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Sir Elton John shuts down rumours of ABBA-style hologram show with X-rated joke
Sir Elton John shuts down rumours of ABBA-style hologram show with X-rated joke

Daily Mail​

time2 days ago

  • Entertainment
  • Daily Mail​

Sir Elton John shuts down rumours of ABBA-style hologram show with X-rated joke

Sir Elton John has poured cold water on rumours he's planning a flashy ABBA-style hologram concert, despite fans thinking the tech-filled spectacle could be next on the cards. Hopeful supporters began speculating after spotting trademark documents for his name covering holograms, video projections and immersive 3D virtual reality experiences. But according to reports, those close to the Rocket Man, 78, have made it clear there's no such show in the pipeline. Elton has long made his stance clear, previously admitting in 2018 that the idea wasn't for him. However, during his Farewell Yellow Brick Road tour, he did briefly dabble in the digital world with a London pop-up at King's Cross, which featured an augmented reality version of him playing the piano. When quizzed about the stunt at the time, according to The Sun, the music legend laughed off the suggestion, branding himself a 'Luddite' and joking he'd never downloaded anything in his life - 'not even porn.' While acts such as KISS and The Rolling Stones have embraced the futuristic hologram trend – with Mick Jagger cheekily noting you can 'have a posthumous business now' – Elton is sticking firmly to the real deal. Fresh from wrapping his mammoth final tour, he's been back in the studio, releasing Who Believes in Angels with Brandi Carlile in April. It comes after the Rocket Man star joined thousands of mourners to lay Black Sabbath singer, Ozzy Osbourne to rest in a private funeral at his Buckinghamshire home on Thursday. The heavy metal icon, who died last week aged 76, shared a decades long friendship and even credited singer Elton for helping his recovery following a horrific quad bike accident in 2003. The pair also collaborated on Ozzy's 2020 track Ordinary man, with Elton providing the piano and vocals, alongside Slash on guitar and Red Hot Chili Peppers Chad Smith drumming. Elton, 78, even appeared on the family's MTV show The Osbourne's in 2005, giving fans a rare glimpse into the pairs unique bond. While visiting their home in LA the Crocodile Rock icon removed a huge gold and diamond necklace from his neck to gift to his shocked pal. Clearly shocked by the gesture, Ozzy said: 'No! f**** off!' and said he 'felt bad' for accepting the trinket, Elton quipped: 'Don't be so stupid you silly old b******'. During his Farewell Yellow Brick Road tour, Eltoon did briefly dabble in the digital world with a London pop-up at King's Cross, which featured an augmented reality version of him playing the piano Elton, once appeared on the family's MTV show The Osbourne's in 2005, giving fans a rare glimpse into the pairs unique bond as he presented his friend with a lavish necklace Following his death Elton shared a snap of himself and Ozzy alongside an emotional tribute to his 'dear friend which read: 'So sad to hear the news of @ozzyosbourne passing away '. 'He was a dear friend and a huge trailblazer who secured his place in the pantheon of rock gods - a true legend. He was also one of the funniest people I've ever met. I will miss him dearly. To Sharon and the family, I send my condolences and love. Elton xx'. It comes after the music legend celebrated 35 years of sobriety last month with handmade cards from his sons Zachary and Elijah. The singer who once admitted he 'would be dead' had he not have asked sought help with his addictions, rang in the milestone with his family. Sharing his gratitude in an Instagram update, Elton marked the milestone at home with his husband David Furnish and their sons Zachary, 13, and Elijah, 11. He uploaded a photo of the cards and flowers he had received from his close friends and relatives. 'Grateful for all the love on my sobriety birthday,' Elton captioned. The musician has been very open about his battle with alcohol and drugs which nearly derailed his career and cost him his life. Speaking in an interview in December, Elton said he treated former lovers 'like hostages,' behaved like an 'a**hole' and was unable to operate household appliances without help until he was well into his forties because of his issues with addiction. The legendary singer-songwriter made a series of startling admissions about his personal life in TIME magazine. Discussing at length a crippling addiction to alcohol and cocaine at the height of his fame in the 1970s and '80s, Sir Elton admitted there were numerous casualties before his eventual rehabilitation in the '90s - among them his former partners. 'You make terrible decisions on drugs, he explained. 'I wanted love so badly, I would just take hostages. 'I'd see someone I liked and spend three or four months together, and then they would resent me because they had nothing in their life apart from me. 'It really upsets me, thinking back on how many people I probably hurt.'

