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China Calls on Southeast Asia to Back Openness as US Levies Loom
China Calls on Southeast Asia to Back Openness as US Levies Loom

Bloomberg

time5 days ago

  • Politics
  • Bloomberg

China Calls on Southeast Asia to Back Openness as US Levies Loom

Chinese Foreign Minister Wang Yi called on Southeast Asian nations to uphold openness and cooperation Thursday, delivering a message of inclusivity as President Donald Trump threatens sweeping tariffs on nations across the region. 'Together with the Asean countries, we will promote the Asian values of peace, cooperation, openness and inclusiveness,' Wang said at a meeting between China and the Association of Southeast Asian Nations in Kuala Lumpur.

The future is bright inside the visionary mind of architect Sou Fujimoto
The future is bright inside the visionary mind of architect Sou Fujimoto

Japan Times

time04-07-2025

  • Entertainment
  • Japan Times

The future is bright inside the visionary mind of architect Sou Fujimoto

In Sou Fujimoto's architecture, the future is bright and airy — much like his structures. It's a wholly utopian vision. From his almost entirely glass House NA in Tokyo to his transparent roof and white steel lattice design for the Serpentine Gallery's pavilion in London, and, most recently, his wooden Grand Ring for Expo 2025, the architect has long been preoccupied with openness and freedom. 'Each and every person is a corner that hides away, but also leaves one side for openness,' he says. Fujimoto, 53, grew up in the rural town of Higashikagura, Hokkaido, where he often played in the woods, feeling 'surrounded but protected, not restricted.' After moving to Tokyo for university, he recalls being struck by the similarities between natural and built environments. Unlike the artificial grids of Asahikawa and Sapporo, Tokyo's winding roads reminded him of the forest paths of his childhood. The shōtengai (shopping streets), rows of wooden houses and the haphazardly placed potted plants in front of them, utility poles and train tracks — what he calls 'a streetscape formed of tasteful clutter' — created a dense, layered environment in which 'you can walk anywhere freely, like in a forest.' The image of a growing forest serves as both muse and leitmotif in Fujimoto's largest exhibition to date, 'The Architecture of Sou Fujimoto: Primordial Future Forest,' on view at Mori Art Museum in Minato Ward through Nov. 9. Fujimoto and the team at Mori Art Museum wanted to create an exhibition that's more than simply displaying drawings and models. | ZORIA PETKOSKA The exhibition presents a thicket of projects spanning three decades, divided into eight sections — five of which include the word 'forest.' The first, titled 'Forest of Thoughts,' features more than 1,000 architectural models, some handmade by Fujimoto himself. The works are arranged not only on stands but emerge from the walls and sway from the ceiling using transparent strands. 'We've done many architecture exhibitions at Mori Art Museum,' says museum director Mami Kataoka, 'but we wanted to do something different than just displaying models and drawings.' 'I conceptualized this exhibition from scratch,' Fujimoto adds. 'In fact, I was working on the layout until yesterday. It was very difficult, but I am grateful for the challenge.' Winding through the 'Forest of Thoughts' section, the experience evokes the feeling of stepping inside the architect's mind. The inspiration for Fujimoto's building designs is made tangible through items such as a loofah, potato chips, a stack of matchboxes and a scrunched metal sieve — juxtaposed with the models of buildings that have since materialized, including the Shiroiya Hotel in Gunma Prefecture and the House of Music Hungary in Budapest. Fujimoto has also drawn a map of circles in three colors for this room, classifying his work into three categories: 'open boundaries,' 'amorphous' and 'many many many,' which he sees as the core tenets of his architectural philosophy. The diagram, with the categories overlapping, resembles a forest bursting with foliage. Fujimoto designed the Serpentine Gallery Pavilion in London in 2013. He was the youngest architect at the time to design the annual temporary structure. | Iwan Baan In the next section, 'Forest of Tracks — Chronology,' Fujimoto and architectural historian Shunsuke Kurakata — a collaborator on the exhibition — present a timeline tracing Fujimoto's career. It is interwoven with key projects by other prominent Japanese architects, as well as milestones in architectural history and global society. 'I see this and I realize I have been working hard, haven't I?' Fujimoto says, reflecting on the display. The exhibition includes contributions from other collaborators, too. In 'Book Lounge of Awai (In-Between),' curated by book specialist Haba Yoshitaka, 40 titles that resonate with Fujimoto's work are placed in small wooden chairs that were inspired by church furniture. Visitors are invited to sit down and read if the mood strikes them. "This lounge is a space that exists between reading and not reading,' Yoshitaka writes in a statement. 