex. | In theaters Friday, Aug. 15 R Solve the daily Crossword

A Witty Caper Starring Gun-Toting Christians in Rural Washington
A Witty Caper Starring Gun-Toting Christians in Rural Washington

New York Times

time07-06-2025

  • Entertainment
  • New York Times

A Witty Caper Starring Gun-Toting Christians in Rural Washington

SO FAR GONE, by Jess Walter Northeastern Washington, jimmied into borders with Canada and Idaho, is a kind of paradox. Beyond the city of Spokane, alfalfa and wheat fields fan out, bucolic, framed by mountain ranges, foothills fringed with spruces and Ponderosa pines. It's the setting for the fictional town of Twin Peaks and the boyhood landscape of the real-life serial killer Israel Keyes, whose parents raised him off the grid, downwind from a smelter that polluted the Columbia River watershed. Amid dense woods and remote valleys, menace prowls. Against this backdrop Jess Walter's buoyant, witty caper 'So Far Gone' plays with the region's Gothic elements, tweaking our expectations while serving up a comic brew of precocious children, hapless adults, end-times preachers and armed militias. For seven years, 60-something Rhys Kinnick has isolated himself in a cabin reachable only by dirt road, without a cellphone or running water, a Thoreau of the 21st century. A retired environmental journalist, he's toiling over a philosophical treatise called 'The Atlas of Wisdom,' which he doubts will ever see any eyes but his own. In the spring of 2024, his grandchildren show up at his door. Leah's 13, the reincarnation of Rhys's daughter, Bethany, the 'same insistent, dark, almond-shaped eyes. Same long brown hair. Same direct way of speaking.' Asher, age 9, is a chess neophyte and chatterbox. Bethany has vanished and they need his help. Walter roves between characters with a Russo-esque realism and omniscience. When Leah was an infant, Bethany's relationship with the girl's father, a flaky, drug-addled bassist named Doug, derailed; she then met her husband, Shane, in Narcotics Anonymous, where they both found God as a path out of addiction. Except that Shane's increasingly high on radicalized Christianity, advocating for tradwives and home-schooling, drawn to the anti-government Army of the Lord (or 'AOL'). Now Bethany's AWOL, and Shane wants the kids back by any means necessary. It's not long before AOL thugs abduct Leah and Asher, breaking Rhys's cheekbone. To find them he enlists the aid of his ex-girlfriend Lucy Park, a newsroom editor who is feisty and fast on her feet. Rhys may still be in love: 'In his defense! She did! Look amazing! Slender and fit, formerly short black hair grown out past her shoulders, pulled away from her apple-shaped face, and those runner's legs,' he thinks. 'The old desire heating up the furnace.' Want all of The Times? Subscribe.

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