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WIRED
4 days ago
- Entertainment
- WIRED
AI Slop Is Ripping Off One of Summer's Best Games. Copycats Are Proving Hard to Kill
Aug 14, 2025 5:23 PM Peak has sold millions of copies and is Aggro Crab's biggest hit to date. That makes it a prime target for cloning. Still from Peak . Courtesy of Landfall Games Peak is this summer's finest co-op game. Ostensibly a game about climbing a mountain, the slapstick comedy of its bobblehead characters falling down cliffs, easy-to-learn gameplay, and a little bit of cannibalism make it perfect fodder for Twitch streams. The game, created in partnership with developers Aggro Crab and Landfall as part of a game jam, is currently in Steam's top five bestsellers. It sold over a million copies in its first week, and has now surpassed 8 million, according to Aggro Crab cofounder Nick Kamen. Now, as a result of its success, says Kamen, scammers are selling cheap, AI-made versions of it wherever they can. 'We hate to see it,' says Kamen. Clones, games that share deep similarities in visuals or mechanics to popular games after they launch, have been a thorn in the industry's side for decades. Creators of Indie darlings like Super Hexagon , Ridiculous Fishing , Threes , Unpacking , and Wordle , which was eventually acquired by the New York Times, have all faced down copycats; some have used copyright claims to fight fakes. Not even big devs are immune; Sony Interactive Entertainment recently filed a lawsuit against Tencent over what it claims is a clone of developers' Horizon series. Nintendo is suing Palworld creator Pocketpair over its similarities to the Pokémon series. These cheap imitations appear across many different platforms, whether it's on console or PC, regardless of how big the distributor is. In December 2024, Kotaku published a report on clones and AI-generated games clogging up digital storefronts like Nintendo's eShop. Peak is especially vulnerable to copies on consoles because players can't get it anywhere besides PC. The two games recently called out by the company had homes on the PlayStation store and Roblox. On YouTube, CGD Games released a video playing 'Peaked Climbing,' from the PlayStation store. It features cute, big-headed creatures (poorly) climbing a mountain; the game apes Peak 's premise and even the first-person view players have of their climber's disembodied limbs. While it's one thing to handmake a copycat game, Kamen tells WIRED, 'it's another thing to just use AI to get it out as fast as possible and as lazy as possible.' Aggro Crab made the majority of the game with Landfall, who created last year's viral sensation Content Warning , during a game jam—a development sprint where creators spend their waking hours only working on a game. 'We're proud of our game,' he says. 'We don't like seeing it get ripped off this way.' As AI becomes more common in video game creation, however, developers now have another thing to worry about, besides their jobs: AI-made clones, which require no coding experience or coding knowledge to create. Sites like Rosebud AI, Ludo AI, Seele AI, and more spit out quickly made, cheap games players create by feeding it text prompts or photos. YouTubers share tutorial videos on how to create games, or even rip off others. Getting clones taken down can be an exhausting process for developers. Small studios have less time, energy and resources to dedicate to this process, and they're at the whims of the digital distribution platforms these games exist on. Wren Brier, Unpacking 's creative director, says that since the game's release in 2021, developer Witch Beam has reported over 80 clones. 'It feels like whack-a-mole sometimes,' Brier says. These are games that are not just similar in nature, but 'blatant copyright infringements' that lift the game's assets, or even its name. 'The majority have been extremely low-effort scams using Unpacking's name or imagery to trick players into downloading something that isn't even a game, just a series of ads,' she says. When it comes to many AI-made clones, Brier says there's a misconception about what that means. 'They're not AI-made games, they're AI-generated marketing images attached to a completely unrelated hastily-slapped together barebones skeleton of a game,' she says. 'They are literally a scam: They are trying to trick players into buying a crappy product by using misleading imagery, and by pretending to be a real game that the player might have heard of.' Clones don't always threaten a developer's profits—Aggro Crab is confident about its bank account, thanks to Peak 's massive success—but the damage can be widespread in other ways. Brier says that AI-clones hurt developers the same way AI books hurt authors: 'Flooding a storefront with garbage that no one wants to play makes it impossible for players to organically discover indie games.' Game certification, the process of getting onto a platform, used to be stricter. 'It's not a problem just for the games that get cloned, it's a problem for all of us,' Brier says. For developers, there aren't many options to fight clones, regardless of how they're made. Intellectual property attorney Kirk Sigmon says clones are already difficult to tackle legally; copyright protection doesn't extend to a genre, aesthetic, or even gameplay mechanics. '[AI] definitely makes slop generation faster, but the issue has been around for well over two decades,' he says. 'All that's really happened is that the bar has moved ever so slightly lower for new entrants because you can make an AI model pump out stuff for you faster.' The easiest case for copyright infringement typically happens when a cloner lifts work from the game directly—as happened with Unpacking . 