Latest news with #podcasters
Bloomberg
6 days ago
- Entertainment
- Bloomberg
Marc Maron Quits Podcasting After 16-Year Run, Citing Burnout
Marc Maron's long-running podcast WTF with Marc Maron will air its final episode this fall, the comedian announced Monday, ending a pioneering 16-year run that helped define the podcast medium. 'We're burnt out. And we are utterly satisfied with the work we've done,' Maron said on his show.
Bloomberg
29-05-2025
- Entertainment
- Bloomberg
The Podcast About Podcasts That's Becoming a Cult Podcast
Newsletter Soundbite Talking Talk is taking the burgeoning podcast industry seriously and finding a growing audience on Instagram By Save Hello, hello. Welcome back to Soundbite. Today's a fun one. As podcasts have become more mainstream, two new voices are finding an audience – and catching podcasters' attention – by just talking about them. I chatted with the creators of Talking Talk (formerly Talking Talk Tuah) to learn more about the show that's been blowing up my Instagram feed. If you don't already subscribe to this newsletter, please do so here, and you can reach me directly through email.
Fox News
20-05-2025
- Entertainment
- Fox News
Tim Dillon pushes back on CNN reporter asking if he's part of 'new establishment' that impacted 2024 race
Comedian and podcaster Tim Dillon rejected claims that he and other prominent comedians formed a "new establishment" that contributed to former Vice President Kamala Harris' loss in the 2024 presidential election during an interview with CNN on Monday. Dillon told CNN reporter Elle Reeve that he doesn't "buy the narrative" that several comedians with podcasts were responsible for sinking the Harris campaign or determining the outcome of the race. Reeve asked Dillon whether he believed he was part of a newly emerging establishment, and he pushed back, saying, "I don't think I'm part of the new establishment." Dillon continued, noting that Harris entered the race under challenging conditions: "But this is a very specific circumstance in which Kamala Harris ran for president. She was somewhat unpopular, and she was not a star in Democratic politics before this at all. And her communication strategy was pretty weak. I think most people admitted that. So to hang this defeat all on a few podcasts and to say that they were the problem, I just don't buy the narrative." The comedian dismissed the notion that "a few comedians with podcasts" were able to go toe-to-toe with the "multibillionaires, huge media institutions, a whole political party apparatus" that supported Harris' campaign. "I think it seems like a great way to excuse running an unpopular candidate on a platform that American people weren't sold on," Dillon said. After being pressed further by Reeve on comedians' influence on politics, Dillon mocked the idea that he and other comedians have power that "is equal to the CIA." "The idea that, like, the power that Theo Von has would be equal to, like, the intelligence agencies or these massive legacy media institutions seems crazy," he stated, referencing fellow comedian Theo Von. Reeve maintained that comedians had significant sway, arguing they had formed an 'establishment' with substantial influence over large audiences. Dillon eventually interrupted, challenging this notion. "Well, just, you used the word establishment," Dillon interjected. "I didn't say that we didn't have any power or that audiences weren't powerful. But when you use the term 'establishment,' I think that that's more than just having an audience. That's having an institutional component that I don't think we have." The comedian continued, offering a counter narrative to the reporter's argument that podcasters had the power to have a major influence on an election. "But I think legacy media does. I think the government and the intelligence communities do. I think Hollywood certainly does. And I think all of those people, all of those power factions have worked together for a very, very, very long time. So to say that a few comedians with podcasts equal that seems crazy to me," he said.
