Latest news with #museumexhibit
BBC News
12-08-2025
- Entertainment
- BBC News
Beefy Boys co-founder says it is 'crazy' to be part of Hereford history
A burger restaurateur who placed fourth in an international food competition described it as "crazy" his team's belongings had been requested for a museum Beefy Boys, from Hereford, competed at the World Food Championships in Indianapolis last year, having placed second in their category a decade a spatula and chef's hat from their earlier appearance and the fourth-place medal are to go on display at Hereford Museum & Art co-founder Anthony Murphy said it was a huge honour to have been approached by the museum service and asked for an "important artefact". "When we first started cooking burgers in our back gardens, we never imagined we'd be part of a museum exhibit," he said. "To be considered part of Hereford's history is absolutely crazy."The team of childhood friends, also comprising Daniel Mayo-Evans, Christian Williams and Lee Symonds, started out by flipping burgers at home and now have restaurants in Hereford, Cheltenham, Shrewsbury and items will be included in a new exhibit about the region's contemporary culture, featuring local success Council said they had built a loyal fan base and were "now firmly embedded in the county's culinary history".Head of culture, museums, libraries and archives Damian Etheraads described their journey to the world stage as "bold, brilliant, and full of personality". "It's exactly the kind of story we want to celebrate in our new museum. These objects will sit proudly alongside others that capture the spirit, humour, and creativity of life in the county today and in the past," he exhibit will open once a major redevelopment of the museum has finished. Follow BBC Hereford & Worcester on BBC Sounds, Facebook, X and Instagram.
Yahoo
01-08-2025
- Politics
- Yahoo
Smithsonian removes references to Trump's impeachments from exhibit
The Smithsonian's National Museum of American History removed references to President Donald Trump's two impeachment proceedings from an exhibit on the "Limits of Presidential Power," a Smithsonian spokesperson confirmed to ABC News. The spokesperson said a future exhibit will include all presidential impeachments. The museum decided to "restore" the section of a permanent exhibition to its "2008 appearance" because various topics had not been updated since that year and therefore they removed references to Trump, the Smithsonian spokesperson told ABC News on Thursday. Trump is the only U.S. president to have been impeached twice. "In reviewing our legacy content recently, it became clear that the 'Limits of Presidential Power' section in The American Presidency: A Glorious Burden exhibition needed to be addressed. The section of this exhibition covers Congress, The Supreme Court, Impeachment, and Public Opinion," the spokesperson said. MORE: Artist Amy Sherald cancels Smithsonian exhibit, citing 'culture of censorship' The exhibit now only includes references to the impeachment proceedings against Presidents Andrew Johnson in 1868, Richard Nixon in 1973 and Bill Clinton in 1998. Nixon is the only U.S. president to resign following the commencement of impeachment proceedings. While serving as the 45th President of the United States, Trump was first impeached twice by Congress during his first term – with the first proceeding beginning on Dec. 18, 2019 on charges of abuse of power and obstruction in connection with an alleged quid pro quo call with the Ukrainian president. Trump was acquitted when the trial concluded in the Senate on Feb. 5, 2020. Following the Jan. 6, 2021, insurrection at the U.S. Capitol, Trump was impeached for a second time on Jan. 13, 2021, on the charge of incitement of insurrection, but was again acquitted on Feb. 13, 2021, days after he left office after losing the 2020 election to President Joe Biden. Trump denied all wrongdoing in both of his impeachment cases. Following Trump's first impeachment proceeding, the Smithsonian released a statement on Jan. 21, 2020, about the collection of objects regarding Trump's impeachment. The statement said that as the Smithsonian's National Museum of American History "actively engages," with history, curators are following Trump's impeachment trial and will determine "which objects best represent these historic events for inclusion in the national collection." The Smithsonian spokesperson on Thursday said the museum "installed a temporary label on content concerning the impeachments of Donald J. Trump" in Sept. 2021, which was "intended to be a short-term measure to address current events at the time, however, the label remained in place until July 2025." "A large permanent gallery like The American Presidency that opened in 2000, requires a significant amount of time and funding to update and renew. A future and updated exhibit will include all impeachments," the spokesperson added, in explaining the removal of Trump references. An online description of the exhibit of the Smithsonian's website still referenced Trump's two impeachments as of Friday morning. The removal of references of Trump's impeachments was first reported by The Washington Post on Thursday. The report cited "a person familiar with the exhibit plans, who was not authorized to discuss them publicly," who told the Post that "the change came about as part of a content review that the Smithsonian agreed to undertake following pressure from the White House to remove an art museum director." Asked by ABC News about this claim, the Smithsonian spokesperson did not immediately comment. Museums and parks must remove some items related to race and gender: Executive order The Smithsonian affirmed its autonomy from outside influences in a June 9 statement after President Trump announced that he fired National Portrait Gallery head Kim Sajet for allegedly being a "highly partisan person." Sajet resigned on June 13, a Smithsonian spokesperson confirmed to ABC News. "Throughout its history, the Smithsonian has been governed and administered by a Board of Regents and a Secretary. The board is entrusted with the governance and independence of the Institution, and the board appoints a Secretary to manage the Institution. All personnel decisions are made by and subject to the direction of the Secretary, with oversight by the Board. Lonnie G. Bunch, the Secretary, has the support of the Board of Regents in his authority and management of the Smithsonian," the statement said. "The Board of Regents is committed to ensuring that the Smithsonian is a beacon of scholarship free from political or partisan influence, and we recognize that our institution can and must do more to further these foundational values," the Smithsonian added. Trump signed an executive order in March placing Vice President J.D. Vance in charge of supervising efforts to "remove improper ideology" from all areas of the Smithsonian and targeted funding for programs that advance "divisive narratives" and "improper ideology." The order -- called "Restoring Truth and Sanity to American History" -- directed Vance and Interior Department Secretary Doug Burgum to restore federal parks, monuments, memorials and statues "that have been improperly removed or changed in the last five years to perpetuate a false revision of history or improperly minimize or disparage certain historical figures or events."