'It is a space for gently rethinking the contours of the act of reading.' Placed in the only room in the exhibition with a view of Tokyo's sprawling skyline, this section is also an invitation to gaze out the window and read the very cityscape that Fujimoto likens to a forest. Architecture for humans Fujimoto's work is created with people in mind. He recalls designing his father's psychiatric clinic and discussing the needs of the patients who would use the space. His father believed that conventional hospital architecture was too uniform, failing to account for the diverse needs of individual patients. Imagining human activity is standard in architecture, and throughout the exhibition there is an abundance of tiny human figurines in all models (and even on the potato chips and loofah) to give a sense of scale. One section, 'Animated Forest,' is entirely dedicated to larger scale models that serve as canvases for video projections of crowds moving across. It shares the space with 'Open Circle,' which consists of drawings and a 1:5 scale model of the Grand Ring you can walk through, becoming the human figure, albeit out of scale. 'You'll probably feel like a giant,' says curator Kenichi Kondo. The 1:5 scale model of the Grand Ring at the Expo is constructed so visitors can walk through it. | ZORIA PETKOSKA In addition to more than a 1,000 architectural models, the exhibition contains two large-scale models, one of the Grand Ring for the Osaka Expo 2025 and one for a memorial and concert hall in Sendai, Miyagi Prefecture, that's currently under construction and slated to be completed in 2031. | ZORIA PETKOSKA 'The Grand Ring is big, but the pillars are open and you are free to move underneath,' Fujimoto says. The project, which has earned a Guinness World Record as the largest wooden architectural structure on Earth — offers shelter inside and a view from the top, where flowers have been planted. Freedom is a recurring element in Fujimoto's work. The Grand Ring model shows figures sitting on the ground, running around and pausing to enjoy the space. He's not trying to micromanage chaos, believing instead in 'loose order amid the confusion,' a lesson he traces back to his childhood experiences playing in the woods. In Fujimoto's philosophy, we should be able to adjust our space depending on our needs at different times. In L'Arbre Blanc (The White Tree) mixed-use residential tower, one of his biggest projects in France, he positioned balconies asymmetrically so residents could see one another, and incorporated public spaces into the building's design. For him, architecture must provide privacy and shelter, but it must also leave room for connection. 'There is something to be said about shared experiences — something essential to human society,' Fujimoto says in a video that's part of the exhibition. 'If architecture can create spaces like that, then it's doing its job.' Future cities Although 'Primordial Future Forest' surveys the architect's career to date, it doesn't dwell too much on the past. On the contrary, it looks forward, justifying the 'future forest' in its title. 'Forest of Thoughts' includes ongoing projects such as Tokyo's Torch Tower, which, upon completion in 2028, is set to become Japan's tallest skyscraper. The penultimate section, 'A Forest / Many Forests,' is dedicated to another major project currently under construction: the International Center Station Northern Area Complex in Sendai. This multipurpose complex will serve as both a memorial to the Great East Japan Earthquake of 2011 and a concert hall. The model, constructed in 1:15 scale, is lifted off the ground so it can be viewed from all sides. The seating areas are broken apart and hanging in the air, but without barriers and in the same hall, listening to the same music, which embodies Fujimoto's philosophy of coming together for a moment of connection. "Diverse and unified is the thinking of this project, too," Fujimoto says. The exhibition visualizes inspiration for design by juxtaposing the architectural models with mundane objects such as a sieve, a loofa and a stack of matchboxes or potato chips. | ZORIA PETKOSKA Architectural models are displayed in both expected and unexpected ways, with some hanging from the ceiling or stuck to the walls. | ZORIA PETKOSKA While these buildings are set for completion in the near future — the Sendai building is set to be completed in 2031 — the exhibition ventures further into speculative territory. Titled 'Forest of Future, Forest of Primordial — Resonant City 2025,' it presents a vision of a floating city composed of latticed spheres. Developed in collaboration with Hiroaki Miyata, data scientist and university professor, the model imagines a world of personal drones that would eliminate the need for elevators and stairs. To produce the intricate 3D-printed model, Kondo says the team needed to purchase 20 3D printers. "The models in the first room were in the air, too,' adds Miyata with a laugh. 'I think Fujimoto—san wants to float and fly! This is not an answer, but a question for the future." Fujimoto later adds that this design is 'a trigger to keep imagining.' The future, however, is never disconnected from the past. When asked what he thinks about the neglect and loss of Metabolist architecture in Japan, Fujimoto maintains that its ideas remain vital to architects' thinking. '(Ideas) of organic design and sustainability come from there,' he says before gesturing to his Resonant City 2025 model. 'In fact, I think this is something like updated Metabolism." It's a continuation of his signature style — airy structures with organic shapes that don't fight surrounding nature, but don't completely blend in, either. There's room for bold design, innovation and experimentation. In Fujimoto's utopian architecture, we can have it all: the forest and the metropolis, the public and the private. 'With the rise of computers and the internet, I started to wonder what would happen to physicality,' he says. 'The conclusion I reached was that it would likely grow in importance.' 'The Architecture of Sou Fujimoto: Primordial Future Forest,' is on view at Mori Art Museum through Nov. 9. For more information, visit