Forbes
19-05-2025
- Forbes
RØDE Unveils New NTH-50 On-Ear Headphones For Podcasters And DJs
The new RØDE NTH-50 headphones have Sennheiser's evergreen HD25 Pro headphones in their sights. The ... More Sennheisers are a firm favourite with DJs and the NTH-50 could be popular thanks to their specs and build quality. Australian mega microphone and audio brand RØDE has launched a new and affordable pair of on-ear headphones designed with DJs, podcasters and audio engineers in mind. The brand-new RØDE NTH-50 headphones join the company's award-winning headphone lineup which includes the RØDE NTH-100. These new headphones have an uncanny resemblance to the classic and much-loved Sennheiser HD25 Pro; a classic pair of headphones that has been a firm favorite with sound engineers and DJs over the years. The RØDE NTH-50 headphones are aimed at audio professionals who need precision sound, a comfortable fit and a high level of passive noise isolation. The NTH-50's lightweight design feels more durable than the HD25 Pro but is still light enough to wear while operating a news-gathering camera or DJing. The new RØDE NTH-50 headphones have an uncanny resemblance to Sennheiser's HD25 Pro. RØDE describes the sound quality produced by the NTH-50 as 'Natural and balanced with ultra-low distortion and effective passive noise isolation.' It's a sonic signature that's been tailored for DJs, sound engineers and content creators who need premium sound as well as all-day comfort and rugged durability. To create the new NTH-50, RØDE developed custom-matched 40mm drivers and then housed them in a resonant chamber that provides a deep and balanced bass while still keeping hold of a detailed midrange and clear treble. There's very little coloration in the overall tone. The innovative acoustic design serves up an accurate frequency response alongside ultra-low distortion. The frequency range encompasses an impressive 5Hz – 35KHz. The effective passive noise isolation of -21dB cuts out a lot of unwanted noise, almost as much as some headphones with Active Noise Cancelation on board. The NTH-50 eschews the spilt headband of the Sennheiser HD25 Pro and instead offers a generously ... More padded headband and ear pads. Unlike Sennheiser's HD25 Pro, the new RØDE NTH-50 headphones don't have the split headband. Instead, RØDE opted for a more durable single-contoured headband that reduces wearing fatigue, particularly during extended mixing and listening sessions. Despite the robust build quality, which addresses some of the criticisms of early versions of RØDE's NTH-100, these lightweight headphones have a contemporary look but they are solid enough to endure the kind of punishment studio headphones often receive. The NTH-50's cable is detachable and features a custom-lock fitting that can be slotted into either the left or right ear cup, depending on the user's preference. The cable is partly straight and partially coiled, measuing 1.7m, which is long enough for working at a large mixing desk. Designed and manufactured at RØDE's factory in Sydney, Australia, the NTH-50 come with a lifetime warranty, which is a measure of the company's confidence in its new headphones, especially for those of us who know how much abuse the average pair of cans suffer. The ear pads for the NTH-50 are fully wipeable, offering a more hygienic solution than velour material, an important factor where a single pair of headphones could be worn by many people and liable to pick up sweat, grease and makeup. The detachable cable of the RØDE NTH-50 can be plugged into the left or right ear-cup. There is also ... More color coding for easy orientation. 'At RØDE, we are committed to developing innovative audio solutions to meet the ever-evolving needs of creators,' says Damien Wilson, RØDE's CEO. 'The NTH-50s embody this philosophy, offering a level of sonic accuracy, comfort and durability that marks a new gold standard for on-ear headphones.' 'Engineered from the ground up by our dedicated headphone innovation team in Germany, we've crafted a pair of premium headphones at an affordable price point that delivers an incredibly detailed and immersive listening experience in any environment. Once again, RØDE has over-achieved in the pursuit of delivering world-class monitoring technology.' At the heart of the NTH-50s are the custom-engineered 40mm dynamic drivers which are housed inside an innovative resonant chamber. The chamber provides clarity and an accurate frequency response, ultra-low distortion and a balanced sound with a natural bass and detailed midrange while keeping crisp highs. Although the new RØDE NTH-50 headphones are designed for podcasting, mixing and other studio use, ... More they will appeal to DJs. The RØDE NTH-50s come with a passive noise isolation rating of -21 dBA, enough to reduce external distractions and, more importantly, stop any sound from bleeding out during recording and being picked up by the microphone. The high SPL capabilities and sensitivity of the headphones make them particularly suitable for live performances and studio monitoring. Anyone who uses a pair of studio headphones for more than a few minutes knows that comfort is every bit as important as the sound quality The RØDE NTH-50's contoured headband, with its integrated fontanel recess, relieve pressure on the wearer's skull, reducing fatigue during extended listening times in the studio, on stage or when recording on location. Although they are lightweight and fully adjustable, the NTH-50s are designed to distribute pressure evenly no matter the size of the wearer's head. The headphones also better accommodate glasses wearers. The RØDE NTH-50 feature detachable cables, replaceable ear pads and headband for a long service ... More life. The on-ear design has ear pads lined with memory foam padding that conforms to the contours of the ears. The fit is snug but still breathable, promoting an airflow that reduces the chance of heat buildup while still providing high levels of passive noise dampening. The NTH-50s are made from lightweight and durable materials including aluminum faceplates that can withstand daily punishment in the studio. The modular design has replaceable components such as the headband, ear cushions and cables for a longer service life. The ear cups are color-coded for left and right channels so users can quickly and easily orientate them in low light, a nice touch. Finally, the headphones have a scratch-resistant and matte black coating. They ship with a 1.7m double coiled cable, storage pouch plus 3.5mm to ¼-inch adapter. RØDE has also included color-coded ID rings for simplified cable management and full compatibility with the existing accessories for RØDE's NTH-100 headphones, including modular cable options. For greater versatility, RØDE's optional NTHMic can turn the NTH-50 into a broadcast-quality headset that's suitable for podcasting, streaming, sports commentary and content creation. The new RØDE NTH-50 on-ear headphones will be available from RØDE distributors from May 20, 2025, priced at $99.