The Independent
25-06-2025
- General
- The Independent
Workers digging at the World Trade Center site found a mystery boat. Now they're rebuilding it
A remarkable piece of American history, a Revolutionary War-era boat, is slowly being reassembled at the New York State Museum, 15 years after its improbable discovery beneath Manhattan's World Trade Center site. Workers excavating the site stumbled upon the sodden timbers of the 50-foot vessel, which had lain buried for over two centuries, a relic from the nation's formative years. After years submerged and centuries underground, the boat is now being transformed into a museum exhibit. More than 600 pieces of the vessel are undergoing painstaking reconstruction at the museum. Research assistants and volunteers have spent weeks meticulously cleaning the timbers with picks and brushes, arraying them like giant puzzle pieces on the museum floor before the reassembly process could even begin. Believed to be a gunboat constructed in 1775 to defend Philadelphia, the vessel's full history remains shrouded in mystery. Researchers are still piecing together its travels and the reasons for its apparent abandonment along the Manhattan shore, before it ultimately became part of a landfill around the 1790s. 'The public can come and contemplate the mysteries around this ship,' said Michael Lucas, the museum's curator of historical archaeology. 'Because like anything from the past, we have pieces of information. We don't have the whole story.' From landfill to museum piece The rebuilding caps years of rescue and preservation work that began in July 2010 when a section of the boat was found 22 feet (7 meters) below street level. Curved timbers from the hull were discovered by a crew working on an underground parking facility at the World Trade Center site, near where the Twin Towers stood before the 9/11 attacks. The wood was muddy, but well preserved after centuries in the oxygen-poor earth. A previously constructed slurry wall went right through the boat, though timbers comprising about 30 feet (9 meters) of its rear and middle sections were carefully recovered. Part of the bow was recovered the next summer on the other side of the subterranean wall. The timbers were shipped more than 1,400 miles (2,253 kilometers) to Texas A&M's Center for Maritime Archaeology and Conservation. Each of the 600 pieces underwent a three-dimensional scan and spent years in preservative fluids before being placed in a giant freeze-dryer to remove moisture. Then they were wrapped in more than a mile of foam and shipped to the state museum in Albany. While the museum is 130 miles (209 kilometers) up the Hudson River from lower Manhattan, it boasts enough space to display the ship. The reconstruction work is being done in an exhibition space, so visitors can watch the weathered wooden skeleton slowly take the form of a partially reconstructed boat. Work is expected to finish around the end of the month, said Peter Fix, an associate research scientist at the Center for Maritime Archaeology and Conservation who is overseeing the rebuilding. On a recent day, Lucas took time out to talk to passing museum visitors about the vessel and how it was found. Explaining the work taking place behind him, he told one group: 'Who would have thought in a million years, 'someday, this is going to be in a museum?'' A nautical mystery remains Researchers knew they found a boat under the streets of Manhattan. But what kind? Analysis of the timbers showed they came from trees cut down in the Philadelphia area in the early 1770s, pointing to the ship being built in a yard near the city. It was probably built hastily. The wood is knotty, and timbers were fastened with iron spikes. That allowed for faster construction, though the metal corrodes over time in seawater. Researchers now hypothesize the boat was built in Philadelphia in the summer of 1775, months after the first shots of the Revolutionary War were fired at Lexington and Concord in Massachusetts. Thirteen gunboats were built that summer to protect Philadelphia from potential hostile forces coming up the Delaware River. The gunboats featured cannons pointing from their bows and could carry 30 or more men. 'They were really pushing, pushing, pushing to get these boats out there to stop any British that might start coming up the Delaware," Fix said. Historical records indicate at least one of those 13 gunboats was later taken by the British. And there is some evidence that the boat now being restored was used by the British, including a pewter button with '52' inscribed on it. That likely came from the uniform of soldier with the British Army 's 52nd Regiment of Foot, which was active in the war. It's also possible that the vessel headed south to the Caribbean, where the British redirected thousands of troops during the war. Its timbers show signs of damage from mollusks known as shipworms, which are native to warmer waters. Still, it's unclear how the boat ended up in Manhattan and why it apparently spent years partially in the water along shore. By the 1790s, it was out of commission and then covered over as part of a project to expand Manhattan farther out into the Hudson River. By that time, the mast and other parts of the Revolutionary War ship had apparently been stripped. 'It's an important piece of history,' Lucas said. 'It's also a nice artifact that you can really build a lot of stories around.'