Dating with Bipolar Disorder
Dating with Bipolar Disorder

WebMD

time29-06-2025

  • Health
  • WebMD

Dating with Bipolar Disorder

Being honest about your mental health can have a really positive impact on your life and the lives of those around you. In my personal experience, the more I've opened up about my bipolar disorder and the struggles that come with it, the better I feel. There's no denying the stigma that still exists around mental illness, but I've found that the best way to combat the related misconceptions is to talk about it. For me, this is especially true in my dating life. I can't remember a time when I haven't made some mention of mental health or my own journey with it once I began dating someone. It's not that I detail my recent hypomanic episode or list out the prescriptions I take, but I do find it helpful and pretty freeing to be transparent about my condition. Doing so gives me the opportunity to give the person I'm seeing more insight into who I am and how I experience the world, to answer questions, and connect with them on an emotional level. It also helps me to suss out how they might handle it as a potential romantic partner. I've been very lucky to have dated partners who were both empathetic and open-minded about my having bipolar disorder. Some have even intervened during an episode, a panic attack, or made sure to text me each day as a reminder to take my medication when I struggled to stay consistent. Not only did these things make me feel reassured and cared for, but they also reaffirmed to me how beneficial it is to communicate about my condition and how it is impacting me. Based on what previous partners have told me, it isn't always easy to love someone who has bipolar disorder. When I first received my diagnosis, it wasn't just my life that was changed: the community of people in my life were impacted, too. This is especially true in the case of spending time or living with a romantic partner. They often have the most intimate connection with you, meaning that they see every facet of who you are up close. Although it was hard for him to admit (and hard for me to process), an ex of mine told me that my hypomanic episodes sometimes scared him. He knew me well enough to recognize when my behavior changed because of hypomania, and while he was proactive about caring for me in those moments, it still affected him emotionally. Rather than getting defensive or taking what he said to heart, I tried to use that conversation as a learning moment. Taking responsibility for my own mental health isn't just for my own benefit. It is also necessary and the least I can do for the people who love and support me. Dating itself isn't always simple. At times, I find that I don't really even enjoy the process of meeting new people on dates. That said, if you — like me — would enjoy having a romantic partnership one day, being open about your mental health is one of the best practices that can lead to a healthy, strong relationship. There is so much strength in vulnerability, so sharing that part of your life with someone you care about is just another way to flex your emotional health 'muscle.'

Morocco: Panama Commends Royal Initiatives Launched by His Majesty the King
Morocco: Panama Commends Royal Initiatives Launched by His Majesty the King

Zawya

time16-06-2025

  • Politics
  • Zawya

Morocco: Panama Commends Royal Initiatives Launched by His Majesty the King

Panama hailed the momentum of openness and modernization underway in Morocco, under the enlightened leadership of HM King Mohammed VI, and expressed its appreciation for Morocco's pioneering role in Africa, making the Kingdom a credible and valued partner on the international stage. In this respect, Panama's Minister of Foreign Affairs, Mr. Javier Martínez-Acha Vásquez, commended, in a Joint Communiqué signed on Monday in Rabat following his talks with Minister of Foreign Affairs, African Cooperation and Moroccan Expatriates, Mr. Nasser Bourita, HM King Mohammed VI's regional and international leadership, mainly Morocco's role in Africa. In this respect, he underlined key projects such as the Royal Initiative aiming to promote stability, security and economic prosperity in Atlantic riparian African countries, the Initiative aiming to facilitate access for Sahel countries to the Atlantic Ocean and the African Atlantic Gas Pipeline megaproject, which represent the Kingdom of Morocco's pioneering commitment to South-South cooperation. The head of Panamanian diplomacy also praised the role of the Kingdom of Morocco, under the leadership of HM the King, as a pioneering player in counter-terrorism, fighting organized crime and preserving peace and security in Africa. The two ministers also explored the prospects for collaboration in the various Atlantic cooperation initiatives. They also expressed their aspiration to make this area a geostrategic framework for concerted action to promote development and guarantee security, solidarity and understanding between South-South and South-North peoples. Distributed by APO Group on behalf of Kingdom of Morocco - Ministry of Foreign Affairs, African Cooperation and Moroccan Expatriates.

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