Lana Del Rey at Wembley review: her voice is enthralling but the night is uneven
Lana Del Rey at Wembley review: her voice is enthralling but the night is uneven

Yahoo

time07-07-2025

  • Entertainment
  • Yahoo

Lana Del Rey at Wembley review: her voice is enthralling but the night is uneven

It's gone nine o'clock in Wembley Stadium and there is no sign of Lana Del Rey. True to form, the American singer is fashionably late to her own show — that London noise curfew be damned. Staff entertain the crowd by setting off Mexican waves. Nobody seems to mind that much. All the criticisms from her earlier shows hold true. This is not a multi-hour marathon a la Taylor or Beyoncé. Instead, there's a casual 90-hour run time with multiple breaks for dancers to perform dream ballets to an eerie hologram of Del Rey. One is a cover for a (barely noticeable) costume change, the other seemingly just because. Only 12 or so of her own songs are sung live; the rest are recordings or covers. But when she sings there is something alchemical, like she's pulling it from another dimension. Some lines do tail away, Del Rey staring with that blank-eyed look she has perfected. But this is all part of her Fifties-housewife-on-Quaaludes shtick. Then she turns around and has fun with it, embellishing her most famous lines with ease. She appears to have wisely dissolved her lip fillers, allowing for every pout, snarl and lip quiver to deliver on the jumbotron. Although compact, the set list has some excellent runs. Chemtrails Over The Country Club is followed by Ultraviolence, at which point the stage breaks out in blood-red strobing. Ride and then Video Games. Young and Beautiful, Summertime Sadness and Born to Die come in a flurry, followed by — in a fabulous surprise — Venice Bitch. As Del Rey herself pointed out, she hasn't sung that one live for years. The covers are all excellent choices, thematically on point and showcasing Del Rey's ability to make a song entirely her own. Her version of Tammy Wynette's Stand By Your Man is goosebump-raising. Addison Rae, who was a delight as the opening act, joins Del Rey on stage towards the end for a rendition of her hit Diet Pepsi. As for the staging, it's... a lot. Maybe it could best be described as a Southern Gothic twist on Miss Havisham. Del Rey enters through the front door of a peeling blue clapboard house, draping herself around a rickety porch in a yellowed lace dress. Dancers haunt the swampy stage in white dresses like an Americana Gisele. Del Rey - dressed in custom Valentino, designed by Creative Director Alessandro Michele - sits on a swing as though Fragonard painted her in Florida. There's a bridal prosession where flowers pop out of the stage in sync with Del Rey's steps, leading to a rose arch on a scissor lift. Every image is beautiful and strange, like a moodboard left out to get mildewed and stained. But often the staging felt over-busy, with Del Rey lost in the maelstrom. Did we really need the pole dancers shimmying up old-fashioned street lights, fans and feathers whirling and twirling, a piano that rose from the podium just to drip water. Her repertoire's themes of self-destructive love can stand alone. It doesn't need to be underscored to literally by setting fire to the house while singing about setting a house on fire. Unfortunately, the spectacle can feel like a cover for Del Rey's laconic performing style. It feels churlish to compare Del Rey to the other women artists currently tour. Perhaps seeing Charli xcx, Chappell Roan, Sabrina Carpenter and Olivia Rodrigo alone in the past month has blown my tastebuds out for pop extravaganzas and feats of physical and emotional exertion. Del Rey's voice is so wondrous, her every micro expression so enthralling, that she could have performed alone on stage in a single spotlight and it would have been enough. But then, could they have charged so much for tickets? Lana Del Rey at Wembley Stadium, 4 July, tickets and infomation here.

Hologram Doctor: Not Who I'd Like to Visit, Says Ethicist
Hologram Doctor: Not Who I'd Like to Visit, Says Ethicist

