Latest news with #foreigncountries
Yahoo
3 days ago
- Entertainment
- Yahoo
‘South Park' Creators Strike $1.5 Billion Global Streaming Deal With Paramount
'South Park' creators Trey Parker and Matt Stone have resolved their dispute with Paramount over the global streaming rights to 'South Park,' reaching a deal worth $1.5 billion that will bring the show to Paramount+ in the United States, the Los Angeles Times reported Monday. Among other things, the agreement made through Parker and Stone's Park County, will bring 'South Park' to Paramount+ in the United States for the first time, as well as restoring the show to the streaming service in several foreign countries after being pulled from them last week. More from TheWrap 'South Park' Creators Strike $1.5 Billion Global Streaming Deal With Paramount | Report LA Times to Go Public 'Over the Next Year,' Patrick Soon-Shiong Says | Video Jon Stewart Sings the Gospel of 'Go F– Yourself' to Paramount Over Colbert Cancelation | Video 'Doc' Season 2 Sets September Premiere at Fox, Shares First Look at Felicity Huffman's Character | Video The value of those streaming rights is set at $300 million a year over a 5-year period, according to LA Times. The conflict over streaming rights to the show escalated in June when Parker and Stone, who operate South Park Digital Studios, owner of the show's streaming rights, accused Jeff Shell, the Redbird Capital executive who is set to become the next president of Paramount should the deal with Skydance close, of sabotaging streaming deals with other companies. In a June 21 letter obtained by TheWrap, counsel for Parker and Stone's entertainment company, Park County, accused Shell of directing Netflix and Warner Bros. Discovery to modify their deals in a 'manner calculated to benefit Paramount at the expense' of Park County. Specifically, the letter alleged that Shell asked Warner Bros. Discovery to grant Paramount+ an exclusive 12-month window for new episodes, as well as shorten the deal from 10 to five years. On July 11, 'South Park' was pulled from Paramount+ outside of the U.S. as the streamer's license to stream the series internationally expired. As part of the new agreement, Parker and Stone agreed to produce at least 10 new episodes of 'South Park' a year, according to the LA Times. The deal also means relations between Parker and Stone, and Paramount Global, which owns 'South Park' network Comedy Central, is patched up before the Season 27 premiere on Wednesday. The season had already been delayed by 2 weeks, which Parker and Stone blamed on the upcoming Paramount-Skydance merger. Paramount representatives didn't immediately respond to a request for comment from TheWrap. The post 'South Park' Creators Strike $1.5 Billion Global Streaming Deal With Paramount | Report appeared first on TheWrap.
The Review Geek
11-07-2025
- Entertainment
- The Review Geek
Superman (2025) Movie Review – The symbol of hope gives life to a new DC Universe
The symbol of hope gives life to a new DC Universe James Gunn had a big task in his hands. With the new Superman, he not only had to make a compelling superhero movie, but also an exciting and fresh start to his DC Universe. And what a great universe it'll be, because he excels at both. In fact, he finally gave us the first real Superman film in a long time. Lex Luthor attacks Superman on all fronts, hurting him and trying to make the hero the public enemy number one. That puts him in the middle of a war between two foreign countries, becoming a symbol of hope outside the US. That's one of the best things about the movie. Instead of a god-like figure or the representation of the American dream, Superman is a hero for the whole world. Meaning, he exudes compassion and hope, just like in his best comic book stories. And we can see that by everything he does, even small gestures. In the middle of a kaiju fight, he stops to save a squirrel from getting crushed. It might seem like a one-off joke, but it's as meaningful as when he puts himself in harm's way to save a child, for example. He truly is a hero for all. When the oppressed country reaches the climax of the armed conflict, we get the movie's best moment. A group of kids raise a flag, not of their nation, but of the hero. In that moment, you know everyone in the theatre is thinking, 'That's who Superman is.' It's hard not to get emotional. Many actors have said this during interviews, but it's incredible how David Corenswet makes a clear distinction between the hero and Clark Kent with his acting and appearance. The whole cast deserves praise, mainly Nicholas Hoult (Lex Luthor) and Rachel Brosnahan (Lois Lane). Lex is just as smart and petty as he needs to be. Seeing how he can quickly switch from the cruel archnemesis to a cartoonishly evil character is delightful. The script works for both the serious and the more light-hearted side of the plot. We can never forget that what a superhero story needs to be at its core is pure fun. Gunn fully understands that, never letting the movie take itself too seriously. It knows when it must take a step back to focus on the doubts in Clark's mind and how to overcome them. But it also knows when to have Lex use internet-savvy monkeys to harass Superman online. But it's a two-way fight against Lex, and Lois Lane is an important player in this confrontation. It's interesting seeing her in that role, as the romantic interests in superhero stories usually don't have another purpose besides that, especially if they're regular citizens. However, Lois holds her own as a character and shows how much she cares about justice and truth. All while making the Daily Planet — the newspaper where she and Clark work — an integral part of their universe. As James Gunn's mission with Superman isn't just making an origin story, but starting the DCU, that's essential. He introduces Krypto (who we'll see again in the Supergirl movie) Metamorpho, and the Justice Gang, composed of Mister Terrific, Green Lantern, and Hawkgirl. All of them are building blocks for something bigger, but they're a natural part of this movie as well. It doesn't feel like a superficial attempt to fit them into this narrative. Not to mention, Krypto and Mister Terrific are so well-written that they are two of the best characters in Superman. However, having all these moving pieces to adjust also means that they aren't getting the same amount of care. Gunn doesn't fumble any of them, but they leave a few things to be desired. Even Lex Luthor feels like he could have been a greater villain if he had more time. Also, Gunn handles all of them by making the film incredibly dynamic. That means the movie rarely stops and lets the emotion sink in. Superman doesn't feel rushed, but a few scenes could have hit harder if the next one didn't need to come so soon. Still, Gunn understands the medium enough to know when to cut a few things. We never see the fall of Krypton or Superman arriving as a baby, because we don't need to. He knows this is common knowledge, just like Spider-Man losing his uncle, for example. And James Gunn is in his element, and it shows. It's fun, has the right dosage of jokes, and can make you jump out of your chair in excitement. At one point, there's even a musical fight scene that seems straight out of Guardians of the Galaxy. After seeing this movie, it's hard to think of a better director for it. Superman gives us the symbol of hope we need with heart-pounding action and great special effects. The new DC Universe breathes. Read More: Superman (2025) Ending Explained
Yahoo
01-07-2025
- Business
- Yahoo
US narrows trade focus to secure deals before Donald Trump's tariff deadline
Donald Trump's top trade officials are scaling back their ambitions for comprehensive reciprocal deals with foreign countries, seeking