'It's not uncommon for knockoff games to accidentally (or intentionally) copy assets from the game they are knocking off,' he says. In fact, Sigmon says, AI-generated games might actually be better protected from copyright infringement lawsuits. 'After all, if knockoff developers are savvy, they'll use AI models to develop unique assets/code, rather than steal it from another game or just download it from some random Internet source,' he says. 'That'll make it much harder to go after them in court, for better or worse.' Platforms ultimately hold the power when it comes to ridding a storefront of clones, though smaller developers bear the brunt of the work in filing a report and sorting out who to talk to. Sometimes that process is quick and wraps in a few days; sometimes it can take weeks. Social pressure may be the best defense a developer has. Sigmon says that complaining to storefronts or enlisting fans are workable solutions. 'I don't know many gamers who are a fan of half-hearted slop games,' he says. Aggro Crab and Landfall are taking this route. 'We're not really the type to be litigious,' Kamen says. Instead, they're being outspoken in their distaste. In early August, the company posted on X that it would rather users 'pirate our game than play this microtransaction-riddled [Roblox] slop ripoff,' in reference to one copycat. Landfall tweeted that the company has 'been reporting a bunch of these AI slop things' in response to a screenshot of another game called 'Peaked Climbing.' It was available on the PlayStation Store before being removed; Peak has only released on PC. WIRED has reached out to PlayStation, Roblox, and Steam and will update accordingly. 'I consume media because it's made by humans,' Kamen says. 'I want to experience a piece of art, whatever it may be, another human has made and get their perspective and their outlook on the world. If AI is used to make the game, then you're removing that from the equation. There's no value in it.'
CTV News
05-07-2025
- Entertainment
- CTV News
High school girls from across Canada participate in Ottawa hackathon competition
Ottawa will host its first 24-hour, all-girls game jam for 70 high schoolers from around the country. Game jams, also known as hackathons, are made up of students teaming up in groups of three to create a video game together from scratch. The girls will stay up all night coding, collaborating, using their imagination and testing their creativity to potentially become future game developers, engineers and creatives. The students are starting with no previous experience. They will learn to build the game through trial and error without someone assisting them through the process. Organizers say the event shows all genders are capable of excelling in the profession in a heavily male-dominated industry. Game jams are mainly held in the United States and around the world but there are very few in Canada. This will be the first in Ottawa. The event takes place at Carleton University from Saturday afternoon to Sunday.
South China Morning Post
22-06-2025
- Entertainment
- South China Morning Post
Hong Kong students create winning video game in only 12 hours
'You are your own enemy.' This was the only guidance given to more than 40 teenagers in Hong Kong, who were tasked with creating their own video game in just 12 hours. The student-led event, known as Counterspell, was open to anyone in secondary school. Eleven teams took part, and no experience was required. 'We wanted to create an inclusive environment that celebrates creativity,' said Anson Chung, 16, one of the event organisers. These events are known as hackathons, with this specific type called a game jam, and this edition was organised by a global community called Hack Club. 'It provided valuable leadership experience for the organisers and demonstrated to participants that young people can also make awesome stuff,' Anson said. A lesson about laziness A trio of boys from the Chinese International School won the competition with their game, Monophobia. Their entry featured a surprise ending to carry the message of 'you are your own enemy'. 'I needed a twist or something that was going to make sure that our game had something that set it apart,' said one of the winning participants, Theo Zhu, 17. 'It meant showing and proving to people how their own laziness can affect them in the future.' Throughout the game, players must solve puzzles and overcome challenges as they are faced with tricky decisions, such as being able to avoid a puzzle or tackle it straight away. Their choices will decide the difficulty of the game's final boss: if the player chooses all the 'lazy' options, the last boss will be impossible to beat. Andy Liang (left), Jay Lau (centre) and Theo Zhu (right) are hard at work during the game jam. Photo: Handout The path to success The trio were all in the same computer science class, and they felt their individual skills were well-matched. Theo coded, while Andy Liang, 16, created the music, and Jay Lau, 17, designed the puzzles and art. 'This was a great culmination of all our skills,' Theo explained. The trio also said their success was due to the fact that they were already friends. Theo said game development required teammates to trust each other. 'It's about making sure that you're all on the same page, but also allowing each person to do their own thing and trust that they'll add something new,' he said. Their game won first place after a vote among the contestants. 'I think the project itself wasn't something that I was the most proud of,' Jay said. 'I was really proud of the fact that we could do it in such a small time frame.'
