Latest news with #inScience
Yahoo
13-06-2025
- Science
- Yahoo
Witte Museum Launches Groundbreaking Statewide Initiative
100% TEKS Aligned Curriculum - Expeditions in Science - Now Available San Antonio, TX, June 13, 2025 (GLOBE NEWSWIRE) -- The Witte Museum proudly announces the launch of Texas Museums 360, a bold new initiative that transforms how Texas students engage with science. Designed to bring the trusted expertise and wonder of museums directly into the classroom, this groundbreaking program kicks off with Expeditions in Science, a 100% TEKS-aligned, inquiry-based digital science curriculum created by Texas museums for Texas classrooms. In partnership with Space Center Houston, the Witte Museum has developed a custom experience 'that supports hands-on, phenomena-driven learning for fourth and fifth grades. Students will be scientists as they explore real-world specimens, interact with scientists in the field, and investigate the world around them through authentic, museum-powered lessons. Each unit in the bilingual curriculum is carefully designed to align with TEKS and STAAR testing standards while sparking curiosity, critical thinking, and discovery. 'Texas Museums 360 is a visionary leap forward in how we connect students to real science,' said Dr. Michelle Cuellar Everidge, CEO and President of the Witte Museum. 'At the Witte, we've always believed that learning should inspire wonder. With this initiative, we're ensuring that every child across Texas has access to the kind of engaging, hands-on science education that builds not just knowledge, but confidence and curiosity. We are proud to lead the way.' Early Adopters: Voyager SchoolsTexas Museums 360 is currently onboarding its first cohort of Voyager Schools—a group of pioneering educators and districts who will be the first to implement Expeditions in Science. These schools receive exclusive early adopter benefits, including price protection, direct access to curriculum developers, discounted hands-on activity kits, and even free field trips to the Witte Museum. They will help shape future iterations of the program while leading the charge in transforming how science is taught statewide. All participating schools will benefit from robust professional learning, including early training sessions and ongoing support throughout the academic year. The program positions educators as collaborators—engaging them in a network with their colleagues, empowering them with tools, content, and direct access to museum educators and subject matter experts. About Texas Museums 360Texas Museums 360 is a consortium led by the Witte Museum and Space Center Houston, bringing together more than 125 years of combined experience in science education. The initiative was built to grow—with plans to expand beyond science into history, culture, and arts education through museum-based, interdisciplinary digital curricula. Join the JourneyEducators, school leaders, and science coordinators are invited to schedule a demo and explore how Expeditions in Science can transform learning in their classrooms. For more information or to sign up, contact:emailhttp:// ### About the Witte Museum: Founded in 1926, the Witte Museum inspires people to shape the future of Texas through transformative and relevant experiences in nature, science and culture. Located on the banks of the San Antonio River in Brackenridge Park, the Witte is consistently voted San Antonio's top museum. Here, visitors of all ages journey through Texas Deep Time, uncovering untold stories of the people and forces that shaped Texas across millions of years to the present day. For more information, visit About Space Center Houston: Space Center Houston's shared purpose is to bring people and space closer together. Over 1.3 million visitors and more than 250,000 students and educators visit each year to connect with the significance of space exploration to pursue a path in STEM or follow along as incredible feats of human spaceflight continue to make new discoveries. Space Center Houston is owned by the Manned Space Flight Education 501(c)3 nonprofit organization and generates an annual $118M economic impact to the Greater Houston area. Space Center Houston is a Smithsonian Affiliate, the Official Visitor Center of NASA Johnson Space Center and a Certified Autism Center. Learn more at CONTACT: Katye Brought Witte Museum 210-790-6013 katyebrought@
Yahoo
27-03-2025
- Science
- Yahoo
Capturing the cosmos on canvas: How art helps scientists and space agencies communicate with the public
When you buy through links on our articles, Future and its syndication partners may earn a commission. For Ed Belbruno the universe around us is more than eye-catching. It's a medium for infinite fine art, an inspiration for artistic renderings that can break boundaries and be used for spacecraft missions to the moon and beyond. Belbruno is a visiting research collaborator in the Department of Astrophysical Sciences at Princeton University. Showings of his art are being sponsored by the European Space Agency (ESA) and have been displayed at several ESA installations. "Art plays a crucial role in inspiring people and explaining our work," Rolf Densing, ESA Director of Operations and head of the European Space Operations Center (ESOC) in Darmstadt, Germany, told Belbruno is looking forward to returning to ESA's European Space Research and Technology Center (ESTEC) in Noordwijk, the Netherlands, for the exposition closing on March 28. The art will then be prepared for shipping to the next location, one of the ESA