Telegraph
17-05-2025
- Telegraph
True crime sleuths descend on New York for Diddy ‘trial of the century'
The world's media descended on New York this week to churn out wall-to-wall coverage from the 'trial of the century' where Sean 'Diddy' Combs is in the dock for sex trafficking. But legacy media journalists must jostle with true crime sleuths and podcasters for a coveted place inside the courthouse. Resplendent in navy blue braces and a fedora, Sean Gunby prepares to go live to his 160,000 followers in his 1950s-esque garb. 'Yo, we live, we down here, Lower Manhattan, Puffy trial, we don't never stop,' he begins, the federal courthouse towering behind him. Usually the 56-year-old podcaster from New Jersey shares tips on keeping fit over 50 with his followers, but this week he is among scores of influencers who have flocked to cover the criminal trial. The first week of the trial has centred on explosive testimony from Cassie Ventura, the rapper's ex-girlfriend, who has claimed she was physically and emotionally abused and coerced into taking part in days-long drug-fuelled 'freak-off' sex parties that became like a full-time job. Combs, 55, has pleaded not guilty to racketeering conspiracy, sex trafficking by force, fraud or coercion and transportation to engage in prostitution. It is chaotic outside the courthouse, with fans of Combs arriving throughout the day. Some play his music and honk their horns as they drive past. 'I'm a fan of Puff so I just wanted to come down and get to the bottom of it and hear it for myself,' Mr Gunby tells The Telegraph as he stands in front of the tripod he has carefully set up in front of the courthouse. Mr Gunby has been arriving at 7.30am each day and streaming from outside before court begins. He watches proceedings from the overflow room, where the trial is live streamed, and updates his fans during lunch and afterwards. His followers are rapt. 'People are interested because my followers trust me because they know that I'm authentic, I have integrity, I'm gonna call a spade a spade,' he says. Mr Gunby, who is wearing a freshly pressed Hickey Freeman pinstripe suit, believes appearances are important. 'If you look good you feel good', he says. YouTuber Tisa Tells, has flown in from Montana to cover the trial for her more than 500,000 followers. She has been in the courtroom each day, paying a professional queuer $600 to join the line from 5pm to secure her a space in the courtroom the following morning. 'It's a pretty penny, but thank goodness there's lots of fan funding so it works out,' she says. She started her channel five-years-ago, describing herself as 'Karma's chief correspondent'. Her past reporting included the Johnny Depp trial. 'I just wanted to get into the space, because I thought I had an opinion that could really add something to the conversation', she says after going live to her followers from the courthouse steps during the lunch break. The video has 33,000 views within one hour. 'The interest is voracious every time I cover the Diddy trial... it's like gaining like, hundreds of followers a day,' she says. Lauren Conlin, a freelance journalist, is among the true crime podcasters sitting through court hearings for her 70,000 followers across YouTube and TikTok. Combs's trial is 'by far the biggest trial' Ms Conlin, 40, who runs the PopCrime TV channel, has reported on. She has been running her podcast The Outlier for five years. 'I'm finding it to be uncomfortable, really hard to sit through a lot of the testimony,' she says. On Thursday she paid a line sitter hundreds of dollars to queue for her, but they left the line one minute before she arrived, losing her a spot in the courtroom. 'It was heartbreaking, I almost cried,' she says. Ms Conlin is recording video updates for her followers in the afternoon break and after court adjourns in which she goes through the day's testimony. 'I could not believe it yesterday, the appetite for who wants to know what's going on,' she says, before showing me a video that got 4.9 million views on X. Her following on the platform jumped from 6,000 to more than 16,000. For Marvin, who runs the account Big Apple Vibes on TikTok, interest in the Combs trial saw his following swell from 8,000 on Monday to more than 40,000 by Friday afternoon. Marvin, who did not want to give his last name, streams live from outside the court from 8am until 5.30pm, pausing for lunch and to recharge his batteries. He began his channel in December 2024, making AI videos and streaming walking tours of New York, because he was 'bored' and his friends told him to stop being 'such a hermit crab'. He says there has been 'crazy interest' in the Combs case. 'People really want to because it's a trial of the century. It's a big, big deal,' he adds. 'I don't go inside [the court] because you have to really relinquish all your phones and devices', he says. Marvin is now getting 'decent' revenue from TikTok. 'I do need money. Who doesn't?', he says. Curious members of the public also find themselves queuing for up to 14 hours to secure a spot in the courthouse. Personal trainer Justin B, waited from 5pm on Monday night to claim a seat in the courtroom on Tuesday, making sure not to eat or drink so he did not need to leave the line to use the bathroom. 'I just came to show support and see what was happening,' he says, adding that he is there for 'both parties'. 'It's a reality check, it shows you how regular people are, because on TV he's [Combs] larger than life but here he's a regular man fighting for his life and a man that did things that he might need to pay for I guess,' he says.
