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New York Times
4 days ago
- Entertainment
- New York Times
Carla Maxwell, Keeper of the José Limón Flame, Dies at 79
Carla Maxwell, a dancer and choreographer who led the José Limón Dance Company for nearly 40 years, forging a path for how modern dance troupes can endure beyond the death of their founders, died on Sunday in Manhattan. She was 79. Her nephew, Omar Guerrero, confirmed her death, at a nursing home, but did not specify a cause. When Ms. Maxwell became artistic director of the Limón company in 1977, few people expected her to last very long. Mr. Limón had died five years earlier, and no other major modern dance company had survived after its founder had died. Like Martha Graham, Mr. Limón was the star dancer and principal choreographer of his namesake troupe. Appraisals after his death recalled the brooding charisma and moral certitude of his stage presence and ranked him as one of America's greatest choreographers. What was the Limón company without its creator and guiding force? 'We not only had to prove that we could survive,' Ms. Maxwell said in an interview for the 2001 documentary 'Limón: A Life Beyond Words.' 'We had to prove that José's work was worth maintaining.' Ms. Maxwell, who had joined the company as a dancer in 1965, made her argument through action. Preserving company staples while also regularly reviving neglected or lost Limón works and importing and commissioning works by other choreographers, she attracted dancers, audiences and funders. This became a model for other companies, like Graham's, after their founders died. The inclusion of works by choreographers other than Mr. Limón was not a break with company history. Born in Mexico to parents who migrated to Los Angeles, Mr. Limón was the protégé of the choreographer Doris Humphrey, who, alongside Graham, had emerged from the school and company of Ruth St. Denis and Ted Shawn. Mr. Limón became the lead male dancer of the company that Ms. Humphrey shared with Charles Weidman, and when he decided to found his own troupe, in 1946, he took the unusual step of asking Ms. Humphrey to serve as artistic director. Want all of The Times? Subscribe.
Forbes
13-05-2025
- Entertainment
- Forbes
‘Noguchi At Night' Draws Together Groundbreaking Sculpture, Dance, And Culinary Excellence With Pop-Up Performances By Martha Graham Dance Company
Leslie Andrea Williams, principal dancer with Martha Graham Dance Company, performs Lamentation ... More (1930). Noguchi at Night, May 9, 2025, The Noguchi Museum, New York. Enveloped in a plum-colored tube-like garment from which only her head, hands, and feet peek out, Leslie Andrea Williams is framed by a black granite circular sculpture evoking the passage of day and night, light and darkness, symbolizing the origin of life. Williams, principal dancer with Martha Graham Dance Company, gently shifts her head from left to right. She tilts and twists her upper body, swaying rhythmically. The angular motions of her torso, head, and arms simultaneously juxtapose with and align with Isamu Noguchi's Sun at Midnight (1973). As Williams' movements intensify, the plum costume transforms into geometric shapes such as squares, triangles, and rhomboids, while she maintains a solemn gaze. She grasps the upper edge of her costume with a hoisted fist, flexing it over her head. Williams lowers her head as she sits in a meditative pose. Her fluid movements and expressions convey profound sorrow of catharsis. Williams' ethereal performance last Friday of Lamentation (1930), a modern dance solo choreographed by legendary American modern dancer, teacher and choreographer Martha Graham (1894-1991) to Piano Piece, Op. 3, No. 2 by Hungarian composer, ethnomusicologist, music pedagogue, linguist, and philosopher Zoltán Kodály (1882-1967), ignited the The Noguchi Museum. 'What an honor to perform Lamentation here 🥲 I've dreamt of performing here since I first came to visit during my first year in the company 10 years ago,' Williams, who describes herself as a 'creative storyteller' across artistic genres, wrote on her Instagram. 'It was so special to be amongst the set pieces made for Martha while also becoming a 'sculpture come to life.'✨ Thank you to the Noguchi Museum team for a wonderful evening.' FEATURED | Frase ByForbes™ Unscramble The Anagram To Reveal The Phrase Pinpoint By Linkedin Guess The Category Queens By Linkedin Crown Each Region Crossclimb By Linkedin Unlock A Trivia Ladder Leslie Andrea Williams, principal dancer with Martha Graham Dance Company, performs Lamentation ... More (1930). Noguchi at Night, May 9, 2025, The Noguchi Museum, New York. Williams' nearly-four-minute performance in AREA 3 on the first floor of the expansive museum in Queens, New York, was among four pop-up solos throughout the museum by Martha Graham Dance Company, with choreography and costumes by Graham, Artistic Director Janet Eilber, and Executive Director LaRue Allen. New York-based Martha Graham Dance Company is the nation's oldest professional school of dance, and the only one primarily focused on the Martha Graham Technique. Leslie Andrea Williams, principal dancer with Martha Graham Dance Company, performs Lamentation ... More (1930). Noguchi at Night, May 9, 2025, The Noguchi Museum, New York Guests wandered through the massive space, a creative, contemplative oasis tucked into the mixed industrial and residential area in Astoria, Queens, watching the dancers interact with the sculpture, as they enjoyed a selection of exquisite Japanese dishes by chef, restaurateur, and creative director Kiyo Shinoki, along with specialty cocktails provided by Suntory. Chef Kiyo Shinoki. Noguchi at Night, May 9, 2025, The Noguchi Museum, New York. Noguchi at Night, a one-night dance and culinary experience, also included pop-up performances of Ekstasis (1933), Satyric Festival Song (1932), and Spectre-1914 (1936), amplifying the collaborative legacy of Graham and Noguchi. Proceeds from Noguchi at Night benefitted The Isamu Noguchi Foundation and Garden Museum. Much like the divorce of sciences and arts, there is too much under-utilized fungible space between the visual arts and the performing arts. Masters of their own art forms, Graham and Noguchi recognized that they were stronger together and that drawing together dance and sculpture magnifies the appreciation and human connection that nourishes humanity. Groundbreaking at every turn, Noguchi (1904-1988) founded The Isamu Noguchi Garden Museum (now The Noguchi Museum) in 1985, as the first museum in the United States to be established, designed, and installed by a living artist to show their own work. His ethos and spirit pulsates throughout the idyllic interior and garden galleries, whisking New Yorkers and visitors away from the frenzy of daily routine, reminding us that art is essential, not extraneous, to our existence and fortitude. The breadth and scope of Noguchi's oeuvre is as stupendous as the space he created to make it accessible to future generations. An easy 18-minute walk from the N/W trains, the museum presents an inimitable transmuting and regenerative immersive experience. My son Michael Alexander and I were grateful for the tip to stop by the impeccably curated Noguchi Museum Shop to purchase traditional incense from Kungyokudo, Japan's oldest incense house. Riemon Ouno opened Kungyokudo in 1594, across from the Hongwanji Temple in Kyoto to provide incense and medicine to the monks of the Jodo Shinshu Hongwanji-ha Buddhist school. Kungyokudo is now owned and operated by Ouno's 22nd-generation descendant, Kazuo Ouno, and his wife, Chihaya Ouno.