centers near Rome, Madrid or London. "We are proud to have welcomed many of Ed Belbruno's works to ESA's Space Operations Center. His art, which beautifully combines mathematics, physics, stargazing and space exploration, is particularly relevant to us who work in the world of space," Densing said. Densing added that ESOC supports initiatives that bridge the gap between art and science, underscoring the long-running Artist in Science Residency program. "It is exciting that my pastel painting, 'Low Fuel Route to the Moon' (1986), is featured in the exhibition touring ESA," Belbruno told "This is because it actually gave rise to the first transfer to the moon that arrives at the moon in ballistic capture … that is, a spacecraft using this would be automatically captured into lunar orbit without any fuel," he said. Prior to his painting, this transfer class, now called ballistic capture transfers, or weak stability boundary (WSB) transfers, did not exist, Belbruno said. "In fact, they are the first-ever designed using chaos theory utilizing the intermingling gravitational fields of the Earth and our moon." But how could an artist's strokes on a canvas ever do this? Belbruno in 1986 was working as a trajectory design engineer at the Jet Propulsion Laboratory in Pasadena, California. He was asked to work on a project called LGAS, standing for lunar get away special. The task was to find a trajectory to the moon for a small spacecraft released from NASA's space shuttle that used low thrust solar electric propulsion from Xenon ion engines. Finding that trajectory was incredibly difficult, Belbruno said. "This is because the trajectory would have to carefully weave itself through the intermingling gravitational fields of the Earth and moon, like finding a needle in a haystack. It would involve using chaos theory," he added. Belbruno said chaos theory is a very complicated field, so much so that it could take a lifetime to attempt to tackle the problem. "Also, there were no books on the topic. Feeling the pressure, I used a really unorthodox way to try and find such trajectories," recalls Belbruno. "Since I am also an artist, I figured that if I did a painting of the Earth-moon system as fast as I could, then I wouldn't be actively thinking. My subconscious might help me out and perhaps reveal such a trajectory in the brush strokes," said Belbruno. "It was a long shot, but I had nothing to lose to try it." With pastel paper and chalk pastels, Belbruno did a quick painting of the Earth-moon system, using different colors. "I noticed that the brush strokes made regions about the Earth and also about the moon," Belbruno said, "and I saw some dark brush strokes going from the Earth region to the one about the moon. Could these give me the transfer I hoped for?" Belbruno said he guesstimated the initial velocity and position a trajectory would have from the brush strokes near the Earth. "I put them in a JPL trajectory simulation program and let the program numerically simulate the trajectory this initial condition would yield," said Belbruno. "To my incredible surprise and shock, it went to the moon and into lunar orbit automatically! This was the first ballistic capture transfer ever found." In fact, the regions about the Earth and moon revealed where such trajectories existed, Belbruno added, and are now referred to as weak stability boundary regions. The pastel payoff was finding a precise numerical algorithm to generate these trajectories for the LGAS project. However, the resulting transfer to the moon took two years to get there in the simulation. Although NASA felt this was too long to be useful, Belbruno points out that this design was utilized for the first of ESA's Small Missions for Advanced Research in Technology (SMART-1) lunar mission. Launched in 2003, SMART-1 used solar-electric propulsion and was outfitted with several miniaturized instruments. Belbruno did three versions of his pastel artwork at the time, and the main one is in the ESA exhibition, donated by the artist to ESOC. "This may be the first time a painting was directly used to make a mathematical/scientific discovery," Belbruno said. "ESA appreciates my artwork since it shows how art can directly influence science and math. They show the expanse of nature and space itself from someone in both the sciences, mathematics and the arts as a painter." RELATED STORIES: — What I learned from a black hole in Los Angeles — Sci-fi spaceship helps launch NYC Art museum exhibit — Step inside a virtual reality art piece inspired by the James Webb Space Telescope Indeed, ballistic capture transfers are now used in many lunar missions, Belbruno said, with the first being Japan's Hiten mission in 1991 that conducted up to 10 lunar swing-by experiments, entering lunar orbit in February 1992. "By the way, I never told JPL at the time I used a painting to initially find this trajectory," said Belbruno. Other works by astrophysicist/artist include "Microwave Energy of the Universe" - an actual painting of the microwave background radiation of the big bang based on images produced by NASA's Wilkinson Microwave Anisotropy Probe (WMAP) and ESA's Planck space-based observatory missions. "These paintings and the others give impressions of our universe that science cannot give, and offer a unique perspective," said Belbruno. For more information on "surfing the gravitational field," and low-fuel space travel, check out Belbruno's book, "Fly Me to the Moon: An Insider's Guide to the New Science of Space Travel" (2007) by Princeton University Press.