Medscape

time24-06-2025

  • Health
  • Medscape

Hologram Doctor: Not Who I'd Like to Visit, Says Ethicist

This transcript has been edited for clarity. Hi. I'm Art Caplan. I'm at the Division of Medical Ethics, at NYU Langone Health System in New York City. I am not a hologram. What am I talking about? Well, a new cancer clinic in Tennessee is starting to offer to its patients a hologram doctor. Some of you will know what this is like. It's been used now in shows and performances, like at Sphere in Las Vegas. All of a sudden, you're able to go to a show by Michael Jackson, who is long since dead, but they can project him onto the stage. This is also true for other singers, performers, or even figures from the past. They're very realistic looking, and you feel like you're in the presence of maybe someone who's still alive. That technology is being touted as a way to improve care for people in rural areas. Many of those folks have to travel very far to get regular exams and surveillance from a doctor or a nurse. Some of them require a 3- or 4-hour drive. It's a real burden. It's hard for many of these people, some of whom are frail, older, or sick from the treatments themselves. It's hard for them to get there. The clinic has come up with this idea to make a hologram of a generic doctor, put that doctor in a studio with good lighting and good technology, and beam it out to the homes of these patients — or let them travel somewhere where the setup is a little more friendly that is maybe not 3 hours away. Maybe they could have studios that, for many people, are only an hour away. I see some benefit. I think doing video conferencing and that style of thing often is a little cold and distant. The lighting isn't good, and the sound may be bad. It's not a professional production, and it may not give you the nuance and the detail that you want to see if you're trying to do an exam. It's better, if you will, to have the higher-level tech. There are issues. One, in rural areas, we don't really have great Wi-Fi service. The rates of carrying detailed signals aren't that good. I'm not sure much of this is going to make it into a rural person's home. I still see travel required, which cuts back in some ways on the attractiveness. It may be better to send the actual doctor to four or five clinics once in a while than to try and rely on the hologram doctor going out to the rural patients at locations where the signal still is not going to be that great. I also worry that for much of this work, while you can see some things, you can't see other things. Yes, you can detect a rash, and sure, you could see certain things about certain skin cancers, but are we really ready to say that we can conduct an exam remotely on a cancer patient with complicated disease? I'm not sure. Again, I'm no oncologist, but it makes me nervous that a thorough exam would be something you could do. In a weird way, this might work better for dermatology. It might work better for certain kinds of family medicine practice, where someone's nervous about a rash, headache, or some symptoms that you could handle remotely. This patient group strikes me as maybe more complicated. The other problem is the legal situation is unclear. What would it mean to make an error? What would it mean to actually give bad advice or misdiagnose? Who's responsible? Who's going to be able to hold someone accountable? What if the patient really isn't comfortable and doesn't give you all the information that they might if it was face-to-face? In person, that whole area looks murky, unresolved, and even dangerous to practice in until the rules are laid out clearly about who's responsible for what and what the standard of care is for using this kind of technology. Are we going to see more of it in the future? I think so. Is it ready for prime time now to an underserved rural population? I'm not sure it's here yet. We'll have to keep an eye on it. Maybe improvements will come. Maybe our infrastructure for handling Wi-Fi and this kind of thing will improve, but for now, I'm not sure that the hologram doctor is the doctor that I'd want to visit. I'm Art Caplan, at the Division of Medical Ethics at NYU Langone Health Systems. Thanks for watching.

Festival of fun: Riyadh expo highlights best in entertainment technology
Festival of fun: Riyadh expo highlights best in entertainment technology

Arab News

time21-05-2025

  • Entertainment
  • Arab News

Festival of fun: Riyadh expo highlights best in entertainment technology

Some of the weirdest and most wonderful innovations are on show at this year's Saudi Entertainment and Amusement Expo in Riyadh. With 350 exhibitors plus talks and discussions with industry leaders from around the world, the three-day event opened on Tuesday and is expected to attract about 12,000 visitors. Among the products on show is a hologram zoo designed by Australian company Axiom Holographics, which was featured in Time magazine's list of technologies of the year for 2023. Brendan Hodgkins, global sales manager, said: 'We package a full suite of hologram equipment that can be integrated into family entertainment centers, theme parks or shopping malls. 'During our trials, we attracted 25,000 people in just 42 days, generating over $550,000 in revenue.' He said that the company had already sold more than 40 of its 'zoos' around the world and was keen to expand into the Saudi market. 'We're eager to bring this innovation to Saudi Arabia to help shape the future of entertainment in the Kingdom.' Another of the exhibits on show, and possibly the largest, is a 20-meter tall inflatable ogre, designed and built by Anka Inflatable Co. from Guangzhou in southern China. A representative of the company, who gave his name only as John, said the product was ideal for larger venues, like amusement parks. While the purple monster attracted plenty of visitors at the show, the technology can be adapted to suit the end-user's needs, John said. '(It) can be customized in many shapes and the skin can be changed after one, two, or three years. It's also collapsible and easy to transport,' he said. Anka was also keen to increase its profile in the region, he said. 'Many of my friends have built successful companies here. The relationship between China and Saudi Arabia is strong and this is a very good market for us.' Besides the products on show, the expo is also being used to attract new people into the industry, with the Saudi Entertainment Academy promoting a series of training programs with links to future career opportunities. 'Our vision is to focus on professional training through diploma programs,' Sultan bin Jumaiah, a sales specialist with the academy, said. 'We aim to provide professional candidates for companies looking to hire. After completing our diploma, students will have the opportunity to join various companies in this sector.' The initiative aligns with Saudi Vision 2030, which seeks to diversify the economy and create new job opportunities for Saudi citizens.

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